scholarly journals “This Is My Place”. (Hi)Storytelling Churches in the Northern Netherlands

Religions ◽  
2021 ◽  
Vol 12 (9) ◽  
pp. 702
Author(s):  
Justin E. A. Kroesen

This article proposes storytelling as a tool to return historic church buildings to the people in today’s secularized society. It starts by recognizing the unique qualities shared by most historic churches, namely that they are (1) different from most other buildings, (2) unusually old, and (3) are often characterized by beautiful exteriors and interiors. The argument builds on the storytelling strategies that were chosen in two recent book projects co-written by the author of this article, on historic churches in the northern Dutch provinces of Frisia (Fryslân) and Groningen. Among the many stories “told” by the Frisian and Groningen churches and their interiors, three categories are specifically highlighted. First, the religious aspect of the buildings’ history, from which most of its forms, fittings, and imagery are derived, and which increasingly needs to be explained in a largely post-Christian society. Second, churches tell us local histories, because they were the communities’ most public space for centuries, and a room for social representation. Finally, third, local history is always “glocal”, because it is interwoven with multiple connections to other places far and near. Researching, cherishing, and telling these stories are powerful means to engage communities in the future preservation of their old churches as religious and cultural heritage.

2016 ◽  
Vol 2 (2) ◽  
pp. 176
Author(s):  
Sukaesih Sukaesih ◽  
Yunus Winoto ◽  
Agus Rusmana ◽  
Nuning Kurniasih

Garut is one district in West Java province which has the potential of cultural heritage which is very interesting. One of the cultural heritage in Garut which is be the site of ancient manuscripts (manuscripts). Relating to the existence of ancient manuscripts in Garut regency of the many ancient texts only a small portion that has been recorded and stored in the museum, while most have not been registered again and was saved by members of the public. To keep this heritage alive and useful for future generations hence the need for awareness of all members of society and this is one of the efforts in building knowledge management. The main purpose of knowledge management is to encourage sustainability knowledge within an organization or society, so expected that knowledge will not stop the people who have the knowledge, but can be accessed and studied by others who need them. In this research method used is the method mix (mix method) with pengum-gathering techniques of data in the form of questionnaires, interviews, observation and through the study of literature. The results showed that of most members of the community that holds the codex in preserving ancient manuscripts which are still done simply by storing in a clean and dry at certain times to clean dust and dirt on the manuscript. Regarding the awareness of community members who have an ancient manuscript codex to report ownership to the government in general remains low, This is because of concerns that they have ancient manuscripts must be submitted to the government.


2018 ◽  
Vol 2 (2) ◽  
pp. 176
Author(s):  
Sukaesih Sukaesih ◽  
Yunus Winoto ◽  
Agus Rusmana ◽  
Nuning Kurniasih

Garut is one district in West Java province which has the potential of cultural heritage which is very interesting. One of the cultural heritage in Garut which is be the site of ancient manuscripts (manuscripts). Relating to the existence of ancient manuscripts in Garut regency of the many ancient texts only a small portion that has been recorded and stored in the museum, while most have not been registered again and was saved by members of the public. To keep this heritage alive and useful for future generations hence the need for awareness of all members of society and this is one of the efforts in building knowledge management. The main purpose of knowledge management is to encourage sustainability knowledge within an organization or society, so expected that knowledge will not stop the people who have the knowledge, but can be accessed and studied by others who need them. In this research method used is the method mix (mix method) with pengum-gathering techniques of data in the form of questionnaires, interviews, observation and through the study of literature. The results showed that of most members of the community that holds the codex in preserving ancient manuscripts which are still done simply by storing in a clean and dry at certain times to clean dust and dirt on the manuscript. Regarding the awareness of community members who have an ancient manuscript codex to report ownership to the government in general remains low, This is because of concerns that they have ancient manuscripts must be submitted to the government.


Author(s):  
Nataliya Ivanova

The article reveals the ways of the museum transforming from a permanentplace of preservation of artifacts of cultural heritage into open and dynamicsocial space of social interaction on the example of the Melitopol City LocalHistory Museum over the past 5 years.The Melitopol City Local History Museum is a cultural and educationalinstitution with a 95-year old history and interesting experience. Nowadaysthe museum sees its future activity as a balance between the traditional functionsof a museum institution and advanced art technologies. The strategictasks of the museum’s staff are the promotion of such values as openness,dynamism, and modernity through the perception of the museum space as aterritory where history comes to life.In the article, author describes the separate directions and examples ofmuseum work in the field of design and research activities, the organization of educationalprograms, the introduction of the latest and updating of the content oftraditional forms of work, cooperation with public organizations at differentlevels are discussed.Among the main factors of successful museum’s being up to date authormentions several ones on:– election of the right strategic direction of development;– participation in educational activities to improve the professionalismof museum workers;– cooperation and exchange of experience with leading museums ofUkraine and the world;– activation of participation in the project activity;– introduction of innovative forms and participatory practices into theirwork;– strengthening cooperation with NGO and individual cultural and educationalinitiatives.The prospects for the further development of the museum are to preservethe contribution of previous generations to the cultural heritage of Ukraineand to seek new ways of using, popularizing and enriching it through the widestpossible involvement of the public.


2017 ◽  
Vol 10 (5) ◽  
pp. 301
Author(s):  
Septi Kurniawati Nurhadi

Abstract : Pajeksan and Jogonegaran kampongs are located in central city of Yogyakarta, while the lurung Pajeksan – Jogonegaran kampongs is the border as well as the main axis for the people living that are currently evolving as the houses for workers in the Malioboro area. The beneficial usage of the lurung has grown as the fulfillment of the people’s need for food. The usage is increasing and posing an intervention on the lurung space. This research is aimed to discover the use and the influence of culinary transaction space, culinary activity and form of element transaction space in the community of lurung Pajeksan - Jogonegaran kampongs. This is done by using the Behavior mapping. The result of identifying and analyzing is use to obtain the special characteristic that happen in the society so that they are able to keep their existence. The usage patterns of public space as the culinary transaction space in lurung Pajeksan - Jogonegaran kampongs is linier and it follows the shape of an elongated lurung with the greatest usage occurs at the junction of the driveway towards the kampongs. The usage of the lurung is directly related to the aspect of environment, neighborhood, and economic aspectKeyword : Lurung Pajeksan – Jogonegaran,The Usage of Lurung, and Culinary Transaction Space Abstrak: Kampung Pajeksan dan Jogonegaran merupakan dua kampung yang terletak di pusat kota Yogyakarta, sedangkan lurung kampung Pajeksan – Jogonegaran merupakan batas sekaligus menjadi poros utama kehidupan warga yang saat ini kampung tersebut berkembang sebagai hunian bagi pekerja di kawasan Malioboro. Pemanfaatan lurung berkembang sebagai pemenuhan kebutuhan pangan warga kampung. Pemanfaatan tersebut kian meningkat dan menimbulkan intervensi ruang pada badan lurung. Penelitian ini bertujuan untuk mengetahui pemanfaatan dan pengaruh wadah transaksi kuliner, aktivitas kuliner serta elemen pembentuk wadah transaksi yang dilakukan masyarakat pada lurung kampung Pajeksan–Jogonegaran. Hal tersebut dilakukan dengan menggunakan metode Behavior mapping. Hasil identifikasi dan analisis tersebut digunakan untuk memperoleh kekhasan yang terjadi dalam masyarakat sehingga dapat mempertahankan keberlangsungannya. Pola pemanfaatan ruang publik sebagai wadah transaksi kuliner yang terdapat pada lurung kampung Pajeksan – Jogonegaran berbentuk linier memanjang yang mengikuti bentuk lurung dengan pemanfaatan terbesar terjadi pada persimpangan menuju jalan masuk kampung. Pemanfaatan tersebut tidak terlepas dari aspek lingkungan,ketetanggaan,dan ekonomi.Kata Kunci: Lurung kampung Pajeksan - Jogonegaran, Pemanfaatan lurung, dan Wadah Transaksi Kuliner.


CORAK ◽  
2013 ◽  
Vol 1 (2) ◽  
Author(s):  
Nofi Rahmanita

The Handicraft of embroidery “palaminan” in Nareh Pariaman is an old culture product which is used for social purposes. As the time goes, now, the “palaminan” is not only used by the king or noblesse. Right now, it has been used in mostly wedding parties of Minangkabau tradition. It is used as the seat of the bride groom and bride who are called king and queen for a day. Regarding this theme, when we see the several various of palaminan, it looks like been influenced by the Chinese and Hindi/Gujarat Custom. Such as phoenix 9(bird) and lion decorated at the “palaminan”, or for the Gujarat custom, there are embroidery with mirrors that decorate the palaminan. The mirror embroidered for the people of Nareh Pariaman has the meaning “suluah bendang” in the village. The art of embroidery palaminan Nareh Pariaman has many structures which are connected to each other. They can not be separated in each use. The structures are decorated by the many kinds of Minangkabau decoration. Most of the decorating comes from application of the Minangkabau’sphilosophy known as “alam takambang Jadi Guru”. The philosophy has symbolic meaning that contains some lessons about managing humans life, especially for people of Nareh Pariaman.Keywords: beyond culture, motif, pelaminan


DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.


2020 ◽  
Vol 3 (1) ◽  
pp. 89-96
Author(s):  
Sayyora Saidova ◽  

In the Middle East, the processes for leadership among religious and democratic progress in North Africa require that the state pursue secular policy on a scientific and dialectical basis. Because religious beliefs have become so ingrained in secular life that it is difficult to separate them. Because in the traditions and customs of the people, in various ceremonies, there is a secular as well as a religious aspect. Even the former Soviet Constitution, based on atheism, could not separate them. Religious faith has lived in the human heart despite external prohibitions. National independence has given freedom to religious belief, which is now breathing freely in the barrel. The religious policy of our state strengthens and expands this process and guarantees it constitutionally.


Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau


2020 ◽  
Author(s):  
Olivier Klein

This is a pdf of the original typed manuscript of a lecture made in 2006. An annotated English translation will be published by the International Review of Social Psychology. I this text, Moscovici seeks to update his earlier work on the “conspiracy mentality” (1987) by considering the relationships between social representations and conspiracy mentality. Innovation in this field, Moscovici argues, will require a much thorough description and understanding of what conspiracy theories are, what rhetoric they use and what functions they fulfill. Specifically, Moscovici considers conspiracies as a form of counterfactual history implying a more desirable world (in which the conspiracy did not take place) and suggests that social representation theory should tackle this phenomenon. He explicitly links conspiracy theories to works of fiction and suggests that common principles might explain their popularity. Historically, he argues, conspiracism was born twice: First, in the middle ages, when their primary function was to exclude and destroy what was considered as heresy; and second, after the French revolution, to delegitimize the Enlightenment, which was attributed to a small coterie of reactionaries rather than to the will of the people. Moscovici then considers four aspects (“thematas”) of conspiracy mentality: 1/ the prohibition of knowledge; 2/ the duality between the majority (the masses, prohibited to know) and “enlightened” minorities; 3/ the search for a common origin, a “ur phenomenon” that connects historical events and provides a continuity to History (he notes that such a tendency is also present in social psychological theorizing); and 4/ the valorization of tradition as a bulwark against modernity. Some of Moscovici’s insights in this talk have since been borne out by contemporary research on the psychology of conspiracy theories, but many others still remain fascinating potential avenues for future research.


2019 ◽  
Vol 10 (2) ◽  
pp. 285
Author(s):  
Yeni Maulina ◽  
Khairul Azmi

Pengkalan Kuras, Langgam, Kuala Kampar, and Bunut Subdistrict, Pelalawan Regency. Petalangan tribe has various cultures in the traditions of life. A good introduction to cultural heritage by the next generation can strengthen the nation's tradition in responding to the increasingly severe challenges of the future in this era of globalization. Cultural heritage in the form of moral-spiritual inheritance, one of which is obtained and known through the tradition of belief in the traditional proverb that exists in the community. The traditional adage in the Petalangan community, among others, explains the perspective on community life. This study aims to describe the style of language in the customary proverb that is related to the perspective of life in society. This research uses a qualitative approach with descriptive analysis method. The data source used was the book entitled Pepatah Adat, Istilah, dan Kosa kata Masyarakat Petalangan Kabupaten Pelalawan, Riau. There are 16 traditional proverbs used as data in this study, which then obtained 3 language styles based on sentence structure and 2 language styles based on meaning. By knowing and learning the style of language in this traditional proverb, the philosophy of life and aesthetic tastes of the people of Riau can be understood. Petalangan merupakan salah satu puak asli di Provinsi Riau yang bermukim di Kecamatan Pengkalan Kuras, Langgam, Kuala Kampar, dan Bunut, Kabupaten Pelalawan. Suku Petalangan ini memiliki beraneka kebudayaan dalam kehidupan. Pengenalan yang baik terhadap warisan kebudayaan oleh generasi penerus dapat memperteguh tradisi bangsa dalam menjawab tantangan masa depan yang semakin berat dalam era globalisasi ini. Warisan kebudayaan yang berupa warisan moral-spiritual, satu di antaranya didapatkan dan diketahui keyakinan terhadap pepatah adat yang ada pada masyarakat. Pepatah adat dalam masyarakat Petalangan antara lain menjelaskan cara pandang mengenai hidup bermasyarakat. Penelitian ini bertujuan mendeskripsikan gaya bahasa di dalam pepatah adat yang berhubungan dengan cara pandang dalam hidup bermasyarakat. Penelitian ini menggunakanpendekatan kualitatif dengan metode analisis deskriptif. Sumber data yang digunakan adalah buku Pepatah Adat, Istilah, dan Kosa kata Masyarakat Petalangan Kabupaten Pelalawan, Riau. Terdapat 16 pepatah adat yang dijadikan data dalam penelitian ini, yang kemudian diperoleh 3 gaya bahasa berdasarkan struktur kalimat dan 2 gaya bahasa berdasarkan makna. Dengan mengetahui dan mempelajari gaya bahasa dalam pepatah adat ini dapat dipahami filsafat hidup dan cita rasa estetika masyarakat Riau.


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