scholarly journals FORMS OF SYNTHESIS OF ARTS OF CHINESE ARCHITECTURE

2021 ◽  
Vol 4 (164) ◽  
pp. 58-64
Author(s):  
Wu Changzhi

The article examines the synthesis of arts on the example of Chinese architecture. General historical questions of the development of Chinese culture and various arts during historical evolution are raising. Philosophical and religious positions of culture are distinguishing, which are identifying with the development of art. The question arises of the lack of a full analysis of ancient Chinese art for all types of artistic creativity that were developing during cultural development and formation: architecture, painting, calligraphy, music, sculpture, dance, and so on. A number of scholars who have developed methods of approaches to the systematization and study of the synthesis of the arts of ancient Chinese culture throughout its development are presenting. A number of techniques in painting and calligraphy that have a direct impact on the formation of the Chinese architectural environment are analyzing. These methodical conclusions can be useful in planning the activities of various organizational departments of architectural education and science. Problem statement: it became necessary to analyze and describe the methods and principles of organizing forms of art synthesis in Chinese architecture. Objective of the article: analyze the impact of forms of art synthesis in Chinese architecture. There is describing that the most important art form in China is painting. It is thanks to its compositional, color and harmonic laws that the general cultural world of ancient China is building. Color relationships, combinations with nature - all this through painting builds the canonical laws of architecture, music, dance, calligraphy, etc., taking into account national authenticity. It becomes the central core of the synthesis of Chinese art, generating its various forms for individual regions. In architecture, the action of forms of synthesis of Chinese arts is embodying through the organization of plasticity of the building, interior and exterior space, the ratio of small and large forms, and the location of accents. Experienced predecessors should be a role model for modern architects and artists. The combination of long-standing traditions of "synthesis of arts" with modern production technologies, as well as creative ideas of architects and artists of the XXI century can give new vectors of development of Chinese architecture and art science.

2021 ◽  
pp. 205-227
Author(s):  
Gwenda Van der Vaart

AbstractIn today’s society, the resilience of communities is in the spotlight. How can communities shape and respond to the challenges they face in order to achieve a better future? For researchers focusing on this question, researching artistic practices can provide valuable insights and inspiration. From a resilience perspective that seeks to incorporate people’s everyday lifeworld and local knowledge, community arts in particular hold much potential, being an art form that actively engages people in the creative process. Evidencing the impact of community arts projects has become more important over the years. However, as this chapter discusses, there are several tensions and concerns around evaluating the impact of the arts. The chapter takes as its empirical focus one such project in particular: the multi-year theatre-trilogy Grutte Pier, which took place in the Dutch village Kimswerd between 2014 and 2018. In this village, the site-specific theatre company PeerGrouP worked together with the inhabitants to create a trilogy around the village’s historical figure Grutte Pier. The chapter reflects on an explorative research project into the impact of this community arts project on the village. Hereby, it contributes to the understanding of how meaningful change can be achieved in communities, preparing them for a more sustainable future. The reflections on the explorative research support the need to adopt a critical perspective with regard to assessing the value of artistic practices. The experiences in Kimswerd show that community arts projects can be an evocative way of engaging a community and can result in a variety of effects. The chapter discusses both personal effects, relating to personal growth, people’s social life and feelings of pride, as well as effects at the village level, such as the creation and strengthening of bonds between the inhabitants. Effects are expected to go a long way and be a great boost for a community’s organizational capacity and future activities. In light of these findings, it appears to be a successful formula to have artists coming to a community as ‘outsiders’, actively engaging inhabitants in a large community arts project that is both locally grounded and offers the inhabitants various ways of participating themselves.


2021 ◽  
pp. 208-212
Author(s):  
Bettina Bläsing ◽  
Beatriz Calvo-Merino

Dance has become a topic of increasing interest for empirical research in cognitive neuroscience and psychology. The study reviewed in this chapter aimed to reach a multifaceted community of scholars and practitioners interested in the blending between neuroscience and dance as an art form. It includes a revision on dancers’ physical expertise and skilled motor execution, studies on dancers’ timing and online synchronization abilities, and learning and memory processes, as well as a consideration of expert dancers as skilled dance observers. Following the authors’ comment on the article, they acknowledge major developments since its publication, in particular regarding recent lines of research on emotional components of dance, creativity, aesthetic perception, improvisation, entrainment, empathy, and well-being. Finally, the authors emphasize the impact of empirical research in dance beyond cognitive neuroscience and psychology and consider the potential of multidisciplinary expert teams that include the performing arts community to contribute to discourses in the arts and the sciences.


Author(s):  
Sarah Cheang

Fashion, chinoiserie and Modernism do not necessarily make easy bedfellows. Fashion’s dynamic of continuous experimentation and renewal can be aligned with Modernism’s agenda of artistic reinvention, self-conscious newness and cultural improvement. Dress and interior design were certainly of interest to Modernist designers, and Chinese culture had a significant influence on British avant-garde literature, theatre and the arts. Yet, fashion’s strong conceptual associations with the feminine, with irrational desire and with Western modernity create a complex picture for expressions of Chineseness, and Chinese design often connoted flights of fancy, locations of private pleasure and an intense nostalgia that is antithetical to the progressive and disruptive anti-traditional stance of interwar Modernism. This chapter examines the impact of fashionable chinoiseries in Britain as a culturally important but as yet under-theorised phenomenon of twentieth-century modernity, an equivalent trend to the negrophilia craze of the 1920s and the Primitivist art movement, a hybrid cosmopolitanism and an imperialist Orientalism. The wearing of Mandarin robes as evening coats, the collecting of jades, the lacquering of dressing tables, and the nurturing of Pekingese lapdogs offer new and stimulating ways to reappraise and shed light on the role of the Orient within British Modernism.


2017 ◽  
Vol 15 ◽  
Author(s):  
Tamara Kelly

China is an immense nation and highest population on earth with incredible civilization, it kept up its character over millenniums in spite of its different ethnic gatherings and distinctive geographical conditions. The Ancient Chinese architecture and urban planning are fundamental units of the world architecture and well known of their particular character. In addition, they were an extraordinary wellspring of motivation for some neighbouring nations. Several factors were behind the momentous Chinese architecture and urban planning, and among those was the emperor guidance who unified the government and encouraged regularity in many aspect in Chinese architecture including city planning. The aim of this paper is to examine the impact of nonphysical factors such as Chinese culture and beliefs in shaping the distinct identity of ancient Chinese cities. This is done by studying; feng shui notion, Yin and Yan forces, the theory of five elements and other Metaphysics philosophies of China. Furthermore, this paper scrutinises a number of Chinese ancient capital cities and temples of heaven in Beijing as case studies to measure to what extent the intangible factors contributed in shaping the identity and layout of Chinese cities and architecture.


2017 ◽  
Vol 15 (1) ◽  
Author(s):  
Tamara Kelly

China is an immense nation and highest population on earth with incredible civilization, it kept up its character over millenniums in spite of its different ethnic gatherings and distinctive geographical conditions. The Ancient Chinese architecture and urban planning are fundamental units of the world architecture and well known of their particular character. In addition, they were an extraordinary wellspring of motivation for some neighbouring nations. Several factors were behind the momentous Chinese architecture and urban planning, and among those was the emperor guidance who unified the government and encouraged regularity in many aspect in Chinese architecture including city planning. The aim of this paper is to examine the impact of nonphysical factors such as Chinese culture and beliefs in shaping the distinct identity of ancient Chinese cities. This is done by studying; feng shui notion, Yin and Yan forces, the theory of five elements and other Metaphysics philosophies of China. Furthermore, this paper scrutinises a number of Chinese ancient capital cities and temples of heaven in Beijing as case studies to measure to what extent the intangible factors contributed in shaping the identity and layout of Chinese cities and architecture.


Author(s):  
Aswir Aswir ◽  
Hasanul Misbah

This study is aimed at describing lecturers’ strategies to internalize Islamic values and students’ response toward the strategies. This a descriptive-qualitative study. The participants were 40 students of English education program and 3 English lecturers. All participants were given questionnaire and 3 students and 3 lecturers were interviewed. The data showed that all lecturers did internalize the Islamic values such as aqidah, worship, and moral values in the English learning preparation, process, and evaluation. However, students requested that the lecturers should consistently became the role model, performed positive habit, and gave best learning service so that the impact of internalizing Islamic values would be significantly and positively received.


Author(s):  
Valentyna Bohatyrets ◽  
Liubov Melnychuk ◽  
Yaroslav Zoriy

This paper seeks to investigate sustainable cross-border cooperation (CBC) as a distinctive model of interstate collaboration, embedded in the neighboring borderland regions of two or more countries. The focus of the research revolves around the establishment and further development of geostrategic, economic, cultural and scientific capacity of the Ukrainian-Romanian partnership as a fundamental construct in ensuring and strengthening the stability, security and cooperation in Europe. This research highlights Ukraine’s aspirations to establish, develop and diversify bilateral good-neighborly relations with Romania both regionally and internationally. The main objective is to elucidate Ukraine-Romania cross-border cooperation initiatives, inasmuch Ukraine-Romania CBC has been stirring up considerable interest in terms of its inexhaustible historical, cultural and spiritual ties. Furthermore, the similarity of the neighboring states’ strategic orientations grounds the basis for development and enhancement of Ukraine-Romania cooperation. The authors used desk research and quantitative research to conclude that Ukraine-Romania CBC has the impact not only on the EU and on Ukraine multi-vector foreign policy, but it also has the longer-term global consequences. In the light of the current reality, the idea of introducing and reinforcing the importance of Cross-Border Cooperation (CBC) sounds quite topical and relevant. This research considers a number of explanations for Ukraine-Romania Cross-Border Cooperation as a key element of the EU policy towards its neighbors. Besides, the subject of the research is considered from different perspectives in order to show the diversity and complexity of the Ukraine-Romania relations in view of the fact that sharing common borders we are presumed to find common solutions. As the research has demonstrated, the Ukraine-Romania cross border cooperation is a pivotal factor of boosting geostrategic, economic, political and cultural development for each participant country, largely depending on the neighboring countries’ cohesion and convergence. Significantly, there is an even stronger emphasis on the fact that while sharing the same borders, the countries share common interests and aspirations for economic thriving, cultural exchange, diplomatic ties and security, guaranteed by a legal framework. The findings of this study have a number of important implications for further development and enhancement of Ukraine-Romania cooperation. Accordingly, the research shows how imperative are the benefits of Romania as a strategic partner for outlining top priorities of Ukraine’s foreign policy.


Author(s):  
Ellen Winner

This book is an examination of what psychologists have discovered about how art works—what it does to us, how we experience art, how we react to it emotionally, how we judge it, and what we learn from it. The questions investigate include the following: What makes us call something art? Do we experience “real” emotions from the arts? Do aesthetic judgments have any objective truth value? Does learning to play music raise a child’s IQ? Is modern art something my kid could do? Is achieving greatness in an art form just a matter of hard work? Philosophers have grappled with these questions for centuries, and laypeople have often puzzled about them too and offered their own views. But now psychologists have begun to explore these questions empirically, and have made many fascinating discoveries using the methods of social science (interviews, experimentation, data collection, statistical analysis).


Author(s):  
Luis Roniger ◽  
Leonardo Senkman ◽  
Saúl Sosnowski ◽  
Mario Sznajder

This book explores how Argentina, Chile, Paraguay, and Uruguay have been affected by postexilic relocations, transnational migrant displacements, and diasporas. It provides a systematic analysis of the formation of exile communities and diaspora politics, the politics of return, and the agenda of democratization in the late twentieth and early twenty-first centuries, focusing on the impact of intellectuals, academics, activists, and public figures who had experienced exile on the reconstitution and transformation of their societies following democratization. Readers are offered a kaleidoscope of intellectual itineraries, debates, and contributions held in the public domain by individuals who confronted and fought authoritarian rule. The book covers their contributions to the restructuring and transformation of scientific disciplines and of the humanities and the arts, as well as their collective institutional impact on higher education, science and technology, and public institutions. Bringing together sociopolitical, cultural, and policy analysis with the testimonies of dozens of intellectuals, academics, political activists, and policymakers, the book addresses the impact of exile on people’s lives and on their fractured experiences, the debates and prospects of return, the challenges of dis-exile and postexilic trends, and, finally, the ways in which those who experienced exile impacted democratized institutions, public culture, and discourse. It also follows some crucial shifts in the frontiers of citizenship, moving analysis to transnational connections and permanent diasporas, including the diasporas of knowledge that increasingly changed the very meaning of being national and transnational, while connecting those countries to the global arena.


Author(s):  
Daisy Fancourt

This chapter outlines the first four stages in the process of designing and delivering arts in health interventions. Using business models from industry, management, and health care, it provides a step-by-step guide to conceptualizing and planning effective arts in health interventions that meet a real need within health care. It shows how to scope national and local opportunities, identify specific challenges that the arts could address, select appropriate target groups, understand the needs of patients, public, and staff, undertake consultations, identify relevant research, develop initial ideas, plan for a pilot, and model the impact that the intervention could have. These steps will provide the foundation for a creative and novel intervention with the potential to have real impact and sustainability.


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