scholarly journals PHYSICAL-SPATIAL ASPECT IN LOCAL EXPRESSION OF TOWNSCAPE ON SAMIRONO YOGYAKARTA

2021 ◽  
Vol 6 (01) ◽  
pp. 74-91
Author(s):  
Leonardo Devin Setiawan ◽  
Fransiskus Xaverius Budiwidodo Pangarso

Abstract - Cities change by time to time physically and non-physically. The city development produces a distinctive character even in the smallest urban creature. This distinctive character does not take quickly but is slowly and full of challenges. Townscape is a visual impression of buildings arrangement, roads, and spaces those are expressed organically to form urban spaces. Therefore, a townscape that exists in an urban area is created on delevlopment or grows by unintentionally. Apart from that, the character of a townscape from one place is different from the other. The townscapes had been created and specific in each place. The literatures for this research are: 'The Concise Townscape', 'The Aesthetic Townscape', and 'Road Form and Townscape'. The three literatures describe the existence of townscape in Europe and Japan. This is the basic knowledge in townscape and how it is applied in Indonesia, especially in the city of Yogyakarta. The urban space chosen in this research is Padukuhan Samirono. Padukuhan Samirono is located in the north of Yogyakarta City and is very close to Gadjah Mada University and Negri Yogyakarta University. Padukuhan Samirono is known as an area that provides student accomodation. The community still stand fot maintaining their cultural habit such as gathering, cultural performances, and parades. This study examines the Townscape in Padukuhan Samirono. The social and cultural activities expressed their locality as seen as in its townscape. The pictorial analysis method identify the elements of townscapes wich effects the urban space. By describing the elements of urban space with 7 factors: nature elements, space organization, mass, proportion, activity, carving, and streetscape, the local expression criteria of Padukuhan Samirono’s can be formulated. Based on observations, the local expression of townscape on Samirono changes into a modern form. This research attempts to enhance people’s aprrectiation about townscape, especially townscape in Indonesia.   Key Words: townscape, pictorial analysis, Samirono, Javanese, locality

2007 ◽  
Vol 21 (1) ◽  
pp. 87-99
Author(s):  
Caragh Wells

This article suggests that over recent decades Catalan literary criticism has paid too little attention to the aesthetic attributes of Catalan literature and emphasised the social, political and cultural at the expense of discussions of narrative poetics. Through an analysis of Montserrat Roig’s metaphorical use of the city in her first novel Ramona, adéu, I put forward the view that the aesthetic features of Catalan literature need to be re-claimed. This article provides a critical analysis of the aesthetic importance of Roig’s representation of the city in her first novel and argues that she uses Barcelona as a critical tool through which to explore questions of both female emancipation and aesthetic freedom. Following a detailed discussion of Roig’s descriptions of how her female characters interact with particular urban spaces, I examine how Roig makes subtle shifts in her semantic register during these narrative accounts when her prose moves into the realm of the poetic. I conclude that this technique enables us to read her accounts of urban space as metaphors for aesthetic freedom and are inextricably linked to her wider concerns on the importance of liberating Catalan literature from the discourse of political nationalism.


2019 ◽  
pp. 70-72
Author(s):  
A. M. Tormakhova

The aim of the article is to highlight the specificity of visual transformations that occur in the modern urban space under the influence of the development of creative industries. The research methodology involves an interdisciplinary approach and engaging a range of cultural, sociological, and philosophical works. The works of modern foreign researchers Z.Bauman, Ch. Landry, D.Hezmondhalsh are attracted.The sphere of urban planning and the problem of creative industries are being studied. Thanks to creative industries is appears new jobs, the solution of social problems (especially in poor areas), as well as the transformation of urban space. The modern city is a reflection of the transformational processes taking place in the world. There is a change in the form of regulation of the city development policy, from the state to the municipal. There are conditions for activating creative industries that can be defined as an individual creative background, skill or talent that can create added value and jobs through the production and exploitation of intellectual property. The development of creative industries has economic feasibility, but this process is accompanied by a change in the image of the city. Urban space is the text of culture, which often combines non-interconnected components. The visual image of the modern city is repulsive and attractive, it is difficult to bring it to a single concept, but it continues to be the center of human life. Scientific novelty lies in the study of the relationship of the development of creative industries in the urban space and their impact on the visual image of the city. Practical significance is connected with the emphasis on the need to invent an individual development strategy for each city as a “creative city”, where the sphere of cultural production is leading. Promising is the direction of creative industries in a single direction and minimizing the factors influencing the negative perception of the vision of the city.


2019 ◽  
Vol 8 (2) ◽  
pp. 1
Author(s):  
Mine Kuset Bolkaner ◽  
Selda İnançoğlu ◽  
Buket Asilsoy

Urban furniture can be defined as aesthetics and comfort elements that reflect the identity of a city and enable the urban space to become livable. Urban furniture is an important element of the city in order to improve the quality of urban life, to create a comfortable and reliable environment and to meet the needs of the users in the best way. For designing these elements, the social, economic, cultural and architectural structure of the city should be considered and evaluated. It is important to adapt the urban furniture to the urban texture and to the cultural structure achieving an urban identity, in order to ensure the survival and sustainability of the historical environments. In this study, a study was carried out in the context of urban furniture in Nicosia Walled City, which has many architectural cultures with its historical texture. In this context, firstly the concept of urban identity and urban furniture was explained and then, information about urban furniture was given in historical circles with urban furniture samples from different countries. As a field study, a main axis was determined and the streets and squares on this axis were discussed. These areas have been explored starting from Kyrenia Gate in North Nicosia; İnönü Square, Girne Street, Atatürk Square, Arasta Square, Lokmacı Barricade and on the south side Ledra Street and Eleftherias Square. In this context, the existing furniture in the North and South were determined and evaluated in terms of urban identity accordingly. As a result, it can be suggested that the existing street furniture equipments, especially on the north side, do not have any characteristic to emphasize the urban identity. According to the findings, it was determined that the urban furniture in the streets and squares on the north side is generally older and neglected, and does not provide a unity with the environment, whereas on the south side, these elements on the street and square are relatively new, functional and environmentally compatible.Key words: urban furniture, historical environment, urban identity, Nicosia Old City


Author(s):  
Samuel Medayese ◽  
Hangwelani Hope Magidimisha-Chipungu ◽  
Ayobami Abayomi Popoola ◽  
Lovemore Chipungu ◽  
Bamiji Michael Adeleye

This study followed a chronological review of literature over the past 20 years. This was able to show relationship between inclusivity and physical development. A variety of discussions were looked into including dimension of inclusivity, definition of inclusivity, scales for measurement of inclusivity, methodology for appraising inclusivity, protagonists of inclusivity, and antagonists of inclusivity. The intricacy of the correlations between inclusive physical development and life expectations of residents are improved upon so as to show the similarities of these parameters. The analysis of the relevant literature indicated the process of enhancing the urban space and ensuring that all interest and strata of groups in the human composition are adequately cared for by employing the best parameters from the conceptualization of the city development, all the indicators of inclusiveness are well thought out.


2019 ◽  
Vol 11 (1) ◽  
pp. 15-26
Author(s):  
Elena A. Rusinova

The theme of the artistic image of the city in film has been repeatedly considered in film studies from both historical and cultural perspectives. However, two aspects of the study of the theme remain virtually unexplored because they are associated with a professional analysis of such a specific area of filmmaking as sound directing. The first aspect is the role of the city in films as both visual and audio space; the second aspect is the significance of urban sounds in the creation of the inner world of a film character. This essay explores the director's vision of urban space and the possibilities of sound directing in the formation of the inner world of a character and his/her various mental conditions - through the use of sound textures of the urban environment. The author analyses several films about Georgia's capital Tbilisi, produced in different time periods. The vivid "sound face" of Tbilisi allows one to follow changes in the aesthetic approaches to the use of the city's sounds for the formation of the image of film characters in the cultural and historical context of particular films. The essay concludes that the urban space, with its huge range of sound phenomena, contributes to the formation of a polyphonic phonogram which could bring a film's semantics to higher aesthetic and intellectual levelsl.


2019 ◽  
Vol 27 (4) ◽  
pp. 105-113
Author(s):  
Alina Źróbek-Różańska

Abstract Predicting the population size of a city is one of the key tasks preceding the creation of city development plans, seeing as how urban space management should be adequate to current and forecasted economic and social trends, including demographic ones. In many cities of the world, apart from capitals and metropolises, the phenomenon of depopulation and shrinking has been observed, which is due to a decrease in the fertility rate and a negative migration balance. Apart from the inhabitants registered in the city for permanent residence, there are also people living there temporary, including students. Some graduates will decide to stay in the city, thus increasing the population of the city’s residents. The purpose of the study described in this article was to attempt to determine the extent to which new-coming students are able to alleviate the effects of the adverse phenomenon of city depopulation. The city chosen as the research area - Olsztyn - has been experiencing the loss of residents for 10 years and is also the largest university center in the province. Understanding settlement / migration plans required a broad survey. As a result, it was concluded that the impact of graduates on inhibiting depopulation is relatively small as most of them planned to move out to a larger urban center, and only every fifth one declared a willingness to live in Olsztyn. Retaining graduates would require the development of the labor market towards new, well-paid jobs.


2021 ◽  
Author(s):  
Hoshyar Qadir Rasul

Abstract The city is characterized by structure, urban space organization, and specific configurations of the urban fabric. These factors act on distinguishing the city and give it a specific identity with specific features. The urban fabric is different, according to its morphology, planning, and design characteristics. Thus, if we know that the city, affecting and affected by rapid changes in its structure, configuration and space organization, these changes and transformations, according to its topological relations, places and its structure are different in between the city. At the same time, the severity and degree of these impacts also vary from one another location. More areas that resist and hold up against these changes and maintain their structure are the traditional urban areas, usually located in city centers, which retain their identity, authenticity, and urban and physical specificities. The study attempt to find out and diagnose the factors affecting, and then clarify the features, which lead to making the fabric retain its originality, stand up against winds of ongoing changes and transformations that occur in traditional urban fabrics when comparing with other areas in the city. The formation of the urban fabric appears as a result of a balance between internal and external forces, or in other words between more complex relationships, between parts with each other and parts with the whole, acting on its explicit and implicit structure. Implicit structure (genetic system) represents the potentiality, which our study aims to explore its configuration as an objective of the study as well. The research adopted space syntax methodology and its applications to arrive at the traditional know-how, which had weaved the rules of its nature, and also to verify the research hypothesis and achieve its objectives, too. Finally, the study found that the system of relationships that exists between (parts – parts) and (parts – whole), and the nature of these relationships had granted the area its uniqueness to persist against any deformation or rapid transformation over time.


2018 ◽  
Vol 15 (6) ◽  
pp. 693-707 ◽  
Author(s):  
Olga N. Astafyeva ◽  
Natalia V. Kuzmina

The article examines the aesthetic category of “interesting” as a dominant of urban environment development. The authors try to comprehend this category from the point of view of cultural know­ledge. The article includes a theoretical section, where, basing on well-known concepts, the authors outline the principles of embedding the “interesting”, as something aesthetics and artistic, in the postmo­dern fabric of modern megacities. The analytical part of the article is based on specific examples represen­ted by urban cultural landscapes, by the post­modern clash of art and non-art in urban space, by event communications and other forms of urban culture representation. The study resulted in designation of one of the main problems of modern cities: as a result of their excessive saturation with “interesting”, there can be observed a gro­wing cultural and aesthetic insensitivity to the “inte­resting” among their citizens.From the methodological point of view, the study revealed that, in interpretation of modern phenomena of socio-cultural reality, it is not enough to proceed from the basic principles of a particular science. So, the interdisciplinary approach, as a methodolo­gical resource in demand today, allows revealing, by the example of the concept of “inte­resting”, the interconnection and interdependence of the methodological approaches of aesthetics and culturology for stu­dying the cultural environment of modern cities.The authors analyze the “interesting” as an instrument of influencing on the cultural environment of the city and the perception of its text. As a result, the “interesting” intensifies the nonlinearity and fractality of urban space. On the example of Russian ci­ties development, the article reveals that the formation of a new cultural environment is always connected not only with changing of artistic design solutions or/and aesthetics trends. The authors prove that the need for “interesting” widens the frames of the subject field of aesthetics. The “interesting” is moving to the cen­ter of interdisciplinary cultural studies.


Author(s):  
Prof. Dr. Lalu Mulyadi ◽  

Some cities in Indonesia have a long history of city development, in East Java, for example the cities of Surabaya, Malang, Blitar, Kediri and Pasuruan are cities that have a history of urban development that still maintains the identity of the city. old buildings or colonial buildings, these buildings can still be suspected through the characteristics of building shapes and the use of ornaments that are characterized by European buildings. For this European building to be preserved, it is necessary to conduct a feasibility study of the aesthetic value contained in the building. The case study taken in writing this article is the Pancasila Building in the city of Pasuruan. The method used is descriptive analysis topically. To support the discussion in this article, field observations and literature studies were conducted. The findings in this study were to determine the physical identity of the building and the meaning of building ornaments.


Author(s):  
Mikhno Nadiya

The main focus of this article is on defining the specific characteristics of public space organization in a modern Ukrainian city. The study identified the vector of change in the organization of public spaces in recent decades under the influence of changing socio-historical, ideological context and under the influence of globalization processes. It is determined that the main formats of using public spaces in the city today are pragmatic formats of use – the practice of commercialization of urban space, the practice of interaction with strangers, «domestication» of public space, «Europeanization» of public space, desacralization and marking of public space as safe and convenient.


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