scholarly journals Gail Jones’s Intertextual Mirrors: In the footsteps of Virginia Woolf

Oceánide ◽  
2020 ◽  
Vol 13 ◽  
pp. 120-126
Author(s):  
María Socorro Suárez Lafuente
Keyword(s):  
Virginia Woolf ◽  
Contemporary Literature ◽  
Individual Development ◽  
Contemporary Culture ◽  
Complex Operation ◽  
Three Generations ◽  
Culture History ◽  
The World

I aim to prove that the word, understood as “double-voiced”, as belonging to the world of the speaker and to the world of the interlocutor, and the life that is not life but is all we know, are the axis of storytelling and post modernist narrative. Derrida’s notion of “dissemination” and our individual strife to solve it are present in every work of literature. In this article I intend to show that, with a difference of approximately three generations, Australian Gail Jones follows in the steps of Virginia Woolf’s images of mirrors and looking glasses as cornerstones of reflection and reflexion about culture, history and individual development. Life and living have to be turned into stories in order to become “real”, visible, a vision that will open possibilities for change and advancement. To make this possible, writers need a reflective subject - a subject able to carry out this complex operation in contemporary literature has to possess the characteristics of a nómade subject, a term coined by Rosi Braidotti – that is, subjects ready to follow the traces left by apparent realities, ready to confront their own past and to subvert not only the certainties held as the Truth but also the norms that were given as a “must” in their contemporary culture in order to sustain those fictional truths, as explained by Michael Riffaterre.

Virginia Woolf and Being-in-the-world

2017 ◽  
Author(s):  
Emma Simone
Keyword(s):  
Virginia Woolf ◽  
Historical Context ◽  
The Political ◽  
Cartesian Dualism ◽  
Self And Other ◽  
The World ◽  
Binary Oppositions ◽  
The Individual ◽  
The Relationship ◽  
Existential Perspective

Virginia Woolf and Being-in-the-world: A Heideggerian Study explores Woolf’s treatment of the relationship between self and world from a phenomenological-existential perspective. This study presents a timely and compelling interpretation of Virginia Woolf’s textual treatment of the relationship between self and world from the perspective of the philosophy of Martin Heidegger. Drawing on Woolf’s novels, essays, reviews, letters, diary entries, short stories, and memoirs, the book explores the political and the ontological, as the individual’s connection to the world comes to be defined by an involvement and engagement that is always already situated within a particular physical, societal, and historical context. Emma Simone argues that at the heart of what it means to be an individual making his or her way in the world, the perspectives of Woolf and Heidegger are founded upon certain shared concerns, including the sustained critique of Cartesian dualism, particularly the resultant binary oppositions of subject and object, and self and Other; the understanding that the individual is a temporal being; an emphasis upon intersubjective relations insofar as Being-in-the-world is defined by Being-with-Others; and a consistent emphasis upon average everydayness as both determinative and representative of the individual’s relationship to and with the world.

Modernism, Empiricism, and Rationalism

2016 ◽  
Vol 46 (1) ◽  
pp. 38-47
Author(s):  
Geoffrey Squires
Keyword(s):  
Twentieth Century ◽  
The Other ◽  
Modern Poetry ◽  
Philosophical Perspective ◽  
Irish Poetry ◽  
Dimensional Spectrum ◽  
Culture History ◽  
The World ◽  
The Impact ◽  
Rule Out

Modernism is usually defined historically as the composite movement at the beginning of the twentieth century which led to a radical break with what had gone before in literature and the other arts. Given the problems of the continuing use of the concept to cover subsequent writing, this essay proposes an alternative, philosophical perspective which explores the impact of rationalism (what we bring to the world) on the prevailing empiricism (what we take from the world) of modern poetry, which leads to a concern with consciousness rather than experience. This in turn involves a re-conceptualisation of the lyric or narrative I, of language itself as a phenomenon, and of other poetic themes such as nature, culture, history, and art. Against the background of the dominant empiricism of modern Irish poetry as presented in Crotty's anthology, the essay explores these ideas in terms of a small number of poets who may be considered modernist in various ways. This does not rule out modernist elements in some other poets and the initial distinction between a poetics of experience and one of consciousness is better seen as a multi-dimensional spectrum that requires further, more detailed analysis than is possible here.

The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature

2020 ◽  
Keyword(s):  
Virginia Woolf ◽  
Pacific Islands ◽  
The United States ◽  
Global Studies ◽  
East Europe ◽  
The Pacific ◽  
The World ◽  
North And South America ◽  
Multiple Languages ◽  
North And South

This book considers the global responses Woolf’s work has inspired and her worldwide impact. The 23 chapters address the ways Woolf is received by writers, publishers, academics, reading audiences, and students in countries around the world; how she is translated into multiple languages; and how her life is transformed into global contemporary biofiction. The 24 authors hail from regions around the world: West and East Europe, the Middle East/North Africa, North and South America, East Asia and the Pacific Islands. They write about Woolf’s reception in Ireland, France, Italy, Germany, Poland, Estonia, Russia, Egypt, Kenya, Mexico, Argentina, Uruguay, Brazil, the United States, China, Japan and Australia. The Edinburgh Companion is dialogic and comparative, incorporating both transnational and local tendencies insofar as they epitomise Woolf’s global reception and legacy. It contests the ‘centre’ and ‘periphery’ binary, offering new models for Woolf global studies and promoting cross-cultural understandings.

XXVI. Maurice Barrès as a Romanticist

PMLA ◽  
1926 ◽  
Vol 41 (2) ◽  
pp. 462-487
Author(s):  
Frederic D. Cheydleur
Keyword(s):  
Comparative Study ◽  
Contemporary Literature ◽  
The Political ◽  
New Order ◽  
Profound Influence ◽  
The World ◽  
French Culture ◽  
Pierre Loti ◽  
Literary Movements

During the last two and a half years France has lost three great writers, Pierre Loti, Anatole France, and Maurice Barrès. Loti, because of his impressionistic novels of the most artistic kind which record his tireless quest of sensations in all countries of the world, France, because of his epicurean philosophy and Voltairean wit expressed in two-score works of the most finished style, and Barrès, because of his triple rôle of author, politician, and leader of traditionalism in France,—all three have left a profound influence on the contemporary literature of their country. Of these three, Barrès, in spite of the conceit of his early egotism, the narrowness of his nationalism, and the occasional arrogance of his confidence in the superiority of French culture, is by far the most highly endowed and representative; and on this account his work will receive more and more attention from serious students of the political, social, and literary movements of the last thirty years in France. He was one of the first to make his voice heard against the extreme naturalism of Zola and his school; he founded a group of enthusiastic young writers striving toward a new order of things; and, after a period of hesitation, he stood forth as the champion of the best traditions of his country. The purpose of this paper is not, however, to make a comparative study of the relative greatness of these three writers, but rather to trace the struggle between the classical and romantic elements in Barrès' composition, and to show that the latter were not only predominant in his first writings but continued to the end of his life as a strong undercurrent in his novels and books of travel.

scholarly journals Autonomia świata a podmiotowość człowieka w ekoteologii

2010 ◽  
Vol 8 (1) ◽  
pp. 117-131
Author(s):  
Jarosław Horowski
Keyword(s):  
Modern World ◽  
Ecological Problem ◽  
Human Beings ◽  
Contemporary Culture ◽  
Inherent Value ◽  
The Bible ◽  
Teleological Argument ◽  
Christian Worldview ◽  
The World ◽  
Human World

One of the most difficult problems, which is to be solved by contemporary culture, is the ecological problem. It concerns the culture because the hedonistic and consumerist mentality of man plays an important part in it. Biocentrism states that the ecological problem results from traditional Western attitudes to the non-human world based on the belief that humans are the central and most significant entities in the universe. Biocentrism puts forward a teleological argument for the protection of the environment. It indicates that non-human species have inherent value as well and each organism has a purpose and a reason for being, which should be respected. Biocentrism states that the anthropocentric attitude to the non-human world results from the Christian worldview based on the Bible where it is written that God gives man dominion over all creatures. The author analyses the main issues of the Catholic concept of the relationship between human beings and other creatures. He indicates that ecotheology respects the inherent value of non-human creatures because, as the Pastoral Constitution on the Church in the modern world Gaudium et spes says: “all things are endowed with their own stability, truth, goodness, proper laws and order”, but maintains that the purpose of the world is connected with its relationship to God. The author considers also what is the human subjectivity in behaving towards the environment and what is the dependence between the autonomy of the world and the subjectivity of man in ecotheology. In the end, the author comes to the conclusion that according to ecotheology the ecological problem results from the broken relationship between the human and God and in consequence it the broken relationship between the world and God.

scholarly journals Exhibiting an Unapologetic Fascist: Mario Sironi

Perceptions ◽  
2018 ◽  
Vol 4 (2) ◽  
pp. 20
Author(s):  
Fiona Fackler
Keyword(s):  
Public Perceptions ◽  
The Political ◽  
Contemporary Culture ◽  
National History ◽  
Work Of Art ◽  
The Public ◽  
Public Displays ◽  
Contemporary Politics ◽  
The World ◽  
Primary Focus

Benito Mussolini's Fascist dictatorship over Italy in the period between world wars remains a troubling element of the nation's history. It has heavily affected the contemporary politics and public displays of in addition to scholarship about the thriving artistic scene of that time, yet, the weight of Italy's Fascist legacy has either comprised the primary focus of or been entirely absent from studies on art in the 1920s-1930s until a recent academic interest in reinvestigating the political and cultural atmosphere of the period. This paper underlines the importance of such renewed critical interests in chapters of painful history and how those interests can influence public perceptions of national history and its outreach into contemporary culture. Specifically, I will examine the written and exhibited discrepancies between the life of the painter Mario Sironi under the regime and the life of selected paintings that perpetuate his existence in contemporary Italy. By comparing La Famiglia del Pastore in "Roma Anni Trenta: La Galleria d'Arte Moderna e Le Quadriennali (1931 - 1935 - 1939)" at the Galleria d'Arte Moderna and La Solitudine in "Time is Out of Joint" at the Galleria Nazionale I will analyze how exhibitions of art shape the Italian public's reception of this period. I contend that certain exhibiting styles can either deepen public reception and consideration for a work of art and the time from which it stems or can reduce understanding to that inspired by instantaneous connections, dependent on the institution's or curator's approach to context. For, no trip to a museum is simply a trip to a museum – whether actively or passively, museums shape how the public approaches the works in its halls and through these works, how the public approaches themselves and the world surrounding them.

scholarly journals Map-and-territory of modern geopoetics: sources and artistic practice

2020 ◽  
pp. 113-120
Author(s):  
O. O. Brovko ◽  
Keyword(s):  
Cultural Landscape ◽  
Contemporary Literature ◽  
Root Cultures ◽  
Artistic Practice ◽  
Methodological Basis ◽  
The World ◽  
Local Space ◽  
Modern Fiction

The purpose of this article is an attempt to outline the specifics of artistic mapping in contemporary literature through conceptualization to understand the „map” and territory "in the context of geopoietics studios. Philosophical and cultural works, which supplement the theoretical and methodological base of geopoetics, were chosen as the methodological basis for the research. Metaphor „A map is not the territory” (Alfred Korzybski) serves to explain the representation of the world, the description of reality. Artistic expictations of cartography are considered on the material of the works „Voroshilovgrad” by Sergey Zhadan, „The Map and the Territory” by Michel Welbeck, „Certain Judgments about Byzantium” by Velimir Churgus Kazimir. This article analyzes the problem of reality and literature interrelation and the problem of man and landscape relations. It is memory and place through the landscape that allow to connect local, ethnic and global aspects into a single whole. Cultural and civilization projections, map and territory designs are perceived in modern humanities as a manifestation of struggle and mutual overlay of „tree” and „root” cultures. The research of the transcultural communications in the artistic space, allows to define modern aesthetics as the universalistic functions. Local space and limited geo-cultural landscape inspires individual mythology of modern writers. In modern fiction we often observe incorporation of historical facts, fragments of pseudo-documents, description of real landscapes and maps of invented territories into the text.

scholarly journals From Japanese Schulz to Polish Parnicki – around the year 1974

2019 ◽  
Vol 26 ◽  
pp. 487-500
Author(s):  
Tokimasa Sekiguchi
Keyword(s):  
French Literature ◽  
World Literature ◽  
Contemporary Literature ◽  
Witold Gombrowicz ◽  
Polish Literature ◽  
The World ◽  
Polish Language ◽  
The 1960S ◽  
Polish Government ◽  
Bruno Schulz

The major works by Bruno Schulz and Witold Gombrowicz were translated into Japanese in the 1960s, mainly by Yukio Kudō. I was enchanted by those Japanese texts to such an extent that I decided to abandon French literature and switch to Polish contemporary literature. In 1974, I came to Poland on a post-graduate fellowship of the Polish government, and I began studies in literature and the Polish language at the Jagiellonian University. During that two-year stay in Krakow, my view of Polish literature changed several times. The phase well established in the Japanese translations I had known ended quickly. Then I began to “hunt” for promising Polish authors not yet present in world literature. I thus discovered the prolific, esoteric and difficult Teodor Parnicki (1908–1988). This essay is my description of my “penetrating” the world of the Polish language at that time.

THE CONCEPT OF CHRONOTOPE IN THE NOVEL “MRS DALLOWAY” BY V. WOOLF

2020 ◽  
Vol XIII (XIII) ◽  
pp. 92-101
Author(s):  
E.Yu. Makarova ◽  
Keyword(s):  
Virginia Woolf ◽  
Social Classes ◽  
The Novel ◽  
Continuous Sampling ◽  
The World ◽  
Spatio Temporal ◽  
Modern Era

This article deals with the concept of chronotope in the text of the novel "Mrs. Dalloway” by Virginia Woolf. Certain characteristics of chronotope exemplifying these concepts were selected and analyzed, the former serving as an integral part of the analysis of works of the modern era. As a result of a continuous sampling and subsequent analysis of the text of the novel, we concluded that despite the contrast of the characters from different social classes, they are united by a single spatio-temporal continuum regulated by the chronotope. Virginia Woolf managed to accurately and truthfully convey the atmosphere of 1923, as she was a direct witness to the events taking place in the country and the world at that time.

On Global English and the Transmutation of Postcolonial Studies into “Literature in English”

1999 ◽  
Vol 8 (1) ◽  
pp. 51-80
Author(s):  
Rita Raley
Keyword(s):  
World Literature ◽  
Postcolonial Studies ◽  
The Other ◽  
Cultural Imperialism ◽  
Diaspora Studies ◽  
Contemporary Culture ◽  
Global English ◽  
The World ◽  
The One ◽  
Language Question

What does it signify to speak of a World Literature in English? In what ways might diaspora studies and transnationalism be linked to the contemporary phenomenon of global English, with a mode of comprehending the world that holds English at its center? What can diaspora studies and transnationalism learn from the “language question” frequently raised in discussions of both cultural imperialism and postcolonial writing? What can they learn from the question of globalism now so ubiquitous in contemporary criticism? How does the Literature in English concept relate, on the one hand, to Edouard Glissant's outline of the “liberation” that results from compromising major languages with Creoles (250), and, on the other, to Fredric Jameson's implicit yearning for a philosophical universal linguistic standard not circumvented by linguistic heteroglossia (16-7)? These questions outline the conceptual terrain of this article, in which I read the discursive transmutation of the discipline of Postcolonial Studies into “Literature in English” as both symptom and cause of the emerging visibility of global English as a recognizable disciplinary configuration situated on the line between contemporary culture and the academy. Over the course of this article, I chart this discursive transmutation and its necessary preconditions—the critical investiture in the “global,” the renewed attention to dialects, the abstraction of the “postcolonial”—as a way of articulating profound reservations about the “new universalisms,” of which Literature in English is a primary instance.

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