New Concepts of the Origin of Chemical Elements on the Earth and in the Universe. Part 1

2020 ◽  
Vol 42 (2) ◽  
pp. 71-78 ◽  
Author(s):  
V. V. Goncharuk ◽  
D. K. Goncharuk ◽  
L. A. Solyanik
Keyword(s):  
Chemical Elements ◽  
The Earth ◽  
New Concepts ◽  
The Universe

‘A pinch of unseen, unguarded dust’: The World and Self in Thomas Hardy's Poems

2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba
Keyword(s):  
The Body ◽  
The Self ◽  
Phenomenological Philosophy ◽  
The Earth ◽  
The World ◽  
The Universe ◽  
Recurrent Theme ◽  
Body Subject

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.

An Interview with the Physicist that Her Head in the Universe and Both Feet on the Earth

2019 ◽  
Author(s):  
Adib Rifqi Setiawan
Keyword(s):  
Standard Model ◽  
Particle Physics ◽  
Space Time ◽  
Additional Dimension ◽  
The Earth ◽  
The Standard Model ◽  
The Universe

Put simply, Lisa Randall’s job is to figure out how the universe works, and what it’s made of. Her contributions to theoretical particle physics include two models of space-time that bear her name. The first Randall–Sundrum model addressed a problem with the Standard Model of the universe, and the second concerned the possibility of a warped additional dimension of space. In this work, we caught up with Randall to talk about why she chose a career in physics, where she finds inspiration, and what advice she’d offer budding physicists. This article has been edited for clarity. My favourite quote in this interview is, “Figure out what you enjoy, what your talents are, and what you’re most curious to learn about.” If you insterest in her work, you can contact her on Twitter @lirarandall.

An Interview with the Physicist that Her Head in the Universe and Both Feet on the Earth

2019 ◽  
Author(s):  
Adib Rifqi Setiawan
Keyword(s):  
Standard Model ◽  
Particle Physics ◽  
Space Time ◽  
Additional Dimension ◽  
The Earth ◽  
The Standard Model ◽  
The Universe

Put simply, Lisa Randall’s job is to figure out how the universe works, and what it’s made of. Her contributions to theoretical particle physics include two models of space-time that bear her name. The first Randall–Sundrum model addressed a problem with the Standard Model of the universe, and the second concerned the possibility of a warped additional dimension of space. In this work, we caught up with Randall to talk about why she chose a career in physics, where she finds inspiration, and what advice she’d offer budding physicists. This article has been edited for clarity. My favourite quote in this interview is, “Figure out what you enjoy, what your talents are, and what you’re most curious to learn about.” If you insterest in her work, you can contact her on Twitter @lirarandall.

Much Ado about (Practically) Nothing

2010 ◽  
Author(s):  
David Fisher
Keyword(s):  
Energy Source ◽  
Atomic Nucleus ◽  
The Sun ◽  
Scientific Journals ◽  
Rare Gases ◽  
Important Work ◽  
The Earth ◽  
Wide Range ◽  
Life On Mars ◽  
The Universe

There are eight columns in the Periodic Table. The eighth column is comprised of the rare gases, so-called because they are the rarest elements on earth. They are also called the inert or noble gases because, like nobility, they do no work. They are colorless, odorless, invisible gases which do not react with anything, and were thought to be unimportant until the early 1960s. Starting in that era, David Fisher has spent roughly fifty years doing research on these gases, publishing nearly a hundred papers in the scientific journals, applying them to problems in geophysics and cosmochemistry, and learning how other scientists have utilized them to change our ideas about the universe, the sun, and our own planet. Much Ado about (Practically) Nothing will cover this spectrum of ideas, interspersed with the author's own work which will serve to introduce each gas and the important work others have done with them. The rare gases have participated in a wide range of scientific advances-even revolutions-but no book has ever recorded the entire story. Fisher will range from the intricacies of the atomic nucleus and the tiniest of elementary particles, the neutrino, to the energy source of the stars; from the age of the earth to its future energies; from life on Mars to cancer here on earth. A whole panoply that has never before been told as an entity.

scholarly journals The Critical Raw Materials Issue between Scarcity, Supply Risk, and Unique Properties

Materials ◽  
2021 ◽  
Vol 14 (8) ◽  
pp. 1826
Author(s):  
Mihaela Girtan ◽  
Antje Wittenberg ◽  
Maria Luisa Grilli ◽  
Daniel P. S. de Oliveira ◽  
Chiara Giosuè ◽  
...  
Keyword(s):  
Scientific Community ◽  
Chemical Elements ◽  
Raw Materials ◽  
The Other ◽  
Innovation Networks ◽  
Supply Risk ◽  
European Cooperation ◽  
Research And Innovation ◽  
The Earth ◽  
Critical Raw Materials

This editorial reports on a thorough analysis of the abundance and scarcity distribution of chemical elements and the minerals they form in the Earth, Sun, and Universe in connection with their number of neutrons and binding energy per nucleon. On one hand, understanding the elements’ formation and their specific properties related to their electronic and nucleonic structure may lead to understanding whether future solutions to replace certain elements or materials for specific technical applications are realistic. On the other hand, finding solutions to the critical availability of some of these elements is an urgent need. Even the analysis of the availability of scarce minerals from European Union sources leads to the suggestion that a wide-ranging approach is essential. These two fundamental assumptions represent also the logical approach that led the European Commission to ask for a multi-disciplinary effort from the scientific community to tackle the challenge of Critical Raw Materials. This editorial is also the story of one of the first fulcrum around which a wide network of material scientists gathered thanks to the support of the funding organization for research and innovation networks, COST (European Cooperation in Science and Technology).

scholarly journals III. On the nature and construction of the sun and fixed stars

1795 ◽  
Vol 85 ◽  
pp. 46-72 ◽  
Keyword(s):  
Central Body ◽  
Planetary System ◽  
Considerable Progress ◽  
The Sun ◽  
Great Satisfaction ◽  
The Earth ◽  
The World ◽  
Celestial Bodies ◽  
The Universe ◽  
Made In

Among the celestial bodies the sun is certainly the first which should attract our notice. It is a fountain of light that illuminates the world! it is the cause of that heat which main­tains the productive power of nature, and makes the earth a fit habitation for man! it is the central body of the planetary system; and what renders a knowledge of its nature still more interesting to us is, that the numberless stars which compose the universe, appear, by the strictest analogy, to be similar bodies. Their innate light is so intense, that it reaches the eye of the observer from the remotest regions of space, and forcibly claims his notice. Now, if we are convinced that an inquiry into the nature and properties of the sun is highly worthy of our notice, we may also with great satisfaction reflect on the considerable progress that has already been made in our knowledge of this eminent body. It would require a long detail to enumerate all the various discoveries which have been made on this subject; I shall, therefore, content myself with giving only the most capital of them.

Cosmic Deer as an Archaic Symbol in the Narratives and Rituals of the Tungus-Manchus

2020 ◽  
pp. 112-121
Author(s):  
Татьяна Юрьевна Сем
Keyword(s):  
Bronze Age ◽  
The Sun ◽  
Time Model ◽  
Space And Time ◽  
The Earth ◽  
Cosmic Scale ◽  
First Time ◽  
The Universe ◽  
The Bronze Age

Статья посвящена мифологическому образу космического оленя в традиционной культуре тунгусо-маньчжуров. В работе рассматриваются материалы фольклора, шаманства, промысловых и календарных ритуалов, а также искусства. Впервые систематизированы материалы по всем тунгусо-маньчжурским народам. Образ космического оленя в фольклоре эвенов имеет наиболее близкие аналогии с амурскими народами, которые представляют его с рогами до небес. Он сохранился в сказочном фольклоре с мифологическими и эпическими элементами. В эвенском мифе образ оленя имеет космические масштабы: из тела его происходит земля и всё живущее на ней. У народов Амура образ оленя нашел отражение в космогенезе, отделении неба от земли. Своеобразие сюжета космической охоты характеризует общесибирскую мифологию, относящуюся к ранней истории. В ней наиболее ярко проявляется мотив смены старого и нового солнца, хода времени, смены времен года, календарь тунгусо-маньчжуров. В результате анализа автор пришел к выводу, что олень в тунгусо-маньчжурской традиции моделирует пространство и время Вселенной, характеризует образ солнца и хода времени. Космический олень является архетипичным символом культуры тунгусо-маньчжуров, сохранившим свое значение до настоящего времени в художественной культуре This article is devoted to the mythological image of cosmic deer in traditional Tungus-Manchu culture. It examines materials of folklore, shamanism, trade and calendar rituals as well as art and for the first time systematizes materials from all of the Tungus-Manchu peoples. The image of cosmic deer in the folklore of the Evens has its closest analogy in that of the Amur peoples, reflected in the image of a deer with horns reaching up to the sky. This image is preserved in fairytales with mythological and epic elements. In the Even myth, the image of a deer is on a cosmic scale, as the cosmos issues from its body. Among the Amur peoples, the image of a deer is also related to cosmogenesis, to the separation of the earth from the sky. The plot of a cosmic hunt is reflected in pan-Siberian mythology, dating back to the Bronze Age. It clearly illustrates the motif of the change of the old and new sun, the passage of time, the change of seasons, the Tungus-Manchu calendar. The author comes to the conclusion that deer in the Tungus-Manchu tradition, in depicting the image of the sun and the passage of time, model the space and time of the Universe. The cosmic deer is an archetypal symbol of Tungus-Manchu culture, which has retained its significance in artistic culture to the present day.

THE COSMIC JOURNEY OF ODYSSEUS

Numen ◽  
2001 ◽  
Vol 48 (4) ◽  
pp. 381-416 ◽  
Author(s):  
Nanno Marinatos
Keyword(s):  
Iron Age ◽  
Mediterranean Region ◽  
Near East ◽  
British Museum ◽  
Polar Axis ◽  
The Sun ◽  
East Mediterranean ◽  
The Earth ◽  
The Universe ◽  
East Mediterranean Region

AbstractIn vain have scholars tried to produce a coherent geographical picture of Odysseus' travels. It is argued here that Odysseus makes a cosmic journey at the edges of the earth (perata ges), a phrase used in the text to describe several lands that the hero visits. The cosmic journey was a genre current in the East Mediterranean region in the Iron Age. It was modeled on the Egyptian the journey of the sun god who travels twelve hours in the darkness of the underworld and twelve hours in the sky. Evidence of similar concepts in the Near East is provided by a Babylonian circular map (now in the British Museum) as well as by Phoenician circular bowls. Gilgamesh seems to perform a cosmic journey. As well, Early Greek cosmology utilizes the concept of a circular cosmos. Odysseus' journey spans the two cosmic junctures of the universe: East, where Circe resides, and West, where Calypso lives. Another polar axis is the underworld and the island of the sun.

Aristotle's Unmoved Movers

Traditio ◽  
1946 ◽  
Vol 4 ◽  
pp. 1-30 ◽  
Author(s):  
Philip Merlan
Keyword(s):  
Middle Ages ◽  
The Other ◽  
World Picture ◽  
The Earth ◽  
Concentric Spheres ◽  
The One ◽  
The Universe ◽  
The Middle Ages

According to Aristotle all heavenly movement is ultimately due to the activity of forty-seven (or fifty-five) ‘unmoved movers'. This doctrine is highly remarkable in itself and has exercised an enormous historical influence. It forms part of a world-picture the outlines of which are as follows. The universe consists of concentric spheres, revolving in circles. The outermost of these bears the fixed stars. The other either bear planets or, insofar as they do not, contribute indirectly to the movements of the latter. Each sphere is moved by the one immediately surrounding it, but also possesses a movement of its own, due to its mover, an unmoved, incorporeal being. (It was these beings which the schoolmen designated as theintelligentiae separatae.) The seemingly irregular movements of the planets are thus viewed as resulting from the combination of regular circular revolutions. The earth does not move and occupies the centre of the universe. Such was Aristotle's astronomic system, essential parts of which were almost universally adopted by the Arabic, Jewish, and Christian philosophers of the Middle Ages.

scholarly journals The Discovery of the Subatomic Particles : From Atoms to Quarks

2021 ◽  
Author(s):  
Rochelle Forrester
Keyword(s):  
Periodic Table ◽  
Chemical Elements ◽  
Traditional View ◽  
Naked Eye ◽  
Subatomic Particles ◽  
Separate Atom ◽  
The Universe ◽  
Chinese View

The change from the traditional Western and Chinese view of the elements involving materials such as water, air, earth, wood, metal and fire, to the chemical elements making up the periodic table, to atoms, to particles such as protons, neutrons and electrons, and then to quarks was inevitable. The order of discovery of these ideas of the ultimate constituents of matter was necessary, in that they could not have been discovered in any other order. This was because nature has a particular structure and we have a particular place in nature. The traditional view of the elements could be obtained by naked eye observation, and the view of nature as being made up of the chemical elements in the periodic table was next discovered, as it involved the decomposition of traditional elements, such as air and water. This led to the idea there was a separate atom for each element which explained the differences between the elements. The sub atomic particles were discovered in a necessary order with the outer particles like the electron being discovered earlier, and inner particles such as quarks being discovered later. The order of discovery of particles was also affected by the properties of the particles. The charges of particles, their mass and ability to survive outside the particles they make up, and other properties will make a particle harder or easier to discover. The order of discovery is inevitable and set by the structure of the universe. The structure of the universe includes the structure of the atom, and of the particles making up the atom, and the properties of the atom, and of the particles making up the atom.

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