scholarly journals Die kommunikatiewe struktuur in eietydse gereformeerde prediking – van liniêre na sirkulêre gang?

2006 ◽  
Vol 40 (4) ◽  
Author(s):  
F. W. De Wet

Communicative structure in contemporary reformed preaching – from linear to circular process? Reformed preaching stems from a tradition in which Scripture has been viewed as the primary source for composing a sermon (the Sola Scriptura principle). In this tradition a sermon is composed starting with the exposition of the text, and then proceeding to the application of its message in the context of contemporary listeners. This process may lead to the perception that the communicative structure of this kind of preaching functions in a linear fashion. Since the second half of the twentieth century ever-stronger critical voices have surfaced against a linear communicative structure in preaching, and a tendency to emphasise listeners’ needs has manifested itself. Hermeneutical interchange between text and listener in the process of understanding has become the prime concern. The result of this new focus has been a growing trend among homiletical scholars to define and qualify the communicative structure in a sermon as a circular process. Taking note of critical voices against the traditional linear model, it is thus attempted to investigate the possibility of a third way – a way in which the authority of the message of the biblical text with the unchanging truth that proceeds from it, as well as the unique- ness of the situation of contemporary listeners is fully taken into account. The point of departure is taken in a spatial model in which the simultaneous action of listening to the text as well as to contemporary listeners is anchored in an underlying depth-structure, that is, the pneumatological anchoring of faith in the living Christ.

2006 ◽  
Vol 2 (1) ◽  
pp. 70-79 ◽  
Author(s):  
Ben Highmore

From a remarkably innovative point of departure, Ben Highmore (University of Sussex) suggests that modernist literature and art were not the only cultural practices concerned with reclaiming the everyday and imbuing it with significance. At the same time, Roger Caillois was studying the spontaneous interactions involved in games such as hopscotch, while other small scale institutions such as the Pioneer Health Centre in Peckham, London attempted to reconcile systematic study and knowledge with the non-systematic exchanges in games and play. Highmore suggests that such experiments comprise a less-often recognised ‘modernist heritage’, and argues powerfully for their importance within early-twentieth century anthropology and the newly-emerged field of cultural studies.


Author(s):  
Adrian Daub

Arnold Schoenberg and Thomas Mann, two towering figures of twentieth-century music and literature, both found refuge in the German-exile community in Los Angeles during the Nazi era. This complete edition of their correspondence provides a glimpse inside their private and public lives and culminates in the famous dispute over Mann's novel Doctor Faustus. In the thick of the controversy was Theodor Adorno, then a budding philosopher, whose contribution to the Faustus affair would make him an enemy of both families. Gathered here for the first time in English, the letters are complemented by diary entries, related articles, and other primary source materials, as well as an introduction that contextualizes the impact that these two great artists had on twentieth-century thought and culture.


2020 ◽  
Vol 44 (2) ◽  
pp. 100-118
Author(s):  
Kristin M. Franseen

Beginning with the “open secret” of Benjamin Britten and Peter Pears's relationship and continuing through debates over Handel's and Schubert's sexuality and analyses of Ethel Smyth's memoirs, biography has played a central role in the development of queer musicology. At the same time, life-writing's focus on extramusical details and engagement with difficult-to-substantiate anecdotes and rumors often seem suspect to scholars. In the case of early-twentieth-century music research, however, these very gaps and ambiguities paradoxically offered some authors and readers at the time rare spaces for approaching questions of sexuality in music. Issues of subjectivity in instrumental music aligned well with rumors about autobiographical confession within Tchaikovsky's Symphony No. 6 (Pathétique) for those who knew how to listen and read between the lines. This article considers the different ways in which the framing of biographical anecdotes and gossip in scholarship by music critic-turned-amateur sexologist Edward Prime-Stevenson and Tchaikovsky scholar Rosa Newmarch allowed for queer readings of symphonic music. It evaluates Prime-Stevenson's discussions of musical biography and interpretation in The Intersexes (1908/9) and Newmarch's Tchaikovsky: His Life and Works (1900), translation of Modest Tchaikovsky's biography, and article on the composer in Grove's Dictionary of Music and Musicians to explore how they addressed potentially taboo topics, engaged with formal and informal sources of biographical knowledge (including one another's work), and found their scholarly voices in the absence of academic frameworks for addressing gender and sexuality. While their overt goals were quite different—Newmarch sought to dismiss “sensationalist” rumors about Tchaikovsky's death for a broad readership, while Prime-Stevenson used queer musical gossip as a primary source in his self-published history of homosexuality—both grappled with questions of what can and cannot be read into a composer's life and works and how to relate to possible queer meanings in symphonic music. The very aspects of biography that place it in a precarious position as scholarship ultimately reveal a great deal about the history of musicology and those who write it.


2020 ◽  
pp. 135-151
Author(s):  
Tomasz Lisowski ◽  

In a verse of Act 23,23 in Biblia gdańska (1632) translated by Daniel Mikołajewski, an equivalent of Greek lexeme δεξιόλαβος ‘probably a spearman or slinger’, the noun drabant is used, which is unique, compared to its counterpart – oszczepnik – in Biblia translated by JakubWujek (1599). It may have been borrowed from the Czech language in the second half of the 16th century. In the Polish language of the time it was not a very widespread lexeme, maybe of erudite nature. It appeared in the text of Biblia gdańska taken from the Czech Biblia kralicka. Among Protestants at that time, as a military term, it could have evoked associations with the religious Hussite Wars. The lexeme drabant survived in the biblical text of the Evangelist circles until the second half of the twentieth century. Given the fact that in that century it was already an archaic word, it was not used in new testament translations which followed the translational tradition of Biblia gdańska. And probably it became fixed in the consciousness of the faithful of Evangelist churches as a memorable reminder of the past. For centuries that lexeme, along with other lexemes characteristic of Biblia gdańska caused lexical distinctiveness of that Evangelist translation compared to the Catholic translation by Jakub Wujek.


Author(s):  
Will Cooley

This chapter examines the historical evolution of Chicago’s African American underground economy. During the first decades of the twentieth-century games of chance associated with cards and dice were the primary source of gambling revenue in black Chicago. By the early 1930s, this facet of the underground economy had been surpassed by policy, also referred to as “the numbers game.” An important linkage between these two periods was that gambling proprietors funneled some of their profits back into the larger community. Later in the twentieth century, gang-controlled drug trafficking became the primary manifestation of black Chicago’s underground economy. Unlike the earlier period’s relatively violence-free focus on games of chance, the selling of illicit drugs by street gangs turned black Chicago into a battleground.


2021 ◽  
pp. 1-22
Author(s):  
James D. Strasburg

The introduction sketches out the theological, diplomatic, and political commitments of ecumenical and evangelical Protestantism in twentieth century America. It likewise discusses the twentieth-century origins of Christian nationalism and Christian globalism in American Protestant thought, surveying in particular how the two world wars and onset of the Cold War both activated and refined these competing theologies of global engagement. Beyond the American context, it outlines the German Protestant pushback to American efforts to reconstruct Germany on an American basis. Wrestling with the legacy of their own nationalist theologies, German Protestants drew on the devastation of the Second World War to outline a new “third way” theology that positioned Protestant churches as global mediators within the intense ideological landscape of the Cold War. When a growing number of American Protestants found themselves converted to this line of thought, it became clear that their efforts to remake Europe had in fact begun to remake them.


Black Boxes ◽  
2021 ◽  
pp. 23-48
Author(s):  
Marco J. Nathan

This chapter outlines the development of the reductionism vs. antireductionism debate, which has set the stage for philosophical analyses of science since the early decades of the twentieth century. The point of departure is the rise and fall of the classical model of reduction, epitomized by the work of Ernest Nagel. Next is the subsequent forging of the “antireductionist consensus” and the “reductionist anti-consensus.” The chapter concludes by arguing how modest reductionism and sophisticated antireductionism substantially overlap, making the dispute more terminological than it is often appreciated. Even more problematically, friends and foes of reductionism share an overly restrictive characterization of the interface between levels of explanation. Thus, it is time for philosophy to move away from these intertwining strands, which fail to capture the productive interplay between knowledge and ignorance in science, and to develop new categories for charting the nature and advancement of science.


Author(s):  
Timothy H. Lim

This chapter introduces the reader to a close study of the Habakkuk Pesher, its historical allusions, and relevance for the origins of the sectarian communities reflected in the Dead Sea Scrolls. Beginning with the scroll itself (1QpHab), its physical dimensions, and scribal practices, this chapter provides the latest discussion of palaeography, source and comparative criticism. A distinct feature is the focus on the biblical text of the prophecy of Habakkuk as the primary source of the pesherist’s comments. It is argued that the pesherist imitates the biblical style. This chapter also discusses the historical references embedded in the scroll, notably concerning the Kittim, the wicked and the righteous.


Author(s):  
James Gouinlock

The philosophy of John Dewey is original and comprehensive. His extensive writings contend systematically with problems in metaphysics, epistemology, logic, aesthetics, ethics, social and political philosophy, philosophy and education, and philosophical anthropology. Although his work is widely read, it is not widely understood. Dewey had a distinctive conception of philosophy, and the key to understanding and benefiting from his work is to keep this conception in mind. A worthwhile philosophy, he urged, must be practical. Philosophic inquiry, that is, ought to take its point of departure from the aspirations and problems characteristic of the various sorts of human activity, and an effective philosophy would develop ideas responsive to those conditions. Any system of ideas that has the effect of making common experience less intelligible than we find it to be is on that account a failure. Dewey’s theory of inquiry, for example, does not entertain a conception of knowledge that makes it problematic whether we can know anything at all. Inasmuch as scientists have made extraordinary advances in knowledge, it behoves the philosopher to find out exactly what scientists do, rather than to question whether they do anything of real consequence. Moral philosophy, likewise, should not address the consternations of philosophers as such, but the characteristic urgencies and aspirations of common life; and it should attempt to identify the resources and limitations of human nature and the environment with which it interacts. Human beings might then contend effectively with the typical perplexities and promises of mortal existence. To this end, Dewey formulated an exceptionally innovative and far-reaching philosophy of morality and democracy. The subject matter of philosophy is not philosophy, Dewey liked to say, but ‘problems of men’. All too often, he found, the theories of philosophers made the primary subject matter more obscure rather than less so. The tendency of thinkers is to become bewitched by inherited philosophic puzzles, when the persistence of the puzzle is a consequence of failing to consider the assumptions that created it. Dewey was gifted in discerning and discarding the philosophic premises that create needless mysteries. Rather than fret, for instance, about the question of how immaterial mental substance can possibly interact with material substance, he went to the root of the problem by challenging the notion of substance itself. Indeed, Dewey’s dissatisfaction with the so-called classic tradition in philosophy, stemming at least from Plato if not from Parmenides, led him to reconstruct the entire inheritance of the Western tradition in philosophy. The result is one of the most seminal and fruitful philosophies of the twentieth century.


Author(s):  
Esteban Torre

El 15 de octubre de 2015 se cumplen 150 años de la muerte de Andrés Bello. En este trabajo –homenaje a la obra del ilustre filólogo venezolano– se estudia su original doctrina sobre la cantidad silábica, así como su concepción del verso como unidad rítmica, delimitada por la pausa final. Se lleva a cabo un detenido análisis comparativo con las ideas métricas de diversos autores de los siglos XIX y XX, partiendo de los precedentes de los siglos XV-XVIII.October 15th, 2015, marks the 150th anniversary of the death of Andrés Bello. In this tribute study of the work of the prestigious Venezuelan philologist, his individualistic doctrine on syllabic quantity is analyzed, together with his conception of the verse-line as a rhythmic unit marked off by an end-pause. A close comparative analysis is undertaken with the ideas on meter of a range of nineteenth and twentieth-century authors, while using as a point of departure those who belong to the period spanning the fifteenth to the eighteenth centuries.


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