scholarly journals Toward a Workshop in Theatre Phenomenology

1969 ◽  
Vol 2 (1) ◽  
Author(s):  
Daniel W. Johnston
Keyword(s):  
Creative Process ◽  
Conscious Experience ◽  
New Approach ◽  
Artistic Process ◽  
Preliminary Examination ◽  
The World ◽  
Cherry Orchard ◽  
Basic Concepts ◽  
Voice Recorder ◽  
Philosophical Phenomenology

This text and accompanying audio-visual files document a theatre workshop aimed at investigating how philosophical phenomenology might be useful in the creative process. Phenomenology is understood here as the study of the way the world shows itself to conscious experience through practical engagement with the world. The workshop involved five professional actors and four undergraduates working on Act II of Anton Chekhov’s The Cherry Orchard over two days. Basic concepts of phenomenology were introduced including Worldhood, Being-with-others, Moods, and Temporality. Each participant used a digital voice recorder to reflect on a series of exercises and tasks aimed at focusing attention on the experience of objects, places, and rehearsal itself. The workshop had three phases: developing an awareness of one’s own experience of the world, applying the same aspects of worldhood to a character, and reflection on the creative process of the actor in the part. Given the limited timeframe of the rehearsal, this was merely a preliminary examination of how phenomenology might inform and contribute to the artistic process of theatre-making. Rather than constituting an entirely new approach to rehearsal, theatre phenomenology might enable performers to develop an awareness of their own engagement with the world and creative practice.

scholarly journals Investigating modes of being in the world: an introduction to Phenomenologically grounded qualitative research

2021 ◽  
Author(s):  
Allan Køster ◽  
Anthony Vincent Fernandez
Keyword(s):  
Qualitative Research ◽  
Qualitative Study ◽  
Full Advantage ◽  
Interdisciplinary Collaboration ◽  
Parental Bereavement ◽  
Cognitive Sciences ◽  
New Approach ◽  
Alternative Approach ◽  
The World ◽  
Philosophical Phenomenology

AbstractIn this article, we develop a new approach to integrating philosophical phenomenology with qualitative research. The approach uses phenomenology’s concepts, namely existentials, rather than methods such as the epoché or reductions. We here introduce the approach to both philosophers and qualitative researchers, as we believe that these studies are best conducted through interdisciplinary collaboration. In section 1, we review the debate over phenomenology’s role in qualitative research and argue that qualitative theorists have not taken full advantage of what philosophical phenomenology has to offer, thus motivating the need for new approaches. In section 2, we introduce our alternative approach, which we call Phenomenologically Grounded Qualitative Research (PGQR). Drawing parallels with phenomenology’s applications in the cognitive sciences, we explain how phenomenological grounding can be used to conceptually front-load a qualitative study, establishing an explicit focus on one or more structures of human existence, or of our being in the world. In section 3, we illustrate this approach with an example of a qualitative study carried out by one of the authors: a study of the existential impact of early parental bereavement. In section 4, we clarify the kind of knowledge that phenomenologically grounded studies generate and how it may be integrated with existing approaches.

scholarly journals Dialectical unity of two super-tasks in the context of the problem of reincarnation

2021 ◽  
Author(s):  
Оlena Moskalenko-Vysotska
Keyword(s):  
Creative Process ◽  
Research Methodology ◽  
The World ◽  
The Subject ◽  
Basic Concepts ◽  
The Relationship

The purpose of the article is to try to determine the nature of the interrelationships between two supertasks - an actor and a role - in the process of an actor's creativity, based on an analysis of the essence of the problem of reincarnation in the art of an actor from the Stanislavsky school. The research methodology is based on analytical, general logical and comparatively typological methods, which make it possible to comprehend in an unconventional way the concept of the dialectical unity of two super-tasks in the process of an actor's creativity in the context of the problems of reincarnation. The subject of this research is the basic concepts of the world-famous "system" of KS Stanislavsky. The scientific novelty lies in the fact that the theory of acting has never resorted to analyzing the dialectics of the relationship between two supertasks - the actor and the role - in the context of the problem of reincarnation. Its interpretation by the Stanislavsky school confirms the idea of ​​dialectical interaction of two super-tasks in a single creative process. Conclusions. In an artistically completed acting performance, we always deal with the presence of both the supertask of the actor himself, performing a certain role, and the supertask of the role (the actor). Despite their multidirectional nature, they nevertheless constitute a dialectically inseparable whole, transforming the process of reincarnation into a highly artistic act of creativity.

Inter-country inequality as a dynamic process and the problem of post-industrial development

2018 ◽  
pp. 5-29 ◽  
Author(s):  
L. M. Grigoryev ◽  
V. A. Pavlyushina
Keyword(s):  
Economic Growth ◽  
Political Institutions ◽  
Industrial Development ◽  
Modern World ◽  
New Approach ◽  
Development Level ◽  
The World ◽  
Long Time ◽  
The Difference ◽  
Post Industrial

The phenomenon of economic growth is studied by economists and statisticians in various aspects for a long time. Economic theory is devoted to assessing factors of growth in the tradition of R. Solow, R. Barrow, W. Easterly and others. During the last quarter of the century, however, the institutionalists, namely D. North, D. Wallis, B. Weingast as well as D. Acemoglu and J. Robinson, have shown the complexity of the problem of development on the part of socioeconomic and political institutions. As a result, solving the problem of how economic growth affects inequality between countries has proved extremely difficult. The modern world is very diverse in terms of development level, and the article offers a new approach to the formation of the idea of stylized facts using cluster analysis. The existing statistics allows to estimate on a unified basis the level of GDP production by 174 countries of the world for 1992—2016. The article presents a structured picture of the world: the distribution of countries in seven clusters, different in levels of development. During the period under review, there was a strong per capita GDP growth in PPP in the middle of the distribution, poverty in various countries declined markedly. At the same time, in 1992—2016, the difference increased not only between rich and poor groups of countries, but also between clusters.

The principles of duality in the light of the system economic theory

2019 ◽  
pp. 127-149
Author(s):  
George B. Kleiner
Keyword(s):  
Economic Theory ◽  
Economic System ◽  
External Environment ◽  
Black Box ◽  
Space Time ◽  
Production Cycle ◽  
Economic Systems ◽  
New Approach ◽  
Reproduction Cycle ◽  
Basic Concepts

This paper shows the diversity and significance of relations of duality among different economic systems. The composition of the principles underlying the system economic theory used for the analysis of duality in the economy is investigated. The concept of the economic system is clarified and the equivalence of three basic concepts of the economic system is shown: a) as a space-time volume (“black box”); b) as a complex of elements and connections among them; c) as a tetrad, including object, project, process and environment components. In a new way, the concept of the tetrad is revealed. The actual interpretation of the interrelationships of its components, based on the mechanisms of intersystem circulation of spatial and temporal resources and the transmission of abilities from one economic system to another, is proposed. On the basis of the obtained results, the most essential aspects of duality in the theory of economic systems are considered. It is shown that the interaction of internal content and the nearest external environment of economic systems lies in the nature of the relations of duality. A new approach to modeling the structure and to functioning of the economic system, based on the description of its activities in the form of two interconnected tetrads (the first tetrad reflects the intrasystem production cycle and the second one — the external realization-reproduction cycle) is put forward. It is shown that the concept of duality in a system economy creates prerequisites for adapting the functioning of local economic systems (objects, projects, etc.) in a market, administrative and functional environments and, as a result, harmonizing the economy as a whole.

Security Concern and Countermeasures for Cheating in Visual Cryptography

2018 ◽  
Vol 6 (8) ◽  
pp. 277
Author(s):  
Ekta Y
Keyword(s):  
Communication System ◽  
Visual Cryptography ◽  
Detection Methods ◽  
Information Communication ◽  
New Approach ◽  
The World ◽  
Visual Cryptography Scheme ◽  
Prevention Methods ◽  
Security Concern

As IT sector is ruling the world now,confidentiality and security of information has become the most important inseparable aspect in information communication system. Keeping in view the same, a new approach called Visual Cryptography (VC) has been suggested by many researchers but there are some limitations with this scheme and cheating is one of the main problem among them. This paper intends to show the basis of cheating in VC in terms of cheating process, its detection methods and its prevention methods suggested by various researchers along with their merits and demerits. Finally, a good Cheating Immune Visual Cryptography Scheme (CIVCS) has been discussed which states the properties to be adopted by every Visual Cryptography scheme to make it immune to cheating attacks.

IMAJINASI KE IMAJINASI VISUAL FOTOGRAFI

2017 ◽  
Vol 12 (2) ◽  
pp. 91
Author(s):  
Edial Rusli
Keyword(s):  
Creative Process ◽  
Single Unit ◽  
Digital Images ◽  
Visual Image ◽  
Construction Process ◽  
Multiple Images ◽  
Artistic Process ◽  
Visual Imagination ◽  
Human Thought ◽  
The Media

AbstrakImaji visual fotografi merupakan media rekam visual yang objektif dan representatifkebenarannya dalam merekam suatu realitas. Revolusi teknologi menyebabkan perubahandari teknologi fotografi analog sebagai salah satu media yang menyatakan kebenaran ataubukti dan sebagai media yang representatif kebenarannya ke teknologi digital yang dapatmemungkinkan untuk merekayasa gambar digital melalui perangkat lunak. Teknologi digitaltelah menjadikan kebenaran dalam sebuah foto tidak lagi absolut. Akhirnya fotografi sebagaialat perekam imaji yang representatif kebenarannya semakin diragukan. Karena semakin sulituntuk membedakan foto asli atau palsu, bahkan sebuah foto asli bisa saja dikatakan sebagaihasil manipulasi. Penciptaan imajinasi visual fotografi ini dihasilkan dari suatu olah daya pikirmanusia. Dalam proses tersebut dibutuhkan suatu kreativitas dari penggabungan imaji-imajisebelumnya atau sekarang ini untuk diimajinasikan. Pemaknaan akan bergeser dari imaji visualfotografi menjadi imaji visual fotografi yang baru. Proses artistik imajinasi visual ini diciptakandengan didasarkan pada artistik yang berdasarkan imajinasi, artistik berdasarkan imajinasi danartistik didasarkan pada kombinasi antara kenyataan dan imajinasi. Penciptaan Imajinasi visualfotografi merupakan daya untuk mengonstruksi ataau menggabungkan kembali dari berbagaiimaji-imaji atau foto- secara imajinatif dan kreatif dengan persepsi yang menyertainya untukmenjadi imaji baru yang utuh, logis, dan mungkin terjadi dengan menggunakan teknik danefek fotografi. Proses mengonstruksi membutuhkan suatu kemampuan berimajinasi untukmenggabungkan dan menyatukannya untuk menjadi satu kesatuan (unity) yang utuh dalam satupermukaan gambar/imaji secara ekspresif dan imajinatif melalui proses estetis yang kreatifberdasarkan ciri personal penciptanya. Dengan demikian, hasil dari proses konstruksi tersebutsudah tidak tampak lagi imaji sebelumnya dan pemaknaannya sudah bergeser menjadi karyaimaji dengan pemaknaan baru.AbstractImage to Photography Visual Imagination. Visual image of photography is a visual recordingmedia which is objective and representative in revealing the truth when recording a reality. Thetechnology revolution led to the change in photography, from analog photographic technologyas one of the media for promoting truth or evidence and as media representing truth to thedigital technology which allow people to manipulate digital images through software. Digitaltechnology has made the truth in a photograph is no longer absolute. In the end, photographyas an images recording tool representing truth is doubted. It is getting harder and moredifficult to distinguish the original or fake photo, even an original photo can be said as aresult of manipulation.The creation of visual imagination photography is produced by thepower of human thought. The process requires a creativity of merging the previous or recentimages to imagine. The meanings will be shifted from visual image photography into a newvisual image photography. Visual imagination of the artistic process is created on the basisof artistic imagination, artistic imagination and artistic are based on a combination of realityand imagination.The creation of visual photography imagination is a power to construct orrecombine from multiple images or pictures imaginatively and creatively with the perceptionto be a whole new image, logical, and may occur with the use of techniques and photographiceffects. The process of constructing requires an ability of imagining to combine and unitethem into a single unit as a unity which is intact on s single surface of the picture/image,expressively and imaginatively through an aesthetic creative process based on the personalcharacteristics of the creator. By doing so, the construction process will no longer visible onthe former image and the meaning will shift into an image with a new meaning.

METAMORPHOSES OF THE POSTMODERN DISCOURSEAND CURRENT CHALLENGES NEOMODERNISM

2019 ◽  
Author(s):  
Yu.V. IRKHIN
Keyword(s):  
World Politics ◽  
New Approach ◽  
Postmodern Theory ◽  
The World ◽  
Conservative Values

The article analyzes the problems, achievements and contradictions in the genesis of the contemporary postmodern discourse. The author has carried out complex research, systematized and showed the main features and differences of postmodernism and metamodernism, as well as the role of neoliberal values in their development. The author has considered a new approach to the study of society and politics: neomodernist discourse with the dominant conservative values, opposing postmodern theory, methodology and practice he has identified the features of neomodernism: historicism, patriotism and healthy nationalism, populism, transactionalismn and realism in the world politics.

PROSPECTS FOR APPLYING A NEW APPROACH TO INCREASING FARMERS ' ACCESS TO CREDIT RESOURCES (USING THE EXAMPLE OF AZERBAIJAN)

2021 ◽  
Vol 2 (8) ◽  
pp. 4-12
Author(s):  
А. А. DADASHOV ◽  
Keyword(s):  
Agricultural Sector ◽  
Data Monitoring ◽  
New Approach ◽  
Information Base ◽  
Access To Credit ◽  
Current State ◽  
Research Institutes ◽  
Imple Mentation ◽  
The World ◽  
The Republic

The article analyzes the current situation with the access of farms to credit resources in the country and the world, a new approach to facilitating farmers ' access to credit resources is proposed. Surveys within the framework of the farm data monitoring system on the information base of the Center for Agrarian Research under the Ministry of Agriculture of the Republic of Azerbaijan revealed the current state of access of agricul-tural producers to financial and credit resources. The new approach addresses issues related to the imple-mentation of intermediary and guarantee functions by research institutes of the agricultural sector. The posi-tive influence of the latter on creditworthiness is shown due to the mediation between the bank and the farmer.

Sign in / Sign up

Export Citation Format

Share Document