The Three Syntheses of the Body: From the Voice to Speech

2016 ◽  
Author(s):  
Guillaume Collett
Keyword(s):  
General Problem ◽  
The Body ◽  
The Unconscious ◽  
The Voice

Firstly, this marriage of language and the unconscious – or this paradoxical unity of sense and nonsense – appears to allude to the work of the Lacanian school, which he later adds has ‘completely renewed the general problem of the relations between language and sexuality’.2 Secondly, to contribute something original, in light of Lacan’s work – but also, it is implied, because Lacan’s work has not yet reached its own ground (as conceived by Deleuze) – Deleuze is saying here that we need to turn to the work of Carroll, so as to examine ‘what else’ language and the unconscious are connected with. This third term, it is implied, is more fundamental than either language or the unconscious taken separately, underlying them both and accounting for the importance of their relation.

Feminist Cyber-Artivism, Musicing, and Music Teaching and Learning

2020 ◽  
pp. 291-312
Author(s):  
Marissa Silverman
Keyword(s):  
Social Media ◽  
Music Education ◽  
Case Studies ◽  
Teaching And Learning ◽  
The Body ◽  
The Internet ◽  
Philosophical Investigation ◽  
Music Teaching ◽  
Music Making ◽  
The Voice

This chapter asks an important, yet seemingly illusive, question: In what ways does the internet provide (or not) activist—or, for present purposes “artivist”—opportunities and engagements for musicing, music sharing, and music teaching and learning? According to Asante (2008), an “artivist (artist + activist) uses her artistic talents to fight and struggle against injustice and oppression—by any medium necessary. The artivist merges commitment to freedom and justice with the pen, the lens, the brush, the voice, the body, and the imagination. The artivist knows that to make an observation is to have an obligation” (p. 6). Given this view, can (and should) social media be a means to achieve artivism through online musicing and music sharing, and, therefore, music teaching and learning? Taking a feminist perspective, this chapter interrogates the nature of cyber musical artivism as a potential means to a necessary end: positive transformation. In what ways can social media be a conduit (or hindrance) for cyber musical artivism? What might musicing and music sharing gain (or lose) from engaging with online artivist practices? In addition to a philosophical investigation, this chapter will examine select case studies of online artivist music making and music sharing communities with the above concerns in mind, specifically as they relate to music education.

The Neuronal Crisis: Meditate to Comprehend the Nature of Psychosomatic Epidemic

2021 ◽  
Vol 64 (2) ◽  
pp. 110-127
Author(s):  
Henri Hude
Keyword(s):  
Major Part ◽  
The Body ◽  
Human Being ◽  
The West ◽  
The Unconscious ◽  
Experimental Knowledge ◽  
The World ◽  
The Absolute ◽  
Rational Consideration ◽  
Existential Problem

This articles describes the “neuronal crisis,” the epidemic of psychosomatic illnesses observed all over the world, particularly in the West. The paper looks into the deeper real causes and seeks the most effective kind of cure for this malady. This leads to rational consideration of the metaphysical dimension of the human being and the fundamental problems (those of evil, of freedom, of God, of the soul, and of the body), where lack of sufficiency plays a major part in the etiology of these pathologies, as the desire for the Absolute is the basis of the unconscious. This approach presumes the Freudian model but denies its purely libidinal interpretation that substitutes desire for the Absolute with libido. Hence, an explanatory system applied to increasingly serious pathologies: ailments, neuroses, depressions, and psychoses. Frustration of one’s desire for the Good gives rise to a sublimation of finite goodness. The inevitable desublimation, caused by anguish because of the Evil, intense guilt, and the dramatization of evils, causes neuroses as awkward but inevitable solutions to the existential problem that is still unresolved, due to lack of functional and experimental knowledge. Psychiatry and even medicine must take into account the metaphysical layer, and, therefore, operate within an existential dynamic, aiming to progress in wisdom and to discover man, man’s brain and body, as these are structured around the axis of his desire.

Body Memory and the Unconscious

2018 ◽  
pp. 456-470
Author(s):  
Thomas Fuchs
Keyword(s):  
Depth Psychology ◽  
Phenomenological Approach ◽  
The Body ◽  
Lived Body ◽  
Spatial Mode ◽  
Life Space ◽  
The Unconscious ◽  
Body Memory ◽  
Lived Space ◽  
Horizontal Dimension

In traditional psychoanalysis the unconscious was conceived as a separate intra-psychic reality, hidden ‘below consciousness’ and only accessible to a ‘depth psychology’ based on metapsychological premises and concepts. In contrast to this vertical conception, this chapter presents a phenomenological approach to the unconscious as a horizontal dimension of the lived body, lived space, and intercorporeality. This approach is based (a) on a phenomenology of body memory, defined as the totality of implicit dispositions of perception and behaviour mediated by the body and sedimented in the course of earlier experiences. It is also based on (b) a phenomenology of the life space as a spatial mode of existence which is centred in the lived body and in which unconscious conflicts are played out as field forces.

scholarly journals Incorporeal: Lacan’s logical solution to Freudian aporias related to space

2021 ◽  
Vol 24 (1) ◽  
pp. 53-61
Author(s):  
JOHN JAMES GÓMEZ GALLEGO
Keyword(s):  
The Body ◽  
Newtonian Mechanics ◽  
The Unconscious ◽  
Aristotelian Logic ◽  
Doctoral Thesis

ABSTRACT: This article presents some findings derived from the doctoral thesis entitled Subject Topos. The problem of space in psychoanalysis. The aim is to show how Lacan used the logic of ancient stoicism to solve the Freudian problems related to space, which posed difficulties both in locating the unconscious spatially, and in clearly establishing a conception of the body, thus solving the advantages derived from the limits imposed by Aristotelian logic and Newtonian mechanics.

scholarly journals Archiveras anarquistas: Corporal Testimony in the Work of Diamela Eltit

2013 ◽  
Vol 1 (1) ◽  
pp. 1-17
Author(s):  
Megan Corbin
Keyword(s):  
Feminist Criticism ◽  
The Body ◽  
Diamela Eltit ◽  
Truth Telling ◽  
The Past ◽  
Cultural Texts ◽  
The Subject ◽  
Chilean Dictatorship ◽  
The Voice ◽  
Historical Model

Abstract: There exists a constant within the trajectory of Diamela Eltit’s contributions to New Chilean Fiction: the turn to the body’s revelatory capacity as a corporal archive of human existence. Simultaneously exploring and rejecting the confines of the traditional testimonial reliance on language, Eltit moves the reader to a re-consideration of the truth-telling function of the biological materiality of the body, placing imperfect corporalities on display as a means of speaking, even where the voice itself may falter.  This essay locates Eltit’s move to the corporal within the trajectory of feminist criticism, the traumatic realities of the Chilean dictatorship and post-dictatorship periods, and the search for the recuperation of those bodily knowledges represented by the disappeared.  Next, it turns to Eltit’s Impuesto a la carne as her most recent re-visioning of the importance of corporal textualities, whether or not the subject-matter of the body’s denunciation is connected to the dictatorship.  Lastly, this essay reconsiders the rejective power of the traditional archive, analyzing the effect set models have on those who seek to tell their stories outside of the traditional testimonial model. I argue that the case of Diamela Eltit is an example of the way writers and producers of cultural texts which actively inscribe alternative memories of the past are resisting the authoritative power of the archive and subversively inscribing narrative memory onto bodily materialities, re-orienting the view of the corporal from an evidentiary showing to an active process of re-telling the past. Eltit’s novels, inscribed with her corporal textual model, give voice to survivors, articulating an alternate historical model for the archive, embracing the biological and making it speak against the rigid abuses of authoritarianism.

Hysteria in Psychoanalysis – from Symptom to Discourse. (Hysterical and Psychoanalyst – a (non) love affair)

Diogenes ◽  
2020 ◽  
Vol 28 (1) ◽  
Author(s):  
Milena Motsinova-Brachkova ◽  
◽  
◽  
Keyword(s):  
Gender Difference ◽  
The Body ◽  
Main Issue ◽  
Love Affair ◽  
Lacanian Psychoanalysis ◽  
The Unconscious ◽  
Analytical Work ◽  
Psychoanalytic Approach ◽  
Unexpected Findings

Hysteria offers a particularly appropriate discourse for bringing out the unconscious, since its symptoms show how, through conversion, mental suffering manifests itself as bodily. Analytical work creates a transfer clinic and relies on a specific use of the word, which leads to unexpected findings. The development of the psychoanalytic approach today makes it clear that in order to understand hysteria, it must not be equated with femininity. The main issue of the hysterical subject is actually the issue of gender difference. Lacanian psychoanalysis introduces the idea of giving up the body in hysteria and associates the hysterical symptom with a lack of identification.

Body Resonance and the Voice

2016 ◽  
Vol 26 (1) ◽  
pp. 137-157
Author(s):  
Vita Heinrich-Clauer
Keyword(s):  
Self Efficacy ◽  
The Body ◽  
The Other ◽  
Therapeutic Approaches ◽  
Important Distinction ◽  
Vocal Expression ◽  
Psychotherapeutic Process ◽  
Other Hand ◽  
The One ◽  
The Voice

This article focuses on bioenergetic principles and the link between emotions and the voice, discussing various approaches to vocal expression in the psychotherapeutic process. There is an examination of the idiosyncrasies of bioenergetic work with the voice in contrast to therapeutic approaches that work solely with the body. There is an important distinction for practical bioenergetic work between liberating vocal discharge on the one hand and the build-up of tone, boundaries and self-efficacy on the other hand (cf. Shapiro, 2006, 2008, 2009).

Becoming Gypsy: Tell Me What the Body Knows in Flamenco Dance

2015 ◽  
Vol 6 (1) ◽  
pp. 22-35
Author(s):  
Diane Oatley
Keyword(s):  
Knowledge Acquisition ◽  
The Body ◽  
Physical Interaction ◽  
Embodied Knowledge ◽  
Physical Processes ◽  
The Unconscious ◽  
The World ◽  
Language And Cognition ◽  
Experiences Of Women

Abstract In The Meaning of the Body, philosopher Mark Johnson makes a case for the significance of movement in terms of the body processes he holds as essential to the generation of meaning and knowledge acquisition in physical interaction with the world–equally essential as language and cognition. The article employs this theory in interpreting the experiences of women learning flamenco dance in Spain. The investigation of the perceptions of women studying flamenco dance, a dance tradition often defined as “gypsy,” indicates that exposure to flamenco dance and culture leads to revision of stereotypes regarding embodiment and difference, but respondents did not relate this revision to bodily engagement, or physical processes particular to dancing flamenco. Although Johnson’s failure to properly account for the role of the unconscious proved to be a serious shortcoming in the theory, and one which had implications for the findings, application of the theory disclosed the parameters of a discourse on the body in flamenco. The theory thus represents a radical gesture in redefining embodiment in its own right in a manner that precludes dualism with the consequent opening of a range of alternative perspectives on the articulation of embodied knowledge.

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