scholarly journals SPECIFIC FEATURES OF TRANSLATING LITERARY TEXTS TOLD BY THE UNRELIABLE NARRATOR (BASED ON “THE CURIOUS INCIDENT OF A DOG IN THE NIGHT-TIME” BY M. HADDON)

2020 ◽  
Vol 12 ◽  
pp. 118-126
Author(s):  
Yu. A. Borisenko ◽  
E. S. Pankratova
Keyword(s):  
Comparative Analysis ◽  
Literary Translation ◽  
Literary Texts ◽  
The Novel ◽  
Night Time ◽  
Unreliable Narrator ◽  
Translation Strategy ◽  
Whole Process ◽  
Alternative Variant ◽  
Literary Device

The paper focuses on the peculiarities of literary translation of the texts where the story is told by an unreliable narrator. This relatively new way of narration has not been properly considered yet, as well as the criteria of an unreliable narrator and the translation strategy that should be chosen while translating such fiction. The paper discusses the features of this literary device, its functions and the ways of its linguistic representation. The paper is based on the novel “The Curious Incident of the Dog in the Night-Time” by M. Haddon and its translation into Russian made by A. Kukley in 2003. The comparative analysis of the source and target texts focuses on the stylistic peculiarities of the novel and the language personality of the unreliable narrator. The paper reveals the following challenges that a translator can deal with: the formation of a speech profile of the narrator, the translation of colloquial vocabulary and the translation of realia. Each example that includes an extract from the original book and its translation shows the features of the narrator’s speech profile; these features can have an impact on the translation and thus, should be taken into consideration throughout the whole process of translating. The analysis touches upon the examples representing inadequate translation, and for this reason, an alternative variant, the most relevant one and conveying the idea of the author of the original book is provided. The authors make a conclusion about the best translation strategy to be used while dealing with literary texts told by an unreliable narrator.

scholarly journals Rendering stylistically marked units in the novel Depeche Mode by Serhiy Zhadan: a comparative study

2019 ◽  
pp. 183-202
Author(s):  
Mariia Onyshchuk
Keyword(s):  
Comparative Analysis ◽  
Comparative Study ◽  
Literary Translation ◽  
The Novel ◽  
Translation Strategies ◽  
Word Level ◽  
Colloquial Language ◽  
Expressive Meaning ◽  
Interdisciplinary Nature ◽  
Colloquial Style

The study analyzes lexemes and word combinations of colloquial style, slang and low colloquial language, performs their comparative analysis at word level, looks into the transformational patterns that the structures undergo during literary translation into English and Russian, and discusses the advantages and flaws of the applied translation strategies through suggesting adequate translation solutions. In the article, the argument is made that the translation strategies of substandard lexis reflect the interdisciplinary nature of expressive meaning and connotation which can be conveyed differently through various language levels during literary translation.

scholarly journals Heterographics as a Literary Device

2018 ◽  
Vol 3 (2) ◽  
pp. 196-216
Author(s):  
Helena Bodin
Keyword(s):  
Cultural Diversity ◽  
Literary Translation ◽  
Literary Texts ◽  
Spatial Features ◽  
Visual Spatial ◽  
Arabic Script ◽  
French And English ◽  
Literary Device ◽  
Cultural Affinity

Abstract Heterographics (“other lettering”) refers to the use of two scripts in one text or a translation of a text from one script to another. How might the occasional use of heterographics in literary texts highlight issues of cultural diversity? Drawing on intermedial theory and studies of literary multilingualism, literary translation, and pluriliteracies, this article examines various functions of heterographics in selected contemporary literary texts. Examples of embedded Greek, Chinese, Cyrillic, and Arabic script are analysed in works published in Swedish, French, and English between 2004 and 2015, selected because they thematise cultural diversity and linguistic boundaries. The conclusion is that heterographic devices emphasise the heteromediality of literary texts, thereby heightening readers’ awareness of the visual-spatial features of literary texts, as well as of the materiality of scripts. Heterographics influence readers’ experiences of cultural affinity or alterity, that is, of inclusion or exclusion, depending on their access to practices of pluriliteracies.

A corpus-based study on imagery and symbolism in Goldblatt’s translation of Red Sorghum

Babel ◽  
2019 ◽  
Vol 65 (3) ◽  
pp. 399-423 ◽  
Author(s):  
Meng-Lin Chen
Keyword(s):  
Literary Translation ◽  
The Novel ◽  
Source Text ◽  
Mo Yan ◽  
Translation Strategies ◽  
Figures Of Speech ◽  
Literal Translation ◽  
Translation Strategy ◽  
Translation Study ◽  
Key Word

Abstract Research on Goldblatt’s translation of Red Sorghum has attracted more attention in recent years after its author Mo Yan won the Nobel Prize for this work. This translation study has addressed the imagery and symbolism in this classic Chinese work, an area that has yet to be investigated with the use of empirical data. The study employed the corpus-based approach, and analysed the translation of images and symbols based on a parallel translation corpus of Chapters 1 and 2 found in the text of Red Sorghum. Most important images and symbols are represented by 30 distinct nouns in the novel as successfully translated into English as a result of the translator’s adoption of a literal translation strategy. A more focused examination of a translation of the most prominent key word, sorghum, finds that the translator has faithfully adopted the imagery and symbolism techniques in the source text whenever conveying the images and symbols of sorghum across cultures. Based on the findings, this study argues that images and symbols in the source text may present themselves in the translation of novels if translators adopt a source-oriented translation strategy. Our analyses of the translation of figures of speech, namely similes, personifications and repetitions further highlight the importance of taking concert and literal translation strategies into the realm of literary translation.

scholarly journals Linguistic-and-Stylistic Determination of National Peculiarities Representation in Literary Translation (Exemplified by Uzbek Prose)

2021 ◽  
pp. 75-86
Author(s):  
Saodat Kamilova ◽  
◽  
Nasirulla Mirkurbanov ◽  
Keyword(s):  
Literary Translation ◽  
Approximate Algorithm ◽  
The Novel ◽  
Source Text ◽  
Research Perspective ◽  
Personal Names ◽  
Translation Strategy ◽  
Individual Style

The article summarizes the analysis results of the quality of rendering of the national specifics and individual style of the writer related to it in the process of literary translation. The material for analysis is the novel "Diamond Belt" by Pirimkul Kadyrov translated from Uzbek into Russian by Yu. Suvortsev and interlinear translation presented by the author himself. The explanatory potential of a hermeneutic approach to the analysis of source and target texts is demonstrated in the article. The examples of successful translational solutions to the representation of national picture of the world reflected in the source text, which are revealed in rendering of puns, proverbs, etc., were characterized. There were also revealed errors made by the translator when reproducing personal names of characters, etiquette formulas, stylization of characters' speech, etc., which led not only to a violation of the integrity of the perception of a literary text, but also to leveling of the national specificity of the source text. As the result of the study, an approximate algorithm for a translation strategy, which will minimize losses in the rendering of the national specificity and writer's individual style in the process of translation from one language to another, has been developed. As a research perspective, the authors raise the problem of authorized translation and the problem of the writer's creative work in the process of the interlinear translation.

scholarly journals Literary Translation Teaching/Learning as a TRI-PHASE PROCESS: Case Study: Arabic-English and English-Arabic Translation of Novels

2017 ◽  
Author(s):  
AWEJ for Translation & Literary Studies ◽  
Mohammed MEDIOUNI
Keyword(s):  
Literary Translation ◽  
Target Language ◽  
Literary Texts ◽  
Phase Method ◽  
Second Phase ◽  
Figures Of Speech ◽  
Translation Strategy ◽  
Teaching Learning ◽  
The University ◽  
Phase Process

The aim of the present work is to demonstrate a tri-phase method for teaching literary translation. The first pre-translation phase consists in introducing the author, his/her works, style and the text to be translated. The second phase, the translation proper, is divided into three sub-phases: (a) the identification of problems (connotative meanings, figures of speech, idioms, uncommon collocations, culture-bound items, …), (b) the treatment of these problems by opting for the adequate procedures which should be in tune with the overall translation strategy opted for, and (c) the translation of the whole text into the target language. The final third phase is of revision and assessment. The criteria to be taken into consideration are genre-related and the focus is on the stylistic match or mismatch between the source and target texts. The present process-oriented method of literary translation is illustrated through three in-class translations of three literary texts from Arabic into English and vice versa. The targeted students are enrolled in the Master of Translation Science and Linguistics during Fall-Semester 2017 at the Faculty of Humanities at the University Abdelmalek Essaadi. The study concluded that literary translation should be taught as a creative tri-phase process throughout which students are made fully aware of the significance and impact of the strategies they opt for in order to deal with the different literary translation problems and attain the perfect stylistic equivalence so aspired for by literary translators.

scholarly journals Biographical and artistic in M. Y. Lermontov’s novel “Princess Ligovskaya” and the drama “Two Brothers”

Litera ◽  
2020 ◽  
pp. 27-35
Author(s):  
Ekaterina Andreevna Denisova
Keyword(s):  
Comparative Analysis ◽  
Crucial Role ◽  
Early Period ◽  
Literary Texts ◽  
The Novel ◽  
Artistic Interpretation ◽  
The Subject ◽  
The Common

This article is dedicated to a comparative analysis of two works by M. Y. Lermontov, which represent the interpretation of the common biographical context. The subject of this research is the specificity of transformation of the biographical fact into the artistic generalization in the works of M. Y. Lermontov. The object of this research is the drama "Two Brothers" and the novel Princess Ligovskaya” viewed within the paradigm of artistic comprehension of the scenario of unfaithfulness, or destruction of love as conceptually important in the conflict present in the works of M. Y. Lermontov. Such approach, based on interrelation between the creative and biographical, allows making important remarks on specificity of the phenomenon of autobiographism in the works of M. Y. Lermontov. The author analyzes the initial biographical situation (relationship between Lermontov and V. A. Lopukhina), and concludes that two literary texts – drama and novel – represent a distinct system of creative reflection of the biographical fact. It is established that in the process of creating the drama, and the novel later on, Lermontov ensues the need for artistic interpretation and resolution of the situation of unfaithfulness as an instance, and in a broader sense – as an ontological pattern; however, the conflict cannot be settled within the framework of this storyline. Since 1837, autobiographism in Lermontov's works ceases to play the crucial role; in other words, personal situation and its artistic interpretation no longer coincide, which renders impossible to continue the novel. Such circumstance allows realizing the reasons of incomplete works of Lermontov’s early period, which lie in inability to resolve love conflicts with a positive finale.

scholarly journals Retranslations of Faulkner’s Sanctuary in Turkish Literature

2018 ◽  
Vol 9 (3) ◽  
pp. 173 ◽  
Author(s):  
Gülsüm Canlı ◽  
Ayşe Banu Karadağ
Keyword(s):  
Comparative Analysis ◽  
William Faulkner ◽  
Translation Studies ◽  
Literary Translation ◽  
Original Version ◽  
The Novel ◽  
Source Text ◽  
Turkish Literature ◽  
Translational Process

This study is based on a comparative analysis of Turkish translations of Sanctuary (1931) by William Faulkner and aims to review the assumptions of literary translation by Antoine Berman’s “retranslation hypothesis” and “deforming tendencies”. The novel was exposed to an obligatory rewriting process by the editor and was reworded by Faulkner who acted as a self-translator to make the original version acceptable. The rewritten version, which can be regarded as an intralingual translation, became the source text for interlingual translations. The novel was first translated by Ender Gürol as Kutsal Sığınak (1961); then by Özar Sunar as Lekeli Günler (1967) and finally by Necla Aytür as Tapınak (2007). Among Faulkner’s fifteen books which have been translated into Turkish thus far, Sanctuary is the only one with three translations in total. The translational process will be described to understand the rationale behind translators’ decisions within the context of translation studies.

Peculiarities of Communicatively Equivalent Translation of Literary Text (based on the novel “Chess King” by A. Cheng translated from Chinese into English and Ukrainian)

2019 ◽  
Vol 16 (26) ◽  
pp. 139-148
Author(s):  
Tetiana Stoianova ◽  
Halyna Chernopiatova
Keyword(s):  
Literary Text ◽  
Literary Translation ◽  
Literary Texts ◽  
Original Text ◽  
The Novel ◽  
Communicative Translation

The research is dedicated to the study of peculiarities of literary texts and the means of their interpreting when translating from Chinese into Ukrainian and English. The tactics of pragmatic adaptation of the text, preserving the regional flavor of the original text, and recreating the stylistic peculiarities of the original text are thoroughly studied in the article. The use of operations employed in the process of literary translation within the strategy of communicative translation are regarded.

scholarly journals ON THE ISSUE OF TRANSLATING AUSTRALIAN СULTURE-BOUND LEXEMES INTO RUSSIAN (BASED ON COLLEEN McCULLOUGH’S NOVEL “THE THORN BIRDS”)

2019 ◽  
Vol 11 (1) ◽  
pp. 98-108
Author(s):  
Nella Maksimovna Shutova ◽  
Guzel Nazifovna Adyeva
Keyword(s):  
Comparative Analysis ◽  
Russian Language ◽  
Contextual Analysis ◽  
Literary Translation ◽  
The Novel ◽  
Specific Context ◽  
Significant Information ◽  
Host Culture ◽  
Translation Techniques ◽  
The Russian Language

The article is devoted to the study of the peculiarities of transferring Australian сulture-bound lexemes into the Russian language taking the novel by Colleen McCullough “The Thorn Birds” as an example. The comparison of the original and its translation made by Nora Gal made it possible to analyze in detail the semantics of culture-bound lexemes, their stylistic functions in the specific context and the effectiveness of translation techniques employed by the translator. The relevance of the problem discussed is determined by the fact that the problems of translating culturally marked vocabulary are the most difficult problems in literary translation. It is very difficult (and sometimes impossible) to transmit the meaning of such words in full, but the translator should still strive to avoid significant losses in conveying their semantics, stylistic functions and pragmatics. Adequate translation of the considered lexemes, their adaptation to the Russian context are necessary for presenting to the Russian reader a complete panorama of the life in the country described. The purpose of the study was to consider and assess the methods used by the translator for translating culture-bound lexemes in one particular novel. The following methods of analyzing the data were employed: comparative analysis, lexicographic analysis, contextual analysis. The study revealed some losses of culturally significant information, as well as its deformation, i. e. distorted interpretation and unjustified pragmatic adaptation to the host culture. The conducted research allowed to make some conclusions concerning the most optimal ways of presenting Australian culture-bound lexemes in the Russian context, in some cases we offered our own translation solutions

TRANSLATION AS MENTAL INTERPRETATION ACTIVITY IN LINGUISTICS AND LITERATURE

2019 ◽  
Vol 18 (28) ◽  
pp. 43-53
Author(s):  
Svitlana Gruschko
Keyword(s):  
Literary Criticism ◽  
Literary Work ◽  
Cross Cultural ◽  
Literary Translation ◽  
Literary Texts ◽  
Cultural Dimension ◽  
Cultural Communication ◽  
Original Text ◽  
Cross Cultural Communication ◽  
Cross Language

In the article the phenomenon of translation is regarded as mental interpretation activity not only in linguistics, but also in literary criticism. The literary work and its translation are most vivid guides to mental and cultural life of people, an example of intercultural communication. An adequate perception of non-native culture depends on communicators’ general fund of knowledge. The essential part of such fund of knowledge is native language, and translation, being a mediator, is a means of cross-language and cross-cultural communication. Mastering another language through literature, a person is mastering new world and its culture. The process of literary texts’ translation requires language creativity of the translator, who becomes so-called “co-author” of the work. Translation activity is a result of the interpreter’s creativity and a sort of language activity: language units are being selected according to language units of the original text. This kind of approach actualizes linguistic researching of real translation facts: balance between language and speech units of the translated work (i.e. translationinterpretation, author’s made-up words, or revised language peculiarities of the characters). The process of literary translation by itself should be considered within the dimension of a dialogue between cultures. Such a dialogue takes place in the frame of different national stereotypes of thinking and communicational behavior, which influences mutual understanding between the communicators with the help of literary work being a mediator. So, modern linguistics actualizes the research of language activities during the process of literary work’s creating. This problem has to be studied furthermore, it can be considered as one of the central ones to be under consideration while dealing with cultural dimension of the translation process, including the process of solving the problems of cross-cultural communication.

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