scholarly journals NOVEL “ORANG-ORANG PROYEK”: SEJARAH ORDE BARU

TELAGA BAHASA ◽  
2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Ramis Rauf
Keyword(s):  
Set Theory ◽  
Positive Relationship ◽  
New Order ◽  
The Novel ◽  
Literary Works ◽  
Alain Badiou ◽  
History Of ◽  
The Subject

This study wants to reveal the truth procedures in Ahmad Tohari's novel Orang-Orang Proyek, as a part of an event and a factor in the presence of a new subject. This research would answer the problem: how was the subjectification of Ahmad Tohari in Orang-Orang Proyek novel as truth procedures? This study used the set theory by Alain Badiou. The set theory explained that within a set there were members of "Existing" or Being and events as "Plural" members.  The results proved that the subjectivity between Tohari and New Order events produced literary works: Orang-Orang Proyek. This happened because there was a positive relationship between the author and the event as well as on the naming of the event. Not only as of the subject but also do a fidelity to what he believed to be a truth. The truth procedures or the void—originating from the New Order event—was in the history of the making of a bridge in a village in Java island, Indonesia during the New Order period that filled with corruption, collusion, and nepotism. Tohari then embodied it in his novel. By the presences of the novel, we could know the category of Tohari's presentation as a new subject such as faithful, reactive, and obscure.

scholarly journals Foucault’un İktidar Görüşleri Işığında Erdal Öz’ün Yaralısın Romanı / Yaralisin, the Novel by Erdal Oz, in the Light of Foucault’s Power Theory

2017 ◽  
Vol 6 (6) ◽  
pp. 564
Author(s):  
Koray Üstün
Keyword(s):  
Michel Foucault ◽  
Power Structure ◽  
New Order ◽  
The Novel ◽  
Second Person ◽  
Private Space ◽  
Power Theory ◽  
History Of ◽  
The Subject ◽  
The Individual

<p><strong>Abstract</strong></p><p>In the light of the power concepts theorized by Michel Foucault, this article investigates Erdal Oz's novel Yaralisin (You’re Wounded). Foucault’s power structure that systematized in Subject and Power (1961), History of Sexuality (1984), Birth of Prison (1975), The Birth of Biopolitics (2004), has similarities with crime production that the novel reflects. Accordingly, individuals are being standardized in the prison through programs, strategies and technics that the power structure determined. In this process, there is no direct enforcement on the individual. The power structure connects the individual to itself through knowledge and body. In Oz’s novel the subject depending on space changing are being standardized and transformed into the “Nuri” character, as we read in the text. At the base of becoming standard individual through lost of identity, there is crime production. As for crime production, it takes shape in accordance with space. In the novel, space dependent suffering, inflicted on individuals, places the subject on a hierarchical plane, as Foucault has also indicated, and brings an end to existence. The power structure, cutting off the individual from his private space, taking him first into the interrogation room, and then to the prison, has made him a part of the system and has objectified him. The digestive effect of the power structure has become even more concrete with the presence of the second person narrator within the narrative plane; depersonalization has taken place within the new order.</p><p><strong>Öz</strong></p><p>Bu makalede Michel Foucault’un kuramsallaştırdığı iktidar kavramı ışığında Erdal Öz’ün <em>Yaralısın</em> romanı incelenmiştir. Foucault’nun <em>Özne ve İktidar </em>(1961),<em> Cinselliğin Tarihi </em>(1984)<em>, Hapishanenin Doğuşu </em>(1975)<em>, Biyopolitikanın Doğuşu</em> (2004) gibi kitaplarında sistemleştirdiği iktidar, romanda aktarılan suç üretimi ile paralellik taşımaktadır. Bireyler, iktidar tarafından belirlenen program, strateji ve tekniklerle hapishanelerde tek tipleştirilmektedir. Bu süreçte bireyler üzerine doğrudan bir yaptırım uygulanmaz; iktidar, bilgi ve beden yönetimi üzerinden bireyi kendine bağlar. Öz’ün romanında da uzamsal değişimlere bağlı olarak tekil özneler, tek tipleştirilerek metindeki karşılığıyla “Nuri”lere dönüşür. Bireyin kendi kimliğini yitirerek tek tipleşmesinin temelinde suç üretimi vardır. Suç üretimi ise uzama göre şekillenir. Romanda uzama göre değişen çektirilen azaplar, Foucault’un da belirttiği gibi özneyi hiyerarşik düzleme yerleştirir ve varoluşu sona erdirir. İktidar, özneyi kişisel mekânından ayırıp önce sorgu odasına ardından da hapishaneye götürerek onu düzenin bir parçası hâline getirmiş ve nesneleştirmiştir. İktidarın sindirici etkisi, anlatı düzlemindeki ikinci tekil anlatıcının varlığıyla daha da somutlaşmış; kurulan düzen içerisinde özne yitimi gerçekleşmiştir. </p>

Passion's Fictions from Shakespeare to Richardson

2021 ◽  
Author(s):  
Benedict S. Robinson
Keyword(s):  
Adam Smith ◽  
Francis Bacon ◽  
Theoretical Knowledge ◽  
The Novel ◽  
Literary Works ◽  
Critical Moment ◽  
Intimate Relation ◽  
History Of ◽  
Social Scenes

Passion’s Fictions traces the intimate links between literature and the sciences of soul and mind from the age of Shakespeare to the rise of the novel. It chronicles the emergence of new sciences of the passions between the sixteenth and eighteenth centuries out of and in some ways against a received “science of the soul,” and it argues that this history was shaped by rhetoric, which contained the most extensively particularized discourse on the passions, offering principles for moving and affecting the passions of others in concrete social scenes. This rhetoric of the passions centered on narrative as the instrument of a non-theoretical knowledge of the passions in their particularity, predicated on an account of passion as an intimate relation between an empassioned mind and an empassioning world: rhetoric offers a kind of externalist psychology, formalized in the relation of passion to action and underwriting an account of narrative as a means of both moving passion and knowing it. This book describes the psychology of the passions before the discipline of psychology, tracing the influence of rhetoric on theories of the passions from Francis Bacon to Adam Smith and using that history to read literary works by Shakespeare, Milton, Haywood, Richardson, and others. Narrative offers a means of knowing and moving the passions by tracing them to the events and objects that generate them; the history of narrative practices is thus a key part of the history of the psychology of the passions at a critical moment in its development.

scholarly journals Ethnic Chinese during the New Order: Teaching Materials Development for History Learning based on Multiculturalism

2020 ◽  
Vol 30 (1) ◽  
pp. 46-54
Author(s):  
Hendra Kurniawan
Keyword(s):  
New Order ◽  
Chinese Society ◽  
Teaching Materials ◽  
Materials Development ◽  
History Teaching ◽  
Ethnic Chinese ◽  
History Learning ◽  
History Of ◽  
Qualitative Descriptive ◽  
The Subject

The history of Indonesian Chinese society is still rarely studied in history learning at school. One of them concerns the discriminatory treatment of them during the New Order era. This article aimed to describe discriminatory policies against ethnic Chinese during the New Order era, to present it as a history teaching materials, and to elaborate on the importance of studying it for the younger people. This research used historical and qualitative descriptive method using literature. The result showed that (1) Ethnic Chinese in the New Order era received discriminatory treatment in various sectors. It was a violation of human rights and susceptible to trigger conflict. (2) The study of the Chinese people can be served as a history teaching material in the subject of the New Order era. (3) Teaching materials development is expected to be used to create awareness of multiculturalism through history teaching.Sejarah masyarakat Tionghoa Indonesia masih jarang dikaji dalam pembelajaran sejarah di sekolah. Salah satunya mengenai perlakuan diskriminatif terhadap mereka pada masa Orde Baru. Maka penelitian ini bertujuan untuk mendeskripsikan kebijakan diskriminatif terhadap etnis Tionghoa selama Orde Baru, menyajikannya sebagai bahan ajar sejarah, dan menguraikan arti penting mempelajarinya bagi generasi muda. Penelitian ini menggunakan metode historis dan kualitatif deskriptif dengan studi pustaka. Hasil penelitian menunjukkan bahwa (1) Etnis Tionghoa pada masa Orde Baru menerima perlakuan diskriminatif di berbagai sektor. Hal itu merupakan pelanggaran atas hak asasi manusia dan terbukti rentan konflik. (2) Studi tentang dinamika masyarakat Tionghoa tersebut dapat disajikan sebagai bahan ajar sejarah pada pokok bahasan masa Orde Baru. (3) Kajian tersebut diharapkan dapat menciptakan kesadaran multikulturalisme melalui pembelajaran sejarah.

scholarly journals THE REALITY OF AMERICAN NATION SLAVERY IN THE NOVEL INCIDENTS IN THE LIFE OF A SLAVE GIRL BY HARRIET ANN JACOBS

2020 ◽  
Vol 8 (1) ◽  
pp. 116
Author(s):  
Abbas Abbas
Keyword(s):  
Life Experience ◽  
Social Reality ◽  
Social Background ◽  
Literary Work ◽  
Research Data ◽  
The Novel ◽  
Literature Study ◽  
Literary Works ◽  
History Of ◽  
American Nation

This article discusses the social facts experienced by Americans in literature, especially novel. Literary work as a social documentation imagined by the author is a reflection of the values of a nation or ethnicity. The main objective of research is to trace the reality of slavery that occurred in America as a social fact in literary works. This research is useful in strengthening the sociological aspects of literary works as well as proving that literary works save a social reality at the time so that readers are able to judge literary works not merely as fiction, but also as social documentation. The writer in this study uses one of the literary research methods, namely Genetic Structuralism Approach. This method emphasizes three main aspects, namely literary work, the background of the author's life, and social reality. Novel Incidents In The Life Of A Slave Girl written by Harriet Ann Jacobs in 1858 was used as primary research data, then a number of references about the author's social background and the reality of slavery in the history of the American nation became secondary data. Primary and secondary research data obtained through literature study. Based on the results of this study found the events of slavery in the history of the American nation. Slavery was the act of white Americans forcibly employing black Negroes on the lands of plantation and agricultural also mining areas. Slavery is a valuable lesson for Americans in protecting human rights today as well as a historic lesson in building the American national spirit, namely freedom, independence, and democracy. The reality of slavery is reflected in the novel Incidents In The Life Of A Slave Girl as well as the life experience of its author, Harriet Ann Jacobs.

scholarly journals Magical Realism as Historical Discourse Reflected on Eka Kurniawan's 'Beauty is A Wound'

2020 ◽  
Vol 9 (1) ◽  
pp. 87-102
Author(s):  
Sadam Nurrahman ◽  
Mohamad Ikhwan Rosyidi
Keyword(s):  
Magical Realism ◽  
New Historicism ◽  
New Order ◽  
The Novel ◽  
Historical Discourse ◽  
Irreducible Elements ◽  
Time Space ◽  
History Of ◽  
Five Elements ◽  
Independence Era

This study aims to uncover magical realism as historical discourse portrayed in the novel Beauty is A Wound by Eka Kurniawan. Descriptive qualitative method used in this study. The data were collected by reading, classifying and interpreting. The result is the novel Beauty is A Wound has five elements of magical realism as Faris stated, they are; irreducible elements, phenomenal world, the unsettling doubt, merging realms and disruptions of time, space and identity. In relation with magical realism, New Historicism also applied to unearth Indonesia historical discourse since the time of late Dutch colonization, the invasion of Japan, the Independence Era and the New Order Era. Then, the massacre of everyone who were labeled as communist. And the genocide of all the thugs or preman in order to make safer and better society. In this novel, the history of Indonesia was camouflaged and mixed with magical realism because every event that categorized as magical realism led to the past events which related to the history of Indonesia. Keywords: historical discourse, magical realism, new historicism

scholarly journals The metaphor of stopped time in the novel “The Tin Drum” by Günter Grass

2020 ◽  
pp. 34-40
Author(s):  
Kseniya Sergeevna Oparina
Keyword(s):  
Emotional Development ◽  
Crimes Against Humanity ◽  
The Novel ◽  
Main Character ◽  
Special Contribution ◽  
The World ◽  
History Of ◽  
The Subject ◽  
Ethical Norms ◽  
Günter Grass

The goal of this article consist in interpretation of the major metaphor in G&uuml;nter Grass&rsquo; novel &ldquo;The Tin Drum&rdquo;, &nbsp;and coverage of its interrelation with symbolism of the image of the protagonist Oskar Matzerath. The subject of this research is the metaphor of stopped time. The time stops for Oscar with regards to physical and emotional development. Special attention is given to the fact that the protagonist of the novel, who comes into the world with adult intelligence, deliberately stops his development at the age of three. Using the indicated metaphor, the author of the novel forms the key traits of the image of the protagonists: perpetual child, demiurge, trickster. The novelty of this research and special contribution of the author consists in revelation of direct correlations between the aforementioned traits of the main character of the fundamental problems of human existence. A child who refuses to grow up, symbolizes infantilism and denial of the generally accepted socio-ethical norms. At the same time, G. Grass describes dissolution of the surrounding world and blames specific nation in the crimes against humanity, endowing Oskar Matzerath with the traits of trickster and demiurge. The acquired results can be used in textbooks on the history of foreign literature and culturology; as well as in writing term and graduation theses by students majoring in the humanities.

scholarly journals ANGUISH IN ALEXANDER DUMAS’ NOVEL THE COUNT OF MONTE CRISTO

2019 ◽  
Vol 3 (2) ◽  
pp. 217-224
Author(s):  
Hidayati Hidayati ◽  
Arifuddin Arifuddin ◽  
Zainab M Z. ◽  
Aflina Aflina
Keyword(s):  
Qualitative Method ◽  
Social Reality ◽  
Social Contexts ◽  
The Novel ◽  
Sociology Of Literature ◽  
Literary Works ◽  
Literary Research ◽  
Research Guidelines ◽  
French Writer ◽  
The Subject

The research is conducted based on the novel The Count of Monte Cristo, written by a French writer Alexander Dumas. The focus goes to anguish experienced by the protagonist of the novel, Edmond Dante, a young and handsome sailor with a brilliant prospects in career making him plunged into life of anguish. He is arrested for no reason, sent to jail with inhuman treatment. Descriptive qualitative method is applied to reveal that literary works are mirrors of all the occurrences in society. This is in line with the sociology of literature also implemented here as the approach to further analysis of the subject matters having three aspects to be used as a literary research guidelines: social contexts of the author, already showed by the author, literature as the reflection of society, revealed through the text tending to social reality and functions of literature as entertainer or remodel of society, exposed through the responses of the readers. The results show that the novel contains anguish subdivided into Non-procedural Arrest and Inhuman Imprisonment covering the whole study.

PADEŽI I PREDLOŠKO-PADEŽNE KONSTRUKCIJE SA SPACIJALNIM ZNAČENjEM U „ROMANU O TROJI“

Lipar ◽  
2020 ◽  
Vol XXI (73) ◽  
pp. 11-27
Author(s):  
Aleksandra Rakić ◽  
Keyword(s):  
The Novel ◽  
National Library ◽  
Case System ◽  
Slavonic Language ◽  
History Of ◽  
The Subject

The subject of this paper is the analysis of syntactic-semantic characteristics of case structures for expressing spatial meaning in The novel about Troy, with the aim of determining the inventory and frequency of certain structures. In this study the text of the novel from a Cyrillic manuscript of the Sofia National Library (No. 381, Proceedings 771) published by Allan Ringheim (1951) was used. Based on the analysis, it can be concluded that the spatiality in The novel about Troy is expressed by means of virtually identical constructions as in other texts written in the lower style of the Serbian recension of Old Slavonic language. Our corpus shows that two changes in the case system occurred in the history of the Serbian language: substitution of structures without preposition with prepositional case structures and reduction in the number of case structures.

Las libertades rotas en Ordesa de Manuel Vilas

2020 ◽  
Vol 20 (2) ◽  
pp. 75-82
Author(s):  
Natalia Szejko
Keyword(s):  
The Novel ◽  
History Of ◽  
The Subject ◽  
Shed Light

The purpose of this article is to shed light on the subject of freedom and its search in the novel Ordesa by Manuel Vilas. The book is composed of micro scenes and stories which are complemented with photos, and the totality evokes the sensation of sadness and nostalgy. The author combines the memories of his childhood, the history of his family and the history of Spain. The narration in the novel also transmits the sensation of abandonment, desperation and depression. The article analyzes Ordesa from the perspective of the psychological catharsis in which the narration of the pain leads to relief, applying the theories of Aristoteles, M. Bernays, S. Freud and J. Brauer as well as psychotherapeutic use of catharsis.

The Diaristic Form and Subjectivity under Khrushchev

Slavic Review ◽  
2014 ◽  
Vol 73 (4) ◽  
pp. 805-827 ◽  
Author(s):  
Anatoly Pinsky
Keyword(s):  
Literary History ◽  
Literary Form ◽  
The Novel ◽  
Soviet History ◽  
Soviet Literature ◽  
Growing Body ◽  
History Of ◽  
The Subject ◽  
Empirical Investigations

At the start of the post-Stalin period, writers and literary critics began to embrace the diaristic form as never before in Soviet history. In this article, I explore the gravitation toward this and other short and documentary genres. I foreground the subject of literary form, which has, I maintain, for too long remained in the background of scholarship on Soviet literature. The rise of a new privileged form was related dialogically to the emergence of a new normative subjectivity–one that called on citizens to engage in meticulous empirical investigations of Soviet life and to arrive at and advance their own critical conclusions about Soviet reality. In advancing these arguments, I revise the interpretations of Soviet literary history that have highlighted the significance of the novel, contributing to a growing body of scholarship on the history of Soviet subjectivity.

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