scholarly journals FILM INDUSTRY AS BRANCH OF CREATIVE ECONOMY OF SPAIN AT THE BEGINNING OF THE XXI CENTURY

2016 ◽  
pp. 101-107
Author(s):  
E. . Belova
Keyword(s):  
Film Industry ◽  
Creative Industries ◽  
Creative Economy ◽  
Creative Industry ◽  
Autonomous Communities ◽  
Modern Economy ◽  
The World ◽  
European Union Countries ◽  
Key Indicators

The creative industries have one of the highest rates of the development in the modern economy. Researchers consider that these industries contain potential for the socio-economic development of countries and cities. The article examines the contribution of the creative industry to the economy of European Union countries. The research contains metodology of the selection and the analysis of key indicators of the cinema industry development of Spain (as one of the leader countries in the world in this field). The result of the work represents the classification of autonomous communities of Spain according to the development of local industry.

Creative Clusters of Urbanized Cities as a Factor for Increasing Global Economic Efficiency

2020 ◽  
pp. 283-302
Author(s):  
Tatiana Podolskaya ◽  
Aleksey Baranov ◽  
Ludmila Tomashevskaya
Keyword(s):  
Creative Industries ◽  
Added Value ◽  
Production Factor ◽  
Creative Economy ◽  
Theoretical Approaches ◽  
Economic Organizations ◽  
Modern Development ◽  
The World ◽  
Key Indicators

In this chapter, the authors analyze theoretical approaches to definition and classification of creative clusters, including used by the international economic organizations. The role and influence of creative economy for modern development of the urbanized cities is shown. In the chapter, the production factor which is the basis for the creation of added value in a creative economy is designated. The authors show the influences of the creative industries on the development of the world economy by using relevant analytical materials and statistical data. Such mechanisms of change of the urbanized cities' public spaces as placemaking and redevelopment are described. The comparative analysis of a creative economy's key indicators of the world capitals – leaders in development of the creative environment in dynamics is carried out. The analysis is based on the data of the Global Creativity Index and the interrelation of creativity level with urban saturation and competitiveness of the countries and cities.

scholarly journals Festival Menongkah: Revitalisasi Budaya dan Bahasa Duanu Menuju Industri Kreatif

2017 ◽  
Vol 13 (2) ◽  
pp. 163
Author(s):  
Dessy Wahyuni
Keyword(s):  
Cultural Values ◽  
Creative Industries ◽  
Creative Economy ◽  
Creative Industry ◽  
Language And Culture ◽  
Endangered Language ◽  
The World ◽  
The Government ◽  
Remote Indigenous Community ◽  
Culture And Language

The life of the Malay Duanu community, a remote indigenous community, is started to be exposed recently. Their existence is recognized by the world through the Menongkah Festival that has achieved  the MURI record twice. Unfortanely, following the current globalization progress, the expose of this ethnic group starts  to erodes their culture and language  toward extinction. It is unfortunate as wel that this activity only highlight the ceremonial part. In fact, Duanu people can take advantage of this Menongkah Festival as a medium for the revitalization of Duanu language and culture. If the festival is managed well, then it is believed that this activity will be able to support the emergence of a creative economy that improves the welfare of its supporting community, as well as to revitalize their culture and language. The government should be able to create policies that capable to support the creation of locality-based creative mindset, systems, and practices of the creative industry and to keep prioritizing the existing cultural values. Therefore, through ethnographic methods, the aim of this paper is to offer the model of creative industries based on culture and language of Duanu. If Menongkah Festival is optimally utilized by developing creative undustries, it is believed that the endangered language and culture of Duanu cen be revitalized and people’s live will be more prosperous.Kehidupan masyarakat Melayu Duanu, sebuah komunitas adat terpencil saat ini mulai mengemuka. Eksistensi mereka diakui dunia melalui Festival Menongkah yang mendapatkan rekor MURI sebanyak dua kali. Namun tanpa disadari, seiring arus globalisasi yang menerpa, mengemukanya suku ini mengikis budaya dan bahasa Duanu secara perlahan ke arah kepunahan. Selain itu sangat disayangkan, kegiatan ini hanya menyorot kemeriahan sesaat. Padahal masyarakat Duanu bisa memanfaatkan Festival Menongkah ini sebagai media revitalisasi budaya dan bahasa Duanu. Apabila dikelola dengan baik, diyakini, kegiatan ini akan dapat menjadi penopang munculnya ekonomi kreatif yang meningkatkan kesejahteraan masyarakat pendukungnya, sekaligus dapat merevitalisasi budaya dan bahasa mereka. Pemerintah seharusnya dapat membuat kebijakan yang mampu mendukung terciptanya pola pikir, sistem, dan praktik industri kreatif berbasis lokalitas dan tetap mengedepankan nilai-nilai kultural yang ada. Dengan demikian, melalui metode etnografis, tulisan ini bertujuan menawarkan model industri kreatif berbasis budaya dan bahasa Duanu. Jika Festival Menongkah dimanfaatkan secara maksimal dengan mengembangkan industri kreatif, diyakini bahasa dan budaya Duanu yang nyaris punah dapat terevitalisasi serta kehidupan masyarakat pun semakin makmur.

scholarly journals INDUSTRY REVOLUTION 4.0 : STRENGHTHENING THE CREATIVE ECONOMY SECTORS THROUGH BEKRAF IMPLEMENTATION PROGRAMS

2020 ◽  
Vol 5 (01) ◽  
pp. 84-108
Author(s):  
I Wayan Aditya Harikesa
Keyword(s):  
Social Inclusion ◽  
Creative Industries ◽  
Creative Economy ◽  
The World ◽  
Close Cooperation ◽  
Economic Foundation ◽  
The Government ◽  
Small Medium Enterprises ◽  
The Right ◽  
Medium Enterprises

President Joko Widodo or Jokowi has made a great leap in enhancing Indonesia�s Small Medium Enterprises (SME)s and the country�s overall creative industries by establishing a new non ministerial institution called Badan Ekonomi Kreatif (BEKRAF) or the Creative Economy Agency. The BEKRAF, established under the Presidential Regulation Number 6 of 2015 issued on January 20, 2015, is responsible for accelerating the development of creative economy in Indonesia. Small Medium Enterprises (SMEs) have been playing crucial roles for generating economic progresses as well as social inclusion in Indonesia. Among the most important and worthy of priority is the country�s creative economy. The existence of BEKRAF will enhance close cooperation between the government, SMEs players and related economic stakeholders. This paper aims to assess the concept of �Creative Industries,� as a boundary concept that allows for increased co-operation between players and the generally opposing knowledge concepts�as reflected in their respective knowledge and cultural politics. Indonesia has great potential in terms of economic growth. In 2015, Indonesia�s Gross Domestic Product (GDP) rocketed to 4.79 percent, far above the previous expectation of only 2.4 percent. This encouraging climate is indeed the right moment for the government to strengthen the country�s economic foundation particularly in the real economic sector. Hence, BEKRAF has a vision to build Indonesia as one of the world�s great economic powers in the field of creative economy by 2030. This issue will be discussed comprehensively in the final part of the paper.

scholarly journals CREATIVE ECONOMY IN ECONOMIC DEVELOPMENT OF CROATIA

2019 ◽  
Vol 40 ◽  
pp. 21-37
Keyword(s):  
Global Economy ◽  
New Technologies ◽  
Tertiary Education ◽  
Creative Industries ◽  
Creative Economy ◽  
Creative Industry ◽  
Highly Educated ◽  
Eu Member States ◽  
The People ◽  
The Republic

Creative economy is one of the most propulsive sectors, which share in global economy as well as national ones continuously grows (Jones et al., 2016). Within the territory of 28 EU member states it participates with 4.5% of GDP and employs 3.8% of total workforce (https://ec.europa.eu/eurostat, 2017). Axis of creative economy development is made of cultural and creative industries that are generators of new technologies, innovation and media. This paper analyses cultural and creative industry in the Republic of Croatia, as well as their role in economic and social development of the country. Cultural and creative industry (CCI) are directed towards highly educated workforce of tertiary education, digital society and 4.0 Globalisation. People employed in CCI in the Republic of Croatia are at the EU average with 3.6% of total workforce (2017) and with 50% of employed with tertiary education (https://ec.europa.eu/eurostat, 2017). CCI are important in expressing identity of the people but they are also an engine of economic growth (HKKI, 2015).

Conceptual accommodation facilities as an element of a creative cluster

2015 ◽  
Vol 9 (5) ◽  
pp. 158-172
Author(s):  
Светлана Казакова ◽  
Svetlana Kazakova ◽  
Татьяна Кривошеева ◽  
Tatiana Krivosheeva
Keyword(s):  
Design Thinking ◽  
Creative Industries ◽  
Creative Class ◽  
Creative Economy ◽  
Creative Industry ◽  
Creative Imagination ◽  
Element Bearing ◽  
Boutique Hotels ◽  
Intellectual Activities ◽  
Production Resource

Currently, is much spoken about the transition from the industrial era to the intellectual, in particular, about the development of the creative economy, which is based on intellectual activities, generation new knowledge, design thinking, creative imagination and creativity. Creative potential is becoming a major production resource. And creative class, people who are able to be creative and to generate something new that attracts attention, is a key element of this kind of economy. The ability to enter the market with the results of creativity brings to birth the effect of the creative industry - generation of communities of creative enterprises and industries that shape creative cluster. The definitions of the term «cluster» for a detailed consideration of the concept of «creative cluster» are generalized in the article. Special attention is paid to creative industries as a phenomenon of modernity and as part of a creative cluster. The article presents the characteristic of the conceptual accommodation facilities, among which design-, art- and boutique hotels are allocated, as well as their role in a creative cluster as an element bearing creative burden is defined.

scholarly journals The Application of K-Nearest Neighbours Algorithms for the Classification of Fashion Trend

2019 ◽  
Vol 2 (1) ◽  
pp. 8-14
Author(s):  
Nugroho Dwi Saputro ◽  
Setyoningsih Wibowo ◽  
Mochamad Fadjar Darmaputra
Keyword(s):  
Data Mining ◽  
Creative Industries ◽  
Accurate Information ◽  
Creative Economy ◽  
Fashion Industry ◽  
The People ◽  
Nearest Neighbours ◽  
Economic Development Plan ◽  
Production And Distribution

The commerce department in indonesia has been formulating indonesia economic development plan creative explain about the evolution of the year 2025 creative economy, The shift from agriculture to the industrial era and the era of information and now entering the era of economic globalization. The development of industries create a pattern of work the production and distribution of cheap and more efficient. Fashion industry is one of the creative economy development Creative economy in many countries today encourage the people. Fashion or mode of itself is the activity associated with the design, the production of, consultation and the distribution of the product of fashion .Producers fashion industry composed of fashion clothing and accessories, fashion industry bag manufacturers, shoes and accessories. In clothes creation, the trend of being important aspect .Designers indonesia today still follow the trend of europe are affected by the type of the season. Decision-making on the basis of the data and accurate information will result in a decision to fashion trend clasification on creative industries can be done by adopting the approach of data mining. According to Tan Pang-Ning data mining is a process that done automatically to find information that is useful in a repository big data.

scholarly journals International Creative Product Exchange

2009 ◽  
Vol 12 (4) ◽  
pp. 95-120
Author(s):  
Joanna Wyszkowska-Kuna
Keyword(s):  
International Trade ◽  
Empirical Analysis ◽  
Creative Industries ◽  
Creative Economy ◽  
Key Players ◽  
Creative Products ◽  
The Empirical Analysis

The aim of this paper is to analyze and evaluate international trade in creative products with respect to the position of Poland in this exchange. In the introduction some definitions of creative industries and the concept of creative economy are presented. Then the classification of creative products in international trade and some problems with collecting data relating to international trade in creative products are discussed. In further work an empirical analysis of international trade in creative products is carried out. This work is divided into two parts. The aim of the first part is to indicate main tendencies and key players in international creative products exchange. The aim of the second part is to analyze the position of Poland in this exchange. The empirical analysis is based on the first database and report relating to international creative products exchange, published in 2008 by UNCTAD.

scholarly journals Creative economy as a tool of competitiveness

2020 ◽  
Vol 83 ◽  
pp. 01007
Author(s):  
Jana Centárová
Keyword(s):  
Intellectual Property ◽  
Natural Environment ◽  
Driving Force ◽  
Economic Value ◽  
Creative Industries ◽  
Creative Class ◽  
Creative Economy ◽  
Creative Industry ◽  
Creative Potential ◽  
Creative City

Creativity is a fundamental manifestation of human existence and is present in every human being in different forms. The creative economy is a natural environment for innovative ideas, development and exploitation of creative potential. Over the last two decades, it has been observed that creativity is gradually becoming a driving force for economies, and as a result the importance of creative industries is also increasing. The creative industry is increasingly becoming part of EU documents and policies. The governments of the creative countries gradually introduced the concept of the creative industry, the creative class and the creative city and their importance. The creative industry refers to those parts of the economy that create economic value on the basis of individual creative input or artistic talent. It is a sector based on the exploitation of intellectual property. The aim of this work is to briefly map the concept of creative economy and its measurement in the work of foreign and Slovak authors and describe the possible potential of this industry.

scholarly journals Membangun Kinerja Usaha Melalui Faktor Pembentuk Kapabilitas Pelaku Kewirausahaan Industri Kreatif Nasional

2016 ◽  
Vol 18 (2) ◽  
pp. 33 ◽  
Author(s):  
Iwan Hermawan ◽  
VS Tripriyo PS
Keyword(s):  
Risk Management ◽  
Business Performance ◽  
Creative Industries ◽  
Dominant Factor ◽  
Creative Economy ◽  
Creative Industry ◽  
External Locus ◽  
Self Reliance ◽  
Internal Management ◽  
Technology Industries

<em>One of national creative industry roadmap key aspect is the character capability of businessmen. This research aims to empirically define the factors forming the entrepreneurial capabilities of creative industries and its impact on business performance. Art and creative technology industries in three cities in Indonesia, including Denpasar, Jogjakarta and Surakarta are used as samples. The factor analysis is employed to define the presence of three factors-which forming capabilities of national entrepreneurial creative industries, including: (1) internal management-risk management, (2) independence and anti-plagiarism design, and (3) the unique design and renewable idea. The statistic test finds the significant influence of entrepreneurial capabilities of creative industries on business performance. While internal management-risk management is the dominant factor contributing the business performance. Some other findings are national entrepreneurs have understood that the concept, idea, and knowledge were the main capital to accelerate the national creative economy. The entrepreneurs also understand the importance of self-reliance and anti-plagiarism design. But on the other hand, the majority of them have dominant of the external locus of control.</em>

scholarly journals Creative industries, Investment trends and their impact on the Economy and Financial Sectors: A study from Vietnam

2019 ◽  
pp. 31-49
Author(s):  
Phan The Cong
Keyword(s):  
Intellectual Property ◽  
Property Rights ◽  
Intellectual Property Rights ◽  
Performing Arts ◽  
Well Being ◽  
Creative Industries ◽  
Government Support ◽  
Creative Economy ◽  
Creative Industry ◽  
Economic Resource

Creative industries have been seen to become increasingly important to economic well-being, with proponents suggesting that "human creativity is the ultimate economic resource," and that “the industries of the twenty-first century will depend increasingly on the generation of knowledge through creativity and innovation.” The term creative industries, refers to a range of economic activities which are concerned with the generation or exploitation of knowledge and information. Development of creative industries will contribute to the awareness and protection of intellectual property rights and copyrights in the creative industry, in order to meet the WTO’s requirements on intellectual property rights. Government support for creative industries will help create a healthy competitive environment for businesses in the industry. It is important for Vietnam’s businesses to select a proper orientation and gain a suitable position in the global creative economy. The creative service sectors of great strength in Vietnam, which are also in need of investment are: design, art, education, tourism, performing arts, fashion, handicraft, culture, foods, and others. Additionally, empirical investigations in the present study reveal that creative industry indicators have a positive and significant influence on the economy and financial sectors. This study’s findings are highly recommended to government officials, economists, and anyone else working to make strategic decisions to achieve better economic results.

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