scholarly journals Curation and Presentation to Enrich Value on Intermedia Art in a Contamporary Art Exhibition

2019 ◽  
Vol 1 (1) ◽  
pp. 108-115
Author(s):  
Putri R.A.E. Harbie
Keyword(s):  
Contemporary Art ◽  
Research Method ◽  
Special Treatment ◽  
Film Festival ◽  
Art Exhibition ◽  
Aesthetic Value ◽  
Moving Image ◽  
Narrative Film ◽  
Main Message ◽  
Small Screen

The moving image has evolved into a very common medium used in both narrative and non-narrative way, exhibited in a film festival or art exhibition. Narrative film nowadays distributed digitally and can be exhibited in both the big screen and small screen (such as mobile phone, laptop screen, mini projector) without possibly losing any storytelling value. While non-narrative film/video mostly exhibited in a special treatment to enrich the main message. The small screen was commonly used to present this medium in an art exhibition. Art manager has a responsibility to curate and presents the intermedia works in order to reach either aesthetic value or financial value. There is a myth that intermedia art isn't a profitable collectible item, so when an artist uses the medium it was considered an artwork made for fun.  In this research, the writer will analyze small screen exhibition on one of the largest contemporary art exhibition in Yogyakarta, ARTJOG. The research method used was qualitative with literature, archive, and interview approach. Hopefully, this research will be a good discourse between moving image and fine art. 

scholarly journals Where is the authenticity of the contemporary art?

2017 ◽  
Vol 11 ◽  
pp. 214-218
Author(s):  
Carlota Santabárbara Morera
Keyword(s):  
Contemporary Art ◽  
Aesthetic Value ◽  
The Aesthetic ◽  
Historic Document

In the contemporary art, the conservation of the original matter is not as important as the conservation of the authenticity of the work, because of this it is very important to know the artist and his work, to be able to conserve the most important values. In this process it is very important the documentation and the research. Therefore the criteria of restoration has changed, we can not conserve the patina of the contemporary art as a historic document, if this means the loss of the aesthetic value of the work. Nowadays the art is different, and therefore its conservation is different too.

scholarly journals TRANSFORMASI RELIEF CANDI PRAMBANAN DALAM KARYA TUBUH RITUS TUBUH OLEH ANGGONO KUSUMO WIBOWO

2020 ◽  
Vol 19 (1) ◽  
pp. 66-76
Author(s):  
Siska Dwi Purwanti ◽  
Daryono Daryono
Keyword(s):  
Contemporary Art ◽  
Participatory Research ◽  
Research Method ◽  
Theory Of Change ◽  
Starting Point ◽  
Visual Expression ◽  
Change Transformation ◽  
Different Levels

Transformation is a process of changing form, nature, and so on into new forms without leaving the values that existed in the previous culture. The process of transformation always produces elements of novelty, both in terms of style, taste, and meaning even at different levels of change. Transformation in art does not only occur in similar arts. Ancient relics, for example, as one form of art can be a starting point to be interpreted into visual expression in contemporary art, including dance. Tubuh Ritus Tubuh is one of the dance works which is a form of transformation of the Prambanan Temple relief. This study tries to uncover the allegations of the  transformation of the Prambanan temple reliefs that can be observed on Tubuh Ritus Tubuh dance presentation. The problem of transformation is examined using the theory of change expressed by Lorens Bagus. The participatory research method carried out by the author is able to uncover the form of transformation found in certain parts of the dance presentation. Keywords: transformation, relief, Prambanan Temple, Tubuh Ritus Tubuh.

The rise of experimental film festivals in India

2019 ◽  
Vol 10 (1) ◽  
pp. 7-22
Author(s):  
Gauri Nori
Keyword(s):  
Case Studies ◽  
Experimental Film ◽  
Film Festival ◽  
Film Festivals ◽  
Moving Image ◽  
Cultural Organizations ◽  
Medium Section

Abstract This article will examine the emergence of independent platforms to screen radical and alternative cinema in India by tracing two case-studies: Experimenta, a biannual festival curated by Shai Heredia, and The New Medium section curated by Shaina Anand. While Experimenta has remained largely independent, relying on the support of established artists and cultural organizations, The New Medium section has managed to secure its place within the programme of the MAMI Mumbai Film Festival (MFF). Although their approach may differ, both curators are committed to promoting a culture of moving image experimentation in the country. Drawing on first-hand observations, interviews and scrutinizing festival ephemera, this article aims to identify the curatorial practices and strategies that have established these alternative film festivals both within the international film festival network and the larger film community in the country.

scholarly journals Analisis Pengaruh Penyimpanan terhadap Kadar Vitamin C pada Cabai Rawit (Capsicum frutuscens L) dan Cabai Merah Besar (Capsicum annum L) dengan Metode Spektrofotometri

2020 ◽  
Vol 5 (2) ◽  
pp. 108-119
Author(s):  
Rezqi Handayani ◽  
Nurul Qamariah ◽  
Tri Agung Rizky
Keyword(s):  
Vitamin C ◽  
Low Temperatures ◽  
Research Method ◽  
Storage Time ◽  
Oxidation Process ◽  
The Body ◽  
Special Treatment ◽  
Cold Temperatures ◽  
Capsicum Annum ◽  
The People

Chili is one of the fruits that contain vitamin C in a very large number. Vitamin C is one of the vitamins that is needed but cannot be synthesized in the body and has free radical antidote properties which will slow down the oxidation process that occurs in the body. One of the characteristics of vitamin C is a compound that is very easily oxidized due to the influence of heat, metal, and light so that in storage it needs special treatment to keep the levels low. One of the habits of the people in storing chili is in cold temperatures. This way trusted to maintain the condition of chili to always be fresh. But it is not yet known whether these conditions can guarantee vitamin C levels in them. Theoretically, the optimal storage for chili is at low temperatures between 2-15o C with humidity of 90-95% so that the chili remains fresh for � 20 days. This research is to find out whether or not there is an influence between storage time on vitamin C levels in cayenne pepper and red. The research method used was quantitative analysis by measuring vitamin C levels in chili using a spectrophotometric instrument. The storage day indicator used in this study is the first, second, fourth and sixth day and the temperature used is 4oC. The results of the study for vitamin C levels in fresh cayenne pepper were 88.19 � 1.39 mg/g, at two days storage was 82.04 � 1.34 mg/g, at four days storage was 78.43 � 1.02 mg/g and at six days storage was 78.17 � 2.05 mg/g. The results of the study for vitamin C levels in fresh red chili were 81.54 � 0.51 mg/g, at two days storage was 74.39 � 0.89 mg/g, at four days storage was 42.49 � 0.77 mg/g and at six days storage was 42.83 � 0.17 mg/g. Based on research that has been done on cayenne pepper and large red chili it can be concluded, that with 4oC temperature in storage for 2 days, 4 days and 6 days in the refrigerator the levels of vitamin C are not well maintained.

scholarly journals THE SPACE BETWEEN US

2020 ◽  
Author(s):  
Wilson Yeung Chun Wai ◽  
Estefanía Salas Llopis
Keyword(s):  
Contemporary Art ◽  
Visual Art ◽  
Cultural Exchange ◽  
Art Exhibitions ◽  
Art Exhibition ◽  
New Knowledge ◽  
Collective Innovation ◽  
Collective Creation ◽  
Different Cultures

This article explores how to integrate the collective creation of contemporary art exhibitions, and how to transform exhibition works into contemporary language and novel visual art materials, thereby generating cultural exchange between Australia and Spain. The Space Between Us (2017- ), co-curated by Australian artist-curator Wilson Yeung and Spanish artist Estefanía Salas Llopis, resolve these questions by examining the contemporary art exhibition. This paper also asks how to transform art exhibitions into laboratories, how artists and curators work together in a collective innovation environment, how collective creation generates new knowledge, and how to develop collective creation among creative participants from different cultures and backgrounds. 

scholarly journals Proposições para o futuro, proposições ético-estéticas: sobre a espacialidade depreendida na exposição “2012: proposições sobre o futuro”

GeoTextos ◽  
2013 ◽  
Vol 9 (2) ◽  
Author(s):  
Sibele Paulino
Keyword(s):  
Present Article ◽  
Contemporary Art ◽  
Art Exhibition ◽  
Important Resource ◽  
Works Of Art ◽  
The Future ◽  
Museum Of Contemporary Art ◽  
The Relationship

Este artigo trata da reflexão sobre a espacialidade proposta pela exposição de arte “2012: proposições sobre o futuro”, ocorrida em Curitiba, no Museu de Arte Contemporânea do Paraná. Constatou-se que a relação entre obra e visitante na perspectiva dessa “arte contemporânea” promove novas espacialidades, que simbolizam as que são criadas pelo sujeito da atualidade, mais autônomo na configuração de sua espacialidade, segundo Berdoulay e Entrikin. O olhar geográfico aqui proposto coaduna-se com a geografia voltada para as representações e resgata a noção de experiência proposta por Yi-Fu Tuan, pois, nas novas espacialidades desse novo sujeito, é ativada a percepção mais que seu conhecimento pré-adquirido. Assim, interessa-nos as representações daí advindas, como as obras artísticas, que são dependentes do diálogo e do ato responsivo de quem as “contempla”, para usarmos as expressões de Bakhtin, intelectual que também baseia nossa presente análise. Abstract PROPOSITIONS FOR THE FUTURE, ETHICAL AND ESTHETICAL PROPOSITIONS: ON THE SPATIALITY INFERRED FROM THE ART EXHIBITION “2012: PROPOSITIONS FOR THE FUTURE” The present article aims at analyzing the spatiality proposed by the art exhibition “2012: propositions for the future”, taken place at the Museum of Contemporary Art in Curitiba/ Brazil. It was verified that the relationship between works and visitor from the perspective of “contemporary art” promotes new spatialities that symbolize those created by individuals in the present, who, according to Berdoulay and Entrikin, are more independent in configuring their spatiality. The geographical view proposed by this article relates to the geography concerned about representations and can be traced back to Yi-Fu Tuan’s notion of experience, for in new spatialities configured by new individuals perception is a more important resource than previously acquired knowledge. Thus it is that our focus lies on representations sprung therefrom, such as works of art dependent on dialog and responsive attitudes. We took these expressions from Bakhtin, whose thinking also sets the basis for our present analysis.

scholarly journals KAJIAN FUNGSI ORNAMEN RUMAH TRADISIONAL KAMPUNG ARAB AL-MUNAWWAR

2018 ◽  
Vol 3 (1) ◽  
pp. 83
Author(s):  
Mukhsin Patriansyah ◽  
Yayan Hariansyah
Keyword(s):  
Natural Environment ◽  
Research Method ◽  
Qualitative Method ◽  
Residential Buildings ◽  
Descriptive Analysis ◽  
Major Influence ◽  
Original Form ◽  
Aesthetic Value ◽  
Aesthetic Values ◽  
Rule Out

The long journey of ornamental activity decorates the ancestors of South Sumatra who have given birth to various kinds of ornaments which are a reflection of their culture and natural environment to get outside influences through animism and dynamism, Hinduism and Islamization. The transition of the era has a major contribution to the ornamental activities of the ancestors of South Sumatra who experienced development and change. Islamic teachings have a major influence on the function and creation of traditional house ornaments in the Al-Munawwar village of Palembang, this can be seen from the motifs used which are sourced from nature. In its realization, the motif has been stylized in shape, so that the ornaments produced differ greatly from the original form. Arab Al-Munawwar villagers use ornaments to add aesthetic value to their residential buildings. The use of these ornaments can be seen from several sides such as doors, windows, ventilation, walls, room dividers, poles and so on. Does not rule out the possibility in the form of traditional house ornaments Arab Al-Munawwar village stored messages and meanings that are interesting to explore. The study in this study focuses more on aesthetic values, with the aim of tracing the structure that builds and expresses the symbolic values implied in the traditional house ornaments of the Al-Munawwar Arabian village of Palembang. The research method used is a qualitative method, with analytic descriptive analysis. The data is then identified, classified, selected, then analyzed and interpreted according to the text and context. AbstrakMasyarakat Kampung Arab Al-Munawwar memanfaatkan ornamen untuk menambah nilai estetis dari bangunan tempat tinggal mereka. Penggunaan ornamen ini bisa dilihat dari beberapa sisi seperti pintu, jendela, ventilasi, dinding, penyekat ruangan, tiang dan lain sebagainya. Tidak menutup kemungkinan di dalam wujud ornamen rumah tradisional Kampung Arab Al-Munawwar tersimpan pesan dan makna yang manarik untuk di telusuri. Kajian dalam penelitian ini lebih menitikberatkan pada nilai estetika, dengan tujuan untuk menelusuri struktur yang membangun dan mengungkapkan nilai simbolik yang tersirat dalam ornamen rumah tradisional Kampung Arab Al-Munawwar Palembang. Metode penelitian yang digunakan adalah metode kualitatif, dengan analisis deskriptif analitik. Data tersebut kemudian diidentifikasikan, diklasifikasi, diseleksi, selanjutnya dianalisis dan diinterpretasikan sesuai teks dan konteksnya.

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