The Liturgical Singing Tradition of the Old Believers Priests of the Village of Koida (Based on the Materials of the Pushkin House Expedition in 1975 and 1976)

2021 ◽  
pp. 6-36
Author(s):  
С.В. Подрезова ◽  
Т.В. Швец
Keyword(s):  
Russian Literature ◽  
Liturgical Music ◽  
Special Study ◽  
Sound Recording ◽  
Sound Recordings ◽  
Old Believers ◽  
Arkhangelsk Region ◽  
Late Origin ◽  
Liturgical Singing ◽  
The Village

В  1975 и  1976 годах состоялись фольклорные экспедиции Института русской литературы в с.Койда Мезенского р-на Архангельской области, в ходе которых были записаны разнообразные в стилевом и историческом отношении духовные стихи, а также богослужебные песнопения. До настоящего времени коллекция звукозаписей, хранящаяся в  Фонограммархиве ИРЛИ, не  становилась предметом специального изучения. В ходе исследования удалось атрибутировать гимнографические тексты, выделить особенности распевов и духовных стихов, выявить их источники, частично реконструировать условия звукозаписи. На  основе материалов более поздних фольклорно-археографических экспедиций ИРЛИ были восстановлены сведения о жизни старообрядческой общины, которая принадлежала к белокриницкому согласию. Коллекция богослужебных песнопений в музыкальном отношении разнообразна: она содержит пение «по напевке», «на глас», распевы письменной традиции, памятогласие. Внебогослужебная лирика представлена популярными духовными стихами позднего происхождения, за  исключением эсхатологических стихов, распевы которых опираются на богослужебную традицию гласового пения. In 1975 and 1976, the Institute of Russian Literature (the Pushkin House) arranged expeditions to the village of Koida, Mezensky District, Arkhangelsk Region, during which spiritual verses and liturgical chants diverse in style and history were recorded. Until now, the collection of sound recordings (32 items) stored in the Phonogram Archive has not been a subject of special study. In the course of the research, it has become possible to attribute hymnographic texts, to highlight specifics of the chants and spiritual verses, to identify their sources, and partially reconstruct conditions of the sound recording. The materials of later folklore and archaeographic expeditions, provided the following information: facts about the life of the Old Believer’s community that belonged to the Belokrinitsky concord, the names of mentors, forms of mentoring and transmitting the singing tradition. The chants and spiritual verses were recorded from two significant performers — mentors Nadezhda Malygina and Nikandr Malygin. The collection of chants is diverse and contains oral and written versions of chants, mnemonic (pamyatoglasie). Non-liturgical music is represented by popular spiritual poetry of late origin, except for eschatological verses, the melody of which is similar to the chant.

POLA PENDIDIKAN AGAMA DALAM KELUARGA JAMA’AH TABLIGH DI DESA BOLANG KECAMATAN DAYEUHLUHUR KABUPATEN CILACAP

2019 ◽  
Vol 20 (2) ◽  
pp. 283-298
Author(s):  
Kholid Mawardi ◽  
Cucu Nurzakiyah
Keyword(s):  
Religious Education ◽  
Adult Children ◽  
Daily Activity ◽  
Family Members ◽  
Special Study ◽  
Children's Education ◽  
The Family ◽  
Children’S Education ◽  
The Village

The results of the study found that the responsibility of religious education of children in the family of Tablighi Jama'ah differed in terms of several conditions, namely first, when parents were not going to khuruj where both parents were responsible for children's education; secondly, when the father goes khuruj, then the mother is responsible for everything including children's education; third, when both parents go khuruj, then the responsibility of the child is left to other family members such as grandparents or their first adult children; and fourth, when the child goes to khuruj, where parents are responsible for children's religious education both mother and father. The pattern of the religious education in the Tablighi Jama'ah family in the village of Bolang is formed from several similarities held in the implementation of religious education, one of which is the daily activity that is carried out by the Tablighi Jama'at family. Al-Qur'an becomes one of the material given to children in the ta'lim. Children are taught how to read the Qur'an and memorize short letters such as Surat al-Falaq, al-Ikhlas, and so on. In addition to al-Qur'an, in this ta'lim there is a special study in the Tablighi Jama'ah, which is reading the book of fadhilah ‘amal, and the last is mudzakarah six characteristics.

scholarly journals Afanasy Fet’s essays “From the Village” and Pavel Medvedev’s article “Dreams and Reality”: to the history of polemics

Litera ◽  
2020 ◽  
pp. 8-17
Author(s):  
Ekaterina Viktorovna Tselikova
Keyword(s):  
Russian Literature ◽  
Art And Science ◽  
Science And Art ◽  
History Of ◽  
Democratic School ◽  
The Right ◽  
Xix Century ◽  
The Village

This article meticulously analyzes the views of the representative of aesthetic school and school of democratic poetry of the Russian literature of the XIX century upon the designation of art and science. The essays “From the Village” by A. A. Fet, which depict the poet’s outlook upon the role and tasks of poetry, science, and art as a whole, serve as the materials for this research. Opinion of the opponents from democratic school is demonstrated on the example of the article “Dreams and Reality” by the author of the satirical magazine “Iskra” Pavel Medvedev. The article examines polemical dialogue between the two schools, analyzes and compares the arguments provided by its representatives. The article describes various mechanisms that allow using aesthetic beliefs as the foundation for creating a parodistically distorted personality and as a method for exposing the true views. The cycle by P. A. Medvedev “Dreams and Reality”, which combines the attributes of satirical parody and satire itself, was created as an instrument that is able to discredit publicizing of A. A. Fet in his essays “From the Village”, and thus unveil not only his aesthetic, but also sociopolitical position, ideology of the right-winger and advocate of serfdom. The parodist was trying to achieve such effect solely through interpretation and commenting of the statements of A. A. Fet himself.

scholarly journals From the Epistolary Heritage of the Poet Ivan A. Kostin: Correspondence with V. I. Malyshev and I. N. Zavoloko

2021 ◽  
Vol 3 ◽  
pp. 132-168
Author(s):  
Alexander V. Pigin ◽  
Keyword(s):  
Russian Literature ◽  
National Archive ◽  
National Museum ◽  
Old Believers ◽  
Valuable Addition ◽  
Greeting Cards ◽  
History Of ◽  
Ancient Manuscripts ◽  
The Republic ◽  
Academy Of Sciences

The article presents a study and publication of the correspondence of the poet Ivan Alekseevich Kostin (1931–2015) from Petrozavodsk with the archaeographer Vladimir Ivanovich Malyshev (1910–1976), who held a Doctor of Sciences degree in Philology, and the Old Believer writer and educator Ivan Nikiforovich Zavoloko (1897–1984). The correspondence includes letters and greeting cards (30 in total) from the 1970s to the early 1980s. They are currently stored in the Manuscript Division of the Institute of Russian Literature (Pushkinskij Dom) of the Russian Academy of Sciences in St. Petersburg, the Archive of the Grebenshchikov Old Believer Congregation in Riga, the National Museum of the Republic of Karelia in Petrozavodsk, and the National Archive of the Republic of Karelia, also in Petrozavodsk. Kostin’s letters to Malyshev reveal how the Petrozavodsk poet aided Malyshev in collecting manuscripts for the Ancient Manuscripts Repository (Drevlekhranilishe) in the Institute of Russian Literature (Pushkinskij Dom). The correspondence between Kostin and Zavoloko concerns the history and culture of the Old Believers, the Vygoleksinsky monastery, and the Zaonezhye, and issues pertaining to literary activity and academic studies. The letters make a valuable addition to Kostin’s memoirs about Malyshev and Zavoloko. The article also covers the history of Kostin’s poem dedicated to Archpriest Avvakum. The letters, published in the appendix to the article, are accompanied by comments.

scholarly journals Geographical vocabulary of the Tornovsky dialect of the Moksha-Mordovian language

2018 ◽  
Vol 10 (4) ◽  
pp. 6-13
Author(s):  
Nikolai V. Belenov
Keyword(s):  
Field Research ◽  
Field Work ◽  
Fundamental Difference ◽  
Special Study ◽  
Methodological Basis ◽  
Linguistic Research ◽  
History Of ◽  
The Subject ◽  
The Village ◽  
Linguistic Material

Geographical vocabulary existing in ethno-linguistic environment, has a significant impact on the formation of its toponymic nomenclature. This influence is manifested both in the form of toponymic formants and in the basics of geographical names originating from this ethno-linguistic environment. The relevance of this work is definted by the fact that until now geographical vocabulary of the Tornovsky dialect of the Moksha-Mordovian language, as well as other Samara-Bends dialects, was not the subject of special study, and was not introduced into academic and research circulation. The purpose of this article is description and lexico-semantic and etymological analysis of geographical vocabulary of the Tornovsky dialect of the Moksha-Mordovian language. General theoretical and methodological basis of the research was made up of the works of Russian and international researchers on the toponymy and dialectology of the Mordovian languages. Vocabulary data is based on the materials of field research that the author conducted in the village Tornovoe of the Volga district of the Samara region during the field-work in 2017 and 2018. The main methods of linguistic research are descriptive and comparative methods. They were used in the collection and analysis of linguistic material. The results of the study showed that the geographical vocabulary of the Tornovsky dialect of the Moksha-Mordovian language fully reflects all the phonetic and accentual features of this dialect. It was also revealed that there is a fundamental difference between the composition of geographical vocabulary of the Tornovsky dialect and the same vocabulary of the neighboring dialects of the Moksha-Mordvin language, Shelehmetsky and Bahilovsky. A significant part of the geographical vocabulary in tthe Tornovsky dialect is borrowed from the Russian and Turkic Kipchak languages which reflects ethnolinguistic history of its speakers.

scholarly journals MATERIALS OF SOUND AND VIDEO RECORDING AS TYPE OF SOURCE OF EVIDENCE IN CRIMINAL PROCEEDINGS

2021 ◽  
pp. 551-566
Author(s):  
H. Kutskir
Keyword(s):  
Video Recording ◽  
Material Object ◽  
Sound Recording ◽  
Practical Application ◽  
Criminal Proceedings ◽  
Sound Recordings ◽  
Physical Evidence ◽  
Expert Opinions ◽  
Video Recordings ◽  
Factual Data

The article is devoted to clarifying the concept, place and role materials of sound and video recording as type of source of evidence in criminal proceedings. It is noted that evidence may be only those factual data that are obtained as a result of investigative (search) actions and their variety, such as covert investigative (search) actions, other procedural actions that are provided by the Criminal Procedure Code of Ukraine, and in the order provided by the relevant procedural action. Attention is drawn to the fact that the system of procedural sources of evidence used to establish factual data is defined in the CPC of Ukraine and consists of testimony, physical evidence, documents and expert opinions. Attention is paid to documents as a source of evidence. It is determined that the legislator refers the materials of audio and video recordings to such a source of evidence as a document. It is emphasized that in this case it is necessary to evaluate the information itself, and not the material object on which they are recorded. The peculiarities of establishing the features and properties of video and sound recording as a separate type of documents and determining their affiliation to physical evidence or documents due to the specific process of their formation are indicated. Given is a detailed description of the procedure for their delimitation. It is stated that the collection, receipt and request materials of photographs, sound recordings, video recordings and other media belongs to the prosecution, the defense, the victim in order to establish the circumstances relevant to the criminal proceedings. It is emphasized that any collection of evidence is possible only in accordance with the procedure provided for by the CPC of Ukraine, that is, in compliance with the criminal procedural form. The legal consolidation and practical application materials of sound and video recording in criminal proceedings is determined, in particular, that materials of video and sound recording can be obtained as a result of recording the course and content of investigative (search) actions and covert investigative (search) actions, as well as when recording a court session. Video and sound recordings obtained during of procedural actions are attached to the protocols of investigative (search) actions, covert investigative (search) actions and are stored in the materials of criminal proceedings.

ONTOLOGICAL DUALISM AND THE PROBLEM OF HOLINESS IN THE PEASANT EPIC OF S.A. KLYCHKOV

2019 ◽  
pp. 103-116
Author(s):  
Alexey Shorokhov
Keyword(s):  
World Literature ◽  
Russian Literature ◽  
Double Effect ◽  
Front Line ◽  
Xxth Century ◽  
Old Believers ◽  
The Third ◽  
Fiction Writers ◽  
Theory Of Literature ◽  
Artistic Research

The phenomenon of Group of Russian poets and fiction writers of the early XXth century, merged by literary critics under the title «new-peasant poets », is seemingly enough researched. However, when there is a serious knowledge of the creative heritage of the two most famous new-peasant poets – Sergei Yesenin and Nikolai Klyuev – heritage (especially prose) of the third significant poet of this circle, Sergei Klychkov, is still poorly studied. The focus of this article is the first part of a trilogy («Sugar German», «Chertuhinskij Balakir» and «Prince of Peace»), roman of S.A. Klytchkov «Sugar German», where most unpopular for this theme post-revolutionary years author undertakes to explore the issue of Holiness. For artistic research of the topic Klytchkov uses not only all the accumulated before him «resources» of the classical Russian literature (primarily heritage of N.S. Leskov), but also his own front-line experience and experience of Russian sectarianism (old believers of different leanings and concerts), a peculiar fad that is going through all Russian intellectuals in the pre-war and prerevolutionary years (correspondence with N.A. Kljuev, block shape of Grigory Rasputin, «Walking to Castle Kitezh» by S.A. Klytchkov himself, etc.). The task of author of this article is to find and describe the exceptional artistic means («double effect» and «double-lighting»), which the writer uses to achieve the necessary objectivity in narration. The article uses characteristics of prose made by writer's contemporaries (A.M.Gorky, A.K. Voronski, P.A. Zhurov), studies of creativity of S.A. Klychkov that became classic now (N.M. Solncev, M. Nikjo), theoretical works on the Russian and world literature and art of M.M. Bakhtin, V. Kozhinov, Ortega Y Gasset, and T. Mann, as well as works on the theory of literature of 2001–2019 years by S.A. Nebolsin, V.V. Fedorov, I.A. Esaulov.

Stories of Children from the Families of Old Believers in Bendery About “Scary Places” and “Scary Old Women”

2021 ◽  
pp. 91-99
Author(s):  
Оксана Федоровна Ежова
Keyword(s):  
Eighteenth Century ◽  
Folk Music ◽  
World Literature ◽  
Russian Literature ◽  
Psychological Development ◽  
State University ◽  
Old Believers ◽  
The 1960S ◽  
The City ◽  
Moscow State University

В данной статье рассматривается практика посещения детьми из семей русских староверов Республики Молдова, из г. Бендеры (непризнанное государство Приднестровская Молдавская Республика), «страшных мест» и рассказы о них. Исследование основано на материале, собранном в экспедиции ИМЛИ РАН и МАЛ МГУ зимой 2020 г. Сообщество староверов г. Бендеры сформировалось в XVIII в., тесно связано с единоверными сообществами Украины, Румынии и России. Это «поповцы», т. е. староверы, которые признают священство, подчиняются так называемой «белокриницкой» иерархии, возникшей на территории, относившейся в середине XIX в. к Австро-Венгрии, в селении Белая Криница. В сообществе с 1960-х гг. проводились исследования древнерусской книжности (специалисты МГУ им. М. В. Ломоносова, группа под руководством И. В. Поздеевой), исследовалась церковно-певческая культура (Н. Г. Денисов), был изучен календарно-обрядовый и свадебный музыкальный репертуар староверов-липован (сотрудники Кабинета народной музыки при МГК им. П. И. Чайковского И. К. Свиридова, Н. М. Савельева, И. А. Савельева). Детские традиционные занятия, как исторические, так и наблюдаемые в наши дни, не описывались. Зафиксированные нами практики трактуются в статье как этап психологического развития детей, свойственный возрасту. Также рассматриваются традиционные для данного сообщества аспекты детско-родительских отношений в связи с посещением детьми «страшных мест». Среди детей из семей русских староверов Молдовы ранее аналогичные исследования не проводились, расшифровка интервью с детьми вводится в научный оборот. This article examines children’s practice visiting “scary places” and telling stories about them. These places are visited by children from families of Russian Old Believers in the city of Bendery, Pridnestrovian Moldavan Republic. The study is based on material collected during an expedition sponsored by the Institute of World Literature and Moscow State University in winter, 2020. The community of Old Believers in Bendery was formed in the eighteenth century. Since the 1960s, specialists from Moscow State University (led by I. V. Pozdeeva) have conducted research in the community on ancient Russian literature. Church and song culture was also studied (N. G. Denisov), and research on ethnomusicological phenomena was carried out by the staff of the Folk Music Cabinet of the Tchaikovsky Moscow State University (I. K. Sviridov, N. M. Savelev, I. A. Savelev). They studied the calendar-ritual and wedding musical repertoire of the Old Believers-Lipovans. Children’s traditional activities, both historical and those observed today, are not described in the article. Rather, the practices we recorded are interpreted as a stage in children’s psychological development. The traditional aspects of child-parent relations in connection with the children’s visits to “scary places” are also considered. Such studies have not previously been conducted among children from the families of Russian Old Believers in Moldova, and the article introduces transcripts of interviews with children to the scholarly community.

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