scholarly journals New Typologies of Contemporary Shopping Malls in Egypt

2021 ◽  
pp. 95-122
Author(s):  
Karim Wagih Fawzi Youssef
Keyword(s):  
Social Media ◽  
20Th Century ◽  
21St Century ◽  
Public Spaces ◽  
Shopping Malls ◽  
Goods And Services ◽  
Corporate Websites ◽  
New Public ◽  
Globalized Economy ◽  
The City

Contemporary shopping malls in Egypt have created new public spaces for lifestyle and leisure, which complement the commercial logic of consumer behavior. Mega malls in Egypt are simultaneously merging shopping, leisure, and entertainment, creating an ambivalence. They are representations of the globalized economy, but also manifest a certain uniqueness through their typology, their mode of insertion in the urban fabric and the type of public spaces created in them. This paper traces four new typologies in the design of six mega shopping malls in Egypt, constructed since 2010, as they integrate new public gathering spaces for leisure, recreation, and entertainment. Data on the new malls in Egypt was collected from corporate websites and promotional brochures, Google Maps and Street View, TripAdvisor, social media websites, visitor comments and news articles. A key finding is the trend of integration of large outdoor recreational spaces such as courtyards and plazas in mall design, the inclusion of a water element for attraction as well as the transition in function from simply offering goods and services to one that offers experiences and events to encourage recurring visits to the mall. The transformation of the mall parallels changes in conceptualizing the city of the 20th century as a large marketplace, an emporium of consumption, to conceptualizing the city of the 21st century as a large theatre and a festive place.

scholarly journals El discurso del civismo en Pereira o la "sacralidad" de lo público durante el siglo XX

2009 ◽  
Vol 1 (2) ◽  
pp. 7-31 ◽  
Author(s):  
John Jaime Correa Ramírez
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Public Spaces ◽  
Moral Values ◽  
Local History ◽  
Civic Discourse ◽  
History Of ◽  
Rotary Club ◽  
Siglo Xx ◽  
The City

La referencia constante al civismo es uno de los rasgos más distintivos de la historia urbana de Pereira. Al igual que en muchas ciudades colombianas, la ideología del civismo asume la necesidad de establecer una especie de simbiosis entre la ciudad, sus espacios públicos y sus ciudadanos, tanto en lo material como en lo espiritual. En el caso de Pereira se busca identificar los aspectos más relevantes del discurso cívico que desarrollaron entidades como la Sociedad de Mejoras y el Club Rotario a través de diferentes medios escritos, poniendo especial énfasis en los valores morales que debían exhibir los ciudadanos cívicos o los "ciudadanos de bien" de la ciudad, en el proceso de transformación y modernización vivido a lo largo del siglo XX.Palabras clave: discurso, civismo, prensa, clubes y sociedades, historia local, siglo XX.The discourse of civism in Pereira, or The “sacredness” of public matters during the 20th century AbstractThe constant reference to civism is one of the most distinct characteristics of the urban history of Pereira. Similar to many Colombian cities, the ideology of civism assumes that there is a need to establish a kind of symbiosis between the city, its public spaces, and its citizens, in material as well as spiritual matters. In the case of Pereira, the author seeks to identify the most relevant aspects of the civic discourse which developed entities like the Improvement Society and the Rotary Club, through different written means, putting special emphasis on the moral values which the civic citizens (or ciudadanos de bien) must have exhibited in the process of transformation and modernization experienced throughout the 20th century. Keywords: discourse, civism, press, clubs and societies, local history, twentieth century.

scholarly journals New public spaces as the basic nodes for development of new city areas (case study of Kronstadt, Russia)

2020 ◽  
Vol 164 ◽  
pp. 04026
Author(s):  
Olga Kokorina ◽  
Dmitry Zinenkov ◽  
Tamara Datsuk
Keyword(s):  
Metropolitan Area ◽  
Public Spaces ◽  
Factors Affecting ◽  
Current State ◽  
New Public ◽  
Independent Unit ◽  
New City ◽  
The City ◽  
Further Development

The article presents research materials and analysis of factors affecting the creation of new nodes of public spaces, as starting points for the development of Kotlin Island and the city of Kronstadt. Their current state and problems, resources and opportunities are described. Currently, there is a process of rethinking the value of the coastal territories of Kronstadt, the potential of which is not realized. One of the possible ways to solve this problem is to increase the use of coastal territories by creating tourism and public-business infrastructure along the coastline. Kronstadt has a number of unique characteristics, the use of which can transfer it from degrading to developing. This is possible by creating a polycentric model in the city - new growth points, as well as rethinking the value of abandoned and coastal territories. This approach will not only increase funding, attract more people, provide a sufficient number of jobs, but also subsequently create conditions for the further development of the city as an independent unit - the center of the St. Petersburg metropolitan area.

The Politics of Immersive Storytelling

2020 ◽  
pp. 175-190
Author(s):  
Christian Stiegler
Keyword(s):  
Social Media ◽  
Virtual Reality ◽  
Mass Media ◽  
Public Sphere ◽  
20Th Century ◽  
21St Century ◽  
Digital Platforms ◽  
The Public ◽  
Media Logic ◽  
The Public Sphere

This article applies and extends the concept of social media logic to assess the politics of immersive storytelling on digital platforms. These politics are considered in the light of what has been identified as mass media logic, which argues that mass media in the 20th century gained power by developing a commanding discourse that guides the organization of the public sphere. The shift to social media logic in the 21st century, with its grounding principles of programmability, popularity, connectivity, and datafication, influenced a new discourse on the logics of digital ecosystems. Digital platforms such as Facebook are offering all-surrounding mediated environments to communicate in Virtual Reality (‘Facebook Spaces') as well as immersive narratives such as Mr. Robot VR. This article provides an understanding of the politics of immersive storytelling and of its underlying principles of programmability, user experience, popularity, and platform sociality, which define immersive technologies in the 21st century.

scholarly journals Evaluation of a Modernist Approach through Buildings in Kayseri, Turkey

2018 ◽  
Vol 49 (2) ◽  
pp. 144-154
Author(s):  
Hikmet Eldek Güner
Keyword(s):  
Public Space ◽  
20Th Century ◽  
Early Republic ◽  
City Centre ◽  
Residential Areas ◽  
Republican Period ◽  
New Public ◽  
Modern Style ◽  
Early Republican ◽  
The City

Kayseri was an important commercial city throughout history, and with the declaration of the Republic, it continued its importance in different areas. The city has many original buildings from the Early Republican Period and was a model of modernisation set on a western ideology. Modernisation of the Republic was started with industrialisation. Consequently, Kayseri became an industrial city in the early 20th century. Investments (both economic and spatial) made by government were later continued by the private sector. Industrialisation was seen as the most important dynamic of development and key to modernisation. This situation resulted in the establishment of a new Kayseri around the industrial area and was viewed as an example for a modern Turkey. These industrial areas were constructed close to the boundary of the city centre. At the same time, the city centre was reconstructed according to modern city planning and the new style (modern style). The ceremonial ground (city square), an urban grid system, wide main transport routes, new public and municipal buildings, which were symbols of international style, were constructed by destroying the historic city centre in the Early Republic Period.The Republic was not only constructing new public buildings in a modern style; it was tried to build a new life with the modern residential areas. Instead of the traditional dwellings, modern houses were constructed to illustrate the new lifestyle together with new functional buildings such as modern education complexes, a community centre, stadium and train station were all constructed to show how to live the modern life.The city gained a new face with the changes starting from 1930. Today, many buildings, belonging to the Early Republican Period, are not being considered in the conservation of cultural heritage and are in danger. Industrial complexes, residential areas, public places are seen as a building stock destined to disappear and be replaced by new buildings. These earlier buildings hold important historical, social, economic and political values. Similarly, construction techniques and materials were also unique for that period.The aim of this study is to draw attention to the 20th century buildings in Kayseri constructed in the Early Republic Period, and classify these buildings under different headings (industry, housing, public space, educational space, open spaces) with the photographs, plans and history, thus defining their values and why they must be conserved. Republic was not only constructed new public buildings in modern style, it was tried to build a new life with the modern residential areas. Instead of the traditional dwellings, modern houses were constructed for point out of new life style and also new functioned buildings like as modern education complexes, community center, stadium, train station were constructed to show how to live in the modern life. The city has gained a new face with the changes starting from 1930. Today many buildings, belonging to the Early Republican Period, are not being considered in the conservation of cultural heritage and they are in danger. Industrial complexes, residential areas, public places are seen as a stock of a building and faced to disappear for constructed for the new buildings. They have very important values like as historical, social, economic and politic. Also construction techniques and materials were also unique for that period. The aim of this study is, to attract attention on 20th century buildings in Kayseri which are constructed in Early Republic Period, to classify these buildings in different headings (industry, housing, public space, educational space, open space …etc) with the photographs, plans and history. In general, meaning the main aim of this study is to define their values and explain why they must be conserved.

scholarly journals Nature and image: a city in the art of Chernivtsi of the 20th – the beginning of the 21st century

2021 ◽  
pp. 149-153
Author(s):  
Iryna Mishchenko
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Urban Landscape ◽  
Urban Life ◽  
Subjective Perception ◽  
Urban Landscapes ◽  
Cultural Traditions ◽  
Early 21St Century ◽  
Iconic Images ◽  
The City

The purpose of this article is to consider the peculiarities of the reflection of the city – its architecture and inhabitants – in the works of Chernivtsi artists of the 20th and early 21st century, to analyze the differences between their views on the reproduction of urban motifs. The methodology consists in the application of the historical-chronological method, art analysis, and generalization, comparative and systematic approach. The scientific novelty lies in the introduction into scientific circulation of works by artists of the specified time, in understanding the evolution in the reflection of the city in the works of authors with various artistic orientations. Conclusions. In the paintings and graphics of the 20th – 21st centuries, several options for solving urban landscapes can be defined, among which the most common is a careful reflection of existing architectural monuments. In the 19th century in European art, in particular in Impressionist painting, the desire to convey not only the appearance but above all the spirit of the city became noticeable, depicting the townspeople, emphasizing the bustle or poetry of squares and streets. At the turn of the 20th-21st centuries the artists are no longer limited to the usual fixation of what is seen, but try to create a conceptual image of the city, to tell a story through iconic images and symbols, reveal their own position in particular and to preserve the authenticity of an object or the city in general. Such a variety of approaches for creating an urban landscape is partly due to differences in preferences formed during studies in art institutions and is also characteristic for the art of Chernivtsi – a city where people of many nationalities with different cultural traditions have lived side by side for centuries. Ultimately, the artists who worked here in the 20th century were often graduates not only of Ukrainian schools or universities, but also of well-known European institutions, including Vienna, Munich, Florentine, Berlin, Kraków, or Bucharest academies. While in the second half of the 19th – early 20th century the city often appears as the sum of certain architectural structures in the works of artists of Bukovina and visiting masters (F. Emery, R. Bernt, J. Shubirs), in the second half of the 19th – first third of the 20th century the artists mostly try to recreate the dynamics of urban life instead, sometimes depicted with a touch of irony, using the grotesque in the image of the inhabitants (lithography and watercolors by F.-K. Knapp, O. Laske and G. Löwendal). Subsequently, we meet emphasized mood images, in which the author's subjective perception of a particular motive, which he seeks to reproduce in a work full of emotions, is important (L. Kopelman, G. Gorbaty). A peculiar historical retrospection is present in the exquisite graphics of O. Kryvoruchko and in the distilled-finished sheets of O. Lyubkivsky, and the lyrical watercolors and sketches of N. Yarmolchuk represent the non-festive side of the city center. In O. Litvinov's paintings Chernivtsi surprises with desolation and restraint, and in M. Rybachuk's paintings it is distinguished by an unexpected riot of colors. Therefore, each of the artists creates his own image of Chernivtsi, which landscapes often become only a stimulus for the author's imagination, allowing him to depict a completely individual sense of space and life of the city.

scholarly journals Polskie miasta i wsie XXI wieku. Zacieranie się granic, języków i kultur

2021 ◽  
Vol 21 ◽  
Author(s):  
Halina Kurek
Keyword(s):  
Cultural Differences ◽  
20Th Century ◽  
21St Century ◽  
English Language ◽  
Western World ◽  
Big Cities ◽  
Polish Culture ◽  
The Village ◽  
The City ◽  
Second World

Polish Cities and Villages in the 21st Century: Blurring of the Borders, Languages and CulturesUp to the middle of the 20th century, big cities, as economic units and communities that were characterized by the very varied professional and social structure of their inhabitants, marked not only administrative borders but also clear linguistic and cultural borders for the traditional monolithic village. After the Second World War, due to various socio-economic processes which resulted in big cities absorbing the surrounding villages, the administrative borders also started to change. Migrations from villages to cities and improved education began the process of blurring cultural and linguistic borders in the 20th century. At the beginning of the 21st century, the phenomenon of linguistic-cultural unification was facilitated by the trend of inhabitants of big cities starting to move to suburban villages. However, the rapid intensification of this phenomenon was mainly influenced by the common availability of the internet. The English language and the American style of culture became the factors that unified the linguistic and cultural differences between Polish cities and villages. The first quarter of the 21st century marked the beginning of the process of blurring not only the cultural differences between the city and the village, but also the virtual borders between Polish culture and the foreign culture of the Western world. Polskie miasta i wsie XXI wieku. Zacieranie się granic, języków i kulturDo połowy XX wieku wielkie miasta jako organizmy gospodarcze i zbiorowości charakteryzujące się bardzo zróżnicowaną strukturą zawodową i społeczną ludności, oddzielały od monolitycznej, tradycyjnej wsi nie tylko granice administracyjne, lecz także wyraźne granice językowe i kulturowe. Po II wojnie światowej na skutek różnorodnych procesów społeczno-ekonomicznych, powodujących między innymi wchłanianie przez wielkie miasta okolicznych wsi, zmianom zaczęły też ulegać granice administracyjne. Migracje ze wsi do miast i wzrost poziomu wykształcenia ludności napływowej rozpoczęły w drugiej połowie XX wieku proces zacierania się również granic kulturowych i językowych. Na początku XXI wieku zjawisko unifikacji językowo-kulturowej znacznie przyspieszyła moda na osiedlanie się w podmiejskich wsiach mieszkańców dużych miast. Gwałtowne nasilenie się omawianego procesu nastąpiło jednak przede wszystkim na skutek powszechnej dostępności Internetu. Język angielski i kultura w stylu amerykańskim stały się czynnikami unifikującymi zróżnicowania językowe i kulturowe polskich miast i wsi. W pierwszej ćwierci XXI wieku rozpoczął się więc proces zacierania się granic językowo-kulturowych pomiędzy miastem a wsią, a także wirtualnych granic pomiędzy rodzimą kulturą polską a obcą kulturą świata zachodniego.

The Last Historic TV Star?

2016 ◽  
pp. 141-157 ◽  
Author(s):  
Martha Evans
Keyword(s):  
Social Media ◽  
20Th Century ◽  
21St Century ◽  
Early Years ◽  
Shared Experience ◽  
Traditional Media ◽  
Media Events ◽  
New Millennium

History and the live broadcasting of ceremonial events have been linked throughout the 20th century. Events in the 21st century, however, especially since 9/11, suggest that the study of “media events” – those mesmerising broadcasts that have the power to historicise events instantly – cannot be limited to pre-planned, hegemonic and celebratory occasions (as was the case with Dayan and Katz's 1992 book Media Events: The Live Broadcasting of History). Instead, it must be extended to include the spontaneous live broadcasting of historical tragedies. More than this, in the early years of the new millennium, critics predicted that non-integrative broadcasts (of terror, war and disaster) would upstage traditional media events. This chapter examines Nelson Mandela's funeral broadcast, and its implications for media events theory. It argues that, contrary to expectations of media events' waning fate, in the age of social media, we should not be too hasty to dismiss audience desire for shared experience and the possibilities of integrative events.

The Emotional Sociability of the Abdoun Circle in Amman Jordan

2015 ◽  
Vol 40 (1) ◽  
pp. 18-25
Author(s):  
Leila Bustami
Keyword(s):  
Additional Data ◽  
Public Spaces ◽  
Upper Class ◽  
Social Benefits ◽  
Modern Times ◽  
Leisure Services ◽  
New Public ◽  
Business District ◽  
The City ◽  
Transactional Approach

The Abdoun Circle which is located in the prestigious part of Amman, changes its relationship with its users from that of an ordinary business district during the day to a very popular city night-life spot offering a variety of leisure services, mainly in the form of cafes and restaurants. This study focuses on that phenomenon of dual usage as it mirrors the major social and psychological implications of late modernity in Jordan, and adopts a transactional approach (Altman and Rogoff 1987) to explore and explain its complexity. Information for the study was obtained by observing, interviewing, and listening to a variety of opinions and voices. This process supported the development of the mutual definitions between the behavioural elements and the environmental feature elements of the studied phenomenon. The identified definitions to describe the district at night, which include pleasantness, crowdedness, complexity, variety, novelty, and dominance, in turn supported the development of a range of psychological and social benefits important to the users of the circle (i.e. new aesthetics, modernity, freedom, and opportunities to meet and socialize). The analysis of additional data about the setting's formal and perceptual properties added the benefits of sociability and democracy, which combined with the previous benefits described, meant that the setting is seen and experienced by people from most age and social ranges, except for those from the upper class, as an outlet for pleasure in these modern times. This clearly indicates that Jordan has yet to experience a transition toward democracy and that these new public spaces, as the Abdoun Circle should be developed throughout the city in order to support the progression towards a socially balanced society.

scholarly journals Democratic Challenge in Digital Era

2020 ◽  
Vol 5 (1) ◽  
pp. 66-85
Author(s):  
Eko Handoyo
Keyword(s):  
Social Media ◽  
Political Culture ◽  
Significant Role ◽  
Research Method ◽  
Public Spaces ◽  
Democratic Citizenship ◽  
Digital Era ◽  
Library Research ◽  
New Public ◽  
Use Of Social Media

This article is based on the growing development of social media in the digital era which provides new public spaces for citizens to express themselves and their interactions with fellow citizens in various aspects of life. This article used library research method to answer the changes from procedural democracy to substantial democracy and the way of democratic citizenship through social media. This article revealed that the use of social media is no longer limited to daily needs, however, social media has a significant role in building political culture as well as citizenship issues in society.

scholarly journals TEXTILE ART AS PART OF CITY'S ARCHITECTURAL SPACE

2020 ◽  
pp. 20-20
Author(s):  
Elena A. Karpova
Keyword(s):  
20Th Century ◽  
21St Century ◽  
Three Dimensional ◽  
Technical Development ◽  
Early 21St Century ◽  
Architectural Space ◽  
Textile Art ◽  
The City

The article is devoted to the interaction of textile art with architecture. The prototypes of tent architecture were temporary and mobile structures and ancient tent shelters. Decorative fabrics were used to decorate city streets during festivals and processions. They served as an essential color dominant emotionally affecting the viewers. The textile art of the 20th – early 21st century has seen the emergence of three-dimensional forms named "new tapisserie" and "environment". In the 20th century, architectural tent structures received extensive engineering and technical development, which influenced the form and plasticity in modern textile art, existing in synthesis with the architectural space of the city.

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