scholarly journals AKULTURASI ISLAM DENGAN BUDAYA DI PULAU JAWA

2021 ◽  
Vol 4 (2) ◽  
pp. 137-144
Author(s):  
Adisty Nurrahmah Laili ◽  
Ega Restu Gumelar ◽  
Husnul Ulfa ◽  
Ranti Sugihartanti ◽  
Hisny Fajrussalam

Abstrak – Islam brought changes in cultural acculturation including tombstones, literary arts, performing arts and carving arts. Besides having a lot of influence in the field of art, Islamic teachings also affect the nature and habits of the people on the island of Java. Acculturation between Islam and culture on the island of Java occurs in many ways, the most visible of which is the work of carving. The occurrence of acculturation between Islamic teachings and Javanese culture does not cause the loss of previous cultural values, but enriches cultural diversity in Indonesia. The process of the entry of Islam into Indonesia has influenced and experienced cultural acculturation with local culture, especially Javanese culture. There are so many results or forms of acculturation between Islamic religious teachings and Javanese culture, starting from the history of the entry of Islam in the archipelago through the services of the Songo guardians and cultural developments from time to time, starting from human civilization in the archipelago, especially the island of Java, the history of the Dutch and Japanese colonial times. , the era of the Hindu-Buddhist kingdoms to the Islamic kingdoms on the island of Java which we can still see its legacy to this day. In writing this study, we discuss examples of the results of acculturation of Javanese culture such as building art, carving art and literary arts with Islamic teachings and the influence of the acculturation results of these two values ​​and cultures.   Abstrak – Islam membawa perubahan akulturasi budaya diantaranya pada batu nisan, seni sastra, seni pertunjukan dan seni ukir. Selain banyak mempengaruhi dalam bidang seni ajaran islam juga mempengaruhi sifat serta kebiasaan masyarakat di pulau jawa. Akulturasi antara islam dan kebudayaan di pulau jawa terjadi dalam banyak hal diantaranya yang paling terlihat yaitu hasil karya seni ukir. Terjadinya akulturasi antara ajaran islam dan kebudayaan masyarakat jawa tersebut tidak menyebabkan hilangnya nilai kebudayaan sebelumnya, tetapi memperkaya keanekaragaman budaya di Indonesia. Proses masuknya Islam ke Indonesia telah mempengaruhi serta mengalami akulturasi budaya dengan budaya lokal, khususnya budaya Jawa. Banyak sekali hasil atau wujud akulturasi antara ajaran agama islam dan budaya jawa, berawal dari sejarah masuknya Islam di nusantara melalui jasa para wali songo dan perkembangan budaya dari masa ke masa, mulai dari peradaban manusia di nusantara khususnya pulau jawa, sejarah masa kolonial belanda dan jepang, zaman kerajaan hindu-budha hingga kerajaan-kerajaan islam di pulau jawa yang masih dapat kita lihat peninggalannya sampai saat ini. Pada penulisan penelitian ini membahas tentang contoh hasil akulturasi kebudayaan jawa seperti seni bangunannya, seni ukir dan seni sastra dengan ajaran agama islam serta pengaruh dari hasil akulturasi kedua nilai dan budaya tersebut.

Author(s):  
Yevhenii Vasyliev

The tragic events of the Revolution of Dignity and the hybrid war have been reflected in various stylistics and genre parameters of dramatic works. The brightest of them were included in two recent anthologies, which were prepared and published thanks to the efforts of the Department of Drama Projects of the National Center for the Performing Arts named after Les Kurbas. The first of them, “Maidan. Before and After. Anthology of the Actual Drama” (2016), has absorbed 9 plays by the authors of different generations (Yaroslav Vereshchak, Nadiia Symchich, Oleg Mykolaychuk, Neda Nezhdana, Oleksandr Viter, Dmytro Ternovyi, etc.). The completely new second anthology “The Labyrinth of Ice and Fire” (2019) also consists of 9 plays (three of which are also part of the previous anthology), which are the reflections of the modern history of Ukraine. The texts about the hybrid war, which are included in two anthologies, are the subject of our analysis. The focus is on the genre specificity of these drama works. The genre modifications of archaic genres inherent in the Ukrainian theatrical tradition (vertep, mystery) are studied in the plays “Vertep-2015” by Nadiia Marchuk and “Maidan Inferno, or On the Other Side of Hell” by Neda Nezhdana. The functioning of the documentary and epic drama (“The Chestnut and the Lily of the Valley” by Oleg Mykolaychuk, “The People and Cyborgs” by Olena Ponomareva and Dario Fertilio) is analysed. The processes of episation and lyricization are considered. The peculiarities of intergeneric diffusion and the creation of a specific genre type — lyrico-epic drama are analysed. The actual monodramas of Neda Nezhdana “The Cat in Memory of the Darkness” and “OTVETKA@ UA” are highlighted, as well as the intermedial character of the genre transformations of Igor Yuziuk’s drama “C-sharp Sixth Octave”


2021 ◽  
Vol 22 (1) ◽  
pp. 24-35
Author(s):  
Jefri Soli Kabnani

This study aims to determine the main causes of changes in the scales that occur. Changes in the scale of the Sasando musical instrument are influenced by mass culture, popular culture and the development of the market industry which has led to the tendency of the people of NTT, especially the city of Kupang to lead to Western lifestyles as if starting to leave local traditions. Values, meanings and social functions of Sasandu Gong are diminished and will even disappear in future generations. The influence of colonialism is assumed to be the cause of the people of Kupang prefer something modern than local wisdom. Some articles, journals, books and even websites often talk about the implementation of local cultural values as a cultural heritage and traditional art which is the identity of the Indonesian people. The author uses the concept of Leela Gandhi and Edward Said in general to discuss efforts to undermine Western hegemony, in which the domination of Western powers over the Eastern world considers the East as weak and full of imagination. The qualitative method is used as an exploratory approach that relies on in-depth data analysis in the form of text obtained from the speakers. The research results are discussed in three (3) stages. First, from the Postcolonial perspective that the change occurred starting from the history of the entry of Christianity into East Nusa Tenggara (NTT) by the Dutch people. Second, musicologically, Sasando Violin experienced the development of scales with several variations made by Mr. Drs. Djony L. K. Theedens. Third, the physicality of the sound of the Sasas Gong changes in shifting functions, values, and meanings that existed before. 


2019 ◽  
Vol 1 (1) ◽  
pp. 25-33
Author(s):  
Khoiruz Zein ◽  
Sulih Indra Dewi

The Rojhek Cingur program was one of the Nada FM radio broadcast programs produced and broadcasted for the first time in 2016. The program discussed the values ​​and local culture of Madura delivered by the people, which was then combined with the news of cultural issues developing across the people. This research used descriptive qualitative type. The main informant of the study were the broadcaster of the Rojhek Cingur program and the Nada FM radio station manager. The data collection technique of this research was carried out by interview, documentation and observation. While the data analysis technique consisted of data collection, data reduction and data presentation. The data validation used data triangulation. The result showed that the Rojhek Cingur program was one of the Nada FM radio programs discussed cultural values. The role of Rojhek Cingur Nada FM radio program were (1) Rojhek Cingur was a rehabilitation of Madura culture, (2) Rojhek Cingur was an education and cultural socialization, and (3) Rojhek Cingur was an unifying media. The pattern of communication between broadcaster and Rojhek Cingur program listeners were (1) Two-way communication patterns (two way traffic communicatios), and (2) Multi-directional communication patterns.   Keywords: Mass Communication, Rujak Cingur program, Local Culture.


2020 ◽  
Vol 10 (1) ◽  
Author(s):  
Rohmatulloh Rohmatulloh ◽  
Aan Hasanah Aan Hasanah ◽  
Uus Ruswandi

Customary village is small group of people who still survive and consistently preserve the culture and belief of their ancestors. Local cultural values deserve to be promoted to the application of character education in school. The qualitative research understanding the life and local cultural values is carried out in the people of Kampung Adat Cirendeu in West Java. The local culture of the Kampung Adat Cirendeu people holds the principle of ngindung ka waktu and mibapa ka jaman which has the meaning of maintaining identity but still keeping abreast of the times. One of the local cultural values that still preserves until today is the culture of cassava-based food as a substitute for rice. This culture has been going on for a century and become an inspiration for the national food diversification program. One of the preservation efforts is through the example of their ancestors. Promotion and granting food culture values to the character education in schools involve various educational stakeholders (teachers, educators, governments, people, and customary peoples) that should give an example to the students. The most effective method is to form students with character and in the end they will be familiar with local food culture and does not depend on rice. Keywords: Character education, Kampung Adat Cirendeu, Exemplary. PENDIDIKAN KARAKTER NILAI-NILAI BUDAYA LOKAL MAKANAN DI MASYARAKAT KAMPUNG ADAT CIRENDEU JAWA BARAT MELALUI KETELADANANDesa adat adalah sekelompok kecil orang yang masih bertahan dan secara konsisten melestarikan budaya dan kepercayaan nenek moyang mereka. Nilai-nilai budaya lokal layak dipromosikan untuk penerapan pendidikan karakter di sekolah. Penelitian kualitatif yang memahami kehidupan dan nilai-nilai budaya lokal ini dilakukan pada masyarakat Kampung Adat Cirendeu di Jawa Barat. Budaya lokal masyarakat Kampung Adat Cirendeu memegang prinsip ngindung ka waktu dan mibapa ka jaman yang memiliki makna mempertahankan identitas tetapi tetap mengikuti perkembangan zaman. Salah satu nilai budaya lokal yang masih dipertahankan hingga saat ini yaitu budaya makanan berbasis singkong sebagai pengganti beras. Budaya ini telah berlangsung selama satu abad dan menjadi inspirasi bagi program diversifikasi pangan nasional. Salah satu upaya pelestariannya yaitu melalui contoh dari nenek moyang mereka. Promosi dan pemberian nilai-nilai budaya makanan untuk pendidikan karakter di sekolah melibatkan berbagai pemangku kepentingan pendidikan (guru, pendidik, pemerintah, masyarakat, dan masyarakat adat) yang harus memberikan contoh kepada siswa. Metode yang paling efektif yaitu membentuk para siswa dengan karakter dan pada akhirnya mereka akan terbiasa dengan budaya makanan lokal dan tidak bergantung pada beras. Kata kunci: Pendidikan karakter, Kampung Adat Cirendeu, teladan.


REFORMASI ◽  
2018 ◽  
Vol 8 (2) ◽  
pp. 120
Author(s):  
Rini Aristin ◽  
Rina Nur Azizah

This study relates to the implementation of the Government Regulation of the Republic of Indonesia Number 47 of 2008 concerning Compulsory Education in the village of Kaduara Timur Sumenep Madura. The researcher uses the implementation model Edward III that the success of the policy according to Edwards III is influenced by four factors, namely, communication, resources, disposition, and bureaucracy. As well as the Koentjoroningrat theory to analyze local cultural values, that according to the Koentjoroningrat elements of culture consist of: (1) language, (2) knowledge systems, (3) social systems or social organizations, (4) living equipment and technology systems, (5) livelihood systems, (6) religious systems, (7) arts. This research is a descriptive research type of qualitative approach. This study describes the community's perspective on education policy in terms of the existing local culture, there is an influence of local culture on the policy. This type of research is a case study, research subjects use purposive sampling and incidental sampling. The researcher acts as an instrument that goes directly to the field to obtain data as accurately as possible, while also using interview, observation and documentation techniques. Data were analyzed using an interactive model (interactive models of analysis) Miles and Huberman which has three main components are: data reduction, data presentation, and draw a conclusion / verification.. The results of the study show that the implementation of the Government Regulation on nine-year compulsory education in Kaduara Timur Village has been going well. This is evidenced by 60% of the villagers who have already and are currently undergoing a normal nine-year education. The success of the government is influenced by the local culture which is still thick but in addition to the local culture the values that develop through the advancement of science and technology also have a special effect on the way of thinking of the people of Kaduara Timur village which then affects the awareness of the people of Kaduara Timur of the importance of education, especially nine years of basic education


2021 ◽  
Vol 66 (05) ◽  
pp. 53-56
Author(s):  
Məhbubə Sarxan qızı Fətullayeva ◽  

The article tells about the history of the Karabakh region, its cultural monuments, rich literature, art and musical culture. Considered the cradle of Azerbaijani culture, Karabakh is described as a land where history and modernity meet, describing the richness of the region's beautiful nature, climate and natural resources. It is explained that the cultural values of the ancient land are the result of the centuries-old traditions of the people of this land, the mysterious nature of the region, the wealth of natural resources, which has a positive effect on artistic thinking and creativity. Thanks to the work of the Karabakh people, the folk art of Karabakh, which is widely used in the life of the region, has a long and rich history. Key words: Karabakh, cultural monuments, Shusha fortress, Karabakh horses, national-historical culture


2016 ◽  
Vol 1 (1) ◽  
pp. 1
Author(s):  
Harli Brata Wardhana ◽  
Didik Hariyanto

Game Nusantara Online is the only online game that lifted the Indonesian culture hey day empires that ever existed and is the only original online games domestically-made. So it is not surprising that this game displays various types of display depicting national cultural identity in the game. The method used in analyzing was John Fiske the semiotics (semiology) through three tiers level, reality, representation, and ideology in the opening game in the form of nondialogue short film, but it was also analyzed in the game play in game logo, the cast of characters, and missions “Timun Mas”. Further analysis was based on the study of literature and other supporting data to determinenational cultural identity. After doing research on the game Nusantara Online, it was found thatnational cultural identity displayed on the level of reality by visualizing typical clothing and accessories of Indonesia empire at that time, the use of the name on the cast of characters that has its own story and has become the local culture, including Hayam Wuruk, Elephant Mada, and others. Visualization of social life, such as religious rituals Bendrong Dimples and Bali, and incorporate folklore or legends in the game missions. While the level of representation, the camera technique is used so that the details of the national cultural identity clearly visible on the clothing motif and shape of the building. The ideology that displayed the Nusantara Online games are games that have cultural values and history of Nusantara (Indonesia).


2020 ◽  
Vol 21 (1) ◽  
pp. 21
Author(s):  
Rita Safari ◽  
Abdul Manan ◽  
Sanusi Ismail

This study aims to find out the history of visiting Simeulue, the visiting procession the Lambaya Village with Sanggiran Village, the role of the community in preserving visiting traditions and the benefits of visiting the people of Lambaya Village with Sanggiran Village. This study uses a descriptive qualitative research method with data collection techniques in the form of interviews, observation, and documentation. The results of the study indicate that visiting procession is a visit activity carried out by a group of individuals, organizations or communities by way of deliberations with citizens, communicating, and preparing all the necessities and interests of visiting activities. This visit is led by the highest person in the village or someone who is trusted as the leader of the activity group. The role and benefits of the community to preserve the tradition of visiting is that the community continues to maintain, apply, maintain and develop traditions and cultural values so that visiting can strengthen harmony in daily life. In addition, by visiting them they can get new experiences, find out weaknesses, lack of organization, keep them away from enmity, get new families and most importantly get knowledge that they have not yet gotten.


2018 ◽  
pp. 94-102
Author(s):  
Oleksandr Utkin

In the article on the basis of factual material, archival documents it is analysed the history of foundation and work of the Ukrainian Agricultural Academy (here in after referred to as the UHA) in Czechoslovakia (1922–1935) as a polytechnic-type higher education institution, functioning on the traditions of Ukrainian free science, culture and patriotism. The importance of the topic is due to the inadequate study of the history of the Ukrainian emigration in the Western countries, the activities of its scientifi c, educational, cultural and other institutions, their role in preserving Ukrainian, national and cultural values, which became the basis for the further development of science, education and culture for Ukrainians abroad. The subject of our research is the Higher Agricultural School of the Ukrainian emigration in Czechoslovakia. The methodological base of research are historical and comparative, typological, genetic, systematic methods used for a comprehensive study. The Academy has made a signifi cant contribution to the intellectual development of person, national and cultural values of the united Ukraine. Achievements of the Academy in the personnel training, research and publishing industry refl ect the ideas of Ukrainian scholars at knowledge as a factor of socio-economic growth of the welfare of the people and deepening the infl uence on the establishment of national consciousness, the struggle of Ukrainians for independence. Scientists of the Academy collaborated with international organizations, participated in the work of international scientifi c forums, were recognized by the world scientifi c community, which indicates the maturity of an emigrant private high school. For the history of Ukraine it is very important the comprehensive analysis of the functioning of Ukrainian educational and scientifi c structures, such as the Ukrainian Agricultural Academy in the Podebrady (Czechoslovakia), which during 1922–1935, actively trained highly educated personnel in agro-forestry, economically-cooperative and engineering faculties. It students wanted to learn successfully accumulated human knowledge of their specialties, distribute them, and if necessary to work in Ukraine combining science and production, to raise the economy of the republic to the level of advanced Western countries.


2020 ◽  
pp. 36-51
Author(s):  
Nataliia HOLIKOVA

The article describes the folklore and literary evolution of the historical figure Marusia Churai in the prose, poetic, dramatic works of writers of the XIX– XX centuries. The concept of «folk song» is actualized, where folklorisms have a text-centric purpose for linguistic portrayal of the studied character. It is noted that Marusia Churai was the probable author of several dozen songs, which are now considered folk, and that the history of entering the literature of the author of the songs began with the folk ballad «Oh, don’t go, Hryts», which echoes similar pagan mythological legends. Based on the research of famous scientists, all the author’s texts, integrated with the plot of Hrits’s poisoning, are divided into two groups: 1) those that freely interpret the ballad; 2) those in which the content of the folk song is intertwined with ancient legends about Marusia Churai. A comparative analysis of semantic-semantic transformations, indicative of individual-author verbalization of thought in a number of artistic texts. Emphasis is placed on the novel «Marusia, Malorussian Sappho» by O. Shakhovskyi and on the historical novel in verse «Marusia Churai» by L. Kostenko. These are key works in which the precedent name of the author of the songs reflects the essence of the linguistic and aesthetic signs of Ukrainian culture, plays the role of a mythologeme or linguoculture, respectively. In conclusion, it is emphasized that Ukrainian society, being at the turn of worldviews, needs the protection of ethnolinguistic cultural values that maintain the connection of generations, accumulate the historical memory of the people.


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