scholarly journals Bashkir Theme in Works by P.L. Yudin, Orenburg Local Historian of the Beginning of the XX Century

2020 ◽  
pp. 27-30
Author(s):  
Viktoriya Yurevna Prokofeva ◽  
Alla Georgievna Prokofeva
Keyword(s):  
Scientific Activity ◽  
Historical Science ◽  
Early 19Th Century ◽  
Culture History ◽  
Historical Figures ◽  
Mode Of Life ◽  
Military Campaigns ◽  
Historical Past ◽  
First Time ◽  
Research Analysis

The article presents data on the studies by P.L. Yudin, a Russian historian-archivist of the beginning of the 20th century, local historian, a member of several scholarly archival commissions, who being a native of the Orenburg Region, dedicated his scientific activity to the study of multinational South Ural. For the first time, the Bashkir theme – research about the culture, history and people of Bashkiria – stands out in the scientist's legacy. Methods of research: analysis of the works of the scientist about Bashkir history, its culture and people, published in the magazines, newspapers. Based on the analysis of scientist’s works the following aspects of the study of Bashkiria by P.L. Yudin are distinguished: the historical past of the region – the settlement of Bashkir lands, a description of the Bashkir cities, the lives and mode of life of their inhabitants, archival data on the participation of the Bashkirs in the Pugachev uprising, the personality of V.A. Perovsky, Orenburg military governor general of the early 19th century, his military campaigns and citations about him in Bashkir history, historical visits to the Ufa Governorate by historical figures, including Emperor Alexander I, preparation for such visits, religious beliefs of the Bashkir population. Conclusion. The importance of studies by P.L. Yudin and the relevance of his archival finds for ethnography, ethnology and modern historical science is denoted as well.

scholarly journals Swedish baron G.M. Sprengtporten in Russian service, 1786-1809

2021 ◽  
Vol 20 (4) ◽  
pp. 480-492
Author(s):  
Vladimir N. Shaidurov ◽  
Valentina A. Veremenko
Keyword(s):  
19Th Century ◽  
Russian Empire ◽  
Early 19Th Century ◽  
Independent State ◽  
Russian Army ◽  
Historical Figures ◽  
The Russian Empire ◽  
Short Time ◽  
First Time ◽  
Swedish Citizen

General of the Infantry Count G.M. Sprengtporten (1740-1819) is one of the less known historical figures of the last quarter of the 18th and of the early 19th century. As a Swedish citizen, he hatched plans to turn Finland into an independent state. In the mid-1780s he saw in Catherine II a potential ally who could implement his ideas. After accepting the invitation to enter Russian service, Sprengtporten did not blend either in the Highest Court or in the Russian army. Not having shown any significant military feats during the wars of the late 18th and early 19th centuries, he distinguished himself in the diplomatic and lawmaking field. An important event was his mission to Europe (1800-1801), which resulted in the return of more than six thousand Russian prisoners to Russia. The draft Regulations on the Establishment of the Main Administration in New Finland, developed by Sprengtporten with some changes made by Emperor Aleksander I, became the cornerstone of Finnish autonomy within the Russian Empire over the next century. Occupying for a short time the post of Governor General, he became a link between Finland and Russia. The scientific novelty of the article lies in the comprehensive presentation of the Russian service of G.M. Sprengtporten. The article is written on the basis of published sources and unpublished documents from some central archives, which are introduced into scientific circulation for the first time.

Muscle scars and mode of life of Carinaropsis (Bellerophontoidea, Gastropoda) from the Ordovician of Tennessee

1993 ◽  
Vol 67 (4) ◽  
pp. 528-534 ◽  
Author(s):  
John S. Peel
Keyword(s):  
General Shape ◽  
Mode Of Life ◽  
First Time

Muscle scars are described for the first time in the Ordovician bellerophontoidean gastropod Carinaropsis Hall. Silica replicas from the Cannon Limestone of Tennessee preserve a pair of muscle scars, with a single elongate scar located on each umbilico-lateral angulation of the shell interior more than half a whorl back from the apertural margin. The scars are similar in general shape and position to muscle scars described in Bellerophon de Montfort and the pleurotomarioidean Porcellia woodwardi (Sowerby). In addition to supporting the soft parts within the widely expanded shell, the characteristic internal septum of Carinaropsis probably facilitated clamping of the shell aperture against the substrate.

scholarly journals Ivan Aleksandăr (1331-1371)

2010 ◽  
Author(s):  
Alberto Alberti
Keyword(s):  
Fourteenth Century ◽  
Cultural Production ◽  
Cultural Evolution ◽  
Crucial Importance ◽  
Amount Of Information ◽  
The Arts ◽  
Literary Sources ◽  
Military Campaigns ◽  
First Time

The long reign of Ivan Aleksandăr (1331-1371), the penultimate emperor of Bulgaria prior to the Turkish conquest, was marked by a series of successful military campaigns against Serbia and Byzantium and above all by an intensive cultural production, largely fostered and funded by the sovereign himself. The central decades of the fourteenth century were of crucial importance for the later cultural evolution of Bulgaria and the whole of Orthodox Slovenia, despite which to date ample and exhaustive studies on the figure of Ivan Aleksandăr are lacking. There is, in effect, a considerable amount of information at disposal, although it is scattered over the literary sources, the colophons of the manuscripts, the epigraphic documentation and also, obviously, the official deeds promulgated by the Emperor. Through the analysis of this varied documentation, this book attempts to reconstruct the figure of the sovereign, the context in which he lived and worked, his greatness and his mistakes and his parallel activities as a strategist and an illuminated patron of the arts. For the first time, the Italian reader can find collected and translated all the manuscript sources relating to the Bulgarian sovereign. The book is completed by an appendix with the original texts of the Slavonic-ecclesiastical tradition.

scholarly journals The War of Khalkhin Gol in 1939 and the German-Soviet Nonaggression Pact

2018 ◽  
Vol 28 (4) ◽  
pp. 585-594 ◽  
Author(s):  
Alexander Sukhodolov ◽  
Tuvd Dorj ◽  
Yuriy Kuzmin ◽  
Mikhail Rachkov
Keyword(s):  
Foreign Policy ◽  
Second World War ◽  
Historical Science ◽  
World War ◽  
The World ◽  
Long Time ◽  
History Of ◽  
First Time ◽  
Further Development ◽  
Second World

For the first time in Russian historiography, the article draws attention to the connection of the War of Khalkhin Gol in 1939 and the conclusion of the German-Soviet Nonaggression Pact of 1939. For a long time, historical science considered these two major events in the history of the USSR and history of the world individually, without their historic relationship. The authors made an attempt to provide evidence of this relationship, showing the role that surrounding and defeating the Japanese army at Khalkhin Gol in August 1939 and signing in Moscow of the German-Soviet Nonaggression Pact played in the history of the world. The study analyzes the foreign policy of the USSR in Europe, the reasons for the failure in the conclusion of the Anglo-Franco-Soviet military union in 1939 and the circumstances of the Pact. It shows the interrelation between the defeat of the Japanese troops at Khalkhin Gol and the need for the Soviet-German treaty. The authors describe the historic consequences of the conclusion of the pact for the further development of the Japanese-German relations and the course of the Second World War. They also present the characteristics of the views of these historical events in the Russian historiography.

scholarly journals A MODEL OF EXPRESSIONIST STRATEGY DEVELOPMENT IN THE WORK OF THE WRITER (ON THE EXAMPLE OF THE WORKS OF LEO PERUTS)

2021 ◽  
Vol 23 (78) ◽  
pp. 59-63
Author(s):  
E.A. Radaeva ◽  
Keyword(s):  
Twentieth Century ◽  
Scientific Knowledge ◽  
Strategy Development ◽  
The Novel ◽  
Large Interval ◽  
Early Twentieth Century ◽  
The World ◽  
Historical Past ◽  
First Time

The purpose of this study is to present a model for the development of the expressionist method in the genre of the novel using the example of the evolution of the novelistic work of the Austrian writer of the early twentieth century L. Perutz. The results obtained: the creative method of the Austrian writer is moving from scientific knowledge to mysticism; in the center of all novels created with a large interval, there is always a confused hero, broken by what is happening (in other words, the absurdity of the world), whose state is often conveyed through gestures; the author finally moves away from linear narration to dividing the plot into almost autonomous stories, thematically gravitating more and more to the distant historical past. Scientific novelty: the novels of L. Perutz are for the first time examined in relative detail through the prism of the aesthetics of expressionism.

scholarly journals «Great things seen at a distance...»: view of newspaper studies in a hundred years. Review of: Fateeva I. A. Gazetovedenie as a scientific and educational school in Russia: one hundred years later: a monograph. — Moscow: MPSU, 2020 — 368 p.

2021 ◽  
Vol 27 (2) ◽  
pp. 227-234
Author(s):  
R. L. Iskhakov ◽  
Keyword(s):  
Academic Community ◽  
Historical Science ◽  
Scientific Schools ◽  
First Time

For the first time in historical science, the author turns to the origins of the theory of journalism, the first steps of the study of the creativity of newspaper authors. For many years after the destruction of the school of newspaper science in the 1930s, the topic of the first scientific schools of journalism has been ignored. The author of the monograph reveals the names of the first researchers of journalism and shares them with them the academic community.

Ivan Kavaleridze`s dramaturgy on the Sumy stage

2021 ◽  
Author(s):  
D.V. Budianskyi
Keyword(s):  
Large Scale ◽  
Musical Comedy ◽  
Historical Figures ◽  
Wide Range ◽  
Socialist Realist ◽  
History Of ◽  
Characteristic Features ◽  
Old Men ◽  
The Impact ◽  
First Time

The characteristic features of I. Kavaleridze’s drama is considered in the article. It is noted that there are signs of the artist’s individuality, attraction to expressionist forms, artistic techniques characteristic for the art of sculpture: symbolism, monumentality, hyperbole. I. Kavaleridze was well versed in the drama laws, understood the specifics of the stage events construction, had a large arsenal of literary means, thanks to which the characters’ monologues and dialogues were extremely expressive and colorful. In his work, he implemented original solutions that were ahead of time. Therefore, many of the artist’s ideas and achievements received due recognition only after his death. I. Kavaleridze’s creative heritage covers a wide range of both purely artistic and general philosophical problems. Among them the formation of the era of modernism and its features in the Ukrainian art of the early XX century, the impact of revolutionary ideas on the work of the 1920s, the role of spiritual leaders of the Ukrainian people T. Shevchenko and G. Skovoroda in the formation of national consciousness, political and ideological pressure on figurative art language and the formation of a socialist-realist canon, etc. The analysis of the productions of I. Kavalerizde’s plays “The First Furrow” and “Gregory and Paraskeva” on the stage of the Mykhailo Shchepkin Sumy Theater of Drama and Musical Comedy in 1970-1972. The article notes that these plays were staged in Sumy for the first time in the history of Ukrainian theater. The premiere of “The First Furrow” (the play was called “Old Men”) took place on March 19, 1970. The figure of the national genius Hryhoriy Skov oroda was als o embodied for the first time on t he stage in Sumy in th e play “Hryhoriy and Paraskeva”. It premiered on October 21, 1972. I. Rybchynsky, Honored Artist of the USSR, performed the production. Creating generalized historical outlines of people’s life, features of life at that time, depicting psychological portraits of people in various, sometimes-dramatic collisions, in the productions of I. Kavaleridze’s plays on the Sumy stage the emphasis was on universal values such as virtue, love. The main character was the Ukrainian people, who nurtured such large-scale historical figures, gave them strength and wisdom for great achievements. Based on publications in periodicals of that time, memoirs of Ukrainian directors, the peculiarities of the director’s interpretation, stenographic and musical design of these plays on the Sumy stage are considered. Considerable attention is paid to the analysis of acting works in I. Kavaleridze’s plays. In particular, the peculiarities of the actor’s embodiment of the image of the national genius Hryhoriy Skovoroda on the stage are presented. It is noted that I. Kavaleridze’s plays, created in a difficult political, social and ideological context, are rightly considered to be highly artistic works of Ukrainian drama. Their staging was carried out on various theatrical stages, including Mykhailo Shchepkin Sumy Theater of Drama and Musical Comedy is an important page of national theatrical art.

Importance of a Critical Mass

2020 ◽  
pp. 82-95
Author(s):  
Carly Offidani-Bertrand
Keyword(s):  
Minority Students ◽  
Critical Mass ◽  
Additional Layer ◽  
Historical Figures ◽  
Campus Organizations ◽  
Campus Integration ◽  
White Professors ◽  
K 12 ◽  
First Time ◽  
Racial Ethnic

This chapter turns to the role of racial-ethnic identity-based campus organizations in helping or hindering students to manage feelings of being othered. Upon arrival on campus, racial-ethnic minority students find themselves dramatically outnumbered by White students, taught by largely White professors, and learning about White historical figures and artifacts. Because of the segregated nature of American K–12 schooling, this shift into suddenly being racially-ethnically outnumbered can be a significant challenge to campus integration. Mounting feelings of social isolation add an additional layer of stress atop an already difficult transition. Away from home for the first time, many minority students feel culturally lost as they begin their new life as college students. Students' perspectives on being othered ranged from feeling that their peers appreciated their differences to feeling stereotyped as the sole representative of their group. The extent to which they had counterspaces helped them process those feelings and celebrate their differences as diversity.

scholarly journals The Mordovian epos «Mastorava» by A. Sharonov (to the issue about typological features of book form of epos of the Finno-Ugric peoples)

2020 ◽  
Vol 10 (3) ◽  
pp. 479-488
Author(s):  
R. A. Kudryavtseva ◽  
◽  
M. N. Kuznetsova
Keyword(s):  
New Age ◽  
Point Of View ◽  
Epic Poetry ◽  
The People ◽  
Sociocultural Development ◽  
Time Frames ◽  
First Time ◽  
Historical Periods ◽  
Research Analysis ◽  
Conceptual Integrity

Introduction: the article is devoted to the Erzya-Moksha epos «Mastorava» in terms of the originality of its plot, composition, set of the characters, ideological content and folklorism in the context of problem of typological factors of book form of epos of the Finno-Ugric peoples. Objective: to study the epos «Mastorava» through the prism of its content and structure, with the identification of poetic and ideological originality. Research materials: the text of the epos «Mastorava» (2020), namely, its five parts («The Age of the Gods», «The Ancient Age», «The Age of Tyushtyan», «The Age of Enemies», «The New Age») considered from the point of view of their artistic unity, as well as the scientific works devoted to the analysis of the work. Results and novelty of the research: analysis of the «Mastorava» in the considered aspect shows that the epos was created on the basis of folklore myths, epic songs and legends reproducing the mythological, epic and historical periods in the development of the Mordovian ethnos; the time frames covers various stages of sociocultural development of the people. The «Mastorava» is original in terms of content and form, however it has much in common with the epic poetry of the Finno-Ugric peoples. For the first time, the authors based on the analysis of the artistic structure of the new edition (2020) of the epos and the identification of the conceptual integrity of the text prove that A. M. Sharonov’s «Mastorava» has typological features of the book forms of the Finno-Ugric epos.

scholarly journals SCIENTIFIC AND ORGANIZATIONAL ACTIVITY OF O. PRITSAK IN UKRAINE AFTER 1991

2020 ◽  
Vol 1 ◽  
pp. 134-141
Author(s):  
Maria Voronova
Keyword(s):  
Cultural History ◽  
Middle Ages ◽  
Scientific Activity ◽  
State University ◽  
Historical Science ◽  
National Academy Of Sciences ◽  
History Of ◽  
To Come ◽  
General Linguistics ◽  
Oriental Studies

The article is devoted to the scientific and organizational activities of O. Prytsak in Ukraine after 1991. It was during this period against the background of favorable political circumstances that the scientist was able to come to Ukraine and begin his active work on the development of historical science in our country. The key directions to which the scientist’s activity was directed are considered. First of all, much attention is paid to the establishment of the Institute of Oriental Studies of the National Academy of Sciences of Ukraine, as well as the revival of the journal “Eastern World”. In addition to the development of Oriental studies, O. Prytsak dealt with other issues concerning the development of historical science in Ukraine. He proposed to create the Department of Historiosophy at Kyiv State University named after Taras Shevchenko. At the historical faculty of this university O. Prytsak gave lectures on philosophy and methodology of history. During the study period, the scientist had repeatedly acted as a dissertation supervisor and was an official opponent in the defense of dissertations. In the personal archive of the scientist one may find reviews and responses to works on the history of Ukraine of the Middle Ages, the age of the Cossacks, the history of nomadic peoples of Asia, oriental linguistics, general linguistics, as well as political and cultural history. The article highlights O. Prytsak’s participation in the scientific events, in which he made reports that were the results of his research in the field of the Ukrainian history and oriental studies. As a result of the study, it was concluded that O. Prytsak made a great contribution to the revival of Oriental Studies in Ukraine, was active in establishing the Department of Historiosophy at Kyiv State University named after Taras Shevchenko, brought up a whole galaxy of students who are currently well-known and authoritative researchers both in Ukraine and abroad. The scientific activity of the scientist has received recognition all over the world, as evidenced by his numerous international awards and distinctions.

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