Folclor și identitate

2019 ◽  
Vol 17 ◽  
pp. 183-199
Author(s):  
Sabina Ispas

The folklore phenomenon (the deep, oral, popular, traditional culture) is represented by all the creations of a community that is based on tradition, are expressed by a group of individuals and recognized as reflections of its expectations to the extent that it represents its social and cultural identity. This is, in fact, a sum of local, village and city identities in which “individual identities” are incorporated. Through it, the fusion between territory, language and people is obtained, which is legitimized “through a genealogy and a space conceptualized as such”. We belong to a world in which access to information is open to all. In this context, in order to find yourself, you must define and assume your own identity. Such a complicated and responsible process cannot be undertaken without reference to the traditional system of norms, expressed in that large segment of the culture that is folklore. A Europe of nations cannot be achieved without knowing and understanding the system of values to which they have appealed throughout the entire period of their definition. Folklore is a fundamental landmark for the man of the post-industrial society who is in search of the self. Along with the scholarly culture, to which it is complementary, folklore contributes to the realization of the universal, European, national heritage. Forms of expression of folklore, musical, literary or choreic texts, ritual practices, beliefs, the dominant religion of the group, etc. cooperates for the purpose of forming this identity. The standards and values are transmitted orally, by imitation or other means. Folklore includes, inter alia, phenomena of language, literature, music, dance, games, mythology, rituals, customs, crafts, architecture and other arts. The present study highlights, synthetically and systematically, the main traditions created and developed over time by the Romanian people, traditions that define it and give it a specific identity.

2021 ◽  
Vol 5 (2) ◽  
pp. 24-32
Author(s):  

“Batik” or “Pateh” is an important cloth in the south of Thailand. Its unique features such as pattern, colour, and production process make Batik different from other cloth in the other part of Thailand. Traditionally, Batik was originated in Indonesia and India where people used paraffin wax as a dye-resist paint. It was also reported that other Asian countries such as Japan and India made Batik fabric in their country. In Thailand, local people in the south made their clothes from Batik fabric and wore them in daily life or during special social events. They designed pattern and applied wax-resist dyeing by hand or blocks on the fabric to create colourful and creative designs. Batik is a cultural identity of the south of Thailand. The study found that the process of creating pattern and colour for Batik was used a long time ago. In the past, artisans primarily employed wooden molds or blocks and wax to create patterns. Through the accumulation of knowledge and experience over time, the development of metal blocks makes Batik’s patterns more delicate and vivid. In addition, the research aimed to study about Batik pattern in the southern provinces of Thailand.It can be said that Batik is a uniquely beautiful fabric that should be collected as a national heritage and for the future study of this fabric. The study of Batik pattern in the south revealed that former patterns simply used basic geometric shapes such as lines, squares, and circles. Then, these patterns have been developed by integrating rhythms and spaces to create more distinctive and delicate designs. Moreover, the patterns of Batik in the south were inspired by nature, religious beliefs, and ways of life. Warm tone colours such as red, brown, yellow and cool tone colours such as blue and green were employed. It was also found that the materials used in the past were primarily from plants and nature. Nowadays, artificial colors are also used because they allow vivid and durable effects.


Author(s):  
Alexander Wiilian Azevedo

Trabalho bibliográfico, de natureza exploratória que procurou verificar os eventos ocorridos com a informação e a sociedade no final do século XIX e no decorrer do século XX, destacando o retrospecto histórico da constituição da Ciência da Informação, abordando a sua importância no contexto da sociedade pós-indústria. Analisam-se os valores agregados à informação, enfatizando-se a relevância dos trabalhos realizados por Paul Otlet e Vannevar Bush. A seguir, procede-se uma pesquisa sobre o desenvolvimento histórico da Ciência da Informação, orientado por uma linha cronológica dos eventos ocorridos na sociedade e na informação, que proporcionaram a construção da Ciência da Informação. AbstractThis bibliographical, exploratory research seeks to reflect access to information and societal changes at the end of the XIX century and throughout the XX century, highlighting an historical retrospective of Information Science constitution and its importance in the context of a post-industrial society. An analysis of the importance given to information, emphasizing the relevance of Paul Otlet and Vannevar Bush works is done. Following, the study continues with a chronological overview of Information Science historical development pointing out its impact on society and information, and demonstrates the importance of information in today’s computerized world.


Al-Farabi ◽  
2021 ◽  
Vol 74 (2) ◽  
pp. 46-56
Author(s):  
Dametay Syzdykova ◽  
◽  
Aisulu Tashimova ◽  

The article attempts to identify the conceptual philosophical ideas of the great thinker Abai in the conditions of the modernizing Kazakh society, in the age of globalization and information technologies, to reveal the ideological potential of Abai's creativity in solving the problems of spiritual development of Kazakhstan. In the era of globalization and post-industrial society, it is important to form spiritual values of a person, therefore, without claiming to cover all aspects of Abay's work, namely, on the material of the work «Words of Edification», the authors investigated the nature and essence of the philosophical and ideological ideas of the great thinker to understand the concept of «tolyk adam». This concept of «tolyk adam» will contribute to the formation of national identity and spiritual development of the people as an intellectual nation. Abai criticized traditions that did not correspond to high morals. The great thinker founded a new worldview, new spiritual values, which are fundamentally different from everything that was in the traditional culture of the Kazakhs. Abay developed a new ideal of a perfect person, «tolyk adam», who strives for knowledge, is a highly moral person, recognizes freedom of choice and responsibility. The moral code of the great humanist: «Adam bol», which means the ability to navigate in this world and the ability to choose and take responsibility, these words of Abai should become a reference point for generations.


2011 ◽  
Vol 42 (1) ◽  
pp. 137-161 ◽  
Author(s):  
Geoffrey Evans ◽  
James Tilley

Why has the association between class and party declined over time? Contrary to conventional wisdom that emphasizes the fracturing of social structures and blurring of class boundaries in post-industrial society, it is argued here that class divisions in party preferences are conditioned by the changing shape of the class structure and the effect of parties’ strategic ideological responses to this transformation on the choices facing voters. This thesis is tested using British survey data from 1959 to 2006. We demonstrate that increasing class heterogeneity does not account for the decline of the class–party association, which occurs primarily as a result of ideological convergence between the main parties resulting from New Labour's shift to the centre.


2020 ◽  
Vol 8 (3) ◽  
pp. p153
Author(s):  
Zhang Tiehu

Tennessee Williams is the most famous southern American playwright in twentieth century (Adler, 1994). He is known for his strong southern cultural background, especially southern women educated in a traditional gentlewoman style. The southern women of Tennessee believed that their traditional culture was the essence of human civilization and therefore of considerable value. However, such values could not be recognized in the modern industrial society. Most of these women were sensitive and tender, suffering from industrialized society, full of all sorts of evils, and they had turned to traditional culture to seek mental peace and shelter for the moment, so they again became a lonely and frustrated. While they refused to change their cultural identity, they had to live in a modern, industrialized society that did not belong to them. Therefore, they were regarded as people living in the cultural gap, and eventually became the victims of the confrontation between traditional southern culture and modern industrial culture. As one of the most contradictory and dramatic characters in the play, Amanda is also one of the unique images of women in American drama. As Tennessee said when introducing the characters in the play, “the portrayal of Amanda is by no means derived from a specific archetype”.


2018 ◽  
Vol 8 (4) ◽  
pp. 104
Author(s):  
Xiaojuan Liu

This article reviews Annie Proulx’s life and her writing career and examines the quest motif throughout her writing, in order to shed light on Annie Proulx studies. It explores Proulx’s insight into the existential predicament of contemporary people living in a post-industrial society as traditional culture is getting lost and traditional ways of living are out of date. By setting her characters on the journey of quest in an attempt to discover who they really are, Proulx has invigorated the traditional quest motif.


2003 ◽  
pp. 26-39
Author(s):  
V. Maevsky ◽  
B. Kuzyk

A project for the long-term strategy of Russian break-through into post-industrial society is suggested which is directed at transformation of the hi-tech complex into the leading factor of economic development. The thesis is substantiated that there is an opportunity to realize such a strategy in case Russia shifts towards the mechanism of the monetary base growth generally accepted in developed countries: the Central Bank increases the quantity of "strong" money by means of purchasing state securities and allocates the increment of money in question according to budget priorities. At the same time for the realization of the said strategy it is necessary to partially restore savings lost during the hyperinflation period of 1992-1994 and default of 1998 and to secure development of the bank system as well as an increase of the volume of long-term credits on this base.


2019 ◽  
Vol 10 (6) ◽  
pp. 531-539
Author(s):  
Domakur Olga ◽  

The paper presents the main points of the theory of post-industrial society, its methodology, the definition, criteria and features of the transformation of society from a pre-industrial, industrial to post-industrial society, the mechanism is defined and the legal conformities of post-industrial society formation are formulated.


2018 ◽  
Vol 5 (2) ◽  
pp. 106-115
Author(s):  
Sindorela Doli Kryeziu

Abstract In our paper we will talk about the whole process of standardization of the Albanian language, where it has gone through a long historical route, for almost a century.When talking about standard Albanian language history and according to Albanian language literature, it is often thought that the Albanian language was standardized in the Albanian Language Orthography Congress, held in Tirana in 1972, or after the publication of the Orthographic Rules (which was a project at that time) of 1967 and the decisions of the Linguistic Conference, a conference of great importance that took place in Pristina, in 1968. All of these have influenced chronologically during a very difficult historical journey, until the standardization of the Albanian language.Considering a slightly wider and more complex view than what is often presented in Albanian language literature, we will try to describe the path (history) of the standard Albanian formation under the influence of many historical, political, social and cultural factors that are known in the history of the Albanian people. These factors have contributed to the formation of a common state, which would have, over time, a common standard language.It is fair to think that "all activity in the development of writing and the Albanian language, in the field of standardization and linguistic planning, should be seen as a single unit of Albanian culture, of course with frequent manifestations of specific polycentric organization, either because of divisions within the cultural body itself, or because of the external imposition"(Rexhep Ismajli," In Language and for Language ", Dukagjini, Peja, 1998, pp. 15-18.)


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