scholarly journals Intertextuality as Factor of Artistic Energy of Literary Work (Vasyl Holoborodko’s Poem “A Curved Dance”)

2019 ◽  
pp. 12-24
Author(s):  
Hryhoriy Klochek
Keyword(s):  
Dominant Role ◽  
Literary Work ◽  
Literary Text ◽  
Folk Song ◽  
Systematic Theory ◽  
Theoretical Part ◽  
The Difference ◽  
Methodological Principles ◽  
The Hill

The theoretical part of the paper outlines methodological principles applied within the analysis of intertextuality as a factor of artistic energy in Vasyl Holoborodko’s poem “A Curved Dance”. For this purpose, the necessary comments on intertextuality as a source of artistic energy have been made. The author of the paper shows the difference between systematic and structuralistic understanding of a literary work, and considers the actual problems of the systematic theory which defines ‘technique’ as a main unit of the expressive system (poetics). In this case the identification of the techniques is supported by the analysis of their expressive functions. The receptive poetics as a methodological doctrine is based on this perspective, the essence of which is modeling the influence of the expressive techniques of a literary work on the recipient in terms of the psychology of artistic perception. The poem “A Curved Dance” have been analyzed as a complete, systematically organized text that begins to function in the process of the perception, generating a quite complete artistic world in the recipient’s mind. The artistic character of the poem is determined by many factors, but the most important of them is the main meaning, generated by the literary text, which may be defined as a dream about the perfect, full-fledged existence of the Ukrainian nation. The whole expressive system of the literary work contributes to creating it, while the dominant role is played by intertextual ‘implants’ in the author’s text, brought from some notable works, namely the image of the curved dance (intermedial moment), reminiscences from the folk song “Oy tam na hori zhentsi zhnut” (“Oh there on the hill harvestmen reap the harvest”) and “Slovo o polku Ihorevim” (“The Tale of Ihor’s Campaign”). They express the meaningful senses that substantially enrich the author’s text from the perspective of the psychology of artistic perception, giving it a hidden meaning, and therefore energy.

On the types of analysis of literary text in Russian language lessons

2021 ◽  
Vol 82 (2) ◽  
pp. 7-15
Author(s):  
M. I. Shutan
Keyword(s):  
Literary Work ◽  
Practical Experience ◽  
Structural Features ◽  
Literary Text ◽  
Russian Language ◽  
Literature Teaching ◽  
Lexical Meaning ◽  
Language And Literature ◽  
Methodological Principles ◽  
The Russian Language

This article aims to investigate and characterise types of literary text analysis in Russian language lessons by reviewing the scientific and practical experience accumulated in the methodology of teaching the Russian language and literature at school. The first type of analysis is a combination of assignments aimed at both understanding the content of a literary work as an art phenomenon and identifying its structural features, which actualizes the methodological principles of school literature teaching. This model also includes linguistic-stylistic assignments covering various levels of the language system. Such an analysis can be called complex. The second type involves focused analysis organized within the framework of working with a linguistic concept. The main purpose of students in this case is to identify meanings, i.e., substitutes for the lexical meaning of a concept word. The types of analysis described in this article can be used to help students understand the literary text in its semantic integrity.

scholarly journals Modern Stylization of Ukrainian Song Folklore

2021 ◽  
Vol 4 (2) ◽  
pp. 201-208
Author(s):  
Anna Tkach
Keyword(s):  
Genetic Relationship ◽  
Comparative Method ◽  
Synthesis Method ◽  
Folk Art ◽  
Literary Text ◽  
Folk Songs ◽  
Folk Song ◽  
Musical Culture ◽  
Original Musical ◽  
The Difference

The purpose of the research is to study contemporary musical culture and reveal the specifics of Ukrainian song folklore stylization in academic and non-academic practice. The research methodology is aimed at using a comparative method, with the help of which the difference between the processing of a folk song and the stylization of folklore is highlighted. The method of analysis is implemented to highlight the essential features of stylized folklore. Using the synthesis method, the results of research from academic and non-academic musical creativity have been extrapolated, in which the introduction of the stylization of folklore has been discovered. The scientific novelty of the research is examining the symbiosis of composer and folk art, as a result of which stylized song folklore appears in the modern musical culture of Ukraine. Conclusions. In the modern musical culture of Ukraine, the principle of stylization of song folklore is widely used. The introductions of adaptations of folk sources, along with stylization, are two options for the interaction of composer and folk art. The stylization is characterized by a deep interpenetration of elements of the author’s and folklore principles, which is accompanied by the formation of an original musical text that has a genetic relationship with folk Melos. The author’s text, which traces the presence of folk songs stylization, often includes typical intonational complexes with small ambitus, repetition of rhythmic formulas, and the prevalence of the variant-variative principle of the musical fabric development. The literary text of works related to the stylization of folklore is characterized by the use of folk texts or dialectics, lexemes that liken a vocal work with folklore. The effectiveness of folk stylization in musical culture is enhanced by the use of an authentic folk singing manner. The stylization of folklore is inherent both in the works of the leading classics of the Ukrainian composing school and in groups working in different directions of non-academic music of our time.

On the sources of cosmopolitanism as an idea: The Russian and the European views

2020 ◽  
pp. 44-69
Author(s):  
E. E. Dmitrieva
Keyword(s):  
Comparative Literature ◽  
Literary History ◽  
World Literature ◽  
Literary Work ◽  
General Term ◽  
Literary Process ◽  
The Difference ◽  
Literary Environment

The article is concerned with the difference in understanding of the term ‘cosmopolitan’ inRussiaandFrance. Often considered a predominantly negative phenomenon inRussia, cosmopolitanism fi st provoked a discussion at the time when the emphasis shifted from ideology to understanding of the historical-literary process. Since the late 18th c., the idea of the possible existence of a literary work within the global literary environment (the concept of world literature)   was adjusted by the ‘golden chain’ metaphor, which enabled implementation of the ‘universality’ concept as a unity principally separate from the French idée universelle. During this evolutionary period emerged a distinctive subject of literary history: fi st, ‘humanity’ as a general term (initially identifi    with universalism or cosmopolitanism), and then ‘a nation’. But it is the discovery of the national that the author believes is connected with particularism and provincialism,   the latter summoning the memory of the noble intention of universalism and cosmopolitanism. An interim summary of the process was produced by Joseph Texte, a professor of comparative literature inLyon, at the end of the 19th c.

The concepts and features of the models of venture investment of energy-oriented startups

2019 ◽  
pp. 74-78
Author(s):  
Oleh Pankiv
Keyword(s):  
Power Plants ◽  
Public Procurement ◽  
Financial Resources ◽  
Managerial Decisions ◽  
Potential Formation ◽  
The Difference ◽  
Alternative Sources ◽  
Methodological Principles ◽  
Profile Characteristics ◽  
Start Ups

The theoretical and methodological principles of promising managerial decisions concerning the efficiency of attracting financial resources, as well as creation of fundamentally new sources of funding for the development of energy-oriented start-ups are considered. The role and place of the sectors of innovative energy saving and alternative sources of power supply in a complex system of energy independence of the country are determined. The way and the main directions of research and development of the ways to solve the aforementioned problem are outlined. As part of the search for optimization solutions, it is suggested to use the principles of the existing statistical and mathematical apparatus, marketing achievements and achievements in network development that take place in gaming business. An analogue comparison of the principal models was carried out, during which the existing types of energy-oriented start-ups were determined and presented. A separate direction in the economic search is proposed, and its profile characteristics are outlined. The type of model is typical for Ukrainian conditions. The author proposed a method of comparing strategies for attracting financial resources into a gaming business in the core of the research. To solve the investigated problem, it is proposed to apply the property of the law of the emergence. The analysis is based on a concrete example of the functioning of the tender procedure, namely the organization of public procurement. The purpose of the article is to consider and analyze the author's proposal to focus on such an important phenomenon as the constant creation of the difference between the expected price and the final contractual price. The model of the solution is based on the systematic combination of this phenomenon and the administrative stimulation of implementation of exclusively energy-innovation projects. The combination of these two points is the basis of an optimization policy for the potential formation and maintenance of a state program to search and stimulate the sources of funding for power plants.

Cyanoacrylate Inhibitors of the Hill Reaction V. The Effect of Chirality on Inhibitor Binding

1987 ◽  
Vol 42 (6) ◽  
pp. 684-689 ◽  
Author(s):  
John L. Huppatz ◽  
John N. Phillips
Keyword(s):  
Phenyl Ring ◽  
Alkyl Substituent ◽  
Receptor Site ◽  
Optically Active ◽  
Hill Reaction ◽  
Inhibitor Binding ◽  
Level Of Activity ◽  
The Difference ◽  
The Hill

Optically active α-methylbenzylamino 2-cyanoacrylic esters were synthesized and assayed as inhibitors of the Hill reaction in isolated pea chloroplast fragments. The 5-isomers were more potent inhibitors than the S-isomers with discriminations of from ten to greater than 100-fold being observed. A β-alkyl substituent in the cyanoacrylate molecule affected both the level of activity and the difference in activity between the isomers. An α,α-dimethylbenzylamino derivative was also active at about the same level as the corresponding α-methylbenzylamino racemate. This result could be explained in terms of the orientation of the phenyl ring in the receptor site. Replacement of the α-methylbenzylamino group by other α-alkyl and α-phenyl substituents had little effect on activity. However, an α-benzyl group was beneficial.

scholarly journals The semantic connection of time and space in literary text

2019 ◽  
pp. 28-30
Author(s):  
Galina Aleksandrovna Sokolova
Keyword(s):  
Literary Work ◽  
Literary Text ◽  
Time And Space ◽  
Leading Role ◽  
Time Space ◽  
Points Of View ◽  
Space Concept

The article deals with the connection of time and space in literary text. It gives some definitions of the time-space concept, the chronotope; it presents different points of view of Russian linguists about the leading role of the chronotope components; it also lists the main ways of detecting the chronotope in literary work; it defines some features and characteristics of time and space in the chronotope.

scholarly journals FUNDAMENTAL PRINCIPLES OF THE DISCURSIVE APPROACH OF THE LITERARY TEXT IN THE DEVELOPMENT OF THE COMMUNICATIVE COMPETENCE IN THE ENGLISH CLASSROOM

InterConf ◽  
2021 ◽  
pp. 237-245
Author(s):  
Tatiana Lașcu
Keyword(s):  
Intercultural Communication ◽  
Text Analysis ◽  
Complex Analysis ◽  
Communicative Competence ◽  
Literary Text ◽  
Basic Principles ◽  
English Classroom ◽  
Methodological Principles ◽  
Discursive Approach

The paper presents an analysis of the basic principles which govern the discursive approach of the literary text. The discursive approach covers both the internal and external aspects, a fact which promotes a new and more complex analysis of the literary text. Thus, the specific methodological principles which rule the process of developing the English communicative competence through the discursive approach are as follows: pragmasemantic principle of the literary text, dialogic principle of the text analysis, principle of intertextuality, principle of interpretative cooperation, principle of intercultural communication.

scholarly journals Dialogism of translation in comparative dimension. Review of Viktoriia Prykhodko's monograph «Reception and interpretation of literary text in foreign language discourse: comparative dimension» (Lutsk, 2019)

2020 ◽  
Vol 13 (22) ◽  
pp. 92-95
Author(s):  
Nataliia Horodniuk ◽  
Keyword(s):  
Foreign Language ◽  
Practical Importance ◽  
Literary Work ◽  
Literary Text ◽  
Literary Translation ◽  
Mutual Understanding ◽  
Additional Source ◽  
Language Discourse ◽  
Cultural Component ◽  
Source Of Information

The relevance of the monograph is determined, first of all, by the fact that contemporary national literatures are increasingly interacting with each other through translation, and thus the need to consider translated works in comparison with the originals is increasing. Studying the features and patterns of the literary translation is an important area of modern comparative studies. The work focuses on ways of preserving the national and cultural component of the translated text. The works of M. Gogol, Lesia Ukrainka, I. Franko, F. Dostoievskyi, R. Kipling, and J. Conrad were analyzed according to this aspect. A comparative idea of a dialogue is proposed. It is noted that translation is a broad dialogic process between the author and the reader through the interpreter, which includes reception and interpretation. Literary translation is interpreted as the basis for establishing a dialogue between the text and the interpreter, as an expression of the meaning that flows through the prism of the translating consciousness and enriches it, as a co-creation of the writer and interpreter, the purpose of which is mutual understanding, and the result of this understanding is the text-translation. Attention is paid to the issue of intertextuality as a translation problem. Despite the understanding of intertextuality as the interaction between the texts by different authors (text in text) and the interrelation between different works of one author, the thesis proposes to expand the scope of interpretation of this term, adding to it also different interpretations of one work in the same language. In the monograph the problem of reception and interpretation of literary text is considered in the imagological aspect. In particular, the study of reception and interpretation of other national character in a foreign language discourse plays an important role. Foreign language reception and interpretation of laughter culture in general and «Gogol laughter» in particular are thoroughly investigated. A deep analysis of the works of M. Gogol and F. Dostoevsky made it possible to conclude that the carnival colour of Gogol's «pure, folk-festive» laughter and the parody and comic intonation of F. Dostoevsky during translation give rise to certain problems of preserving their identity. It is noted that the perception of colour in a literary work is a peculiar way of interpreting it, and the semantic nuances of colour markings in one language or another require the problem of the reception adequacy and the interpretation of colour when translating from language to language. The practical importance of the monograph is determined by the possibility of using its basic provisions and results as an additional source of information for further comprehension of the translational paradigm in the comparative dimension.

Root Occupation and Root Channels of Jarrah Forest Subsoils

1983 ◽  
Vol 31 (6) ◽  
pp. 615 ◽  
Author(s):  
B Dell ◽  
JR Bartle ◽  
WH Tacey
Keyword(s):  
Fine Roots ◽  
Dominant Role ◽  
Root Hairs ◽  
Forest Tree ◽  
Deep Soil ◽  
Eucalyptus Marginata ◽  
Shallow Subsurface ◽  
Clay Matrix ◽  
The Difference ◽  
Successive Generations

The role of root channels in the occupation of deep soil profiles by jarrah (Eucalyptus marginata Sm.) forest in south-western Australia was explored by coring and excavation. In profiles derived from granite, major descending roots are confined to channels that extend vertically from fissures and conduits in the shallow subsurface caprock layer deep in the clay subsoil. The channels are permanent features of the profile and are occupied by successive generations of trees. The channels have a diameter of 1-300 mm, abundance of 3 5 m-2 (all channels) or 1 m-2 (large channels), and occupy 1% of a horizontal surface at 6 m. Each forest tree has potential access to 100-200 channels. Large roots, fine roots with root hairs, and decaying root remains occur in the channels. Only fine roots (less than Imm diam.) penetrate the clay matrix and occupy the entire profile down to basement at depths of up to 40 m. In profiles derived from dolerite, occupation of the deep clay by large and fine roots is diffuse and root channels are absent. The dissimilar mode of root occupation of the two profile types may be explained by the difference in bulk density. In providing avenues for access by large roots as well as preferential wetting, the root channels may play a dominant role in the water and salt balance of jarrah forests on the granitic profile.

Global versus Local Cues for Route Finding in Virtual Environments

Perception ◽  
1997 ◽  
Vol 26 (1_suppl) ◽  
pp. 155-155 ◽  
Author(s):  
S Geiger ◽  
S Gillner ◽  
H A Mallot
Keyword(s):  
Dominant Role ◽  
Global Strategy ◽  
Mountain Range ◽  
Knowing That ◽  
Navigation Strategy ◽  
Route Finding ◽  
Conflict Condition ◽  
Direction Information ◽  
Global And Local ◽  
The Hill

Motivated by the results of Gillner and Mallot (1996 Perception25 Supplement, 93) implying that local views are basic elements for a spatial representation, we studied the role of global versus local landmarks using a route-finding task. Our hypotheses were: (i) A global navigation strategy relying on allocentric movement decisions is used, eg “go from this place towards the chapel on the hill”, or (ii) a local navigation strategy based on view—movement associations is used, eg “at the red building go right”. We performed an experiment in a computer graphics town based on a hexagonal grid structure. At each intersection we placed three different buildings. We also provided global direction information by placing six global landmarks distributed equally along a mountain range. Subjects had to learn the back and forth route between two buildings, not knowing that after a learning phase the location of buildings at a particular junction would be changed. These changes produced conflicting global and local information. In the test-phase, the subject approached individual junctions in both learned and novel directions and the movement decisions were recorded. In a control condition with unchanged places twenty subjects made correct decisions for 136 of 160 movements. In the experimental conflict condition 123 decisions were consistent with a local and 37 with a global strategy. This supports our previous finding that local views play a dominant role in making route judgements. Approaching a junction from a learned direction leads to more accurate movement decisions than approaching it from a novel direction, even if the global landmarks are available, which provides further support for the local-view hypothesis.

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