scholarly journals Bob Dylan’s Art Concern: Semantic Acoustics of Poetic Texture

2021 ◽  
Vol 10 (46) ◽  
pp. 128-137
Author(s):  
Iaroslav Goloborodko ◽  
Ilona Kostikova ◽  
Yuliia Вozhko ◽  
Kostiantyn Holoborodko ◽  
Olena Malenko
Keyword(s):  
Twentieth Century ◽  
Conceptual Analysis ◽  
Comparative Method ◽  
Nobel Prize Winner ◽  
Music Culture ◽  
Historical Times ◽  
Poetic Texts ◽  
Literary Classics ◽  
The Relationship ◽  
Descriptive Method

The manuscript focuses on the complex of semantic aspects associated with the development and textual evolution of Bob Dylan, the Nobel Prize winner for literature in 2016. The article deals with the semantic acoustics of some famous Bob Dylan’s poetic texts that have become the musical and literary classics of the twentieth century. The splicing edges of Bob Dylan’s poetic texts are distinguished; they have intellectual and sensual, visual and visionary, imaginative and emotional, metaphorical and direct, semantic and acoustic principles. The relationship between the structure and the semantic phonics of some texts is studied. The paper emphasizes on the urgency, acute sociability and ontology, universal philosophy of his poetic texts. There is a neomodern poetic experimentation in some Bob Dylan’s texts, he seems to overcome time limits and, in fact, to combine different historical times, cultural epochs, mental values. The article summarizes that Bob Dylan’s art concern has influenced polyphonically and creatively to the various artistic spheres of the second half of the twentieth century, becoming one of the drivers of world trends in literature, music culture, and cinematography. Methodology. In accordance with the paper purpose the following methods are used: the method of scientific literature analysis, the comparative method, the method of conceptual analysis, the method of sampling texts. An important role also has the descriptive method, which includes generalization, systematization and interpretation of the obtained data. The research also relies on methods of description, comparison, systematization.

scholarly journals Fractality as a Fundamental Principle of Monument Poems Organization

2021 ◽  
Vol 7 (3) ◽  
pp. 65-74
Author(s):  
N. V. Zakurdaeva
Keyword(s):  
Conceptual Analysis ◽  
Main Property ◽  
Fundamental Principle ◽  
Point Of View ◽  
Historical Time ◽  
Self Similarity ◽  
Fractal Organization ◽  
Poetic Texts ◽  
Text Formation ◽  
Descriptive Method

Tere is a centuries-old tradition of writing monument poems, while their content and form changed under the influence of the artistic context of different literary eras and due to differences in the authors’ conceptual pictures of the world. Tis type of poetic texts is the object of research by Russian and foreign scholars, but the approach to the analysis of “monuments” is rather one-sided: they are studied from the point of view of preserving and developing genre traditions. Te article offers a new look into this phenomenon − the fractal principle of the monument poems organization. Te relevance of the problem is beyond doubt, since synergetic research makes it possible to illuminate in a new way the stages of a literary text formation due to the inclusion of various monument poems in the intertext of Russian literature. Poems-”monuments” with a fractal organization, act as a nonlinear synergistic self-organizing system. Self-similarity is the main property of fractals, causing fractal changes, which repeat themselves on different scales and take different confgurations. Using the methods of linguistic observation, conceptual analysis and the descriptive method, the author comes to the following conclusions: in classical texts a monument poem acts as a semantic fractal, since the texts practically do not change structurally and contain all markers of the conceptual fractal. Non-classical texts are represented as a structural fractal, because they preserve only general formal features of a conceptual fractal, its content is subject to transformation by the poet’s artistic intention, specifc historical time and other factors.

scholarly journals ELENA FERRANTE AND PATRIARCHY. LESSONS FROM L'AMICA GENIALE (MY BRILLIANT FRIEND)

2019 ◽  
Vol 1 (1) ◽  
pp. 207-229
Author(s):  
Maria Clara Calheiros
Keyword(s):  
Twentieth Century ◽  
Historical Context ◽  
Law And Literature ◽  
First Century ◽  
Patriarchal Society ◽  
Feminist Theories ◽  
Historical Times ◽  
The Law ◽  
The Relationship ◽  
Century Literature

The relationship between feminist theories and the law and literature movement is not new and has provided very fruitful analysis over many decades, ever since the 1970s. Twenty-first century literature, which includes L' Amica Geniale (My brilliant friend), even when describing stories and action that are placed in other historical times (in this case, in the historical context of the twentieth century), allows establishing an ever renewed dialogue with feminist theories, in its current expression. The author reviews the recent "rediscovery" of feminism and how some concepts evolved in the context of feminist theories. A concept to which she devotes attention is patriarchy, as it is paramount for understanding the connections that can be perceived to exist between feminist theories and FERRANTE's work. In the author’s opinion, the Neapolitan novels are eloquent in the portrait presented – complex, multifaceted, ambiguous even – of what it ultimately means to be a woman living in a patriarchal society.

On Metaphysics and the Political: A Polemics of Reading Baudelaire in the 1930s

2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto
Keyword(s):  
Twentieth Century ◽  
Political Crisis ◽  
The Political ◽  
Modern Poetry ◽  
Progressive Politics ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
Insight Into

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.

Poetic Trespass

2014 ◽  
Author(s):  
Lital Levy
Keyword(s):  
Twentieth Century ◽  
Visual Art ◽  
Prose Poetry ◽  
Old World ◽  
History And Literature ◽  
Political Boundaries ◽  
Depth Study ◽  
Emile Habiby ◽  
The Relationship ◽  
The Way

A Palestinian-Israeli poet declares a new state whose language, “Homelandic,” is a combination of Arabic and Hebrew. A Jewish-Israeli author imagines a “language plague” that infects young Hebrew speakers with old world accents, and sends the narrator in search of his Arabic heritage. This book brings together such startling visions to offer the first in-depth study of the relationship between Hebrew and Arabic in the literature and culture of Israel/Palestine. More than that, the book presents a captivating portrait of the literary imagination's power to transgress political boundaries and transform ideas about language and belonging. Blending history and literature, the book traces the interwoven life of Arabic and Hebrew in Israel/Palestine from the turn of the twentieth century to the present, exposing the two languages' intimate entanglements in contemporary works of prose, poetry, film, and visual art by both Palestinian and Jewish citizens of Israel. In a context where intense political and social pressures work to identify Jews with Hebrew and Palestinians with Arabic, the book finds writers who have boldly crossed over this divide to create literature in the language of their “other,” as well as writers who bring the two languages into dialogue to rewrite them from within. Exploring such acts of poetic trespass, the book introduces new readings of canonical and lesser-known authors, including Emile Habiby, Hayyim Nahman Bialik, Anton Shammas, Saul Tchernichowsky, Samir Naqqash, Ronit Matalon, Salman Masalha, A. B. Yehoshua, and Almog Behar. By revealing uncommon visions of what it means to write in Arabic and Hebrew, the book will change the way we understand literature and culture in the shadow of the Israeli–Palestinian conflict.

WRITER’S INDIVIDUALITY IN THE LITERARY INTERPRETATION OF SOCIAL AND MORAL PROBLEMS

2020 ◽  
Vol 6 (3) ◽  
pp. 51-56
Author(s):  
Bakhodir Kholikov ◽  
Keyword(s):  
Comparative Method ◽  
Literary Interpretation ◽  
Moral Problems ◽  
The Relationship ◽  
Mario Puzo

The article examines the question of writer’s individuality in the literary interpretation of social and moral problems etective novels on the examples of works "The Godfather" by Mario Puzo and "Shaytanat" by Tahir Malik. The article focuses on the study of the relationship between the reality of a work and reality of life in the context of the period. The comparative method was used in the process of understanding the content of these works, created in different periods

Lexical Structure of the Poetic Text as a Key to the Comprehension of Its Inherent Values

2019 ◽  
Vol 80 (1) ◽  
pp. 20-25
Author(s):  
Nina S. Bolotnova
Keyword(s):  
Conceptual Analysis ◽  
Sequential Analysis ◽  
Literary Text ◽  
Russian Language ◽  
Lexical Structure ◽  
Poetic Text ◽  
Approach To Teaching ◽  
Poetic Texts ◽  
The Russian Language

This article is aimed at presenting a methodology for the conceptual analysis of poetic texts based on their lexical structure using the theory of communicative stylistics. The lexical structure of the literary text is considered to be a means of aсquainting the reader with the values manifested therein. The study of values intertwined within written works is particularly significant for the development of an axiological approach to teaching the Russian language. This article proposes a method for a sequential analysis of the lexical structure of a poetic text, which can be used at Russian language lessons.

The Gallic Singularity and the Royal Mistress

2020 ◽  
Vol 38 (1) ◽  
pp. 44-66
Author(s):  
Christine Adams
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Soft Power ◽  
Political Power ◽  
The Political ◽  
Marie Antoinette ◽  
Louis Xvi ◽  
Relationship Of ◽  
The Relationship ◽  
Political Realm

The relationship of the French king and royal mistress, complementary but unequal, embodied the Gallic singularity; the royal mistress exercised a civilizing manner and the soft power of women on the king’s behalf. However, both her contemporaries and nineteenth- and early twentieth-century historians were uncomfortable with the mistress’s political power. Furthermore, paradoxical attitudes about French womanhood have led to analyses of her role that are often contradictory. Royal mistresses have simultaneously been celebrated for their civilizing effect in the realm of culture, chided for their frivolous expenditures on clothing and jewelry, and excoriated for their dangerous meddling in politics. Their increasing visibility in the political realm by the eighteenth century led many to blame Louis XV’s mistresses—along with Queen Marie-Antoinette, who exercised a similar influence over her husband, Louis XVI—for the degradation and eventual fall of the monarchy. This article reexamines the historiography of the royal mistress.

Characterization of Auditory Disability and Its Relation to the Resilience

2018 ◽  
Vol 5 (2) ◽  
pp. 15
Author(s):  
Bibian Bibeca Bumbila García ◽  
Hernán Andrés Cedeño Cedeño ◽  
Tatiana Moreira Chica ◽  
Yaritza Rossana Parrales Ríos
Keyword(s):  
Social Integration ◽  
Conceptual Analysis ◽  
Disabled People ◽  
Disabled Students ◽  
Hearing Disability ◽  
Technical University ◽  
The Relationship ◽  
Made In

The objective of the work is to establish the characterization of the auditory disability and its relationship with resilience at the Technical University of Manabí. The article shows a conceptual analysis related to the inclusion and social integration of disabled students. Based on the fact that the person with disabilities grows and develops in the same way as that of people without disabilities and what usually happens is that disabled people are rejected and discriminated against based on a prefabricated and erroneous conceptualization of these people. The results associated with the application of the SV-RES test prepared by the researchers are shown (Saavedra & Villalta, 2008b). Characterization of the auditory deficit is made in the students, and the limitations that derive from it are pointed out. We analyze the particularities related to communication with students who have a hearing disability and resilience in this type of student, where some personal highlights that in this sense constitute an example of resilience. Finally, the results related to the study of the relationship between students' hearing disability and the level of resilience dimensions are shown.

The Afterlife of Art and Objects

2018 ◽  
Author(s):  
James Tweedie
Keyword(s):  
Twentieth Century ◽  
Historical Narratives ◽  
Still Life ◽  
Art Cinema ◽  
Spanish Baroque ◽  
Late Twentieth ◽  
Moving Pictures ◽  
Tableau Vivant ◽  
The Relationship ◽  
Late Twentieth Century

Like the tableau vivant, the cinematic still life experienced a stunning revival and reinvention in the late twentieth century. In contrast to the stereotypically postmodern overload of images, the still life in film initiates a moment of repose and contemplation within a medium more often defined by the forward rush of moving pictures. It also involves a profound meditation on the relationship between images and objects consistent with practices as diverse as the Spanish baroque still life and the Surrealist variation on the genre. With the work of Terence Davies and Alain Cavalier’s Thérèse (1986) as its primary touchstones, this chapter situates this renewed interest in the cinematic still life within the context of both the late twentieth-century cinema of painters and a socially oriented art cinema that focuses on marginal people and overlooked objects rather than the hegemonic historical narratives also undergoing a revival at the time.

Introduction

2018 ◽  
Author(s):  
Tom Phillips
Keyword(s):  
Intellectual Life ◽  
Ancient Greek ◽  
Performance Culture ◽  
Methodological Approaches ◽  
And Performance ◽  
Poetic Texts ◽  
The Relationship

This volume addresses issues central to the study of ancient Greek performance culture: the role played by music in performed poetry; the ancients’ understanding of the relationship between music, poetry, and performance; and music’s relation to other areas of ancient intellectual life. This chapter comprises a brief discussion of the evidential difficulties involved in attempting to appreciate the effects created by ancient Greek music in conjunction with poetic texts. Some contemporary methodological approaches are canvassed as aids to this attempt, and an overview is provided of the chapters that make up the volume.

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