Indeksikalitas dalam Perspektif Antropolinguistik

10.31227/osf.io/dwa7p ◽

2019 ◽

Author(s):

Tasnim Lubis

Keyword(s):

Oral Tradition ◽

Descriptive Analysis ◽

Charles Sanders Peirce ◽

Story Telling

Indexicality is a concept which is proposed by Duranti (1997) to analyze the meaning in linguistic studies such as oral tradition, ceremony, speech, story telling and so forth. The objective of this study is to describe the phenomenon that deliberate indexicality due to the its relationship to thecontext. The phenomenon were taken as data randomly. Descriptive analysis was used to analyze the data through Charles Sanders Peirce theory and supported by others, especially to distinguish propername and indexicality.

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BATOMBE: WARISAN BUDAYA BANGSA DARI NAGARI ABAI PROVINSI SUMATERA BARAT

Madah Jurnal Bahasa dan Sastra ◽

10.31503/madah.v7i2.425 ◽

2017 ◽

Vol 7 (2) ◽

pp. 159

Author(s):

Eva Krisna

Keyword(s):

Oral Tradition ◽

Multidisciplinary Approach ◽

Descriptive Analysis ◽

Community Life ◽

Psychological Approach ◽

Negative Effects ◽

Great House ◽

Close Relationship ◽

West Sumatra ◽

The Relationship

“Batombe” is an oral tradition of the Nagari Abai society at Sangir Batanghari Subdistrict, South Solok District, West Sumatra Province. Batombe is exchanging rhymes (berbalas pantun) which is performed as an entertainment on the wedding party (baralek). Batombe is identical with Great House (Rumah Gadang) Nagari Abai which is a unique house because it is a long traditional custom house that has many rooms. It reaches 21 rooms. The rhymes in batombe tends to deliver a feeling of lilting so the singers often drift into the atmosphere of the show. Therefore, as part of community life, batombe often cause a negative effects for the singers soul. This paper describes various things, such as: who batombe singer is; the time to perform this activity; the relationship between batombe and Great House (Rumah Gadang) at Nagari Abai; and the negative effects caused by batombe for the singers. This paper based on the fact that in oral tradition there is a close relationship between text and the speakers and text with context (place, time and atmosphere), a multidisciplinary approach is used in this paper, such as historical, sociological, anthropological, and psychological approach. The method used is descriptive analysis method.AbstrakBatombe adalah tradisi lisan masyarakat Nagari Abai, Kecamatan Sangir Batanghari, Kabupaten Solok Selatan, Provinsi Sumatra Barat. Batombe adalah tradisi berbalas pantun yang dilakukan sebagai hiburan pada pesta pernikahan (baralek). Batombe identik dengan rumah gadang Nagari Abai yang unik, yakni rumah adat dengan ruangan yang sangat panjang hingga 21 ruangan. Pantun-pantun batombe cenderung menyampaikan perasaan yang mendayu-dayu sehingga para pedendangnya sering hanyut ke dalam suasana pertunjukan. Oleh sebab itu, sebagai bagian dari kehidupan masyarakat, seringkali batombe menyebabkan efek negatif bagi (kejiwaan) para pedendangnya. Tulisan ini mendeskripsikan berbagai hal, seperti penutur batombe, waktu untuk melakukan batombe, hubungan batombe dengan rumah gadang di Nagari Abai, dan efek negatif yang ditimbulkan batombe bagi pedendangnya. Tulisan ini bertolak dari kenyataan bahwa pada tradisi lisan terdapat hubungan erat, antara lain seperti teks dengan penutur dan teks dengan konteks (tempat, waktu, dan suasana). Pendekatan multidisipliner digunakan pada tulisan ini, yakni pendekatan historis, sosiologis, antropologis, dan psikologis. Metode yang digunakan adalah metode analisis deskriptif.

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CERITA RAKYAT INDRAGIRI SEBAGAI BAHAN PENGAJARAN SASTRA DI SEKOLAH DASAR DALAM UPAYA PEMBENTUKAN KARAKTER ANAK

SUAR BETANG ◽

10.26499/surbet.v12i2.25 ◽

2018 ◽

Vol 12 (2) ◽

pp. 137

Author(s):

NFN Marlina

Keyword(s):

Elementary School ◽

Oral Tradition ◽

Descriptive Analysis ◽

Elementary Level ◽

Teaching Material ◽

Teaching Materials ◽

Literary Learning

This study discusses three Indragiri folklores as literary teaching materials in elementary school in the effort to build students character. The purpose of this study is to introduce culture and oral tradition through literature in order to build the character of children. The type of this research is descriptive analysis. The three folktales are described and the good characters contained in the story that can be imitated and emulated by children is analyzed. The data were analyzed by applying moral approach. The result shows that the three Indragiri folklores contain good characters that can be imitated and emulated by children. Therefore, base on this study, it can be concluded that folklore can be used as a teaching material for literary learning at the elementary level in order to build children’s character

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Belege zu Grundtvigs Ideen von einer offenen Bürgergesellschaft. Mit einem Exkurs zu dem amerikanischen Pragmatizisten Charles Sanders Peirce

Grundtvig-Studier ◽

10.7146/grs.v62i1.16581 ◽

2011 ◽

Vol 62 (1) ◽

pp. 93-111

Author(s):

Horst Nägele

Keyword(s):

National Culture ◽

Oral Tradition ◽

Charles Sanders Peirce ◽

Point Of View ◽

Ultimate Reality ◽

Striking Similarity ◽

German Language ◽

Lebenslanges Lernen ◽

Open Society ◽

German Speaking

Belege zu Grundtvigs Ideen von einer offenen Bürgergesellschaft. Mit einem Exkurs zu dem amerikanischen Pragmatizisten Charles Sanders Peirce[Grundtvigs ideer om et åbent samfund (med en ekskurs til den amerikanske pragmatiske filosof Charles Sanders Peirce)][On Grundtvig’s initiative towards an open society (including a digression to the American pragmaticist Charles Sanders Peirce)]Af/by Horst NägeleAnledningen til bidraget har været et EU-uddannelsesprogram betitlet ‘Grundtvig. EU-Bildungsprogramm für lebenslanges Lernen in Deutschland’ (Grundtvig. EU-uddannelsesprogram for Livslang Læring i Tyskland), hvor der er tale om tilpasning til erhvervslivet. Denne grove fejlbedømmelse af Grundtvigs livsværk imødegår foreliggende studie ved hjælp af en række af Grundtvigs udsagn om folkekultur, om fri folkelig kristendomsforståelse, om mundtlig traditionsformidling, om primærsocialisationens afgørende betydning og om det tyske skriftsprog som en ideologisk overbygning; herom tilbyder Grundtvig i en af sine få tysksprogede artikler blandt andet en direkte dialog med et tysktalende publikum. Grundtvig taler desuden om idealisme og materialisme (også i forbindelse med Napoleon), og han forstår den idealistiske filosofis fremtrædelsesformer som udtryk for en livsfomægtelse. I særdeleshed Friedrich Schillers tragedier anser han for at være et “Blændværk”, hvor det er nemt at fa figurer, der blot er “lydige Skygger”, slået ihjel. Og han peger hen til “noget aldeles Grund-Realt” som “Indbegreb”, der kan danne udgangspunkt for et etisk motiveret liv. En ekskurs om den senere amerikanske pragmatiske filosof Charles Sanders Peirce indsættes for, at Grundtvig ikke skal kunne affærdiges som (religiøs) fundamentalist. Men der kan tilmed konstateres en slående overensstemmelse mellem Peirce’ forestilling om et vekselvirkende forløb mundende ud i en fremtidig forening af tegnreferencer og Grundtvigs metodiske syn på historien. Det sidstnævnte træder særdeles tydeligt frem i Grundtvigs bemærkninger i forbindelse med nogle af verdenshistoriens personer, der blandt andet bliver anført i hans verdenskrøniker. Thi, skønt Grundtvig i Danne-Virke I, 1816, siger, at “ethvert philosophisk System er som Heelt en stor Løgn, hvormegen Sandhed det end i det Enkelte kan have”, forbinder han (sammesteds) alt det, som han i særdeleshed i årene omkring 1815 kan bruge til udbygning af sin kategori historisk, med en fremgangsmåde, som han betegner som sand Vidskab med henblik på at udvikle humanitet.*The article deals with the Grundtvig EU Lifelong Learning Progamme in Germany and sets off from a severe misunderstanding of Grundtvig’s educational ideas as being a recipe for job training. Grundtvig, however, has rather been in favour of national culture, oral tradition, and socialization through education. He looks upon the German literary language as being a super structure; by means of a piece of writing in German language, he offers direct and immediate dialogue with the German-speaking world. Grundtvig moreover talks about idealism and materialism and describes idealistic philosophy as denying life; he mentions Friedrich Schiller’s tragedies and criticises them as being dazzling pieces of art with heroes as empty shadows designed to be put to death. From Grundtvig’s point of view, the very idea of an idealistic approach to cognition and aesthetics presupposes fundamental, ultimate reality to act upon (“noget aldeles Grund-Realt” - Udsigt over Verdens Krøniken, p. 659), which according to Grundtvig may be developed and proved on historical or quasi-historical grounds. There is a striking similarity of Grundtvig’s approach to what, about ninety years later, was put forward by the American pragmaticist Charles Sanders Peirce, the criterion of truth being final habit as equivalent of the ultimate interpretant, since 1906 being described by Peirce as “normal habit” and as “normal interpretant” representing ultimate reality.

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BATOMBE: WARISAN BUDAYA BANGSA DARI NAGARI ABAI PROVINSI SUMATERA BARAT

Madah Jurnal Bahasa dan Sastra ◽

10.26499/madah.v7i2.425 ◽

2017 ◽

Vol 7 (2) ◽

pp. 159

Author(s):

Eva Krisna

Keyword(s):

Oral Tradition ◽

Multidisciplinary Approach ◽

Descriptive Analysis ◽

Community Life ◽

Analysis Method ◽

Negative Effects ◽

Great House ◽

Close Relationship ◽

West Sumatra ◽

The Relationship

“Batombe” is an oral tradition of the Nagari Abai society at Sangir Batanghari Subdistrict, South Solok District, West Sumatra Province. Batombe is exchanging rhymes (berbalas pantun) which is performed as an entertainment on the wedding party (baralek). Batombe is identical with Great House (Rumah Gadang) Nagari Abai which is a unique house because it is a long traditional custom house that has many rooms. It reaches 21 rooms. The rhymes in batombe tends to deliver a feeling of lilting so the singers often drift into the atmosphere of the show. Therefore, as part of community life, batombe often cause a negative effects for the singers soul. This paper describes various things, such as: who batombe singer is; the time to perform this activity; the relationship between batombe and Great House (Rumah Gadang) at Nagari Abai; and the negative effects caused by batombe for the singers. This paper based on the fact that in oral tradition there is a close relationship between text and the speakers and text with context (place, time and atmosphere), a multidisciplinary approach is used in this paper, such as historical, sociological, anthropological, and psychological approach. The method used is descriptive analysis method. Abstrak Batombe adalah tradisi lisan masyarakat Nagari Abai, Kecamatan Sangir Batanghari, Kabupaten Solok Selatan, Provinsi Sumatra Barat. Batombe adalah tradisi berbalas pantun yang dilakukan sebagai hiburan pada pesta pernikahan (baralek). Batombe identik dengan rumah gadang Nagari Abai yang unik, yakni rumah adat dengan ruangan yang sangat panjang hingga 21 ruangan. Pantun-pantun batombe cenderung menyampaikan perasaan yang mendayu-dayu sehingga para pedendangnya sering hanyut ke dalam suasana pertunjukan. Oleh sebab itu, sebagai bagian dari kehidupan masyarakat, seringkali batombe menyebabkan efek negatif bagi (kejiwaan) para pedendangnya. Tulisan ini mendeskripsikan berbagai hal, seperti penutur batombe, waktu untuk melakukan batombe, hubungan batombe dengan rumah gadang di Nagari Abai, dan efek negatif yang ditimbulkan batombe bagi pedendangnya. Tulisan ini bertolak dari kenyataan bahwa pada tradisi lisan terdapat hubungan erat, antara lain seperti teks dengan penutur dan teks dengan konteks (tempat, waktu, dan suasana). Pendekatan multidisipliner digunakan pada tulisan ini, yakni pendekatan historis, sosiologis, antropologis, dan psikologis. Metode yang digunakan adalah metode analisis deskriptif.

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Tackling the Preservation of African Tales in the Technological Era

Handbook of Research on Social, Cultural, and Educational Considerations of Indigenous Knowledge in Developing Countries - Advances in Knowledge Acquisition, Transfer, and Management ◽

10.4018/978-1-5225-0838-0.ch020 ◽

2017 ◽

pp. 369-382

Author(s):

Diana A. Abankwah ◽

Ruth M. Abankwah

Keyword(s):

Oral Tradition ◽

Qualitative Approach ◽

Young Age ◽

Story Telling ◽

Children's Activities ◽

Native Tongue

It appears that the great story-tellers of the Ghanaian society and the traditional singers, bards and griots were the “knowledge houses” of the Ghanaian society. This tradition is slowly dying out in the technological era. This study sought to determine the extent to which the Anansesem oral tradition is still practiced among Ghanaians living outside Ghana, particularly Botswana and Ghana where the study was conducted. The study employed an exploratory qualitative approach using interviews. The findings reveal that although elders and storytellers were able to weave morals into children's activities from a very young age, Ghanaians who were not raised speaking their native tongue find it difficult to relate to the messages woven deeply into the Ananse stories. The study concludes that globalisation has reduced the importance Ghanaians attach to Ananse stories. The authors see a need for strategies to be put in place to resuscitate the oral story telling tradition of Anansesem.

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Gambaran Perempuan dalam Dua Ilustrasi Online Jerman Bertema Weltfrauentag (Hari Perempuan Dunia)

JURNAL Al-AZHAR INDONESIA SERI HUMANIORA ◽

10.36722/sh.v5i2.343 ◽

2019 ◽

Vol 5 (2) ◽

pp. 48

Author(s):

Okta Mediutami Putri ◽

Lisda Liyanti

Keyword(s):

New Media ◽

Critical Discourse Analysis ◽

Descriptive Analysis ◽

Charles Sanders Peirce ◽

Critical Discourse ◽

Pessimistic Attitude ◽

Bright Color ◽

Dark Color ◽

Triangle Theory ◽

International Woman

Abstrak - Penelitian ini bertujuan untuk mengetahui bagaimana penggambaran perempuan setelah ditetapkannya Hari Perempuan Internasional (Weltfrauentag) dalam dua ilustrasi online yang dimuat pada dua portal ilustrasi online di Jerman, yaitu toonpool.de dan ce-comico.de. Metode penelitian yang digunakan berupa metode deskriptif kualitatif dengan pendekatan studi pustaka. Analisis ini menggunakan teori analisis wacana kritis model Sara Mills dan model teori segitiga semantik Charles Sanders Peirce. Hasil penelitian ini menunjukkan bahwa penggambaran perempuan dalam media baru berupa ilustrasi online menghadirkan diskusi terbuka mengenai pelekatan unsur domestik yang kuat pada perempuan. Diskusi ini dihadirkan oleh dua ilustrasi ini dengan cara berbeda. Ilustrasi pertama bernada positif, sedangkan yang kedua bernada pesimis. Ilustrasi pertama menggambarkan pelekatan unsur domestik melalui permainan kata oleh pemuka agama yang kemudian dipatahkan dengan penggunaan warna cerah dan simbol gambar yang mendukung kemajuan perempuan. Sementara itu, ilustrasi kedua menggunakan penggambaran relasi kuasa pada pimpinan laki-laki dan bawahan perempuannya. Kesadaran akan adanya hari perempuan dunia yang diucapkan pimpinan laki laki hanya mengacu pada kemampuan perempuan dalam mengerjakan pekerjaan domestik. Warna gelap dan simbol ada dalam gambar juga menyiratkan rasa pesimis yang diusung ilustrasi tersebut.Abstract - The purpose of this research was to find out how the portrayal of women (concerning international women's day/Weltfrauentag) depicted in two German online illustrations. This research methodology is a qualitative method that is written by descriptive analysis with the approach of the study of literature. This research used Sara Mills's critical discourse analysis and semantic triangle theory by Charles Sanders Peirce. The research found that the portrayal of women in the new media (in the form of illustrated online) open the discussion on the domestication of woman. This discussion is presented differently in the two illustrations: while the first shows hope and positive attitude, the latter is seen pessimistic. The first illustration depicts the domestication of a woman using the word-play by two monks that are denied by using bright color and symbol of woman empowerment. The second illustration describes the power-relation between a male director and a woman employee. The male director argues the "International Woman Day" by referring only to woman domestic skills. The dark color and symbols support pessimistic attitude in the illustration.Keywords – International Woman’s Day, Domestication of Woman, online illustration, Weltfrauentag.

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The Gift of Aphrodite in Iliad 24.30

Antichthon ◽

10.1017/ann.2020.8 ◽

2020 ◽

Vol 54 ◽

pp. 18-31

Author(s):

Cristian Mancilla

Keyword(s):

Oral Tradition ◽

Story Telling ◽

Artistic Representations ◽

Alternative Version ◽

The Gift ◽

Artistic Works ◽

High Degree

AbstractIn the famous story of Paris’ choice, he favoured the goddess who offered him ‘grievous lust’ (μαχλοσύνην ἀλɛγɛινήν). This is what Homer tells us in Il. 24.30. It has not often been noticed that Cratinus (5th cent. BC) and Lucian (2nd cent. AD) mention another gift – that Aphrodite's bribe was to make Paris irresistible to women. This alternative version happens to correspond to a high degree with several literary and artistic representations of the same story, telling it in a manner that implies or suggests the variant account. This paper argues that the set of instances containing this alternative gift may be based on an actual episode within the oral tradition. Homer himself seems to hint at this link when he refers to the ‘grievous lust’ of Paris. The Homeric reference to the alternative gift was acknowledged by Herbert Rose in 1951, even though he rejected the line in Homer which mentioned the Judgement of Paris (Il. 24.30). This seeming contradiction of Rose's accepting the alternative gift while rejecting the Judgement makes his explanation rather atypical. His uncommon viewpoint, nevertheless, will allow us to identify the presence of this alternative gift in many literary and artistic works, whether explicitly mentioned, implied, or suggested.

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ADAT PERNIKAHAN DAYAK TOBAG TINJAUAN ANTROPOLINGUISTIK

tuahtalino ◽

10.26499/tt.v14i1.2145 ◽

2020 ◽

Vol 14 (1) ◽

pp. 66

Author(s):

NFN Martina

Keyword(s):

Social Relations ◽

Oral Tradition ◽

Human Life ◽

Descriptive Analysis ◽

Text Structure ◽

Customary Law ◽

Literature Study ◽

Cultural Elements ◽

Relationship Of ◽

The Relationship

This research was Indigenous Marriage Day of Tobag, Anthropolinguistic Review. The problem in this study is how anthropolinguistic studies are able to dissect on tradition and produce a neat analysis of the relationship between the two. In the discussion there are three main approaches in the study of anthropolinguistics, namely the performance (performance), indexicality (indexicalty), participation (participation), which proved effective in examining the relationship of text structure, context and context (culture, ideology, social, and situation) an oral tradition which is based on different cultural elements and aspects of human life. Anthropolinguistic studies, namely the emphasis of anthropolinguistics in exploring the meaning, function, values, norms, and local wisdom of an oral tradition, the concept of all three can be distinguished. More than that, the anthropolinguistic approach is able to formulate a model of revitalization and preservation of an oral tradition. In this case the distinguishing features of anthropolinguistic studies with other approaches are strong and prominent. The method used is descriptive analysis with a qualitative approach. This research is a literature or literature study which is supported by various research results. The results of the analysis show that local wisdom in the tradition terms sanggan bebayo ', tonya' menonya ', betunang, kebabar), (beloki bebini mbio lopas, beboki bebini bepipis becale'k abis man manu'k, beboki bebini ponoh, beloki bebini), and customary law are divided into four, namely customary social relations and issues (adat timpak kemata labat ka oti, nganggoh adat, betama'k kediri custom, nggagap custom), there are seven mas, adat sara'k or divorce (adat adat tabat kemabat labat oti, adat nganggoh, adat betama'k kediri, adat nggagap), there are seven mas, adat sara'k or divorce (adat adat). sara'k ingka ', sara'k siko'nngi like, sara'k timpak, sara'k creep, nula'k loki/chant and hand in hand), and adat amar (amar lawing agong adat, amar pesirah adat, amar jata crawl adat, amar temenggung adat, and amar pati adat).

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JEJAK SEJARAH DALAM SASTRA LISAN DI NUSANTARA

TELAGA BAHASA ◽

10.36843/tb.v8i1.124 ◽

2021 ◽

Vol 8 (1) ◽

Author(s):

Muhammad Fadli Muslimin ◽

Mira Utami

Keyword(s):

Oral Tradition ◽

Descriptive Analysis ◽

Close Relation ◽

Oral Traditions ◽

Oral Literature ◽

The Past ◽

Research Show

The oral literature had a close relation to history, where oral literature which is part of oral tradition become the main container in the delivery of historical facts. Therefore, tracking historical facts in oral literature in the archipelago. The purpose of this study is to reveal the historical traces that exist in oral traditions in Indonesia, especially those found in Bugis, Minangkabau, Sundanese, Banjar, Kerinci, and Sentani oral literature. The method used is the descriptive analysis utilizing the theory of Jan M. Vansina about oral tradition as history. The results of the research show that the historical content in oral literature tells about the origins of humans, the lives of the past kings, and their narrative tends to be personified.

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