scholarly journals Tentang Kepemimpinan Ki Hajar Dewantoro

2019 ◽  
Author(s):  
Muhammad Irwandi ◽  
Hade Afriansyah

Ki Hajar Dewantoro was born at Yogyakarta on 2 May 1819, he is the father of Indonesian education and an Indonesian hero. Ki Hajar Dewantoro was born with the name Raden Mas Suwardi Soerjaningrat, then now we know him by the name of Ki Hajar Dewantoro. On each day of his birth it will be commemorated as an education day. Ki Hajar Dewantoro was born in a noble family. Ki Hajar Dewantoro is the grandson of GPH Soerjanigrat, who is the grandson of Pakualam III. Born as a noble, he was entitled to education in nobility. Ki Hajar Dewantoro first attended ELS, namely a school for Dutch children and children from noble groups. After ELS he continued his education at Stovia, a medical education school created for natives located in the city of Batavia during the colonial era of the Dutch East Indies. Despite attending school at Stovia, Ki Hajar Dewantoro did not have time to finish it because he suffered pain at that time. Ki Hajar Dewantoro was interested in the world of journalists and writing, so as a journalist, Ki Hajar Dewantoro's writing style tended to sharply reflect the anti-colonial spirit. Ki Hajar Dewantoro joined the Budi Utomo organization, which is a social and political organization. Ki Hajar Dewantoro was also the founder of Taman Siswa and taught at the school. Ki Hajar Dewantoro has a famous motto, namely; (1) Ing ngarso the tulodo, (2) Ing madya mangun karso, (3) Tut wuri handayani.

DeKaVe ◽  
2013 ◽  
Vol 3 (6) ◽  
Author(s):  
Karina Rima Melati

Ads enamel is present as part of a media phenomenon in the world of advertisingcommunication made with a complex reproductive techniques and has a characteristic thatdistinguishes it from other advertising media. Factors affecting the visual content of the message inthe repertoire of developmental enamel advertising in Indonesia, developed along with the progressespecially in the areas of economy, as well as an attempt penetration with idioms - idioms to suit itstarget market.The next development was the emergence of new ideas in making an alternativeadvertisement-based enamel, such as the packaging of food products (packaging), ashtrays, trays ortrays, seat backrest, backrest calendar, memo backrest, clocks, thermometers and so giant thatcreated with an attractive design.Keywords: Ads enamel, Delineation change the city, Past the Dutch East Indies


Author(s):  
Novian Denny Nugraha ◽  
Sonson Nursholih

The simbol of municipality (big city) in Indonesia is changing from time to time, as well as changing according to the social and cultural conditions of the city. If in colonial era the simbol of the city is a representation of the power of the government or rule, and then the phenomenon is now beginning to change in the current era, where the simbol of the city functioned also for the needs of tourism. In the late Dutch East Indies colonial era around 1930s, some cities were considered to be self-reliant by government and economy, so that the government at that time made a simbol for the need to run the wheels of his government. The interesting phenomenon of the simbol of the city simbolically is the existence of simbols that are displayed, both simbols affiliated to the ruler (Dutch East Indies) and also the simbol that is a typical simbol of the city's local tradition. Composition and relationship between simbols in the city simbol is interesting to be studied and analyzed. Especially at visual structure area and meaning representation. The analysis is done by qualitative research method which is descriptive interpretative with semiotics theory approach for sign analysis and using postcolonial theory for understanding the meaning of the city simbol. The results of the analysis both in the visual structure and in the meaning shows the existence of different types of simbols that appear, as well as the discovery of the difference of simbol dominance in each simbol of the city. The relation between the simbols generated from the composition of the visual structure results in a new understanding, which in the postcolonial perspective will be interpreted by a binary opposition relationship, or the dominant/hegemonic relationship between the colonial government and the colony state, between “The Other” and “The Occident”, or between colonizing and colonized countries. Furthermore, the simbolic relation on the visual structure and meaning resulted in the ideological significance of the sociocultural conditions of the community at that time.


2021 ◽  
Vol 14 (2) ◽  
pp. 136-157
Author(s):  
Dong-Yu Lin ◽  
Ping Lin

Abstract During the early twentieth century, strong nationalistic ideas sprang up in Indonesia. Some Chinese elites in professional positions under the Dutch colonial government tended to side with the Dutch with the pro-Dutch attitude; some working for Chinese newspapers or agencies developed the pro-China stance; some supported and cooperated with the indigenous people with the pro-independence tendency; and others had their inclinations transformed over the course of time. After examining the life history of a few prominent Chinese figures, this article shows that three levels of factors—international politics in East Asia, local politics in the Dutch East Indies, and their life histories under Dutch rule (together with travel experience to China)—were critical for each Chinese person in establishing or transforming their often hybrid political orientations. The Chinese preference was neither monolithic nor settled, so the general assumption that “Chinese people are loyal to China” in Indonesian politics of the colonial era should be revised.


2011 ◽  
Vol 41 (1) ◽  
pp. 1-40 ◽  
Author(s):  
Lewis Pyenson

Eighteenth-century natural-history illustration in the Dutch East Indies reveals verisimilitude as a goal shared between colonial artists and their counterparts in Europe. Natural-history images more generally exhibit common styles in the world settled and dominated by Europeans. Apparently dramatic differences in the local settings of the artists produced only trivial variations in representing nature pictorially, in just the way that astronomy and physics in the European colonies and spheres of influence departed hardly at all from European practice. The overwhelming strength of disciplinary norms, in science and in art, is the standard explanation for this circumstance. An alternative explanation from social history is proposed. It centers on the hypothesis of a homology between households in colonial settings and in Europe. The alternative explanation implies that both the observatory and the artist's workshop were insensitive to superstructural variation in costume and architecture, as well as variation in climate and cuisine. The hypothesis behind the alternative explanation, designated by the term complementarity, derives directly from the postmodernist dictum that ideas are extrusions of social interactions. Nevertheless, just as the strength of disciplinary norms is unresolved in postmodernist doctrine, so complementarity directly challenges the postmodernist predilection for affirming the distinctiveness of colonial cultures.


2020 ◽  
Vol 2 (2) ◽  
pp. 15-23
Author(s):  
Rahmia Nurwulandari ◽  
Kemas Ridwan Kurniawan

Bandung experienced a rapid urban development after 1918, when the city was prepared to be the new Dutch East Indies’ capital city, replacing Batavia. In the era of economic liberalization, Bandung also became one of the tourist destinations that has promoted by the businessmen. This paper is a study on how mass tourism as the new urban culture in the beginning of 20th century had a contribution to urban planning in Bandung. The timeline was after the establishment of train as a modern transportation in Bandung (1884) until the end of the Dutch Colonialism in Dutch East Indies (1942). Through the Georg Simmel's theory of sociology and the city, I tried to analyze the the tourism activity and its relations to the 20th century urban architecture in Bandung, West Java. I use the method that was introduced by Iain Borden and friends in The Unknown City to understand tourism and urban history of Bandung through the spatial practice, city representation and experiences. 


2020 ◽  
Vol 3 (1) ◽  
pp. 27-34
Author(s):  
Diky Muhammad Marzuki

This paper discusses a very important figure in the development of language and literature in the city of Garut. Karel Frederick Holle was a Dutchman who came to the Indies at the age of 14 years. He began life in the Dutch East Indies as a housing administration employee in Cianjur. Followed by becoming a Dutch government employee in Batavia and ended up being an honorary advisor for land affairs in the administration department as well as a tea and coffee plantation owner in Cikajang Garut. This paper discusses K. F. Holle in outline. The author is aware of the lack of sources used due to the rare sources about K. F. Holle, therefore it needs further research in order to discuss all aspects in depth. Kata Kunci: Dutch Policy, Indonesian farming, K. F. Holle


2019 ◽  
Vol 25 (2) ◽  
pp. 345-364 ◽  
Author(s):  
Rebecca Álvarez ◽  
Christopher Chase-Dunn

This article takes up Samir Amin’s challenge to rethink the issue of global political organization by proposing the building of a diagonal political organization for the Global Left that would link local, national and world regional and global networks and prefigurational communities to coordinate contention for power in the world-system during the next few decades of the 21st century. The World Social Forum (WSF) process needs to be reinvented for the current period of rising neo-fascist and populist reactionary nationalism and to foster the emergence of a capable instrument that can confront and contend with the global power structure of world capitalism and aid local and national struggles. This will involve overcoming the fragmentation of progressive movements that have been an outcome of the rise of possessive individualism, the precariat, and social media. We propose a holistic approach to organizing a vessel for the global left based on struggles for climate justice, human rights, anti-racism, queer rights, feminism, sharing networks, peace alliances, taking back the city, progressive nationalism and confronting and defeating neo-fascism and new forms of conservative populism.


Simulacra ◽  
2020 ◽  
Vol 3 (1) ◽  
pp. 81-94
Author(s):  
Teguh Hindarto ◽  
Chusni Ansori

 The 1930s economic crisis in the United States had spread throughout the world and caused a number of social, economic, political and cultural impacts, including for the Dutch East Indies colonies. Karanganyar Regency, which was in the Bagelen Residency territory since 1901, had experienced the effects of the economic shock as well. Karanganyar was a district in the Kebumen Regency area. Before becoming a sub-district, Karanganyar was an independent regency and had its head of government from 1832 until 1936. Through literature studies, this paper intended to thoroughly analyze the existence of Karanganyar Regency in the colonial era, find out the background of its elimination, and the process of social change that occurred. To obtain the main variables that cause the elimination of Karanganyar Regency, the researcher utilized the historical comparative method. From the analysis, we concluded that the Economic Depression centred in the United States affected the Dutch East Indies colonies, particularly on the management of the government bureaucracy. This situation demanded the Dutch East Indies government to adapt to social change by removing a number of Regency, including Karanganyar Regency.


2017 ◽  
Vol 1 (03) ◽  
pp. 362-379
Author(s):  
Devina Veronika, Yenny Gunawan

Abstract - The city district known as Senen forms one of the historical parts of Jakarta where there are many buildings to be found in the Dutch East Indies Empire style as architectural relics of the Dutch Colonial Era, and the majority of these buildings are still there, up to the present. Many of these relics of the past have not been properly maintained and have suffered damage. One of these happens to be the Heritage Bank Indonesia building situated at Jalan Prapatan No.42 in Jakarta. After its conservation and re-use, a functional change has taken place that is quite drastic when considered from its establishment until the present. This research study can be categorized as qualitative. The research method consists of the descriptive method along with the analytical and interpretative methods. The data have been analyzed by drawing a comparison between the building in its initial state and its current condition, which was subsequently processed based on the conservation principles issued by the regional authorities called Perda. The data collection technique was employed with the observational method, interviews, taking measurements, and by way of studying the relevant background literature. The conclusion of this research study is that the building of the Heritage Bank Indonesia is nothing but a piece of sculpture after its conservation because it has become isolated or alienated from its surroundings, and as such it is no longer in keeping with its environmental context, which is situated in the Learning center complex of Bank Indonesia. Keywords: variety of new functional applications, Dutch East Indies Empire style of architecture, Heritage Bank Indonesia building


Author(s):  
Ian Campbell

‘Charlie Chaplin di Ngamplang, 1927’ is an Indonesian-language poem by Australian poet Ian Campbell, and is a humorous meditation upon certain imaginary events that befell Charlie Chaplin at the Dutch colonial era hill station of Ngamplang in West Java in 1927. In historical terms Chaplin did in fact visit the Dutch East Indies three times between 1927 and 1932, including the area around Ngamplang. The poem was included in Campbell’s poetry and prose collection Tak ada Peringatan (Vivid Publishing, 2013). The Indonesian language version of the poem first appeared in 2012 in the literary pages of the Jakarta mass media daily Kompas. An English-language back translation is included here.


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