scholarly journals HISTORY OF DEVELOPMENT OF NATIONAL POLICY AND ETHNIC IDENTITY IN THE REPUBLIC OF KAZAKHSTAN

THE BULLETIN ◽  
2021 ◽  
Vol 2 (390) ◽  
pp. 327-332
Author(s):  
A. M. Turlybekova ◽  
G. T. Shamshudimova ◽  
M. A. Altybassarova ◽  
G. M. Kappasova ◽  
S. N. Sabikenov
Keyword(s):  
Ethnic Identity ◽  
National Policy ◽  
Modern Society ◽  
Modern World ◽  
Social Transformations ◽  
History Of ◽  
Single Identity ◽  
The Republic ◽  
The One ◽  
The Right

This article discusses the modern world as the kind of ethnic explosion, the concrete manifestations of which are the growth of the significance of ethnic identity, increasing people’s interest in their roots, traditions, culture and history. The demand for social balance related to ethnic and cultural specifics has noticeably revived. We can say that ethnic communities are real, stable historical formations, and ethnicity is an important, constantly acting factor of the social development. At different times it manifests in different ways, in the situation of serious social transformations that we are currently experiencing, there is the surge in ethnicity. These contradictions are reflected in the Republic of Kazakhstan due to its multinational composition. On the one hand, there are processes of forming the single identity instead of the national identity, based on the citizenship, and on the other hand, there is growing interest in the national culture and traditions. In the modern society people have the right to choose their ethnic self-determination and freedom of self-identification with the particular ethnic and national community, which is guaranteed by the Constitution of the Republic of Kazakhstan.

scholarly journals Abstract expressionism and its relationship to visual attraction In the designs of modern women's fabrics

2020 ◽  
Vol 2 (3) ◽  
pp. 19-27
Author(s):  
Haider Hashim Mammuod
Keyword(s):  
Abstract Expressionism ◽  
Research Community ◽  
Modern World ◽  
Expressive Vocabulary ◽  
Republic Of China ◽  
Time Period ◽  
Design Idea ◽  
The Republic ◽  
The One ◽  
The Right

In the midst of the technical and artistic acceleration that we witnessed in our modern world and its development among nations and people. The artist is trying to amend the visual experiences throughout technical and behavioral artistic approaches among which is the, "abstract expressionism" - the subject of research, where abstract artist visits several trends, methods and techniques "Designer" since ancient times through his artwork to create a variety of forms, whether these forms, expressive or abstract. With regard to mixing, loss, complacency or rejection. The designer tries to answer the following questions of: whether abstract expressionism in the design of modern women’s fabrics achieves attraction. A goal is found in the search for modern women's elegance. The research objectively identified the designs of modern women's fabrics (picnic) that implemented in the style of abstract expressionism. It also spots for fabrics designs in the local markets in Baghdad which have different countries of origin (Turkey and the Republic of China) for the time period 2018 - 2019. Terminology (abstract expressionism, visual tour) was defined theoretically. As in the third chapter of the descriptive approach (content annexation), the research community included a variety of 19 models for the design of modern women's fabrics (for a picnic) The researcher excluded three models from the repetition of the design idea in different colors. Four design models were chosen intentionally and 25% of the total current research community. It was selected according to the research objectives. The research came out in the fourth chapter with the most important results where the design forms were divided between an abstract form to represent the real dimension of moving the vocabulary of the design idea. Among the models include abstract expressive vocabulary (non-form), which are aesthetic values ​​and worked to enhance the visual between the sides of the communicative equation (cloth and recipients). The conclusions included: two most common designs rely on pluralism in the formations to cling to the experience, and modify your style of work, and configurations for your staff in the design and qualification in the design and qualification on the one hand and promote attractions and the right to search recommendations and a list of sources

Jan Hardy versus Likwidator. Comics als Medien der gesellschaftlichen Spaltung Polens

2021 ◽  
Vol 2021 (1) ◽  
pp. 43-62
Author(s):  
Agnieska Balcerzak
Keyword(s):  
Second World War ◽  
Culture War ◽  
Current State ◽  
Memory Culture ◽  
History Of ◽  
Projection Surface ◽  
The Republic ◽  
Political Spectrum ◽  
The One ◽  
Second World

This article at the intersection of cultural studies of popular and memory culture deals with the genre of comics as an identity-forming (protest) medium and projection surface for the ideologised “culture war” between traditionalists and modernists in contemporary Poland. The analysis focuses on two historical comics that combine facts and imaginary and refer back to the Second World War, the communist period and the recent history of the Republic of Poland after 1989. The article juxtaposes two title heroes and their comic worlds, which represent opposite ends of the political spectrum and reveal the problem areas of Poland’s dividedness along the underlying canon of values and symbolic worlds: Jan Hardy, the national-conservative “cursed soldier”, and Likwidator, the relentless “anarcho-terrorist”. The characters and their adventures exemplify fundamental memory cultural, religious, nationalist and emancipatory discourses in Poland today. The focus of the analysis lies on the creation context and the (visual) language with its narrative-aesthetic intensifications, which illuminate Poland’s current state of conflict between national egoism and traditional “cultural patriotism” on the one hand and liberal value relativism with its progressive-emancipatory rhetoric on the other.

scholarly journals The Cultural Populism of Iosif I. Kablits (Yuzov) and its Foundations

2020 ◽  
Vol 19 (3) ◽  
pp. 641-653
Author(s):  
Gennadiy N. Mokshin
Keyword(s):  
Social Life ◽  
Cultural Work ◽  
Right Wing ◽  
Social Transformations ◽  
Leading Role ◽  
The People ◽  
Long Time ◽  
The One ◽  
The Right ◽  
The Masses

This article reconstructs the cultural doctrine of the famous publicist of populism (narodnichestvo), I.I. Kablits (Yuzov). To just equate Kablits views with the slogan of yuzovshchina would be a narrow interpretation of his kul'turnichestvo; the slogan is characteristic for extreme right-wing populism during the upsurge of the revolutionary populist movement (narodovol'cheskoe dvizhenie). In 1880, Kablits was the first of the legal populists to pose the question, What is populism? According to the publicist, true narodnichestvo should be based on the principle that the forms of public life of the people must be in conformity with the development level of their consciousness. The author explains Kablits evolution from Bakunism to a peasant-centered narodnichestvo by his interpretation of the reasons for the split between the intelligentsia and the people. Kablits considered them antagonists, and defined the ultimate goal of the narodniki as the liberation of the people from the power of the intellectualbureaucratic minority, the latter supposedly trying to subjugate the life of the masses to its will. The article analyzes the main provisions of Kablits sociocultural concept of social transformations: apolitism, populism, and the initiative of the masses. The article identifies the differences between his program of developing the cultural identity of the people, on the one hand, and other populists' understanding of the tasks of cultural work, on the other. Particular attention is paid to Kablits-Yuzov's attitude towards the problem of educating the masses. Kablits was one of the few Russian populists who opposed the idea that the foundations of the worldview of the people must be changed, arguing that this would eliminate the traditional moral values of the village, including the sense of collectivism. The author assesses how Kablits, the leading publicist of the newspaper Nedelya, contributed to the establishment of a cultural direction in narodnichestvo at the turn of the 1870s and 1880s. According to the author, Kablits played a leading role in shaping the ideology of the right flank of the cultural direction in narodnichestvo. However, the pure populism of Kablits turned out to be too pseudo-scientific, dogmatic and irrational to attract the democratic intelligentsia for a long time; the latter had already become disillusioned with the idea of the people as the creator of new forms of social life.

Black Politics in South Africa Today

1990 ◽  
Vol 18 (2) ◽  
pp. 11-13
Author(s):  
Joe Latakgomo
Keyword(s):  
South Africa ◽  
Black Politics ◽  
Modern World ◽  
The Political ◽  
Right Wing ◽  
Minority Government ◽  
The One ◽  
The Right ◽  
Political Scene ◽  
White Minority

The political scene in South Africa today is perhaps one of the most complex in the modern world. The easiest analysis would be to have the white minority government on the one hand, and the back resistance and liberation organizations ranged against it on the other. Unfortunately, it is not that easy. The white minority itself is torn by divisions and differences in ideology, with essentially two divisions into the right-wing and the centrists. Both camps, however, are themselves divided into various notches on the scale to the right, but never beyond to the left of centrist. That position has been reserved for black politics, which is also positioned at various points on the scale to the left.

Neither Civilian nor Combatant: Weaponised Spaces and Spatialised Bodies in Cizre

2019 ◽  
pp. 71-94
Author(s):  
Haydar Darıcı ◽  
Serra Hakyemez
Keyword(s):  
Political Life ◽  
Right To Life ◽  
History Of ◽  
The Dead ◽  
The Government ◽  
Turkish State ◽  
The One ◽  
The Right ◽  
Kurdish Conflict ◽  
Self Defence

What kind of work does the categorical distinction between combatant and civilian do in the interplay of the necropolitics and biopower of the Turkish state? This paper focuses on a time period (2015-2016) in the history of the Kurdish conflict when that distinction was no longer operable as the war tactics of the Kurdish movement shifted from guerrilla attacks of hit and run in the mountains to the self-defence of residents in urban centres. It reveals the limit of inciting compassion through the figure of civilian who is assumed to entertain a pre-political life that is directed towards mere survival. It also shows how the government reconstructs the dead bodies using forensics and technoscience in order to portray what is considered by Kurdish human rights organizations civilians as combatants exercising necroresistance. As long as the civilian-combatant distinction remains and serves as the only episteme of war to defend the right to life, the state is enabled to entertain not only the right to kill, but also to turn the dead into the perpetrators of their own killing. Finally, this paper argues that law and violence, on the one hand, and the right to life and the act of killing on the other, are not two polar opposites but are mutually constitutive of each other in the remaking of state sovereignty put in crisis by the Kurdish movement's self-defence practices.

Origins

2018 ◽  
Author(s):  
Peter Mitchell
Keyword(s):  
Short Distance ◽  
Cervical Vertebra ◽  
Genetic Studies ◽  
Human Interactions ◽  
The Third ◽  
Wild Ass ◽  
History Of ◽  
Kill Site ◽  
The One ◽  
The Right

Over 50,000 years ago a Neanderthal hunter approached a wild ass on the plains of northeastern Syria. Taking aim from the right as the animal nervously assessed the threat, he launched his stone-tipped spear into its neck, penetrating the third cervical vertebra and paralyzing it immediately. Butchered at the kill site, this bone and most of the rest of the animal were taken back to the hunter’s camp at Umm el Tlel, a short distance away. Closely modelled on archaeological observations of that vertebra and the Levallois stone point still embedded within it, this incident helps define the framework for this chapter. At the start of the period it covers, human interactions with the donkey’s ancestors were purely a matter of hunting wild prey, but by its end the donkey had been transformed into a domesticated animal. Chapter 2 thus looks at how this process came about, where it did so, and what the evolutionary history of the donkey’s forebears had been until that point. Donkeys and the wild asses that are their closest relatives form part of the equid family to which zebras and horses also belong. Collectively, equids, like rhinoceroses and tapirs, fall within the Perissodactyla, the odd-toed division of hoofed mammals or ungulates. Though this might suggest a close connection with the much larger order known as the Artiodactyla, the even-toed antelopes (including deer, cattle, sheep, and goats), their superficial resemblances may actually reflect evolutionary convergence; some genetic studies hint that perissodactyls are more closely related to carnivores. Like tapirs and rhinoceroses, the earliest equids had three toes, not the one that has characterized them for the past 40 million years. That single toe, the third, now bears all their weight in the form of a single, enlarged hoof with the adjacent toes reduced to mere splints. This switch, and the associated elongation of the third (or central) metapodial linking the toe to the wrist or ankle, is one of the key evolutionary transformations through which equids have passed. A second involves diet since the earliest perissodactyls were all browsers, not grazers like the equids of today.

Plena Potestas and Consent in Medieval Assemblies: A Study in Romano-Canonical Procedure and the Rise of Representation, 1150–1325

Traditio ◽  
1943 ◽  
Vol 1 ◽  
pp. 355-408 ◽  
Author(s):  
Gaines Post
Keyword(s):  
Thirteenth Century ◽  
Legal Theory ◽  
Roman Law ◽  
New Approach ◽  
Royal Authority ◽  
Strict Interpretation ◽  
History Of ◽  
Full Power ◽  
The One ◽  
The Right

By the end of the thirteenth century the royal writ of summons to Parliament usually specified that communities send representatives with “full power” to consent to whatever should be ordained by the king in his court and council. This “full power” was the famous plena potestas which was stated in the mandates carried by knights and burgesses to Parliament and by delegates of cities and towns to Cortes and States General, and which is still current in proxies for stockholders' meetings. It has, of course, like almost every word of the terminology in documents relating to representation, challenged interpretation: on the one side is the argument of J. G. Edwards, who confines himself to England, that plena potestas implied an almost political or sovereign consent which limited the royal authority; on the other, the assumption that it was an expression of involuntary consent to the acts and decisions of the royal government. In general, of course, whatever modern scholars have decided as to the right of consent has resulted either from modern conceptions of representation or from a strict interpretation of the terminology in the sources for the history of assemblies. No one has examined plena potestas in the light of the legal theory and procedure of the thirteenth century It is possible that by studying how legists and canonists viewed the meaning of plena potestas—for it, like most of the terminology in the mandate, came from Roman Law—we can find at least a relatively new approach to the problem of medieval consent.

Digital Resources: Chile’s Centro de Investigación y Documentación (CIDOC) and Anti-Communism in the 1964 Elections

2020 ◽  
Author(s):  
Andrea Botto Stuven
Keyword(s):  
The United States ◽  
The Other ◽  
Right Wing ◽  
Contemporary History ◽  
Christian Democracy ◽  
Salvador Allende ◽  
History Of ◽  
The Media ◽  
The One ◽  
The Right

The Documentation Center of the Contemporary History of Chile (CIDOC), which belongs to the Universidad Finis Terrae (Santiago), has a digital archive that contains the posters and newspapers inserts of the anti-communist campaign against Salvador Allende’s presidential candidacy in 1964. These appeared in the main right-wing newspapers of Santiago, between January and September of 1964. Although the collection of posters in CIDOC is not complete, it is a resource of great value for those who want to research this historical juncture, considering that those elections were by far the most contested and conflicting in the history of Chile during the 20th Century, as it implicted the confrontation between two candidates defending two different conceptions about society, politics, and economics. On the one hand, Salvador Allende, the candidate of the Chilean left; on the other, Eduardo Frei, the candidate of the Christian Democracy, coupled with the traditional parties of the Right. While the technical elements of the programs of both candidates did not differ much from each other, the political campaign became the scenario for an authentic war between the “media” that stood up for one or the other candidate. Frei’s anticommunist campaign had the financial aid of the United States, and these funds were used to gather all possible resources to create a real “terror” in the population at the perspective of the Left coming to power. The Chilean Left labeled this strategy of using fear as the “Terror Campaign.”

scholarly journals Atypical case of mucous membrane pemphigoid in a 26-year-old man

2018 ◽  
pp. bcr-2018-225872
Author(s):  
Deepak Sambhara ◽  
Ji Hyae Lee ◽  
Seth M Pantanelli
Keyword(s):  
Mucous Membrane ◽  
Previous History ◽  
Immunohistochemical Analysis ◽  
Mucous Membrane Pemphigoid ◽  
Epithelial Basement Membrane ◽  
The Face ◽  
History Of ◽  
The One ◽  
The Right ◽  
High Index Of Suspicion

A 26-year-old Caucasian man with no previous history of chemical injury presenting with an inability to open his right eye was investigated for mucous membrane pemphigoid and treated. Examination was notable for symblepharon of the right eye and impetigo-like lesions on the face and neck. A biopsy with immunohistochemical analysis was significant for linear deposits of C3 and immunoglobulin G at the level of the epithelial basement membrane, confirming the diagnosis of mucous membrane pemphigoid. Although mucous membrane pemphigoid classically presents bilaterally in women in the sixth and seventh decades of life, our patient was a young man with unilateral cicatrising conjunctivitis who may have been easily misdiagnosed without a high index of suspicion. A biopsy is required in cases of cicatrising conjunctivitis so that even atypical cases such as the one presented herein can be appropriately managed.

Uygur Architectural Decorative Patterns Classification and the Development and Application of Information Technology

2013 ◽  
Vol 409-410 ◽  
pp. 372-376
Author(s):  
Guang Li
Keyword(s):  
Information Technology ◽  
Modern Society ◽  
Modern Information Technology ◽  
Chinese Traditional Culture ◽  
Art Form ◽  
Architectural Patterns ◽  
Positive Meaning ◽  
History Of ◽  
Modern Information ◽  
The One

Uygur architectural decorative patterns is an important part of Chinese traditional culture , which is reflect the history of the nation's art form. It also take advantage of modern information technology on the inheritance, development of traditional ethnic culture and promote regional economic development. It has a positive meaning for building a harmonious society. Uygur traditional architectural pattern types characterization and application status, bringing about the development and applications of traditional Uygur architectural patterns and modern information technology. Through development of information technology, on the one hand, Uygur architectural patterns to obtain a certain sense, do not change with the time permanent presence in the form, on the other hand, the Uighur architecture and decorative patterns with a modern design, combining modern media more closely foundation to finding a continuation in the modern society and the way of the development of national culture.

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