scholarly journals KAJIAN STRUKTURAL CERPEN KARANGAN SISWA KELAS IX MTS AL-FURQON KLARI KARAWANG DAN PEMANFAATANNYA SEBAGAI RENCANA PELAKSANAAN PEMBELAJARAN

2021 ◽  
Vol 9 (1) ◽  
pp. 14-29
Author(s):  
Ulfa Siti Nurfalah
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Life Experiences ◽  
Point Of View ◽  
Personal Life ◽  
Implementation Plan ◽  
Story Structure

This study aims to describe the structure of the story through intrinsic elements, namely the facts of the story and literary means contained in short stories written by students of class IX MTs Al-Furqon Klari Karawang and their use as a Learning Implementation Plan (RPP). Sources of data in this study were several short stories written by students of class IX MTs Al-Furqon Klari Karawang. The data in this study are statements or sentences written in short stories written by students describing Robert Stanton's structuralism and categorized into two parts, namely the facts of the story and literary means. The results of this study reveal that the short stories written by students of class IX MTs Al-Furqon Klari Karawang mostly describe the personal life experiences of the author. The short story composition has a story structure in terms of intrinsic elements, namely the facts of the story, namely in terms of plot, characters, setting and theme. Not only in terms of the facts of the story but literary means which can be divided into five parts, namely; title, point of view, style and tone, symbolism and irony. Abstrak Penelitian ini bertujuan mendeskripsikan struktur cerita melalui unsur intrinsik yakni fakta-fakta cerita dan sarana-sarana sastra yang terdapat dalam karangan cerpen karya siswa kelas IX MTs Al-Furqon Klari Karawang beserta pemanfaatannya sebagai Rencana Pelaksanaan Pembelajaran (RPP). Sumber data dalam penelitian ini adalah beberapa karangan cerpen siswa kelas IX MTs Al- Furqon Klari Karawang. Data dalam penelitian ini adalah pernyataan atau kalimat yang tertuang dalam teks cerpen karangan siswa yang mendeskripsikan strukturalisme Robert Stanton dan dikategorikan menjadi dua bagian yaitu fakta- fakta cerita dan sarana-sarana sastra. Hasil penelitian ini mengungkapakan bahwa pada karangan cerpen karya siswa kelas IX MTs Al-Furqon Klari Karawang ini sebagian besar menggambarkan pengalaman kehidupan pribadi pengarang. Karangan cerpen tersebut memilki struktur cerita dari segi unsur intrinsik yakni fakta-fakta cerita yaitu dari segi alur, karakter, latar dan tema. Tidak hanya dari segi fakta-fakta cerita melainkan sarana-sarana sastra yang dapat dibagi menjadi lima bagian yakni; judul, sudut pandang, gaya dan tone, simbolisme dan ironi. Karangan cerpen tersebut terdapat dua pokok pembahasan yang akan dianalisis yaitu, kajian struktural Robert Stanton dan pemanfaatannya sebagai rencana pelaksanaan pembelajaran. Kata Kunci: Kajian Struktural, Fakta-Fakta Cerita, Sarana-Sarana Sastra, Rencana Pelaksanaan Pembelajaran

POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY GUY DE MAUPASSANT: CHARACTER IN SEARCH OF SELF-IDENTIFICATION

2018 ◽  
pp. 20-27
Author(s):  
Oksana Galchuk
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Institutions ◽  
Point Of View ◽  
Guy De Maupassant ◽  
Traditional Values ◽  
The Social ◽  
Role Of It ◽  
Structural Methods

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.

Menelusuri Bentang Alam Dalam Karya Sastra Yang Bertema Lingkungan Alam

Jurnal KATA ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 89
Author(s):  
Nanny Sri Lestari
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Natural Environment ◽  
Human Life ◽  
Space Communications ◽  
Story Structure ◽  
Literary Works ◽  
Media Space ◽  
The Media ◽  
The Subject

<p>Sebuah peristiwa, dalam kehidupan manusia, dapat menjadi inspirasi bagi penulisan sebuah cerita. Pengarang, sebagai bagian dari masyarakatnya, mengangkat relung-relung kehidupan manusia, ke dalam sebuah cerita. Namun harus dipahami, bahwa pengalaman pengarang dalam kehidupannya sehari-hari, juga mempengaruhi subjek yang ditulisnya. Saat ini tidak dapat dipungkiri lagi, bahwa teknologi komunikasi yang sangat canggih, telah mempengaruhi perkembangan karya sastra. Media penulisan karya sastra, tidak lagi melalui media cetak seperti kertas tetapi sudah melalui peralatan modern yang sesuai jamannya. Namun demikian ragam karya sastra prosa, seperti cerita pendek, justru mampu mengisi ruang media kommunikasi tersebut. Dua orang pengarang, yang menulis cerita pendek di media masa, berusaha mengangkat isu tentang lingkungan. Isu yang diangkat, lebih menekankan kepada masalah lingkungan alam dengan mengangkat isu tentang pohon sebagai bagian dari kehidupan manusia. Tujuan penelitian ini, untuk menelusuri struktur cerita pendek yang mengangkat isu lingkungan dalam jalinan ceritanya. Untuk memenuhi tujuan penelitian, langkah awal dari penelitian ini, adalah melakukan pendekatan struktur cerita, yang kemudian dikaitkan dengan pencarian makna cerita tersebut. Sering sekali di balik sebuah cerita ada pesan yang ingin disampaikan kepada masyarakat pembacanya. Bentuk pesan tersebut tersirat, dalam jalinan struktur cerita pendek tersebut. Pesan yang disampaikan, dalam kedua cerita pendek tersebut,  adalah pesan tentang lingkungan alam, yang  saat ini tidak pernah diperhatikan oleh masyarakat. Dengan alasan, kebutuhan ekonomi yang sangat dominan.</p><p><em>An event, in human life, can be an inspiration for writing a story. The author, as a part of his society, lifts the niches of human life, into a story. But it must be understood, that the author's experience in everyday life, also affects the subject he wrote.</em><em> </em><em>Today it is undeniable, that highly sophisticated communication technology, has influenced the development of literary works. Media writing literature, no longer through print media such as paper but have been through modern equipment that fit his era.</em><em> </em><em>However, the variety of prose literary works, such as short stories, is able to fill the media space communications. Two authors, who write short stories in the mass media, try to raise issues about the environment. Issues raised, more emphasis on the issue of the natural environment by raising the issue, about the tree as part of human life. The purpose of this research, is to trace the structure of short stories, which raised environmental issues in the composition of the story. To fulfill the purpose of research, the first step of this research, is to approach the structure of the story, which is then linked with the search for the meaning of the story. Very often, behind a story, there is a message to be conveyed to the readers. The form of the message is implied, in the composition of the short story structure. The message conveyed, in both short stories, is a message about the natural environment, which today is never noticed by society. The message conveyed, in both short stories, is a message about the natural environment, which today is never noticed by society.</em></p>

scholarly journals Edogawa Rampo’s short story Kagami Jigoku: A Structural Study

KIRYOKU ◽  
2020 ◽  
Vol 4 (1) ◽  
pp. 7-17
Author(s):  
Yuliani Rahmah
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Japanese Society ◽  
Modern Technology ◽  
Point Of View ◽  
The Other ◽  
Cultural Aspects ◽  
Analysis Process ◽  
Structural Methods ◽  
Modern Era

The purpose of this research is to analyze the intrinsic elements found in the short story Kagami Jigoku by Edogawa Rampo. By using structural methods the analysis process  find out the intrinsic elements which builds  the Kagami Jikoku short story. As a result it is known that the Kagami Jikoku is a short story with a mystery theme as the hallmark of Rampo as its author. The characteristic of this short story can be seen from the theme which raised the unusual obsession problem of the main characters. With the first person point of view which tells in unusual way from the other short stories, the regression plot in Kagami Jikoku is able to tell the unique phenomenon of Japanese society and its modern technology through elements of place, time and socio-cultural aspects of Japanese society in the modern era

scholarly journals PENGARUH KOLONIALISME TERHADAP PERUBAHAN PSIKOLOGIS WANITA PRIBUMI DALAM CERPEN “PEREMPUAN DALAM PERANG” KARYA CHINUA ACHEBE

2016 ◽  
Vol 5 (1) ◽  
pp. 35
Author(s):  
Karyono Karyono
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Point Of View ◽  
Close Reading ◽  
Chinua Achebe ◽  
African Society ◽  
African Countries ◽  
Native Women ◽  
Psychological Suffering ◽  
Inferior Class

Cerpen “Perempuan dalam Perang” merupakan salah satu cerpen yang terdapat dalam Kumpulan Cerpen Afrika: Kenapa Tidak Kau Pahat Binatang Lain. Kumpulan cerpen terbit tahun 2005 dan diterjemahkan oleh Sapardi Djoko Damono. Cerpen ini menceritakan  masa keterpurukan Negara Afrika yang  menjadi sorotan para kolonialis untuk menjajahnya. Masyarakat Afrika diperlakukan sebagai golongan inferior di tanah mereka oleh pihak Barat, akibat  konflik yang terjadi berkenaan dengan sosiologis dan psikologis penderitaan wanita pribumi dalam kolonialisme. Salah satu penderitaan psikologis yang dialami oleh masyarakat pribumi, yaitu perubahan ideologi yang menuju kemerosotan moral. Banyak dari mereka yang berpindah tempat, berpindah pola pikir, dan berubah dalam tindakan.  Metode yang digunakan adalah close reading, dengan menggunakan pendekatan teori poskolonialisme yang akan dihubungkan dengan prespektif feminisme  karena dalam cerita ini terkandung isu gender yang cukup kental.  Yang terjadi dalam cerpen “Perempuan dalam Perang” adalah perubahan pola pikir seorang wanita yang berjuang melawan penjajah, berubah menjadi seorang yang berjuang untuk dirinya. Wanita itu berusaha memertahankan hidupnya dengan menjual harga dirinya. Isu gender juga melekat dalam cerpen ini. Dilihat dari sudut pandang feminisme, ada hal-hal yang dibenarkan dalam pola pikir feminis dan ada  penyimpangan-penyimpangan yang mengakibatkan perspektif feminis tidak dihargai.Abstract:The short story of “Perempuan dalam Perang” is one of the short stories in Kumpulan Cerpen Afrika (A collection of African short stories) entitled Kenapa Tidak  Kau Pahat Binatang Lain. The collection of the short stories published in 2005 and translated by Sapardi Djoko Damono. The story told us about the downturn of African countries that became the attraction of imperialism to colonize them. African society is treated as an inferior class of their own land by the West, due to the conflict regarding the sociological and psychological suffering of native women in colonialism. One of the psychological suffering experienced by the native  is the change in ideology leading  to moral degradation. Many of them  change  their mindset and action.The applied method is close reading, using a theoretical approach post-colonialism linked to the perspective of feminism because  this story contained the strong gender issue. What happened in the story was a change in a woman mindset who fought against the colonialist, turned into a struggle for herself. She was trying to survive by selling her own esteem. The gender issues are also inherent in this short story. From feminism point of view, there are things justified in feminist mindset and there are deviations resulting in a feminist perspective that is not appreciated.

The Short Story in America

2017 ◽  
Author(s):  
Laurie Champion
Keyword(s):  
Short Stories ◽  
Civil Rights ◽  
20Th Century ◽  
Short Story ◽  
Short Fiction ◽  
Point Of View ◽  
The Novel ◽  
Literary Genres ◽  
Early 21St Century ◽  
Technological Advances

The short story is the only genre that can be considered uniquely American. The genre began as sketches, or tales, as in the classic tale “Rip Van Winkle.” The genre remained undefined until Edgar Allan Poe’s well-known 1842 review of Nathaniel Hawthorne’s Twice-Told Tales. Since Poe’s review, in which he distinguished short fiction from other genres, the American short story has evolved both in form and in content. Like other genres, the short story has evolved through various movements and traditions such as realism, modernism, and postmodernism; however, it has remained unique because of publishing opportunities that differ from longer works such as the novel. The short story genre shares elements of fiction with the novel, traditionally consisting of characteristics such as plot, character, setting, point of view, theme, and writing style. Although the short story shares elements of literature and writing devices with other literary genres, avenues for publication differ greatly. Unlike a novel, a short story is not published as a single entity. It is usually presented with works by other authors in a journal or magazine or in a collection of previously published stories by one author. The rise in popular magazines during the 1920s gave rise to the short story, as the magazines provided a publication outlet. During the second half of the 20th century the short story became less commercial and more literary, paving the way for artistic stories such as one appropriately called “The New Yorker Story.” However, as it became less commercial, the short story fell from popularity and became somewhat obscure in the manner in which poetry remains. Because short stories do not sell, publishers are hesitant to produce them. But during the 1970s, American universities began teaching creative writing classes, and the short story provided a suitable genre for teaching the art of fiction writing. Hence, the American short story experienced a renaissance, and a wave of literary journals emerged. About this time, minimalism was one of the styles most often used in the short story. Raymond Carver built on what Ernest Hemingway had started in America, and the short story took on a new form. During the latter half of the 20th century and early 21st century, women and ethnic writers were given more opportunities to publish short fiction, and the short story reflected progress in civil rights issues. Currently, the rise in technological advances has brought even more opportunities for publication, and more and more American authors are publishing short stories online, now a respected publication venue.

scholarly journals ASOSIASI WACANA “ALUN-ALUN SERIBU PATUNG” DENGAN SITUASI POLITIK KEBANGSAAN DI INDONESIA PADA MASA DAN PASCAREFORMASI

Aksara ◽  
2018 ◽  
Vol 30 (1) ◽  
pp. 107
Author(s):  
Natal P. Sitanggang
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Point Of View ◽  
The Political ◽  
Advanced Technique ◽  
Political Reality ◽  
Pragmatic Analysis ◽  
The Reformation ◽  
Observation Method ◽  
Linguistic Approaches

From a linguistic point of view, short stories are classified into the type of discourse. Therefore, the tracing of everything on the authors’ intentions can be done through linguistic approaches, among them through discourse and pragmatic analysis approaches. Furthermore, since short stories also classified as works of art (literature), so a semiotic approach can be relevant to support the approaches of discourse and pragmatics analysis. The data in this study comes from the text of a short story titled “Alun-Alun Seribu Patung” by Danarto.  The data was obtained by using observation method through recording technique as a basic technique and note-taking technique as an advanced technique.   Through text deconstruction, at least there are 16 derivative text constructions selected as the data which reflect the association of  the short story with the political reality at the reformation and post-reformation periods (1998—2006). The description of data becomes the clues that actually the author pragmatically did a number of actions, namely reflecting, associating, predicting, evaluating, and criticizing something related to the political and natural events during the reformation and post-reformation periods. 

scholarly journals Theme of Isolation and Child versus Adult Feelings: Stylistic Analysis of Alice Munro’s Short Story “The Eye”

2020 ◽  
Vol 3 (3) ◽  
pp. 485-494
Author(s):  
Fozia Chandio ◽  
Zia Ahmed ◽  
Akbar Sajid
Keyword(s):  
Qualitative Research ◽  
Short Stories ◽  
Short Story ◽  
Point Of View ◽  
Stylistic Analysis ◽  
Research Approach ◽  
Alice Munro ◽  
Literary Aesthetics ◽  
The Relationship ◽  
Made In

Analysis of the stylistics features of any author has been very interesting technique to explore themes depicted by him/her. This paper examines a short story of Alice Munro titled ‘The Eye’, from stylistic perspective. ‘The Eye’ is the opening tale of the set of four stories, in a style of memoir that is titled as ‘Finale’. This set of four stories appears in her collection of short stories titled “Dear Life” (2012. ) The paper presents the stylistics analysis of the story keeping the stylistic approach in focus suggested by Leech and Short in Style in Style in Fiction (2007). The story is analyzed stylistically in terms of character and characterization, point of view and speech, thought and writing presentation. Stylistic study of any text effectively provides comprehension of the base of the text particularly and its evaluation generally (Peer 2008). In order to carry this out, the method of textual analysis of Qualitative research approach is conducted. The end of the analysis is to have a turnout of a deeper comprehension of the relationship between style and literary aesthetics in ‘The Eye’ by studying the stylistic patterns behind Munro’s narrative, in order to find out her creative approach. Paul Simpson maintains, “Stylistics serves to inquire into the language of the text and on a broader level to investigate creativity in the use of language (2004:3). The endeavor made in the paper explores that Munro has an ambivalent and complicated technique of presentation, both structurally and thematically. Here, the argument is that the stylistic analysis of the story reveals that Munro has high artistic approach towards the short story; she narrates the fiction with such an ambiguous approach that it welcomes more than one interpretations of the story.

scholarly journals �The Might-Have-Beens� as Metaplot in Julian Barnes� Storybook �The Lemon Table�

2021 ◽  
Vol 1 (21) ◽  
Author(s):  
Elena S. Annenkova ◽  
Keyword(s):  
Short Stories ◽  
Old Age ◽  
Short Story ◽  
Source Code ◽  
Point Of View ◽  
Mental Processes ◽  
Individual Life ◽  
Julian Barnes ◽  
Imminent Death ◽  
Life Path

In the article �The Lemon Table� by Julian Barnes is analyzed from the point of view of �the mighthave-beens� plot functioning in this storybook. This plot is an essential part of the fundamental for this book plot of aging and associated with its physical and mental processes that heroes of these short stories are experienced. The analysis of the majority of the short stories makes it possible to talk about �the might-have-beens� as metaplot that ties separate short stories of this storybook with each other and forms the unity of the storybook as an artistic whole. A metaplot in prosaic text is understood as that invariant plot that permeates the texts of one or another writer, which is realized in these texts in various versions of event scenarios and expressed in a figurative-motive complex, at the ideological-thematic and narrative levels, at the level of stylistics and artistic tropes of writer�s works. �The might-have-beens� metaplot repeats and manifests itself in the short stories in its different event variations and with especial completeness and emphasis in such short stories as �Story of Mats Israelson�, �Hygiene�, �The Revival�, �Bark�, �The Fruit Cage�, �The Silence�. Thus each short story enters into dialogical relationships with other stories, due to the formed internal intertextuality of this storybook and made metatext of J. Barnes� fictional prose, as a consequence of the invariant plot of �the might-havebeens� as the source code of the generation of meaning in the artistic consciousness of the English writer evinced in many of his other works. So the main aim of this article is to discover and analyse the plot of �the might-have-beens� that becomes metaplot and metamotif of �The Lemon Table� by J. Barnes. The elements of motif, comparativetypological, receptive-interpretive, and intertextual methods of analysis have been used in this work, which helped to achieve our aim. In �Story of Mats Israelson� the invariant of �the might-have-beens� plot is presented in its fullest expression, and this plot in different variations will be repeated in other stories of the storybook. It will become its key motif, which will be related with other central motifs of other short stories of this storybook (the motif of loneliness, love, vanity of life, old age, death and immortality). �The might-have-beens� metaplot will determine the development of event situations of the short stories with a predictable culmination of misunderstanding and dissatisfaction and with the denouement of feelings or actions that have not found their embodiment, which reveals itself in a separation, alienation or death of the heroes. �The might-have-beens� metaplot will show the peculiarities of the heroes� characters and their reactions to life situations, which will be the result of their individual life fears and complexes, aggravated by the limit situation of imminent death. �The might-have-beens� metaplot is supported by specific chronotope, which becomes space and time of the unrealized and non-embodied. This plot and motif are evinced in the short stories of �The Lemon Book� with the help of artistic metonymy and a discourse of silence, that fully expresses the impossibility of embodying the heroes� feelings and their deepest desires. But in any event variations, �the might-have-beens� metaplot keeps structural and semantic core that is the life path of the short stories� heroes determined by non- embodiment of their innermost desires, intentions and expectations. However, the precise impracticability of dreams, the unfulfillment of aspirations cause the piercingly sad and universal meaning of life of the heroes of �The Lemon Table� by J. Barnes.

NOTES ON THE LIFE AND WORK OF ERNEST HEMINGWAY

2021 ◽  
Vol 15 (3) ◽  
pp. 63-67
Author(s):  
Sevil Musa Jafarova ◽  
Keyword(s):  
Short Stories ◽  
Key Words ◽  
Short Story ◽  
Ernest Hemingway ◽  
Life Experiences ◽  
Nobel Laureate ◽  
Pulitzer Prize ◽  
World War ◽  
Silver Medal ◽  
Story Writer

Ernest Hemingway was an American novelist and short story writer and journalist. His real name is Ernest Miller Hemingway. He is a Nobel and Pulitzer Prize-winning writer. He wrote his first articles in the school newspaper. In 1917, America was slowly joining World War I.Heminquey immediately enlisted in the army, but was not accepted because his left eye was weak. A year later, he entered the Red Crescent and volunteered to drive an ambulance. He was wounded in an explosion near the war, carrying an Italian soldier on his shoulder while he was wounded, and was wounded in the leg. After that, he was declared a hero in Italy and received the "Silver Medal of Honor". While in treatment in Milan, he fell in love with a nurse, and this love led him to write a masterpiece - "Goodbye, guns." Heminquey wrote mainly about his life experiences. This can be seen in "Goodbye, weapons". The writer, who reached the peak of his career with "Who the bells are ringing for", continued his life by participating in wars. Key words: famous writer, Chicago, Nobel laureate, author of short stories, story, old man, sea

scholarly journals Struktur Cerpen “Yuki no Hi” Karya Higuchi Ichiyō

KIRYOKU ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 87-95
Author(s):  
Zaki Ainul Fadli ◽  
Dewi Kusmiati
Keyword(s):  
Short Stories ◽  
Literature Review ◽  
Qualitative Analysis ◽  
Short Story ◽  
Literary Work ◽  
Point Of View ◽  
Analysis Techniques ◽  
Higuchi Ichiyo

Short stories are one type of modern literary work that has the privilege of forming a whole short story but still interesting for readers. The whole story in the short story cannot be separated from the elements that make it up. This study aimed to determine the intrinsic elements of the short story Yuki no Hi by Higuchi Ichiyō. The elements analyzed were themes and messages, characters and characterizations, plot, setting, and point of view. The theory used is the theory of structuralism with literature review techniques and qualitative analysis techniques. This research shows that the structure of this short story forms a unity of an exciting story from beginning to the end because of the integration of intrinsic elements in supporting the story presented. In addition, the use of deautomation techniques that delay the reader's understanding until the end of the story has succeeded in making the suspense of the story more interesting

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