Footpaths of the Late-Soviet Environmental Turn: The “Forest City” of Novosibirsk’s Akademgorodok as a Sociotechnical Imaginary

2021 ◽  
Vol 48 (3) ◽  
pp. 289-313
Author(s):  
Roman Bugaev ◽  
Mikhail Piskunov ◽  
Timofey Rakov

Abstract The founding of Akademgorodok near Novosibirsk in the late 1950s features prominently in the historiography of the Thaw and the general turn of Soviet science to the eastern parts of the country. This article puts this story into the context of the formation of modern “green” ideas in the late Soviet Union and reconsiders the relationship between humans and nature, along with the definition of nature itself. Akademgorodok produced a telling visual perspective: the architectural plan for the city dictated that its scientific, industrial, and living zones were drowned deep in the taiga. Architects named this type of urban planning “diffusive,” and memoirists described it as a “Forest City.” Using the term of Sheila Jasanoff, we designate this “Forest City” as a sociotechnical imaginary of Akademgorodok. Our aim is to study the historical roots of the “Forest City” and how it became a collective imaginary. How did it happen that in the 1950s and 1960s, when the “faces” of Soviet cities were defined by districts of standard panel houses, that a city was built near Novosibirsk in which so much attention was given to pre-human flora, fauna, and landscapes? What ideas and intellectual contexts composed the concept of Akademgorodok as a “Forest City”? Our answer possesses two dimensions. First, the rejection of the use of decorative elements in housing construction in the post-Stalin epoch stimulated architects to pay more attention to the greening of cities. They revived the concept of a “garden city” proposed by Ebenezer Howard on a new level. Second, the evolution of the ideas of Mikhail Lavrentyev, the founder of Akademgorodok, who upon arrival in Siberia applied the productivist program manifested in the slogan “Siberia is a treasure of resources,” but later changed his opinion to more “green” views under the influence of the so-called “Baikal Discussion.” The viewpoints of Lavrentyev influenced the design of this “center” of Siberian science, and then he formulated the idea of a “Forest City.” These contexts enable the utopian horizons and the search for models of a constructed future that were typical of the Thaw era to reflect upon the important challenges of the contemporary Anthropocene.

Author(s):  
Oleksii Chepov ◽  

The qualitative and clear definition of the legal regime of the capital of Ukraine, the hero city of Kyiv, is influenced by its legislative enshrinement, however, it should be noted that discussions are ongoing and one of the reasons for the unclear legal status of the capital is the ambiguity of current legislation in this area. Separation of the functions of the city of Kyiv, which are carried out to ensure the rights of citizens of Ukraine and the functions that guarantee the rights of the territorial community of the city of Kyiv. In the modern world, in legal doctrine and practice, the capital is understood as the capital of the country, which at the legislative level received this status and, accordingly, is the administrative and political center of the state, which houses the main state bodies and diplomatic missions of other states. It is the identification of the boundaries of the relationship between the competencies of state administrations and local self-government, in practice, often raises questions about their delimitation and ways of regulatory solution. Peculiarities of local self-government in Kyiv city districts are defined in the provisions of the Law on the Capital, which reveal the norms of the Constitution in these legal relations, according to which the issue of organizing district management in cities belongs to city councils. Likewise, it is unregulated by law to lose the particularity of the legal status of the territory of the city. It should be emphasized that the subject of administrative-legal relations is not a certain administrative-territorial entity, but the social group is designated - the territorial community of the city of Kiev, kiyani. Thus, the provisions on the city of Kyiv partially ignore the potential of the territorial community.


1976 ◽  
Vol 8 (4) ◽  
pp. 375-384 ◽  
Author(s):  
F Harary ◽  
J Rockey

In 1965 Christopher Alexander took the original step of analysing the city in graph theoretical terms and concluded that its historical or natural form is a semilattice and that urban planners of the future should adhere to this model. The idea was well received in architectural circles and has passed without serious challenge. In this paper, the value of such analysis is once again emphasized, although some of Alexander's arguments and his conclusions are refuted. Beginning with an exposition of the relationship between the graph theoretical concept of a tree, and the representation of a tree by a family of sets, we present a mathematical definition of a semilattice and discuss the ‘points’ and ‘lines’ of a graph in terms of a city, concluding that it is neither a tree nor a semilattice. This clears the ground for future graphical analysis. It seems that even general structural configurations, such as graphs or digraphs with certain specified properties, will fail to characterize a city, whose complexity, at this stage, may well continue to be understood more readily through negative rather than positive descriptions.


2013 ◽  
Vol 15 (3) ◽  
pp. 225-242 ◽  
Author(s):  
Diana Pedersen

Women's organizations played an active part in the Progressive movement for the reform of North American cities in the early twentieth century. Women reformers could and did cooperate with men but had their own distinct perception of the city and their own definition of urban reform. Lacking capital and political power, however, women were forced to depend on the support of male reformers and had to address themselves to the men's concerns. This study examines the relationship between the Young Women's Christian Association and Canadian businessmen as it was manifested in a number of successful fund-raising campaigns for YWCA buildings in Canadian cities between 1890 and 1930. YWCA women "sold" their building to the business community as a sound investment and an asset that would reflect well on the reputations of enterprising business leaders and a modern progressive community.


2020 ◽  
Vol 13 ◽  
Author(s):  
Leandro Ludwig ◽  
Marcos Antonio Mattedi ◽  
Maria Roseli Avila

This text aims to address the relationship between social-environmental disasters and the Urban Planning in the definition of urban expansion strategies from Blumenau to the North Region of the city. It is argued that the city was modified from two processes: 1) The effects of urban planning (generated by the idea of an ideal city); 2) the disaster effects (generated by the actual city). From these two processes, this text evidences that the strategies of the Urban and Regional Planning of Blumenau constitute social markers of the segregating effect of disasters. In order to develop this argument the text is structured in three main sections: 1) The formation and urban development of Blumenau; 2) disasters and the myth of urban expansion to the Northern Region; 3) the relationship between disasters and the limits of Urban Planning.


Author(s):  
Qing Li

Abstract  An instantaneous velocity where a moment of the clock only corresponds to an arbitrary distance or position in space cannot be implied in Axiom 1, but it indicates that there is only one dimensional existence, space or time, where a certain moment only corresponds to itself specifically, not to any other time or any given length of space. Further , a definition of velocity that consists of two dimensions representing the relationship between space and time is not valid and there is only one-dimensional space or time that is independent of each other in Axiom 1. As a result, the principle of relativity and the principle of the constant velocity of light are replaced by the principle of an inertial system and the principle of universal invariant velocity in Axiom 1. Unlike two dimensions whose magnitude is determined by the ratio, the magnitude of a single dimension is determined by the unit values of one dimension, which indicates that an infinitely great velocity is meaningless. Further, if the two inertial systems are infinite versus finite in Axiom 3, then this extension of the infinitely great velocity can be defined as inextensible.


2021 ◽  
pp. 58-77
Author(s):  
Joanna Olenderek ◽  
Maciej Olenderek

On selected living spaces that function in contemporary urban cultural landscape Streszczenie Autorzy artykułu opisują wybrane przykłady przestrzeni mieszkalnych ukształtowanych i zrealizowanych w XX i XXI wieku a funkcjonujących do obecnych czasów w krajobrazie miast. Starają się wyjaśnić i ocenić odniesienia do filozofii ich budowania i etyki projektowania. Szczególnie zwracają uwagę na procesy manipulacji a zachowania szacunku do natury i otwartych przestrzeni. Zostało to przedstawione na przykładach międzywojennych historycznych osiedli w Łodzi im. Mątwiłła Mireckiego i Werkbundu we Wrocławiu oraz miasta ogrodu Zlin firmy Bata. Fabryka butów Baty zmieniła wygląd całego miasta, które stało się sprawnie funkcjonującą przestrzenią, z precyzyjnie zaprojektowaną architekturą warunkującą każdy aspekt życia. Okres powojennej myśli urbanistycznej przedstawiono na wzorze osiedla Sadów Żoliborskich oraz nowatorskiej idei lat 70-tych na przykładzie konkursu na osiedle Ursynów w Warszawie. Odniesiono się do idei miasta ogrodu i jego odsłony w latach 80-tych poprzez tworzenie zielonych, otwartych osiedli w zabudowie niskiej i dywanowej w ramach zleceń rządowych. Wprawdzie te idee nie były zrealizowane ale pozostawała myśl i pragnienie. Poszanowanie terenów zieleni o zasadniczym znaczeniu dla charakteru miejsca zaprezentowano na przykładzie zespołu domów pasywnych w Konstantynowie Łódzkim czy osiedla Aspern w Wiedniu, sposobu ich procedowania i tworzenia. Zwrócono uwagę na rangę poszanowanie wartości krajobrazowych, wyjaśniono zależności pomiędzy przestrzenią, architekturą a naturą. Podjęto próbę znalezienia priorytetowych o kapitalnym znaczeniu elementów gry przestrzennej dla zachowania wartości nadrzędnych dla środowiska naturalnego i architektury. On selected living spaces that function in contemporary urban cultural landscape The authors of the article describe selected examples of living spaces shaped and constructed in the 20th and 21st century and functioning to the present day in the city landscape. They try to explain and evaluate references to the building philosophy and design ethics. They pay particular attention to the processes of manipulation and respect for nature and open spaces. It was presented on the examples of the historical interwar housing estates in Łódź Mątwiłł Mirecki and Werkbund in Wrocław and the Zlin garden city by the Bata Company. The Bata Shoe Factory changed the shape of the entire city into a functioning space, with architecture conditioning every aspect of life. The period of post-war urban thought was presented on the model of the Sadów Żoliborskie estate and the innovative idea of the 1970s on the example of the competition for the Ursynów estate in Warsaw. It was based on the idea of a garden city and its presentation in the 1980s by creating green, low open housing estates as part of government commissions. Although these ideas were not realized, the idea, thought and desire remained. The respect for green areas of fundamental importance for the character of the place was presented on the example of the passive house complex in Konstantynów Łódzki or the Aspern estate in Vienna. The importance of respect for landscape values was emphasized, and the relationship between space, architecture and nature was explained. An attempt was made to find the main elements of space, which was of paramount importance for the preservation of values superior to the natural environment and architecture.


2020 ◽  
Vol 12 (6) ◽  
pp. 2378
Author(s):  
Donatella Cialdea

This paper investigates the relationship between different factors that impose on the productive and settlement structures on coastal areas through an analysis carried out on the Italian Adriatic Sea coast. In the panorama of medium- and small-size cities, the relationship between the city, the territory, and the sea very often plays an important role. The main issue of this article is to expose a methodology developed for the definition of landscape quality objectives in the planning of the coast of a region in Southern Italy, Molise. Effort was concentrated on the creation of a territorial survey matrix that could be exploited by local authorities. In drawing up the criteria on which to base the New Regional Landscape Plan, this study provided for the recognition of the identifying matrices for landscape interpretation, creating a database organized in five resource systems. For each resource system, three basic grids were created: each of them collects and processes different information series. These three grids were useful for defining the new protection that is proposed for the sample area. Different conditions emerge in this area, in which two coastal strips have been identified, to the east and to the west of the historical centre.


Literator ◽  
2016 ◽  
Vol 37 (1) ◽  
Author(s):  
Arthur Mukenge ◽  
Emmanuel Kayembe

En architecte, le narrateur monte en épingle l’histoire d’ici et d’ailleurs : après vingt années passées à Montréal, il fait un rebond chez lui, à Port-au-Prince (cfr Pays sans chapeau). À première vue, Haïti demeure le même ; c’est le statu quo que le narrateur observe : l’odeur du café est la même, la pauvreté aussi crue que violente affecte la population, les amis du narrateur sont restés fidèles à leur jeunesse. Par la même occasion, le roman relance le débat sur la pertinence de la migration, qui, du coup, semble moins centrée à une ère où l’imaginaire se situe au-delà des pays « réel » et « imaginaire » ; cette dichotomie donne une vraie valeur intrinsèque à Pays sans chapeau et démontre, de ce fait, la belle forme technique et esthétique du roman. Ainsi, nous allons chercher à démontrer comment Pays sans chapeau constitue un corpus stratégique qui se situe entre l’autobiographie, l’autofiction au delà …Fiction and reality in Pays sans chapeau (A country without a hat) by Dany Laferrière: Between autobiography autofiction and beyond. Pays sans chapeau (a country without hat) is one of the novels written by Dany Laferrière and published in 2007. This book deals with the return of the narrator, Vieux Os, to Port-au-Prince after many decades spent abroad in exile. It is also based on the painting or description of the Haitian society in which the narrator is horrified by the sheer number of the dead people or ghosts walking around together with the living in the streets of the city. He realises that the city of Port-au-Prince is overcrowded, yet he cannot distinguish the living from the dead amongst the bodies. The article aims to research the perpetual problem of the relationship between reality and fiction in autobiographical texts. An attempt will be made to determine to which category the novel Pays sans chapeau belongs. Consequently, it also analyses the dichotomy between the fictional and the real. This article will take as its theoretical point of departure Philppe Lejeune and Isabelle Grell’s definitions of autobiography and Jenny Laurent’s definition of autofiction.


2011 ◽  
pp. 161-181
Author(s):  
H. James Burgwyn

The reasons behind Mussolini's decision to join Hitler in the invasion of the Soviet Union and the subsequent behavior of the Italian troops have sparked lively controversy in the historical literature. In this historiographical essay, the author initially poses the question: was the Duce driven to intervene by sound, or warped, Realpolitik, or by ideological conviction? The author then turns to the nature of the Italian occupation and examines the extent to which Fascist ideology permeated the minds and influenced the conduct of the Italian soldiers fighting along side the Wehrmacht. Did they believe in the Fascist definition of anti-Communist crusade, or were they fighting more out of duty, honor, and country? Next, the author tackles the thorny question of racism and anti-Semitism in the Italian ranks. In his treatment of these questions, the author discusses the important writings of recent historians on the subject. The author then addresses the nature of the relationship between the Italian and German soldiers. Did they, as «good Italians» forge closer ties with Soviet citizens, thanks to a common outlook and experience, than the socalled killer Wehrmacht warriors? Again, the writings of eminent historians who have recently written on these questions are analyzed. In conclusion, the author evaluates Mussolini's decision to send a large contingent of his military to fight on the Eastern Front.


Author(s):  
Maria Pia Fontana ◽  
Miguel Mayorga

Resumen: La obra de Le Corbusier es una amplia exploración de soluciones urbanas y arquitectónicas que plantean relaciones de continuidad entre edificio y ciudad, arquitectura y entorno, espacio interior y espacio exterior: rampas, cuerpos bajos, entrantes y salientes, plantas libres y fachadas con espesor, son algunos de los elementos de integración y/o de mediación utilizados por el maestro suizo. El Millowners Association Building de 1954 ubicado en la ciudad de Almedabad en la India, y el Carpenter Center for Visual Arts de la Graduate School of Design of Harvard de 1961-1964 en la ciudad de Cambridge, en Estados Unidos, son dos edificios que presentan rasgos característicos en común: una volumetría básica, uso del hormigón armado visto, uso de similares elementos de fachada y una rampa que sobresale del edificio y que confiere a ambos un carácter reconocible y peculiar. Los dos edificios ya han sido puestos en relación por diferentes críticos como Giedion 1967, o Frampton 1975, e incluso se ha considerado uno como antecedente del otro. Sin embargo, un análisis comparativo permite verificar que aunque la rampa es el elemento común más evidente, éste juega un papel muy diferente en la definición de las relaciones urbanas de cada uno de los edificios con su entorno inmediato y con la ciudad. Y además que también, en la relación del edificio con la ciudad entran en juego otros elementos y soluciones arquitectónicas, que de manera solidaria, son determinantes definidores de su relación con el entorno y su carácter urbano. Abstract: The work of Le Corbusier is a comprehensive exploration of urban and architectural solutions which show continuity relationships between city and building, architecture and environment, interior and exterior space throughout elements of integration and / or mediation used by the Swiss master like ramps, lower volumes, incoming and outgoing, open floor plans and thick facades. The Association Millowners Building (1954) located in the city of Almedabad in India, and the Carpenter Center for Visual Arts at the Graduate School of Design of Harvard (1961 to 1964) located in the city of Cambridge, in the United States, are two buildings that have some characteristics in common, like a basic volume, use of reinforced concrete, using similar facade elements and a projected ramp gives a recognizable and distinctive character of both buildings. Different authors compared the two buildings as Giedion 1967 or 1975 Frampton, and have stated that one has been based on the other. However, a comparative analysis verifies that although the ramp is the most obvious common element, it plays a very different role in the definition of urban relationships of each of the buildings with their immediate environment and the city. Moreover other elements configure crucial aspects in the relationship between the buildings and the urban space creating architectural solutions and interesting relations that are crucial for the definition of the relationship with the environment and the urban character of every building.  Palabras clave: Le Corbusier, Millowners Association Building, Carpenter Center for Visual Arts, Urban Architecture. Keywords: Le Corbusier, Millowners Association Building, Carpenter Center for Visual Arts, Arquitectura Urbana. DOI: http://dx.doi.org/10.4995/LC2015.2015.972


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