scholarly journals Evaluasi Taman R.A Kartini Sebagai Fungsi Sosial Bagi Komunitas Kreatif di Kota Cimahi

2020 ◽  
Vol 17 (1) ◽  
pp. 20
Author(s):  
Wida Oktavia Suciyani ◽  
Husna Candranurani Oktavia
Keyword(s):  
Public Space ◽  
Quantitative Methods ◽  
Three Dimensional ◽  
Development Program ◽  
Social Function ◽  
Qualitative And Quantitative Methods ◽  
The Social ◽  
Three Dimensional Measurement ◽  
The City ◽  
City Park

ABSTRACTOne of the parks that became a priority in the Cimahi City Park facilities and utilities development program is Kartini Park. Besides an ecological function, Kartini Park has a social function to accommodate the activities of various creative communities in the City of Cimahi. The problem arises that the park does not have a specific theme to support the community, that make Kartini park hasn’t had a special attractiveness for the society or the creative community in the neighborhood.  The purpose of this research is to evaluate the social function of Kartini Park that measured based on the three-dimensional measurement of social integration in public space : structural, interactive and subjective. The study used qualitative and quantitative methods with data collection through field observations, interviews, documentation and distribution of questionnaires to the park user community by using accidental sampling. The results based on structural dimensions in the form of accessibility indicate the location of Kartini park located in a strategic area, the types of activities carried out in the park have adjusted to zoning and have involved community participation in the interactive dimension. The subjective dimension shows the highest level of community satisfaction is the safety indicator and the lowest satisfaction level is the completeness indicator of the facility.Keywords: urban garden, social function, creative communityABSTRAKSalah satu taman yang menjadi prioritas pada program pengembangan fasilitas dan utilitas taman Kota Cimahi adalah taman Kartini. Selain memiliki fungsi ekologis, Taman Kartini memiliki fungsi sosial untuk mewadahi aktivtas dari berbagai komunitaskreatif yang ada di Kota Cimahi. Permasalahan yang timbul menunjukkan bahwa taman tersebut belum memiliki tema yang spesifik untuk mewadahi komunitas, sehingga taman Kartini belum memiliki daya tarik khusus bagi masyarakat maupun komunitas kreatif di lingkungan sekitar. Tujuan penelitian adalah untuk mengevaluasi fungsi sosial taman Kartini Kota Cimahi yang diukur berdasarkan tiga dimensi pengukuran integrasi sosial dalam kajian ruang publik meliputi: struktural, interaktif dan subjektif. Penelitian menggunakan metode kualitatif dan kuantitatif dengan teknik pengambilan data melalui observasi lapangan, wawancara, dokumentasi dan penyebaran kuesioner pada komunitas pengguna taman dengan menggunakan accidental sampling. Hasil evaluasi berdasarkan dimensi struktural berupa aksesibilitas menunjukkan lokasi taman Kartini berada pada kawasan strategis, jenis aktivitas yang dilakukan di taman telah menyesuaikan dengan zonasi dan telah melibatkan partisipasi masyarakat pada dimensi interaktif. Dimensi subjektif menunjukkan tingkat kepuasan komunita syang tertinggi adalah indikator keamanan dan tingkat kepuasan terendah pada indikator kelengkapan fasilitas.Kata Kunci: Taman Kota, Fungsi Sosial, Komunitas Kreatif

AN INTEGRATED PUBLIC ART IN PUTRAJAYA URBAN LANDSCAPE

2018 ◽  
Vol 15 (2) ◽  
pp. 48
Author(s):  
Alamah Misni Misni ◽  
Anwar Suran
Keyword(s):  
Public Space ◽  
Sense Of Place ◽  
Public Art ◽  
Quantitative Methods ◽  
Planning Process ◽  
Urban Landscape ◽  
Study Data ◽  
Qualitative And Quantitative Methods ◽  
The City

The art found in public space represents a local social and cultural situation, as well as the artistic and aesthetic tendencies. There is a close relationship between the public art and the city landscape. Public art is part of the broader visual environment of buildings, landscapes, and infrastructure. It can promote a sense of place, contribute to legibility or wayfinding, and support efforts to quality urban design. It can be in the form of sculpture, street furniture, mural, and even fountain structure. This research focuses on the user's perception and appreciation of integrated public art in the Putrajaya urban landscape. Data was collected using qualitative and quantitative methods. The case study data collections were conducted through a survey, observation, and distribution of questionnaires. The case study was carried out in the Putrajaya urban landscape. Putrajaya was selected as a case study because it is the new administrative capital of Malaysia that has seen the need to be distinctively outstanding in both its characteristics and development. Putrajaya has revealed the influence of public art in enforcing and strengthening the identity of the city. Subsequently, the recommendation has been made to enhance the planning process and management system by the local authority in the Putrajaya urban landscape. Therefore, this research will help to generate the social awareness and understanding of the effort of integrating public art into the Malaysian urban landscape. Keywords: Putrajaya, planning, public art, sense of place, urban landscape

scholarly journals The Linguistic Behaviours of the Pupils of the Elementary Education and the Social Factors that Condition Them: Surveys of the Linguistic Behaviours of the Pupils of Elementary Education

2017 ◽  
Vol 6 (2) ◽  
pp. 83-91
Author(s):  
Gazmira Birce ◽  
Esat Demo
Keyword(s):  
Elementary Education ◽  
Social Factors ◽  
Quantitative Methods ◽  
Social Background ◽  
Book Reading ◽  
Qualitative And Quantitative ◽  
Qualitative And Quantitative Methods ◽  
The Social ◽  
Linguistic Behaviour ◽  
The City

Abstract The purpose of this study is to discover the way of speaking of pupils of elementary education, their linguistic behaviour, their speech, writing and speaking. The study aims to find the slinguistic factors that affect the pupils′ way of speaking, but also to find the other factors such as social factors which affect or limit the student’s speech. The participants in the study are the pupils of elementary school, particularly the pupils of fourth and fifth grades, to study their speech, the factors that affect it and if they speak according to the standard language. The study is conducted with the pupils of the fourth grade of “Dino Ismaili” school, because there is where we both work. We also conducted a conversation with the pupils to see their way of speaking and expression of thoughts. We also filled in some questionnaires in three schools of the city of Fier. The methods that we used are a combination of qualitative and quantitative methods, we used surveys and questionnires. The data of the study revealed that the factors that affect the speech are: age, gender, ethnic group, social background, family and two social factors such as social economic group and the parent’s level of education. Other factors are book reading, TV and other children programs, conversation with peers and parents etc.

scholarly journals ANALISIS PENGGUNAAN TIPOGRAFI SPASIAL SANS SERIF DALAM RUANG PUBLIK TAMAN TEMATIK KOTA BANDUNG

2021 ◽  
Vol 7 (01) ◽  
pp. 92-104
Author(s):  
Gema Arifrahara
Keyword(s):  
Public Space ◽  
Three Dimensional ◽  
Public Spaces ◽  
Search Methods ◽  
City Parks ◽  
Psychological Healing ◽  
City Community ◽  
Data Search ◽  
The City ◽  
City Park

AbstrakPenggunaan tipografi spasial tiga dimensi sebagai media informasi sudah lazim adanya, bahkan di kota Bandung pada setiap taman saat ini menggunakan pendekatan kreatif environmental tipografi. Ruang publik taman kota selain berperan sebagai paru-paru kota juga berperan sebagai ruang interaksi masyarakat, sangat baik untuk psikologis masyarakat dan memberikan sensasi modern. Taman kota yang ada di kota Bandung hampir sering dijumpai menggunakan pendekatan tipografi spasial Sans Serif seperti pada; Taman Tegal Lega, Taman Lansia, Taman Fotography, Taman Petpark, Taman Superhero, dan Taman lainnya. Objek tipografi sans serif tiga dimensi diamati secara deskriptif terhadap karakteristik huruf secara keterbacaan, legibility, keterlihatan dan kejelasannya dengan metode pencarian data melalui observasi objek tipografi pada display nama identitas taman. Permanfaatan tipografi sans serif pada ruang publik kota hanya bersifat fungsional sebagai penguat identitas semata tidak ditujukan sebagai penguat karakter kultural maupun simbolis. Kata kunci: ruang publik, sans serif, taman kota Bandung, tipografi spasial AbstractThe use of three-dimensional spatial typography as a medium of information was commonly used, even in the city of Bandung in every park using a creative approach to environmental typography. Apart from its role as city lungs, public space city parks also became a space for the community to interact, psychological healing in the city community, and providing a modern sensation. City parks in Bandung are often using the spatial typographic approach of Sans Serif as; Tegal Lega Park, Senior Park, Photography Park, Petpark Park, Superhero Park, and other Parks. Three-dimensional sans serif typographical objects are observed descriptively to the characteristics of letters in readability, legibilities, visibility, and clarity with data search methods through the observation of typography objects on the display of park identity names. The utilization of  Sans Serif typographic in public spaces is only functional as an identity and it's not intended as a cultural or symbolic character booster. Keywords: Bandung city park, public space, sans serif, spatial typography

scholarly journals Kesesuaian Fungsi Taman Kota dalam Mendukung Konsep Kota Layak Huni di Surakarta

Arsitektura ◽  
2017 ◽  
Vol 15 (1) ◽  
pp. 115
Author(s):  
Resi Iswara ◽  
Winny Astuti ◽  
Rufia Andisetyana Putri
Keyword(s):  
Public Space ◽  
Research Question ◽  
Descriptive Analysis ◽  
Social Activity ◽  
Healthy Life ◽  
City Parks ◽  
The Public ◽  
The Social ◽  
The City ◽  
City Park

<p><em>Livable city is a city where people can have a healthy life and have the ease of movement.. Surakarta is one of the top ten livable cities in Indonesia in 2014. Surakarta became candidate of the most comfortable and livable city in Indonesia because it shows progress in terms of infrastructure improvements, utilities, public space, accessibility, transportation, and other criteria. One of the public spaces in Surakarta which is rapidly developed is the city parks. The number of city parks in Surakarta is multiplied in the last 10 years. But many parks are eventually abandoned and not maintained, misused and damaged. This research question is how the conformity functions of city parks in Surakarta in supporting the concept of a livable city? Is the city park suitable for the concept of  livable cities in Surakarta? The aim of this study is to determine the conformity of the function of a city park in Surakarta in supporting the concept of a livable city. The research is a quantitative using scoring analysis and descriptive analysis. Scoring analysis is used to find the conformity function of city parks in Surakarta. Then the research finding is described by using the descriptive analysis. The variable of this research consists of the social activity functions, educational functions and economic functions. Based on the analysis performed, the result of this study shows only one garden is conform  in supporting the concept of a livable city, while others only quite suitable  in supporting the concept of a livable city.</em></p><p><em> </em></p><p><strong><em>Keywords</em></strong><em>: livable city, city parks, conformity, compliance function of  city parks.</em></p>

scholarly journals An “Animated Spatial Time Machine” in Co-Creation: Reconstructing History Using Gamification Integrated into 3D City Modelling, 4D Web and Transmedia Storytelling

2021 ◽  
Vol 10 (7) ◽  
pp. 460
Author(s):  
Mario Matthys ◽  
Laure De Cock ◽  
John Vermaut ◽  
Nico Van de Weghe ◽  
Philippe De Maeyer
Keyword(s):  
Public Space ◽  
Low Cost ◽  
Three Dimensional ◽  
Physical Situation ◽  
Time Machine ◽  
Transmedia Storytelling ◽  
Spatial Reconstruction ◽  
3D Software ◽  
The City ◽  
City Models

More and more digital 3D city models might evolve into spatiotemporal instruments with time as the 4th dimension. For digitizing the current situation, 3D scanning and photography are suitable tools. The spatial future could be integrated using 3D drawings by public space designers and architects. The digital spatial reconstruction of lost historical environments is more complex, expensive and rarely done. Three-dimensional co-creative digital drawing with citizens’ collaboration could be a solution. In 2016, the City of Ghent (Belgium) launched the “3D city game Ghent” project with time as one of the topics, focusing on the reconstruction of disappeared environments. Ghent inhabitants modelled in open-source 3D software and added animated 3D gamification and Transmedia Storytelling, resulting in a 4D web environment and VR/AR/XR applications. This study analyses this low-cost interdisciplinary 3D co-creative process and offers a framework to enable other cities and municipalities to realise a parallel virtual universe (an animated digital twin bringing the past to life). The result of this co-creation is the start of an “Animated Spatial Time Machine” (AniSTMa), a term that was, to the best of our knowledge, never used before. This research ultimately introduces a conceptual 4D space–time diagram with a relation between the current physical situation and a growing number of 3D animated models over time.

Tolerance zones: a pragmatic approach to respond to problems related to open alcohol and drug scenes in Bremen/Germany

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Susanna Prepeliczay ◽  
Henning Schmidt-Semisch
Keyword(s):  
Public Space ◽  
Drug Users ◽  
Qualitative Methodology ◽  
Related Disorder ◽  
Content Type ◽  
The Social ◽  
Local Actors ◽  
Tolerance Zones ◽  
Drug And Alcohol ◽  
The City

Purpose This study aims to describe and analyse an approach in the city of Bremen (Germany) to establish streetwork-supported tolerance zones for local open drug and alcohol scenes to reduce related disorder and nuisance in public spaces. Design/methodology/approach The qualitative methodology included systematic participant observations at public sites of drug and alcohol use, and problem-centred interviews with different groups of respondents (residents, passers-by, trades people, drug users, experts from addiction help and police). Findings In residential districts, tolerance zones were well accepted by their target group and found to reduce perceived disorder and nuisance in public space. However, their success depends on the social and spatial conditions of the chosen location, its surrounding urban infrastructure, cooperation among local actors and characteristics of drug using groups. Originality/value Usually, policing of open drug scenes focuses on repression and law enforcement. The example of Bremen suggests that streetwork-supported tolerance zones dedicated to the drug scene can substantially reduce disorder and nuisance in public space.

What's the problem with disaster? Anthropology, social work, and the qualitative slot

2021 ◽  
Vol 20 (6) ◽  
pp. 1496-1516
Author(s):  
Tisha Joseph Holmes ◽  
John Mathias ◽  
Tyler McCreary ◽  
James Brian Elsner
Keyword(s):  
Qualitative Research ◽  
Social Work ◽  
Quantitative Methods ◽  
Housing Stock ◽  
Qualitative Inquiry ◽  
Problem Definition ◽  
Qualitative And Quantitative Methods ◽  
The Social ◽  
Disaster Anthropology ◽  
Political Economic

On March 3, 2019, an EF4 tornado devastated the rural Alabama communities of Beauregard and Smith Station, killing 23 people and causing direct injuries to another 97. This storm was unusually devastating, with twice the predicted casualty rate based on the tornado’s power, the impacted population, and impacted housing stock. In this paper, we apply qualitative methods from anthropology, geography, and planning to better understand the social context of this unusually devastating tornado. Recognizing that there are multiple formulations of the problem of disasters, we aim to highlight how interdisciplinary qualitative research can deepen our understanding of tornado disasters. Combining policy analysis, political economic critique, and ethnographic description, we seek to showcase how qualitative research enables us to interrogate and reimagine the problem of disasters. Rather than simply juxtaposing qualitative and quantitative methods, we emphasize how the heterogeneity of qualitative research methods can strengthen interdisciplinary research projects by generating dialogue about the multiple contexts relevant to understanding a social problem. While problem definition remains a central challenge to establishing a dialogue between anthropology and social work, here, we intend to extend this discussion to larger interdisciplinary collaborations. Situating the issue of problem formation within a broader ecology of qualitative inquiry, we highlight how dialogue about problem definition can, itself, produce meaningful insights into how we understand disasters.

scholarly journals Poetic Examination of Spatial Experience: Suprematist Composition No. 1, Black on Grey by Kristina Leko

2018 ◽  
Vol 12 (1) ◽  
pp. 163-176
Author(s):  
Katarina Rukavina
Keyword(s):  
Public Space ◽  
Contemporary Art ◽  
Virtual Space ◽  
Spatial Experience ◽  
The Public ◽  
Social Sphere ◽  
The Social ◽  
Material Goods ◽  
Art Intervention ◽  
The City

The paper analyses the concept of space in contemporary art on the example of Suprematist Composition No. 1, Black on Grey by Kristina Leko from 2008. Referring to Malevich’s suprematism, in December 2008 Leko initiated a project of art intervention in Ban Jelačić Square in Zagreb, where she intended to cover in black all commercials, advertisements, signs and names of various companies. This poetic intervention, as the artist calls it, was intended to prompt people to relativise material goods in the pre-Christmas period. However, despite the authorisation obtained from the city authorities, the companies concerned refused to remove their respective advertisements, be it for only for 24 hours, so this project has never been realised. The project, however, does exist in the virtual space, which is also public, and continues to act in the form of documentation. The non-feasibility of the intervention, or rather its invisibility on Jelačić Square, makes visible or directly indicates the ordering of the powers and the constellation of values in the social sphere, thus raising new questions. Indeed, in this way it actually enters the public space, sensitising and expanding it at the same time.

scholarly journals Redesigning Taman Hutan Kota PLN Medan (City Park) According to People’s Preferences

2020 ◽  
Vol 4 (2) ◽  
pp. 120-129
Author(s):  
Rani Aurora Barus ◽  
Siti Nurkholila Hafni ◽  
Dwiki Alfajar Andrea
Keyword(s):  
Public Space ◽  
Green Space ◽  
Urban Forest ◽  
The Real ◽  
Important Resource ◽  
Urban Quality ◽  
The City ◽  
City Park

Taman Hutan Kota PLN Medan is one of important part from the city, if the park managed properly it would give a good impact to increase the quality of public space which is lead to make a positive and better contribution to people's lives who lived in the busy city like Medan. However, in reality, Taman Hutan Kota PLN cannot make a good performance as its function as public space and urban forest. To increase the level of people's happiness and develop urban quality at Medan, it is necessary to redesign Taman Hutan Kota PLN. The redesign’s purpose is to fulfill the people’s needs and hopes to this park and make better, satisfying, and responsive facilities to the user.  Redesigning Taman Hutan Kota PLN will be based on people's preferences, perceptions, and perspectives. The preference, people's opinions, and documentation on the field will help us to discover what is the real reality and important resource for redesigning process so that the final result of the new Taman Hutan Kota PLN design can be a better park not only as public space and open green space but also as an alternative recreation facility for people in Medan.

scholarly journals La noción de cultura popular: Interés de los debates entre los 80 y 90 del siglo XX para reflexionar sobre la contemporaneidad

2017 ◽  
Vol 12 (2) ◽  
pp. 112
Author(s):  
Manuel Kingman
Keyword(s):  
Public Space ◽  
Political Action ◽  
Collective Work ◽  
Starting Point ◽  
The Social ◽  
Cultura Popular ◽  
The Status ◽  
Siglo Xx ◽  
The City ◽  
Arte Contemporáneo

ResumenEl presente artículo referencia teorías sobre la cultura popular ubicadas en las décadas del 80 y el 90 del siglo pasado, un período de reflexión pertinente y profunda en torno al término. Se visibiliza la complejidad de la noción de cultura popular, así como las distintas significaciones y sentidos que ha tenido el concepto. También se estudian ciertas entradas teóricas que son útiles para analizar la cultura popular. Se piensa en estos insumos teóricos como herramientas para reflexionar sobre las representaciones, diálogos y tensiones entre el arte contemporáneo y las manifestaciones estéticas populares.Palabras clavesCultura popular; arte contemporáneo; teoría cultural; antropologíaWork, Dialogue, Occupation and Cooperativism at Casa TomadaVictoria Rodríguez do CampoAbstractThe interdisciplinary art project Casa Tomada operates as a trigger for addressing issues of the social and artistic contemporary juncture. The fiction created by the National House of the Bicentennial, cultural space of the City of Buenos Aires, opens the way to consider alternative forms of creation in which the status of the artist's work is put in check and renewed interstices are glimpsed through the action of the multiple actors that surround the project. With illegal political action as a starting point – the forced occupation of a public space, Casa Tomada is committed to showing a multiplicity of conflicts, tensions, questions as well as possible answers, which are always contingent and applicable both to the social and the artistic spheres.KeywordsContemporary art; occupation, politics; collective work; interdisciplinarity La noción de lectura popular  interés debatekunape entre 80 y 90 siglo XX iuiarengapa contemporaniedadmandaManuel kiingman Maillallachiska:Kai articulok referenciame teoriakuna cultura kaska decadape posagchunga y  iskun chunga ialiska siglomanda, sug suma iuiarei entorno  terminomanda. Kauarenme complejidad nocionpe cultura popularpe chasallata sug rigcha significación y sentido iukarka chi concepto. Chasallata analizare sug entradakuna  teóricas valenkuna analizangapa cultura popular. Iuairenme  kai insumo teóricos herramientasina iuiarengapa representacionkunamanda, rimai tensiones arte contemporaneanope y manifestación estéticas populares. Rimangapa Ministidukuna:Cultura popular; arte contemporáneo; teoría cultural; antropologíaLa notion de culture populaire : intérêts des débats entre les années 80 et 90 du XXe siècle pour réfléchir sur la contemporanéitéManuel KingmanRésuméCet article se réfère à des théories sur la culture populaire dans les années 80 et 90 du siècle dernier, une période de réflexion pertinente et profonde sur le terme. Il présente la complexité de la notion de culture populaire, ainsi que les différentes significations et usage du concept. Il étudie également certains éléments théoriques utiles à l'analyse de la culture populaire. Nous pensons à ces apports théoriques comme outils pour réfléchir sur les représentations, les dialogues et les tensions entre l'art contemporain et les manifestations esthétiques populaires.Mots clésCulture populaire; art contemporain; théorie culturelle; anthropologie

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