scholarly journals THE PROBLEMS OF SPACE AND TIME IN LITERATURE

Author(s):  
Yulchiyev Qahhor Vahobovich

While the creativity artistically realizes the existence, there is a need to percept the world through the time and space, which has been expressed by the different views since the ancient times. Having studied the thoughts of Zoroaster (Avesto), Plato, Aristotle, Abu Nasr Farabiy, Beruniy, Abu Ali Ibn Sino, Abu Khamid Gazali, Najmiddin Kubro and Immanuel Kant, the author expressed his opinion to their views on the integrity of the time and space in literature. KEY WORDS AND EXPRESSIONS: poem, fiction, artistic space, “Avesto”, “Khindustan”, Zoroaster,Beruniy, Plato, Aristotle, Kant.

2013 ◽  
Vol 1 (1) ◽  
pp. 91
Author(s):  
Davi Silva Gonçalves

According to Juana María Rodríguez (2010) queer perspectives allow bodies and acts to be disentangled from preconditioned meanings regarding normative conceptualisations of the world that surrounds us (p. 338), while, to Stuart Hall (1996), the postcolonial allows deviating cultural movements to proliferate, thence contributing to the deconstruction and decentralisation of essentialist Eurocentric discourses (p. 248). Taking that into account, the context of this essay comprises Milton Hatoum’s novel The Brothers (2002), aiming at identifying how Milton Hatoum problematises the space and time of the Amazon as interpreted by hegemonic discourses. Therefore, promoting a profitable bridge between queer perspectives and the postcolonial subject, this study analyses how Hatoum’s narrator positioning on a postmodern margin, as articulated by Santiago Colás (1994), debunks the mainstream linearity of Western imaginary. The Amazon of The Brothers (2002) (re)presents a world significant in itself, rather than an empty stage of human development, wherein time and space are no longer so easily encapsulated as hegemony wishes. The conclusion, hence, demystifies a singular construction of history recurrently questioned by Eduardo Galeano (1997) since it poses that “there is no other way” (p. 4) for a space to develop. There are, actually, many.


2021 ◽  
Vol 13 (2-1) ◽  
pp. 110-125
Author(s):  
Andrei Politov ◽  

The author considers the foundations of the origin and formation of the axiological content of the spatiotemporal structure of human existence. The object of the research is a human being and culture at the turn of the twentieth and twenty first centuries. The theoretical and methodological foundation combines a number of approaches characteristic of the social humanities: the scientific research program of cultural centrism aimed at understanding the complex subject of social and humanitarian problems and allowing to reveal and describe its unique, individually expressed properties; the relational concept of time and space, according to which the latter exist only in mutual connection with objects and, therefore, in inseparable unity with human being; dialectical model, within the framework of which the universe is an integral organic evolving process, all structural elements of which are dialectically interconnected; the theory of chronotope affirms the immanent unity of time and space. All that has been noted makes it possible, within the framework of the presented study, to interpret space and time as a complexly structured evolving multilevel chronotopological organization immanent to human being. Human existence appears as a temporal component of the chronotopological structure, and the spatial axis of the latter is the locus of human existence and the world around a person. The value content of human space and time arises and receives its development according to their relational essence, due to their inextricable dialectical relationship with human existence. The evolution of space and time is inseparable from the evolution of human being, is an integral component of his existence, which appears as personal, aesthetic and value development, experiencing the world around him, existentially and ethically determined communication with him. Forming and evolving together with a person, time and space not only act as accidents and modes of his being, but become his value-structured life-world, interconnected with the social and cultural spheres.


Istoriya ◽  
2021 ◽  
Vol 12 (6 (104)) ◽  
pp. 0
Author(s):  
Vladimir Przhilensky

This research describes certain after-effects of digitalization shown in the field of social design of reality, transformation of time and space, which no longer rely on traditional physical metrics. The article argues the idea of the end of the Galilean-Cartesian era, when the outside world was defined by intellectually constructed reality of physical theory and partial return to the Aristotelian understanding of the world as a heterogeneous aggregate of places. Also the important consequences of digitalization of social design of reality for system of thoughts and actions evolution are shown. Base vectors of evolution of ideas of space and time are defined in historical and scientific and socio-historical contexts, the direction of intellectual overcoming of negative consequences of geometrization of the ideas of time and space is set.


2019 ◽  
Vol 11 (1) ◽  
pp. 49-63
Author(s):  
Noémi Albert

Abstract David Mitchell’s Cloud Atlas (2004) presents its readers with a “borderless world.” This borderlessness concerns space and time, with complex and interweaving spatiotemporal planes. In this fictional world, the subject will serve as an entity that brings together disparate spatialities and temporalities through an intricate symbolic web that connects the subject’s body to the world it inhabits. Numerous versions of past, present, and future run in parallel, the actual and the virtual coexist, and the text folds upon itself. The novel operates a constant state of liminality, a state that will be embodied by the subject. Seemingly in a paradoxical way, the multiple liminal states identifiable in the novel convey the ultimate sense of borderlessness. It is exactly the work’s heterogeneity, its jumps through time and space, its interrupted chapter structure that lend it a special unity and coherence that erases both geographical and temporal borders. The novel’s structure goes into thematic depths and creates a bridge, a constant interplay between form and content, captured in the metaphor of the concertina. Consequently, Cloud Atlas creates a constantly shifting world where the only fixed entity is the subject and its comet-shaped birthmark.


2021 ◽  
Vol 15 (3) ◽  
pp. 87-90
Author(s):  
Aytac Batil qızı Sadıqova ◽  

The history of miniature art dates back to ancient times. This art in itself combines many fields of art. One of the main characteristics of miniature art is the ability to describe the events in the books in the form of plots. In this field, more Tabriz artists have managed to create unique pearls of art. The unique specimens created by the masters of Tabriz are now kept in various museums and private collections around the world. Each of these preserved specimens has its own aesthetic and artistic value. The article thoroughly analyzes their general artistic characteristics. Key words: Miniature, development, formation, color, shape, effect, composition


KANT ◽  
2020 ◽  
Vol 36 (3) ◽  
pp. 176-180
Author(s):  
Marina Pushkareva ◽  
Liliya Khasanova

The article examines Kant's teaching about space and time (of course, together with Fichte's teaching about the absolute "I") in the context of the formation and development of the spiritual "substance" of self-consciousness. By the latter, the authors understand the social and moral memory of a person, people, or nation. The paper analyzes Kant's teaching about time and space as mediating links connecting the world of phenomena and noumens; it examines the ideas of Kant and Fichte, which is ultimately aimed at identifying the content, heuristic side of the idea of "self-consciousness". The paper examines the relevance of Kant's doctrine of time, which is creatively productive for the analysis of spiritual and socio-cultural processes of the modern era. It is concluded that social and human memory is a certain ability to tie the concepts of "spiritual" and "time" in one knot, which is important for understanding the picture of the modern era.


Author(s):  
Nina Bosak

The demonolexis in Yu. Andrukhovych’s long short story “Recreatsii” (“Recreations”) has been analyzed in the article. In the course of the research there have been outlined the following lexical-semantic groups of demonomens: toponymic and onomastic names, modified lexemes, names of the rituals, genuine Ukrainian demonomens, obscene words and expressions, demonomens of Biblical origin, names from the world mythology and general demonolexis. The special lexical-semantic group has been formed by non personificated demonomens, which serve to convey the peculiarities of the contemporary Ukrainian writers’ mentality, their habits through speech. Such nomens help to reveal the protagonist’s soul, show the positive and negative sides of his personal ego, demonstrate the duality of the human perception of the world, indicate the causes of phobias, emotions, sensations. Key words: demonolexis, demonomen, lexical-semantic group, non personificated demonomen.


PERENNIAL ◽  
2010 ◽  
Vol 6 (1) ◽  
pp. 33
Author(s):  
Astuti Arif ◽  
. Syahidah ◽  
Sitti Nuraeni

Fungi have a great diversity and wide distribution at the world. It can be used as the alternative technology for controlling of subterranean termite attack, particularly genus Coptotermes knowned as the wooden destructive organism, by using entomophatogenic fungi. For the purpose of the study, several isolate sources were taken from some locations. The results show that eight numbers of pathogenic fungi was founded by screening and identification of fungi taken from 19 numbers of isolate sources. The pathogenic fungi were Beauveria sp., Penicillium brevicompactum, P. rubrum, Paecilomyces fulvus, Fusarium verticolloides, Pythium sp., and Aspergillus sp. Key words: Jamur entomopatogen, Coptotermes sp.


2017 ◽  
Vol 7 (1) ◽  
pp. 40
Author(s):  
Elvira Lumi ◽  
Lediona Lumi

"Utterance universalism" as a phrase is unclear, but it is enough to include the term "prophetism". As a metaphysical concept, it refers to a text written with inspiration which confirms visions of a "divine inspiration", "poetic" - "legal", that contains trace, revelation or interpretation of the origin of the creation of the world and life on earth but it warns and prospects their future in the form of a projection, literary paradigm, religious doctrine and law. Prophetic texts reformulate "toll-telling" with messages, ideas, which put forth (lat. "Utters Forth" gr. "Forthteller") hidden facts from fiction and imagination. Prometheus, gr. Prometheus (/ prəmiθprə-mee-mo means "forethought") is a Titan in Greek mythology, best known as the deity in Greek mythology who was the creator of humanity and charity of its largest, who stole fire from the mount Olympus and gave it to the mankind. Prophetic texts derive from a range of artifacts and prophetic elements, as the creative magic or the miracle of literary texts, symbolism, musicality, rhythm, images, poetic rhetoric, valence of meaning of the text, code of poetic diction that refers to either a singer in a trance or a person inspired in delirium, who believes he is sent by his God with a message to tell about events and figures that have existed, or the imaginary ancient and modern world. Text Prophetism is a combination of artifacts and platonic idealism. Key words: text Prophetism, holy text, poetic text, law text, vision, image, figure


2020 ◽  
pp. 49-81
Author(s):  
Bruno Van der Maat

The current pandemic has seen some adverse reactions from the most diverse religious groups all over the world to government regulations. After having described some of their manifestations, this contribution analyzes what the Bible and some post biblical (patristic and Talmudic) traditions say about illness and pandemics. As it is ascertained that these sources contain very limited material on these subjects, the third part of this article proposes some ethical reflections regarding the official response to the pandemic as well as some pastoral implications. Key Words: Pandemic, Religion, Bible, Talmud, Pastoral Care.


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