scholarly journals VALUE OF ARTIFICAL EDUCATOIN FOR ARCHITECTURAL LANDSCAPE AT THE MODERN STAGE

Author(s):  
E. M. Bozhko ◽  
◽  
M. V. Spornik ◽  

Analyzing relevant and informative sources for acquaintance with modern fine art, catalogs of various art exhibitions, article questions and problems associated with the creation of architectural and landscape compositions are considered from a practical point of view. A significant role in art belongs to the architectural landscape, as a genre variety. Promising types of cities - Veduta (A. Canaletto, V. Bellotto) have become separate types of architectural landscape. The genre of painting is the Veduta, which developed in the eighteenth century in Venice. This is an image of views of the city and its environs. Lead amaze with its accuracy. At that time, such images served as photographs. The requirements for the paintings corresponded to their purpose: the accuracy of the image of objects, down to the smallest detail. With the advent of photography, the requirements for graphic images have lost their relevance. The camera can accurately capture the object, transmit small details better than the artist. The changes that are taking place in modern realistic painting are connected precisely with the appearance of photography. Many modern impressionists, trying to impress the landscape they saw, write sketches with wide, wide strokes. For the sake of such a technique, they ignore many important elements of the landscape in order to maximize the expressiveness of their work. Modern artists working in the realistic direction of the architectural landscape pay attention to color reproduction, color of painting, while paying due attention to drawing, linear perspective and construction. Painting and photography at the present stage are fundamentally different from each other. Painting corresponds to its name - living writing, generalization, typification and stylization of forms, the viewer's impression of lightness, airiness and illumination. Modern realistic painting is modified relative to the painting of the VIII-XIX centuries. This process is due to the technical development of the modern world, the advent of digital photography, new materials for creativity. Picturesque language goes into the language of flowers. Professional art education plays a fundamental role in understanding the landscape as a genre of painting. Education allows you to combine composition, the picturesque effect, which is an innovation in realistic landscape painting, for the complete deep impression of the viewer.

2021 ◽  
Vol 18 (4) ◽  
pp. 352-364
Author(s):  
Natalia G. Fedotova

The article is devoted to the discourse of the city’s cultural memory. The relevance of studying this topic is determined not only by the fundamental aspect associated with the episodicity of existing studies of this phenomenon. From an applied point of view, the city’s cultural memory is a symbolic resource that can be used to create an appealing image, form a sustainable urban identity, and strengthen the citizen’s sense of belonging to the city. The accumulation and objectification of cultural memory take place in symbolic forms, which makes it important to study the practices of symbolizing the urban past, the essence of which is to generate the significance of the relevant or latent layers of cultural memory for the citizens.The article presents the results of the final stage of research related to the study of the process of constructing the cultural memory of the city. The purpose of the article is to analyze modern practices of symbolizing fragments of the urban past, which mean their significance for contemporaries. Basing on the culturological cross-section of the issue, the author integrates different research contexts. The methodological basis of the article is the communicative approach that focuses on the processes of meaning formation, and the constructivist method that considers memory as a multi-layered and dynamic construct. Analyzing the practices of symbolizing the urban past by the example of Russian cities, the author of the article demonstrates how the episodes of the city’s memory are updated in the modern world, how cultural meanings become memorable for citizens. The author uses the results of previous studies and identifies the following elements of the symbolization of the urban past: a) ways of encoding fragments of the past; b) communicative trajectories of memory symbolization; c) factors of producing meanings about the collective past of the city. The obtained results open up new frontiers in understanding the processes of formation of the collective ideas about the city, and prospects for empirical research, forecasting and constructing the cultural memory of Russian cities, giving them the opportunity to change their present and future.


Author(s):  
Lusine Sargsyan ◽  
◽  
Davit Ghazaryan ◽  
◽  

This study is dedicated to the Armenian manuscript and printed Amulet1 of the Armenian Diocese of Baghdad (DAOB). In this collection of early printings, there are two printed Amulets in scroll (Pr. n. 14, second half of the 19th century and Pr. n. 15, A.D. 1716). The third Amulet is a manuscript written in 1736 in the city of Erzrum (Karin) for a certain Ohan (Ms. n. 13). The scanned copies of these amulets are currently available through the website of Hill Museum and Manuscript Library (HMML).2 Since this paper is the first study of these amulets, it presents them in terms of codicology and bibliographical study and discusses their decoration. The study of some iconographic details will help to reveal the practice of using amulets and their meaning, considering them as a representation of Armenian “folklore-art”, since scribes and miniaturists were partly free to choose texts and decorate them, even they were mostly works of the priesthood.3 It should be noted that as artifacts of the same genre, having a purpose of protection of their owners using incantations and prayers, very often the content and decoration of these three Amulets have similarities. From this point of view, Ms. n. 13 (A.D. 1736) and Pr. n. 15 (A.D. 1716) are more relevant to each other both in content and, accordingly, in decoration. A selection of prayers and illustrations to them show almost the same structure, and for the printed Amulet, we can certainly argue that such structure was typical (but not limited) for the printed Amulets in the Armenian tradition from the 18th to 19th centuries. Despite some similarities with two previous Amulets, the Pr. n. 14 (19th century) represent another structure of content and its decoration. It is enriched with prayers and illustrations which does not exist in mentioned above two examples of the 18th century. E.g. engravings depicting the life of Christ (Annunciation, Birth of Jesus Christ, Baptism, Resurrection, etc.), or portraits of the evangelists, accompanied by the passages from their Gospels. Our research shows that the publishers of this Amulet had an eighteenth-century prototype and took an innovative approach using Western art engravings.


2014 ◽  
Vol 13 (3) ◽  
pp. 057-064
Author(s):  
Jacek Zyga

The market of flats located in buildings of prefabricated blocks in Lublin, on the background of the rest of flats, is described in presented essey. The analysis of the variables included in the unit prices of flats (from the period of the years 2005-2013), located in multi-family blocks, completion of which was contained in the years 1962-1991 and the design was a variant of construction of prefabricated elements or another. Comparative analysis was performed separately for separate zones as well as for the city of Lublin. The comparison of transactions in the whole of the city showed that in most of the periods compared, average unit prices of flats, located in prefabricated buildings, remained higher than other. On the other hand, during the year 2004 and for the years 2011-2013 (separately in different years), the average unit prices of flats in prefabricated buildings happened to be lower than the average prices of other premises. Statistical significance of differences between average unit prices in parallel subgroups (prefabricated buildings vs. buildings realized in other technologies) has been tested with Student's t-test. The comparison of two mentioned market segments demonstrates their small diversity, proving that the market evaluation of usefulness and safety of flats located in buildings of prefabricated blocks is different and much better than the evaluations of constructors.


2021 ◽  
pp. 537-557
Author(s):  
Nereida Segura-Rico

In Of Love and Other Demons (1994), García Márquez presents a tableau of daily life in the city of Cartagena de Indias in the eighteenth century with the opening paragraphs of the novel, situating the center of the action in the harbor and a ship with slaves that had arrived from Guinea. In order to depict the city and its inhabitants, the narrator adopts the point of view of a chronicler, positioning himself within the discourses of power of the metropolis in colonial Latin America. This article analyzes the subversion of those discourses of power that the narrative voice carries out from within, as it seemingly anchors the action in an identifiable space and time, only to dismantle the pretension of progress, historical or otherwise. The narrator-chronicler—an extension of the author-journalist in the introductory pages to the novel—intertwines competing philosophies and ideologies not through the all-encompassing view of magical realism but by laying bare the binary oppositions enacted by “the lettered city.” Having been born from the bones discovered in the crypt of the convent, the whole narrative becomes a memento mori, its development punctuated by instances of illness and demise, such as the corpses of the slaves afloat in the harbor, or the annihilation of reason, both literally and metaphorically, signified in a diagnosis of rabies. Thus, the novel cannot but be an extension of death, an ironic chronicling of a progress arrested by its material and moral ruins.


2019 ◽  
Vol 13 (1) ◽  
pp. 137-155
Author(s):  
Gheorghe Romanescu

Abstract Deposit salt in Romania has extremely important reserves, considered even inexhaustible at the current exploitation level. The biggest salt resources are found in the intra-Carpathian arch, represented by Transylvania and Maramures. Most sources of salt outcrops are disseminated on the edge of the Transylvania Depression, in the diapir folds formed following salt migration. The salt mines – Turda, Praid, Ocna Mures, Ocna Dej, Ocna Sibiu, Cojocna, Ocna Sugatag – represented an important source of incomes, reason for which important human settlements formed around them. All these localities have turned nowadays into balneal and climacteric resorts that fully use the beneficial effect of the atmosphere within galleries (Praid, Turda). The most important incomes from tourism are represented by the galleries of the mines of Turda (one of the 10 wonders of the modern world) and Praid. The balneal and climacteric resorts also developed around the salt lakes installed in the areas of collapsed mines: Sovata, Ocna Sibiu, Ocna Dej, Cojocna. The most well known human settlements and the most important balneal and climacteric resorts, implicitly, are disseminated on the external branch of the Transylvania Depression (Sovata, Praid, Ocna Mures, Baile Figa, Cojocna thermae, Ocna Dej, Ocna Sibiu) and of the Maramures Depression (Ocna Sugata, Costiui, Vad). The oldest mining exploitation is situated at Figa (county of Bistrita-Nasaud) was founded around the year AD 3000. From this point of view, it is one of the oldest mining exploitations on Earth. The existence of the world-important archaeological site can invigorate the development of the surrounding localities, but mostly of the city of Beclean.


2019 ◽  
Vol 5 (2) ◽  
pp. 1-18
Author(s):  
Martina Mercinelli ◽  
Martin J. Smith

The construction of an underground car park beneath the main square of Turin, Italy in 2004 led to the unearthing of the skeletonised remains of twenty-two individuals attributable to the early eighteenth century. At this time the city was besieged during the War of the Spanish Succession in a hard-fought battle that resulted in unexpected triumph for the Piedmontese, a victory that marked a fundamental turning point in Italian history. The current study assesses the strength of evidence linking the excavated individuals to the siege and assesses their possible role in the battle through consideration of their biological profiles, patterns of pathology and the presence of traumatic injuries. This article presents the first analysis of evidence for the siege of Turin from an anthropological point of view, providing new and unbiased information from the most direct source of evidence available: the remains of those who actually took part.


2017 ◽  
Vol 5 (2) ◽  
pp. 109-120
Author(s):  
Cecília Avelino Barbosa

Place branding is a network of associations in the consumer’s mind, based on the visual, verbal, and behavioral expression of a place. Food can be an important tool to summarize it as it is part of the culture of a city and its symbolic capital. Food is imaginary, a ritual and a social construction. This paper aims to explore a ritual that has turned into one of the brands of Lisbon in the past few years. The fresh sardines barbecued out of doors, during Saint Anthony’s festival, has become a symbol that can be found on t-shirts, magnets and all kinds of souvenirs. Over the year, tourists can buy sardine shaped objects in very cheap stores to luxurious shops. There is even a whole boutique dedicated to the fish: “The Fantastic World of Portuguese Sardines” and an annual competition promoted by the city council to choose the five most emblematic designs of sardines. In order to analyze the Sardine phenomenon from a city branding point of view, the objective of this paper is to comprehend what associations are made by foreigners when they are outside of Lisbon. As a methodological procedure five design sardines, were used of last year to questioning to which city they relate them in interviews carried in Madrid, Lyon, Rome and London. Upon completion of the analysis, the results of the city branding strategy adopted by the city council to promote the sardines as the official symbol of Lisbon is seen as a Folkmarketing action. The effects are positive, but still quite local. On the other hand, significant participation of the Lisbon´s dwellers in the Sardine Contest was observed, which seems to be a good way to promote the city identity and pride in their best ambassador: the citizens.


2020 ◽  
Vol 8 (2) ◽  
pp. 13
Author(s):  
Ankita Pandey

Guwahati derives its name from the Assamese word “Guwa” means areca nut and “Haat” means market. However, the modern Guwahati had been known as the ancient Pragjyotishpura and was the capital of Assam under the Kamrupa kingdom. A beautiful city Guwahati is situated on the south bank of the river Bramhaputra. Moreover, It is known as the largest city in the Indian state of Assam and also the largest metropolis in North East India. It has also its importance as the gateway to the North- East India. Assamese and English are the spoken languages in Guwahati.  In 1667, the Mogul forces were defeated in the battle by the Ahom forces commanded by Lachut Barphukan. Thus, in a sense Guwahati became the bone of contention among the Ahoms, Kochas and the Moguls during the medieval period.  Guwahati the administrative headquarters of Lower Assam with a viceroy or Barbhukan was made by the Ahom king.  Since 1972 it has been the capital of Assam. The present paper will discuss the changes happened in Guwahati over the period of late 1970s till the present time. It will focus on the behavior of people, transformed temples, Panbazar of the city, river bank of Bramhaputra, old Fancy Bazaar, chaotic ways, festivals and seasons including a fifth man made season etc. It will also deal how over the years a city endowed with nature’s gifts and scenic views, has been changing as “a dirty city”. Furthermore, it will also present the insurgencies that have barged into the city. The occurrence of changes will be discussed through the perspective and point of view of Srutimala Duara as presented in her book Mindprints of Guwahati.


2012 ◽  
Vol 5 (2) ◽  
pp. 109
Author(s):  
Besin Gaspar

This research deals with the development of  self concept of Hiroko as the main character in Namaku Hiroko by Nh. Dini and tries to identify how Hiroko is portrayed in the story, how she interacts with other characters and whether she is portrayed as a character dominated by ”I” element or  ”Me”  element seen  from sociological and cultural point of view. As a qualitative research in nature, the source of data in this research is the novel Namaku Hiroko (1967) and the data ara analyzed and presented deductively. The result of this analysis shows that in the novel, Hiroko as a fictional character is  portrayed as a girl whose personality  develops and changes drastically from ”Me”  to ”I”. When she was still in the village  l iving with her parents, she was portrayed as a obedient girl who was loyal to the parents, polite and acted in accordance with the social customs. In short, her personality was dominated by ”Me”  self concept. On the other hand, when she moved to the city (Kyoto), she was portrayed as a wild girl  no longer controlled by the social customs. She was  firm and determined totake decisions of  her won  for her future without considering what other people would say about her. She did not want to be treated as object. To put it in another way, her personality is more dominated by the ”I” self concept.


Author(s):  
Oleksii Chepov ◽  

The qualitative and clear definition of the legal regime of the capital of Ukraine, the hero city of Kyiv, is influenced by its legislative enshrinement, however, it should be noted that discussions are ongoing and one of the reasons for the unclear legal status of the capital is the ambiguity of current legislation in this area. Separation of the functions of the city of Kyiv, which are carried out to ensure the rights of citizens of Ukraine and the functions that guarantee the rights of the territorial community of the city of Kyiv. In the modern world, in legal doctrine and practice, the capital is understood as the capital of the country, which at the legislative level received this status and, accordingly, is the administrative and political center of the state, which houses the main state bodies and diplomatic missions of other states. It is the identification of the boundaries of the relationship between the competencies of state administrations and local self-government, in practice, often raises questions about their delimitation and ways of regulatory solution. Peculiarities of local self-government in Kyiv city districts are defined in the provisions of the Law on the Capital, which reveal the norms of the Constitution in these legal relations, according to which the issue of organizing district management in cities belongs to city councils. Likewise, it is unregulated by law to lose the particularity of the legal status of the territory of the city. It should be emphasized that the subject of administrative-legal relations is not a certain administrative-territorial entity, but the social group is designated - the territorial community of the city of Kiev, kiyani. Thus, the provisions on the city of Kyiv partially ignore the potential of the territorial community.


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