scholarly journals PAINTER OF HARMONY PERCEPTIONOF THE WORLD: ANNA BARANOVICHI (1906-2002)

2018 ◽  
Author(s):  
Людмила Анатольевна Тома
Keyword(s):  
Fine Arts ◽  
Human Being ◽  
Creative Activity ◽  
The World ◽  
The Republic ◽  
Characteristic Features ◽  
Historical Periods

В статье выявляются закономерности творческой эволюции Анны Баранович (1906-2002), которая принадлежит к поколению бессарабской интеллигенции, стоявшему у истоков формирования искусства республики, чья судьба неотделима от нелегких исторических периодов. Желание выразить красками суть того, что ее интересовало в жизни, вело к усложнению задач. Но сохранялось главное – потребность в гармоническом единении с окружающим миром. Художница выражала энергию жизни в мотивах природы, в облике человека. Целостностью форм и колорита она могла придать эпическое звучание даже небольшим полотнам с простыми предметами, плодами, цветами. Они передают заряд жизнелюбия, сохраненного автором вопреки испытаниям судьбы. Живопись последних лет ее жизни выделяется наиболее активным светоизлучением. This article is making known some characteristic features of evolution in creative activity of Anna Baranovichi (1906-2002). Famous painter, she was a part and parcel of the generation of those Basarabian intellectuals who have put the basis in fine arts’ development in the republic, her fate reflecting in many respects the difficult historical periods. In order to make the colours to express the essence of things and phenomenon of human being, she has always put in her painting the more sophisticated tasks. In her landscapes and portraits she has been expressing the energy of life, keeping the necessity of harmonious unity with the world around. The integrity of forms and colours in her works were giving the epic response just in the case of small canvas with simple objects, flowers or fruit. Her last works are notable for the most active emanation of light, reproducing the supply of love for life that the painter has kept in spite of the or deals of the fate.

THE CONCEPT OF "CREATOR" IN ACCORDANCE WITH THE LEGISLATION OF THE REPUBLIC OF AZERBAIJAN

2021 ◽  
Vol 66 (05) ◽  
pp. 168-172
Author(s):  
Leyla Mobil Khankishiyeva ◽  
Keyword(s):  
Artificial Intelligence ◽  
New Technologies ◽  
Creative Activity ◽  
World Science ◽  
Modern Times ◽  
The World ◽  
Artificial Intelligence Technology ◽  
The Republic ◽  
The Relationship ◽  
And Robotics

One of the realities of modern times is the evolution of new technologies around the world, as well as the use of artificial intelligence (AI) and robotics in different spheres of society. Artificial intelligence, which was founded in the middle of the last century, has been one of the most invested in and interesting fields in recent times. Recently one of the most discussed and important issues is the relationship between artificial intelligence (AI) and intellectual property rights (IPR). Thus, the ownership of works created by artificial intelligence is one of the most discussed issues. In recent years, on the initiative of President Ilham Aliyev, modern achievements of world science have been applied in the life of society in the Republic of Azerbaijan. Considering all of this, the significance and urgency of the situation are clear. In other words, this is an issue that is high on both our national and international agendas. Key words: Artificial intelligence technology, creative activity, concept of "author", “work made for hire” doctrine,computer-generated works

scholarly journals Artistic explorations of Lviv artists of decorative and applied arts in small-scale plastics of the second half of the 20th century: image of a human being

2021 ◽  
Vol IX(258) (47) ◽  
pp. 10-14
Author(s):  
V. Honcharuk
Keyword(s):  
20Th Century ◽  
Art Criticism ◽  
Fine Arts ◽  
Decorative Arts ◽  
Small Scale ◽  
Human Being ◽  
Applied Art ◽  
Wide Range ◽  
Characteristic Features

The present article examines the special characteristics of the development of small-scale sculpture as an independent phenomenon in Lviv fine arts of the second half of the 20th century within the framework of the interpretation of a human being image, since the following problem has not been sufficiently studied in Ukrainian art criticism. In particular, the research focuses on the specific features of artistic experiments of the representatives of decorative and applied art in the field of anthropomorphic sculpture; traces characteristic features of conceptual and modelling solutions; identifies artistic and stylistic features and peculiarities of the representation of a human being image. The author stresses upon the role of Lviv Ceramic and Sculpture Factory that largely set trends in the development of small-scale sculpture. In addition, as based on works of famous representatives of Lviv school of decorative arts, the author identifies the variety of interpretations and wide range of modelling means as well as traces the most vivid anthropomorphic designs.

Images of the Human Being

Paragrana ◽  
2016 ◽  
Vol 25 (2) ◽  
pp. 183-191 ◽  
Author(s):  
Christoph Wulf
Keyword(s):  
Human Being ◽  
Human Beings ◽  
Power Structures ◽  
Human Diversity ◽  
The World ◽  
Cultural Power ◽  
Historical Periods

AbstractHuman beings create images of themselves in all cultures and historical periods. They need these images to communicate about themselves and to understand themselves. Images of the human being are designs and projections of the human being. They are formed in order to visualize representations of the human being or individual aspects of a person. These representations are simplifications of human diversity and complexity. Images of the human being are irreducible. They arise because we communicate about ourselves and must develop similarities and feelings of belonging with other people. They are the result of complex anthropological processes in which social and cultural power structures play an important role. Owing to their iconic character, they reduce the complexity of the person and his or her being-in-the-world to select features and do not create a complete view of the person.

Folk Ornament is One of the Means of Pedagogical Education

2020 ◽  
Vol 4 (118) ◽  
pp. 96-104
Author(s):  
D.S. Bolysbaev ◽  
◽  
N.Á. Mahanbetova ◽  
B.A. Saınanov ◽  
J.M. Agadılova ◽  
...  
Keyword(s):  
Historical Development ◽  
Fine Arts ◽  
Educational Process ◽  
Complete Picture ◽  
Creative Activity ◽  
Folk Culture ◽  
Folk Traditions ◽  
The World ◽  
Ornamental Art ◽  
Development Of Students

Decorative and applied arts as a spiritual culture of society developed over the centuries, achieving the spread of real folk traditions and customs, which at certain stages of historical development formed its moral culture. The study of ornament is a means of achieving certain results in the development of creative activity of future teachers of fine arts. The article reveals the aspects and functions of ornamental art which makes it possible to apply its study in the educational process of pedagogical universities as an effective way to build a complete picture of the world and the development of students’ artistic and creative activity. This paper is devoted to folk ornaments as multifunctional phenomenon of folk culture. Its potential is seen by the authors as a source of reserve and worldview, values, moral, artistic, aesthetic and educational means. Definitions of the most important aspect in ornamental art are given.

scholarly journals Seven Sketches to the Tree of Life

ICONI ◽  
2021 ◽  
pp. 117-125
Author(s):  
Tatiana Sh. Gershbeyn ◽  
Keyword(s):  
Tree Of Life ◽  
Human Being ◽  
Psychological Characteristic ◽  
Outer World ◽  
The World ◽  
Piano Cycle ◽  
Characteristic Features

In many ancient cultures the number seven was distinguished with a special type of symbolism. There is also an aureole of mystique surrounding the cycle “Seven Sketches for Piano” by Saratov-based composer Elena Gokhman. In order to line up one of the possible conceptions of the composition the author turned her attention to the universal Kabbalistic model of the human being – the Tree of Life. The seven components of the Tree – the sephiroths – reflect the seven psychological characteristic features of the human being which it is necessary to develop and perfect, harmonizing them with both each other and with the outer world. The analogies between the Tree of Life and the pieces comprising the piano cycle line up the psychological portrait of our contemporary: permeated with contradictions, aspiring towards harmony and conveying clemency to the world.

scholarly journals Collection of Western European art of the XVI-XIX centuries from the Nnational fine arts museum of the Republic of Sakha (Yakutia)

2018 ◽  
Author(s):  
Ася Львовна Габышева
Keyword(s):  
Fine Arts ◽  
Organic Part ◽  
Wide Range ◽  
The Family ◽  
The World ◽  
Meaningful Result ◽  
The Gift ◽  
History Of ◽  
Western European ◽  
The Republic

Собрание Национального художественного музея Республики Саха (Якутия) – это осмысленный итог подвижнического труда многих поколений. Коллекции музея по своему общему составу представляют большой историко-художественный интерес и включают обширный ряд уникальных произведений, являясь органичной частью мировой художественной сокровищницы. Яркой страницей в истории музейного дела в республике стала безвозмездная передача в 1962 году более 250 произведений западноевропейского искусства ХVI – ХIХ веков из семейного собрания известного якутского ученого, доктора экономических наук, профессора Михаила Федоровича Габышева (1902 – 1958). В составе дара можно отметить работы итальянских мастеров – Николо Реньери (ок. 1590 – 1667), Джованни Баттиста Питтони (1687 – 1767), голландских художников – Александра Адриансена (1587 – 1661), Фредерика де Мушерона (1633 – 1686), превосходные портреты неизвестного фламандского мастера первой четверти ХVII века. На основе картин из коллекции М. Ф. Габышева в 1970 году в бывшем здании Якутского уездного казначейства, построенном в 1909 году, был открыт  филиал – «Музей западноевропейского искусства», преобразованный в 1995 году в «Галерею зарубежного искусства имени профессора М. Ф. Габышева».  Статья рассказывает о принципах и процессе формирования собрания знаменитого коллекционера. The collection of the National Fine Arts Museum of the Republic of Sakha (Yakutia) is a meaningful result of the hard work of many generations. The Museum's collections are of great historical and artistic interest and include a wide range of unique works, being an organic part of the world art Treasury. The significant moment in the history of Museum life in the Republic was the gratuitous transfer (gift) in 1962 of more than 250 works of Western European art of the XVI – XIX centuries from the family collection of the famous Yakut scientist, Doctor of Economics, Professor Mikhail Gabyshev (1902 – 1958). In the composition of the gift can be noted Italian masters – Niccolo Reniery (about 1590 – 1667), Giovanni Battista Pittoni (1687 – 1767), Dutch artists – Alexander Adriansen (1587 – 1661), Frederico de Mucheron (1633 – 1686), excellent portraits of the unknown Flemish master of the first quarter of the XVII century. On the basis of paintings from the collection of M.F. Gabyshev in 1970, in the former building of the Yakut district Treasury, built in 1909, a branch was opened – the Museum of West European Art, transformed in 1995 into the Gallery of Foreign Art named after Professor M.F. Gabyshev. The article deals with the principles and process of forming the assemblage of the famous collector.

The problem of periodization of the history of religion

1997 ◽  
pp. 3-8
Author(s):  
Borys Lobovyk
Keyword(s):  
Religious Studies ◽  
Human Being ◽  
Religious Development ◽  
History Of Religion ◽  
The Social ◽  
The World ◽  
History Of ◽  
Role Of Religion

An important problem of religious studies, the history of religion as a branch of knowledge is the periodization process of the development of religious phenomenon. It is precisely here, as in focus, that the question of the essence and meaning of the religious development of the human being of the world, the origin of beliefs and cult, the reasons for the changes in them, the place and role of religion in the social and spiritual process, etc., are converging.

Tendencies of Forming a Multistructure Economy in Uzbekistan

2019 ◽  
Vol 5 (12) ◽  
pp. 305-311
Author(s):  
M. Ashurov ◽  
Yu. Shakirova ◽  
O. Turdibekov
Keyword(s):  
Corporate Governance ◽  
Private Sector ◽  
Modern Corporation ◽  
The Republic ◽  
Characteristic Features

The article discusses some issues of the formation of a multistructure economy in the Republic of Uzbekistan. The authors performed an analysis of the processes of privatization and privatization in the country. The general tendencies of privatization by stages and results are revealed and generalized. The characteristic features of the stages of denationalization are studied. The formation of the private sector and on the basis of this form of joint stock companies. The need for improving the mechanism of corporate governance in a modern corporation is highlighted.

“Utopia First!” A Machiavellian Conception of Solidarity in More's Utopia

Moreana ◽  
2018 ◽  
Vol 55 (Number 209) (1) ◽  
pp. 79-93
Author(s):  
Marie-Claire Phélippeau
Keyword(s):  
At Risk ◽  
Human Beings ◽  
Farm Work ◽  
The World ◽  
Social Difficulties ◽  
The Republic ◽  
The Individual ◽  
Democratic Elections ◽  
Communal Organization

This paper shows how solidarity is one of the founding principles in Thomas More's Utopia (1516). In the fictional republic of Utopia described in Book II, solidarity has a political and a moral function. The principle is at the center of the communal organization of Utopian society, exemplified in a number of practices such as the sharing of farm work, the management of surplus crops, or the democratic elections of the governor and the priests. Not only does solidarity benefit the individual Utopian, but it is a prerequisite to ensure the prosperity of the island of Utopia and its moral preeminence over its neighboring countries. However, a limit to this principle is drawn when the republic of Utopia faces specific social difficulties, and also deals with the rest of the world. In order for the principle of solidarity to function perfectly, it is necessary to apply it exclusively within the island or the republic would be at risk. War is not out of the question then, and compassion does not apply to all human beings. This conception of solidarity, summed up as “Utopia first!,” could be dubbed a Machiavellian strategy, devised to ensure the durability of the republic. We will show how some of the recommendations of Realpolitik made by Machiavelli in The Prince (1532) correspond to the Utopian policy enforced to protect their commonwealth.

The Process of Globalization and Its Impact on Media

2016 ◽  
Vol 1 (4) ◽  
pp. 150
Author(s):  
Veton Zejnullahi
Keyword(s):  
New Technology ◽  
World Order ◽  
Modern Society ◽  
Media Access ◽  
Four Corners ◽  
The World ◽  
The Media ◽  
The Republic ◽  
Human Eyes ◽  
The Impact

The process of globalization, which many times is considered as new world order is affecting all spheres of modern society but also the media. In this paper specifically we will see the impact of globalization because we see changing the media access to global problems in general being listed on these processes. We will see that the greatest difficulties will have small media as such because the process is moving in the direction of creating mega media which thanks to new technology are reaching to deliver news and information at the time of their occurrence through choked the small media. So it is fair to conclude that the rapid economic development and especially the technology have made the world seem "too small" to the human eyes, because for real-time we will communicate with the world with the only one Internet connection, and also all the information are take for the development of events in the four corners of the world and direct from the places when the events happen. Even Albanian space has not left out of this process because the media in the Republic of Albania and the Republic of Kosovo are adapted to the new conditions under the influence of the globalization process. This fact is proven powerful through creating new television packages, written the websites and newspapers in their possession.

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