scholarly journals Pakeliran Sampakan “Sang Panggung”

2021 ◽  
Vol 19 (1) ◽  
pp. 15-20
Author(s):  
Sindhunata Gesit Widiharto ◽  
Trisno Santoso
Keyword(s):  
Young People ◽  
Mass Media ◽  
Target Market ◽  
Traditional Art ◽  
Contemporary Theater ◽  
Traditional Arts ◽  
Wayang Kulit ◽  
Sophisticated Technology

The combination of puppetry and theater creates an alternative offering a new style of treatment in the form of contemporary theater called “Pakeliran Sampakan”. Pakeliran sampakan carries the mission of modernizing traditional art with the hope of being able to answer the public's saturation regarding spectacle that smells Indonesian culture, especially wayang kulit with the target market the young people. “Sang Panggung” is an adaptation of a story from “Nyi Panggung” written by Eko Tunas which tells about the life behind the scenes of the group of tobong Ketoprak Eka Mardhika. The results of the work represent the form of performances by the tobong ketoprak artists, with the story "Sang Panggung". Like the marginalized who are alienated because of their deposed honour by the outside culture, it needs an action by doing 'transmigration'. It doesn’t only mean moving from one island to another but also a change in the human mindset to be renewed towards the sophisticated technology of mass media, in order that traditional arts can always involve in the international competitions. 

scholarly journals MARGINALISASI GAMELAN BATEL DALAM SENI PERTUNJUKAN WAYANG KULIT DI DESA SIBANGGEDE, KABUPATEN BADUNG

2017 ◽  
Vol 17 (1) ◽  
pp. 8-12
Author(s):  
I Nyoman Surianta
Keyword(s):  
External Factors ◽  
Internal Factors ◽  
Traditional Art ◽  
Reconstruction Effort ◽  
Two Factors ◽  
Revitalization Effort ◽  
Internal And External Factors ◽  
Traditional Arts ◽  
Wayang Kulit ◽  
The Impact

The marginalization of the Gamelan Batel in Sibanggede Village can be observed in the form of the decrease of the traditional art values in the society, the displacement of traditional arts, the seculariza- tion of the traditional art, the narrowing of the traditional art performances, the hegemony of the modern art to that of the traditional one. Second, there are two factors that cause the Gamelan Batel in Sibanggede Village to be marginalized, namely, internal and external factors. The internal factors include lack of talent, lack of public interest, lack of open attitude, lack of funding from the govern- ment. The external factors are economics, technology and information, the function shift of the tradi- tional gamelan. Third, the impact of the marginalization of the Gamelan Batel in Sibanggede Village is in the form of the failure to form regeneration, failure of reconstruction effort, failure of revitalization effort.

scholarly journals PERAN KESENIAN REYOG KENDHANG SANGTAKASTA SEBAGAI SARANA BEREKSPRESI MASYARAKAT DESA TUGU KECAMATAN SENDANG KABUPATEN TULUNGAGUNG

2019 ◽  
Vol 2 (1) ◽  
pp. 35
Author(s):  
Mayendra Rifai Yahya
Keyword(s):  
Young People ◽  
Contemporary Art ◽  
Descriptive Analysis ◽  
Traditional Art ◽  
Current Trends ◽  
The Arts ◽  
Efficient Information ◽  
Changing Times ◽  
The Times ◽  
Traditional Arts

Keberadaan Sangtakasta memiliki daya tarik tersendiri untuk dijadikan sebagai objek penelitian. Kesenian-kesenian tradisional dihadapkan dengan modernitas kemajuan zaman di era globalisasi yang serba canggih ini. Perubahan kebudayaan suatu daerah sedikit banyak dipengaruhi oleh perubahan-perubahan masyarakatnya. Kesenian-kesenian tradisional dengan konsep-konsep lama semakin sulit mencari peminat, setelah para generasi mudanya kurang tertarik karena tidak adanya suatu pembaharuan. Anak-anak muda lebih cenderung menyukai bentuk kesenian yang kekinian atau masa kini. Munculnya grup-grup kesenian di Kabupaten Tulungagung dengan kreativitasnya masing-masing, sedikit banyak memberi angin segar terhadap pelestarian kearifan lokal daerah. Kesenian tradisional seperti Reyog Kendhang tak luput dari objek ajang berkreativitas dalam berkesenian. Sangtakasta sebagai sanggar seni yang berada di Desa Tugu Kabupaten Tulungagung ini, saat ini sangat berperan penting dalam hal memfasilitasi minat dan bakat anak-anak muda yang ingin terjun langsung dalam berkesenian. Konsep garapan baik tarian atau musikal, semuanya disesuaikan dengan perkembangan zaman atau tren masa kini tanpa meninggalkan dasar-dasar dari kesenian itu sendiri. Kesenian tanpa adanya sebuah pembaharuan mustahil akan tetap eksis melintasi generasi ke generasi, sebab sebuah kesenian akan selalu berkembang sesuai dengan perubahan zaman. Reyog Kendhang sebagai kesenian ikon dari Kabupaten Tulungagung saat ini juga tidak luput dari sebuah pembaharuan, karena kearifan lokal akan hilang tanpa adanya masyarakat pendukung. Pendekatan etnomusikologi,sosiologi dan antropologi digunakan sebagai sarana untuk memperoleh informasi yang lebih efisien dengan metode deskriptif analisis. Hasil daripada penelitian ini bahwasanya sebuah kesenian akan terus berkembang sesuai dengan perubahan zaman, mengikuti alur perkembangan zaman sah-sah saja asalkan tidak meninggalkan dasar dari kesenian itu sendiri. Musik Reyog Kendhang Sangtakasta saat ini mampu menyesuaikan zaman sesuai dengan minat masyarakat pendukungnya.Sangtakasta's existence has its own attraction to be used as the object of research. Traditional arts are confronted with modernization in globalization era. Changes of the culture in region are influenced by changes of society. Traditional arts with old concepts are difficult to find enthusiasts, after young people generation is less interested because there is no update in traditional art. Young people prefer contemporary art forms. The emergence of art groups in Tulungagung Regency with their respective creativity, gave a fresh update to the preservation of the local wisdom of the region. Traditional arts such as Reyog Kendhang is always as an objects of creativity in the arts. Sangtakasta as an art studio located in Tulungagung Regency Tugu Village currently plays an important role in facilitating young people’s talent who want to get involved in art. The project of sangtakasta studio is dance and musical, all adapted to the current trends without leaving the basics of the art itself. Art without update is can’t exist across generations, because an art will always develop in accordance with changing times. Reyog Kendhang as an iconic art from Tulungagung Regency is currently has an update, because local wisdom will be lost without the support community. Ethnomusicology, sociology and anthropology approaches are used to obtain more efficient information with descriptive analysis methods. The results of this study that an art will continue to develop in accordance with the changing times, follow the flow of the development of the times is fine as long as it does not leave the basis of art itself. Reyog Kendhang Sangtakasta Music is currently able to adjust the times according to the interests of the supporting community

scholarly journals Milenial dan Seni Tradisi

2020 ◽  
Vol 4 (2) ◽  
pp. 141
Author(s):  
Wiwin Indiarti ◽  
Hervina Nurullita
Keyword(s):  
Young People ◽  
Mass Media ◽  
Ethnic Group ◽  
Community Partnership ◽  
Learning Materials ◽  
Traditional Art ◽  
Partnership Program ◽  
Reading Session

This article is based on the Community Partnership Program (PKM) which seeks to solve the problems faced by Osing ethnic group, in this case MLY Milenial, from the aspects of preservation strategies and revitalization of traditional art of Lontar Yusup reading session called mocoan. The solutions offered by this program are the procurement of mocoan costumes based on traditional Osing fabrics, procurement of Lontar Yusup learning materials / books for Mocoan Lontar Yusup training, procurement of violin instruments for mocoan accompaniment, and Mocoan Lontar Yusup training for young people. The activities are in the form of procuring mocoan costumes based on traditional Osing fabrics, procuring materials / learning books for Lontar Yusup for Mocoan Lontar Yusup training, procuring violin instruments for mocoan accompaniment, and Mocoan Lontar Yusup training for young people while the team continuously doing mentoring during the period of the PKM program. The outputs are articles in journals and seminars, printed mass media publications, videos of activities implementation and increased partner empowerment.

scholarly journals Ceprotan Performing Art: A Traditional Folkart Based on Urband Legend

2018 ◽  
Vol 18 (1) ◽  
pp. 70-76 ◽  
Author(s):  
Bagus Wahyu Setyawan ◽  
Kundharu Saddhono
Keyword(s):  
Content Analysis ◽  
Young People ◽  
Urban Society ◽  
Local History ◽  
Traditional Art ◽  
Lunar Calendar ◽  
Qualitative Descriptive ◽  
Traditional Arts ◽  
Performing Art ◽  
Village Society

Traditional arts of born and develops from urban society by keeping a manifestation of its and forms are different in the regions. Ceprotan as a traditional arts from Sekar Village, Donorojo Sub-district, Pacitan Regency. Form of this research is qualitative descriptive with focused to describe and explain about Ceprotan performing art in Sekar Village, that source from the local history, that is the story of Ki Godeg and Dewi Sekar. Research object are Ceprotan performing art which held once a year, in Senin Kliwon days, in Dulqokdah month. Data collected technique using observation, noted, and content analysis. Result of research find that Ceprotan is a traditional art performed same time with Bersih Desa ceremony in Sekar Village society. Ceprotan perforiming art held once a year, only in day of Senin Kliwon, month of Dulqokdah in Lunar calendar. Ceprotan performing art performed the sendratari (dramatic dancing art) telling the story of Ki Godeg and Dewi Sekar journies with develop the Sekar Village. In the end of performing, done attraction throwing the young coconuts from some of young people from Sekar Village.

scholarly journals COMPARISON TRADITIONAL FOLKLORE BETWEEN CHINESE PI YING AND INDONESIAN WAYANG KULIT

2020 ◽  
Author(s):  
Zhang Guannan
Keyword(s):  
Rural Area ◽  
Digital Technology ◽  
Han Dynasty ◽  
Animal Skin ◽  
Traditional Arts ◽  
Wayang Kulit ◽  
Traditional Stories

Chinese Pi Ying and Indonesian Wayang Kulit as known as the crystal of folklore from two different countries. This article is aim to make a comparison between these two traditional folklore.Pi Ying and Wayang Kulit both are made from wood and paper or animal skin. The function of these two folklore is giving a show or performance to audiences based on traditional stories or mythological stories. Compared with Wayang Kulit, Chinese Pi Ying was originated from Han Dynasty, earlier than Wayang Kulit. As traditional arts, coming with improvement of digital technology, Chinese Pi Ying and Wayang Kulit are losing their influence now, these two traditional folklore only can be seen more frequently in theater or rural area. Through this article, Pi Ying and Wayang Kulit will be analyzed, compared and found out the same and different aspects from these two traditional folklore, furthermore, this article will also give certain solutions to solve the problems these two folklore are facing.

scholarly journals The Impact of Media in the Socialization Process in Albania

2014 ◽  
Vol 1 (1) ◽  
pp. 149
Author(s):  
Bukurie Lila
Keyword(s):  
Young Adults ◽  
Young People ◽  
Mass Media ◽  
Positive Function ◽  
Main Question ◽  
Negative Effects ◽  
Socialization Process ◽  
The Media ◽  
The Impact ◽  
The Ideal

Media is one of the main agents of socialization that affects youth the most. Young adults are majority time are surrounded by the media, which brings me to my main question, "How is Mass Media Affecting Socialization in Children and Young Adults in Albania?" To understand this question one must know and understand what socialization is. The socialization process is a very dramatic impact on a child's life. Socialization is a "Continuing process whereby an individual acquires a personal identity and learns the norms, values, behavior, and social skills appropriate to his or her social position". Mass media has enormous effects on our attitudes and behavior which makes it an important contributor to the socialization process. in some ways mass media can serve as a positive function. It helps there to be more diversity, we can learn more about things that are going on in different countries. It can help you learn new things you did not know. Sadly Media can serve as a negative function in young people life. Young people want to be accepted by society and the media creates the ideal image that tells you what the characteristics are to be accepted and to be able to fit in with society. They show what you should look like, how you can look like this, and where to go to buy these things that will make you look right. This is why many young women deal with anorexia because they want to look like the ideal type that the media displays. Media also influences young people to misbehave. Media shows that being deviant makes you cool and look tough and that it's okay to do deviant things. Statistics show that when young people watch violence on television it increases their appetites to become involved in violence. It opens their minds to violence and makes them aware of crimes and people acting deviant. Many people think that the media does not play a role in the socialization process as much as family, peers and education. But in fact the media plays a strong role in the socialization process. The aim of this study is to see the positive and negative effects that the Albanian media plays in the socialization process in Albania.

scholarly journals KNIFE ART AND CARRIERS OF INTANGIBLE CULTURAL HERITAGE IN DUZCE

2021 ◽  
Vol 10 (77) ◽  
Keyword(s):  
Cultural Heritage ◽  
Human Life ◽  
Descriptive Analysis ◽  
Historical Background ◽  
Advanced Level ◽  
Traditional Art ◽  
Metal Art ◽  
Surface Decoration ◽  
Decoration Technique ◽  
Traditional Arts

Traditional arts and professions are the carriers of our culture because they carry historical background. For this reason, traditional arts and professions and cultural heritage are easily transferred to future generations. While knife was a tool that facilitated human life in the early periods, it turned into an art in time. The art of knife and the techniques and methods used in this art have been used for many years in history. Today, there are many artists who want to prevent the art of knife from turning into a craft. They intend to take this art to an even more advanced level. In this study, we interviewed three artists as samples who dealt with knifemaking by addressing the art of knife in Düzce. Interviews and works with the artists are visualized in this work. Thus, what has been done about the art of knife in Düzce, which methods and techniques are applied have been revealed. Along with the previous methods applied to this art, traditional Turkish arts such as marbling, illumination and miniature were used as a surface decoration technique in the art of knife which is a branch of Turkish metal arts. The aim of the study is to show the path that knife art has taken from its historical background to the present day and to show the feasibility of new methods in this field and thus to indicate that knife art is open to development. It is believed that this work, in which interviews and images obtained are evaluated using a descriptive analysis, will contribute to literature related to traditional art and the art of knife. Keywords: Knife art, jewelry, metal art, cultural heritage, traditional art

scholarly journals Mass media interventions for preventing smoking in young people

2010 ◽  
Author(s):  
Malcolm P Brinn ◽  
Kristin V Carson ◽  
Adrian J Esterman ◽  
Anne B Chang ◽  
Brian J Smith
Keyword(s):  
Young People ◽  
Mass Media ◽  
Media Interventions
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