scholarly journals Local History of Jakarta and MulticulturalAttitude (Historical Local Study of Betawi Ethnic)

2017 ◽  
Vol 2 (1) ◽  
pp. 93
Author(s):  
Suswandari Suswandari

This is a literature review about local history of Jakarta and multicultural attitude. In the context of local history of Jakarta, ethnic Betawi as ethnic origin Jakarta is formed from the process of inter-ethnic assimilation imported by the Dutch colonial government in its political and economic interests. In its development, the Betawi ethnic group continued to strengthen and succeeded in establishing their own distinctive identity as well as disturbing with other ethnic groups in Indonesia, although in their present development their existence is decreasing due to development interest which is not able to open wide room for Betawi ethnicity itself because various causes. The Betawi ethnic group has a strong identity concerning Betawi cultural heritage such as strong religious soul, respect for diversity, friendly, homoris, helpful, open, tolerant to differences and so on. As a part of Jakarta's local history, ethnic Betawi history can be explored as a source of inspiration and a source of awareness in instilling multicultural souls in Jakarta, as a metropolitan city with increasingly diverse ethnicity towards social life within the framework of peace and harmony.

2020 ◽  
Vol 15 (1) ◽  
pp. 6-11
Author(s):  
Rully Aprilia Zandra ◽  
Rustopo Rustopo

Keroncong merupakan musik, instrumen musik, dan genre yang diklaim sebagai warisan budaya indonesia. Keroncong sebagai warisan budaya tentunya memiliki sejarah yang panjang.sejarah yang panjang juga tidak akan luput dari pasang surut dan perkembangan. Pasang surut dan perkembangan umumnya dipengaruhi politik dan situasi sosial. Untuk memetakan sejarah keroncong di Indonesia yang diwarnai politik dan situasi sosial, data dikumpulkan melalui dokumentasi, telaah pustaka, dan wawancara. Data valid dikonfirmasi dan dipaparkan secara kronologis berdasar periodesasinya. Hasil penelitian ini menunjukkan bahwa keroncong bermula dari diseminasi instrumen musik bangsa Portugis yang menjalin hubungan dengan Majapahit. Diseminasi instrumen fado di nusantara mengalami perubahan morfologi dan teknik perlakuan alatnya. Perubahan morfologi dan perlakuan alat ini melahirkan instrumen keroncong atau cukulele. Gaya lirik dibangun oleh kearifan lokal nusantara sesuai demografi dan situasi sosial di masing-masing lokasi penciptaannya. Gaya lirik dan pasang surut popularitas keroncong sebagai kelompok musik didorong dan dihentikan oleh naik turunnya kekuatan politik Portugis, Majapahit, Belanda, Jepang, dan Orde Lama dan Orde Baru. Political and Social Situations in the History of Keroncong in IndonesiaAbstract:Keroncong is music, musical instrument, and the genre that is claimed to be Indonesia's cultural heritage. Keroncong, as a cultural heritage, certainly has a long history. A long history will not escape its ups and downs and developments. Political and social situations generally influence the ups and downs and developments. In order to map the history of keroncong in Indonesia, which is colored by politics and social situations, data is collected through documentation, literature review, and interviews. Valid data are confirmed and presented chronologically based on the periodization. The results of this study indicate that keroncong originated from the dissemination of Portuguese musical instruments, which had a relationship with Majapahit. The dissemination of fado instruments in the archipelago has changed the morphology and treatment techniques of the tools. Changes in the morphology and treatment of this tool gave birth to the keroncong or Cukulele instrument. The local wisdom of the archipelago builds the lyric style according to the demographics and social situations in each location of its creation. The lyric style and the ebb and flow of keroncong's popularity as a musical group was driven and stopped by the ups and downs of the political power of the Portuguese, Majapahit, Dutch, Japanese, and the Old and New Order.


2019 ◽  
Vol 10 (2) ◽  
Author(s):  
Wahyu Novianto

This research reveals the theatrical dramaturgy of realism and its staging strategies. As a dramaturgy study, history, theory, and theatrical conventions of realism are also revealed, from the beginning and development in the West to Indonesia. Furthermore, how a realism theater is created What are the dramatic and artistic tactics carried out by the director to bring the illusion of reality on the stage. This research is a literature review that makes books or other sources of literature the object of research.The results of the study explain that the history of the emergence of the theater of realism in the West is a rejection of the classical theater style that presents gods, fairies, and other mythological creatures. Theatrical realism conventions are themes around social life and psychology; the characters have sociological, psychological, and physiological dimensions; linear plot; settings are made static; absence of symbols; the fourth wall; and catharsis. The dramatic and artistic tactics carried out by the director are based on chaos, a personal experience experienced by the director.Key words: dramatic tactics, artistic tactics, realism, and the illusion of reality


Author(s):  
Bazheneyeva S.

The article discusses the history of the performance of the Kazakh kuy throughout the history of the separation of Kazakhs into a separate ethnic group to the present. Examples are provided to familiarize readers with the general context. Especially we focus on the Kazakh traditional forms of music-making.Since in the 20th century kuy appeared on the stage and was placed within the framework of a European-style concert, this could not but leave an imprint on how kuy was perceived, influenced the situation in the life of the once nomadic society, in the system of its spiritual values and the viability of kuy, especially in an urban environment.Now that the “Kazakh traditional art of dombra kuy” has been included in UNESCO's representative list, stakeholders need to take measures to safeguard the element of intangible cultural heritage.


1975 ◽  
Vol 9 (1) ◽  
pp. 1-12 ◽  
Author(s):  
Bruce C. Daniels

The Colonial New England town has always intrigued American historians but, paradoxically, few historians until recently have placed the colonial town under a microscope and studied it in detail. Most, instead, like George Bancroft and Herbert Baxter Adams, simply heaped accolades upon it. Even the Progressive historians, writing in an age of scientific history and seeking to debunk the myth of town meeting democracy, still did not apply a close scrutiny to the actual sources but instead also talked in generalities. The only real exceptions to this pattern and the only persons to delve deeply into local sources were Charles Andrews in his River Towns of Connecticut and G. E. Howard in his Introduction to the Local Constitutional History of the United States, both published in 1889. The next serious professional local study did not appear until 1961. In the intervening seventy-two years hundreds of local histories were written, but by antiquarians who frequently wrote with intelligence and felicity but seldom asked the significant questions that a professional historian would. Indeed, to be involved in local history implied, to people living in this time period, that a person was an antiquarian and not a true historian. However, since 1961 a number of historians have attempted to put the New England town under a microscope and ascertain some specifics to replace the generalities.


Pravovedenie ◽  
2020 ◽  
Vol 64 (1) ◽  
pp. 23-34
Author(s):  
Valentina L. Zingari ◽  

According to the Convention for the Safeguarding of Intangible Cultural Heritage (ICH), social actors are at the core of the ICH. Article 2 proposes a subjective, creative and dynamic definition of heritage based on community, groups and individuals (CGIs), highlighting a spiritual connection: ICH safeguarding must respect the “sense of identity and continuity” of CGIs — the main actors in the process of heritage transmission. This community-based vision of heritage is developed in the text of the Convention, the Operational Directives, and reinforced since 2016 by the Twelve Ethical principles introduced in the Basic Texts. A Convention is much more than a text: it determines political, social and cultural contexts, as well as processes of change. A normative tool conceived as guidelines for governments, permeates social life, becoming a framework for the actions and evolution of civil society. This article reflects on the following case study: the “Tocatì Programme for the Safeguarding of Traditional Games and Sports” (TGS). The programme started in Verona, Italy in 2003, connecting a network of communities and building relationships through the organization of an international event: The “Tocatì Festival of Games in the Streets”. From the beginning, this social movement has strengthened the support of institutions at different levels, connecting people, communities and living traditions with representatives of institutions, researchers, artists and policymakers. The cultural association coordinating Tocatì, Associazione Giochi Antichi (AGA) met the UNESCO ICH Convention in 2007. The author examines what has changed in the framework of the Convention in regard to the history of a community-based process and how the Tocatì experience contributes to the effective implementation of the Convention today. An attempt is made to identify the key factors, actors and steps of the Tocatì cultural, social and political process. This is a story that improves our understanding of the role of civil society in the complex, often conflictual and powerful dynamic of heritage-making.


Having defined ethnic origin, the next task was to apply that definition to Sikhs to consider whether they could be said to be ‘people defined…by reference to… ethnic origins’. Lord Denning launched into a potted and largely inaccurate history of the word ‘Sikh’ and the people who follow the teaching of Guru Nanak. Again, in a subjective and arbitrary manner, Lord Denning decided that: (a) Sikhs can only be distinguished by religion, and therefore (b) they are not defined by ‘ethnic origins’, and therefore (c) they are not a racial group, and therefore (d) it is not illegal to discriminate against Sikhs. Lord Denning’s entire reasoning process rests on dictionary definitions and homespun inaccurate conclusions. He went on to criticise the CRE for bringing the case, stating that schools should not be interfered with when they properly manage their affairs. Oliver LJ in the same court said that the dictionary shows ‘ethnic’ to be a vague word and he doubts whether only the most general assistance can be obtained from dictionaries. Can one discern a community in a loose sense among Sikhs, he asked rhetorically? Without providing evidence, he says no, customs among Sikhs are so disparate they cannot be said to be members of an ethnic group. However, the essence of the discrimination legislation is that the ‘man in the street’ is the one to discriminate. The court concluded that Sikhs were not an ethnic group. The CRE appealed to the House of Lords. The House of Lords reversed the decision of the Court of Appeal, allowing the appeal. The House of Lords found that, to be an ethnic group, a group must be regarded by itself and others as a distinct community with, for instance, a shared culture, history, language, common descent or geography, customs, religion. Not all of these factors need be present. The main judgment given was by Lord Fraser. He discussed the views of Lord Denning and Oliver LJ in the Court of Appeal. He dispensed with the dictionary arguments and the suggestion that ethnic denotes race by saying, in favour of a teleological approach:

2012 ◽  
pp. 121-121

2015 ◽  
Vol 47 (1) ◽  
pp. 25-45 ◽  
Author(s):  
Toby Matthiesen

AbstractThis article analyzes how Saudi Shiʿi historians have adapted tools associated with nationalism to create distinct historical narratives for the Shiʿa of Eastern Arabia. State-sponsored narratives have either left out Shiʿi Muslims or cast them as unbelievers and alien to the Saudi body politic. In contrast, historical narratives written by Shiʿi authors emphasize the Shiʿa's long history of sedentarization, their cultural heritage, and their struggles against foreign occupation. The article is based on fieldwork in Saudi Arabia and a close reading of hundreds of articles and books on local history published mainly since the 1980s. Through the Saudi Shiʿi case, I show that “identity entrpreneurs,” or activists who create, politicize, and profit from identities to further political aims, understand local historiography to be crucial to their overall projects.


1985 ◽  
Vol 44 (3) ◽  
pp. 521-528
Author(s):  
John J. Paul ◽  
Robert Eric Frykenberg

Savariraya Pillai (1801–1874), a teacher whose entire life was spent in villages and towns of Tinnevelly District, never learned English. Moreover, in his writing, he never departed from the local Tamil. For this reason, the record of his observations upon social life and public affairs is a priceless source for historical investigation. His diaries and journals which span a period of forty years, can be compared with those of Ananda Ranga Pillai, the astute agent (dubash) of Joseph-François Dupleix, the French governor of Pondicherry whose observations were recorded a full century earlier. Nothing quite like the Pillai source material for the local history of this agrarian society has hitherto been available to scholars. The translation and publication of materials such as those discussed in this article would make a significant contribution to historiography.


Author(s):  
Kirill A. Listopad

Introduction. The local history movement, which was formed on a voluntary basis in the Russian Empire, was placed in difficult conditions during the Civil War: a fratricidal war, which did not spare human lives, also destroyed the country’s historical and cultural values. This served as an impetus for the activation of the activity of local historians in the center, and especially in the localities. In the center are active figures of local lore S. F. Oldenburg and V. P. Semenov-Tian-Shansky called on the intelligentsia to make efforts to preserve cultural values maximumly; the All-Russian Collegium for Museums and the Preservation of Antiquities was created as part of the People’s Commissariat of the RSFSR, which included, inter alia, the famous artists I. E. Grabar, A. V. Grishchenko, K. S. Malevich. In the provinces, local historians united into the Academic Archival Commissions. They fought against the robbery of noble estates, collected and preserved cultural and historical values, and organized educational conversations. Methods. The solution of the research problems was provided by a set of interconnected theoretical (analysis of scientific literature, comparative analysis, comparison, generalization, systematization) and empirical (study and generalization of sources, hermeneutic) methods. Results. The local history movement in the Soviet Russia was placed under the control of the state authorities. During the Civil War local historians performed the function of preserving the cultural and historical heritage, organized another area of work – the history of studying the activities of the Bolshevik party on the fieldwork. Conclusion. The dedicated work of members of local history organizations in extreme conditions helped to save many cultural heritage objects from destruction: in the Kursk province, for example, the noble estates of the Nelidovs, Baryatinsky, Yusupovs and others. They managed to maintain the personnel of the organizations. Their budget even existed, which indicates a high organization of their work.


Diakronika ◽  
2018 ◽  
Vol 18 (1) ◽  
pp. 22
Author(s):  
Yadri Irwansyah

The study of this study discusses the historical aspects of the political leadership of Prince Asir, ruler of KawedananRupitRawas (1922-1942). RupedRawasKawedanan was a Dutch territory after the fall of the Palembang Sultanate. KawedananRupitRawas was led by Prince Asir as local leader of RupitRawas over the mandate given by the Dutch colonial government. This study uses the History method to explore the Local History of the Palembang Sultanate in the past. The stages of research begin with heuristics, source criticism, interpretation, and historiography. The research findings show that RupitRawasKawedanan at that time had a fertile area that produced natural resources, such as rubber, fruits and others. This area is drained by Rawasriver which then encourages the emergence of trade activities. Prince Asir is a charismatic leader who leads RupitRawas. He is a Dutch colonial leader who is considered capable, intelligent and accomplished and is considered capable of maintaining a commitment to the Netherlands. He was known as a wise leader and left many historical traces at RupitRawasKawedanan. During the struggle for Indonesian independence, Prince Asir was very instrumental in facilitating the Indonesian nation's struggle in Sumatra against the Dutch.


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