scholarly journals История художественного собрания Н.Е. Добычиной в послереволюционные годы: состав и проблемы бытования

2021 ◽  
pp. 92-103
Author(s):  
O.V. Muromtseva
Keyword(s):  
Avant Garde ◽  
Soviet State ◽  
Works Of Art ◽  
Figurative Art ◽  
The World ◽  
Pencil Drawings ◽  
Over Time

Nadezhda Evseevna Dobychina, whose name is strongly associated with the Art Bureau, which operated in St. Petersburg (Petrograd) from 1911 to 1919, possessed a significant collection of works of art by her contemporaries. The central part of the collection consisted of the works of the artists of the “World of Art” (“Mir Iskusstva”) circle, as well as the associations “Blue Rose” and “Union of Russian Artists”. From the lists of the collection preserved in the Dobychina’s archive, made at the initiative of representatives of the Soviet state in 1919, 1924 and 1930, one can trace how the collection developed in the first post-revolutionary decade. Nadezhda Dobychina gave preference to figurative art, in her property there were practically no abstract works, and the leftist trends of the avant-garde were also not represented. Most of the works kept by Dobychina were graphics (watercolors, pencil drawings and charcoal sketches), however, it should be noted that a block of bright paintings, perfectly combined in style and color, stood out in her collection (“Dawn” by D.S. Stelletsky, “Heat” by M.S. Sariyan, “Portrait of Dobychina” by N.I. Altman and others). The collection changed over time, but its central part remained unchanged despite all the vicissitudes of the owner's eventful life. Надежда Евсеевна Добычина, имя которой прочно ассоциируется с Художественным бюро, функционировавшим в Санкт-Петербурге (Петрограде) с 1911 по 1919 год, обладала значительной коллекцией художественных произведений своих современников. Центральное место в собрании занимали мастера круга «Мира искусства», а также объединений «Голубая роза» и «Союз русских художников». По сохранившимся в архиве Добычиной спискам коллекции, сделанным по инициативе представителей советской власти в 1919, 1924 и 1930 годах, можно проследить, как развивалось собрание в первое послереволюционное десятилетие. Надежда Добычина отдавала предпочтение фигуративному искусству, в ее собственности практически не было абстрактных работ, а также не представлены были левые течения авангарда. Большая часть произведений, хранимых Добычиной, — это графика (акварели, карандашные рисунки и наброски углем). Однако следует отметить, что в ее собрании выделялся блок ярких живописных работ, прекрасно сочетавшихся по стилю и колориту («Заря» Д.С. Стеллецкого, «Зной» М.С. Сарьяна, «Портрет Добычиной» Н.И. Альтмана и другие). Состав коллекции менялся с течением времени, но костяк ее оставался неизменным, несмотря на все перипетии богатого событиями жизненного пути владелицы.

Locations

2020 ◽  
Vol 6 (1) ◽  
pp. 39-46 ◽  
Author(s):  
Jenny Klein
Keyword(s):  
Artistic Practice ◽  
Change Over Time ◽  
Works Of Art ◽  
The World ◽  
Over Time

This article focuses on Agnes Varda’s film, The Beaches of Agnes using the writings of Tim Ingold and Jean-Luc Nancy, alongside my own artistic practice, to reflect on our relationships with different places, the memories attached to them and how these change over time. This leads to a consideration of the surfaces and boundaries associated with time and place, and how these might be breached in our encounters with the world around us. Referring to Ingold and Nancy, the article reflects on some possible similarities between encounters with places and with works of art.

scholarly journals A viagem dos Seis Caquis

2019 ◽  
Vol 24 (42) ◽  
Author(s):  
Laurence Bertrand Dorléac
Keyword(s):  
Thirteenth Century ◽  
Western Europe ◽  
Works Of Art ◽  
The World ◽  
Set Up ◽  
Over Time

ResumoInteressar-se novamente pelo gênero da natureza morta obriga a uma volta às categorias estabelecidas ao longo do tempo. Preparar uma exposição sobre esse tema no Louvre convida a questionar-se de que forma esse gênero interessa a outras regiões do mundo, além de Paris ou da Europa Ocidental, especialmente quando os objetos que serão apresentados cruzam evidentemente as estradas do mundo. Neste quesito, há obras que despertam curiosidade particular, ao abalar os padrões preconcebidos. Os Seis Caquis de Mu Qi, pintor chinês do século XIII, é uma delas.AbstractTaking a new interest in still lifes obliges one to return to categories set up over time.  Preparing an exhibition at the Louvre on this subject encourages one to ask oneself in what way this genre interests other regions of the world than Paris or Western Europe, inasmuch as objects that will be presented are, of course, crossing the routes of the world.  In this regard, there are some works of art that especially arouse one’s curiosity by their capacity to upset preconceived schemata.  The Six Persimmons by Muqi Fachang, a thirteenth-century Chinese painter, belongs thereamong. 

Globalization and interconfessional communications

2001 ◽  
pp. 13-17
Author(s):  
Serhii Viktorovych Svystunov
Keyword(s):  
21St Century ◽  
Global Economy ◽  
Modern World ◽  
The World ◽  
Target Set ◽  
Almost All ◽  
Over Time ◽  
Rapid Appearance

In the 21st century, the world became a sign of globalization: global conflicts, global disasters, global economy, global Internet, etc. The Polish researcher Casimir Zhigulsky defines globalization as a kind of process, that is, the target set of characteristic changes that develop over time and occur in the modern world. These changes in general are reduced to mutual rapprochement, reduction of distances, the rapid appearance of a large number of different connections, contacts, exchanges, and to increase the dependence of society in almost all spheres of his life from what is happening in other, often very remote regions of the world.

The Values and Norms of Islam

2010 ◽  
Vol 1 (1) ◽  
pp. 1-19
Author(s):  
Ahmed Akgunduz
Keyword(s):  
Islamic Law ◽  
Legal Theory ◽  
The Other ◽  
Moral Norms ◽  
Simple Fact ◽  
Value System ◽  
Legal Norms ◽  
Islamic Legal Theory ◽  
The World ◽  
Over Time

AbstractIslamic Law is one of the broadest and most comprehensive systems of legislation in the world. It was applied, through various schools of thought, from one end of the Muslim world to the other. It also had a great impact on other nations and cultures. We will focus in this article on values and norms in Islamic law. The value system of Islam is immutable and does not tolerate change over time for the simple fact that human nature does not change. The basic values and needs (which can be called maṣlaḥa) are classified hierarchically into three levels: (1) necessities (Ḍarūriyyāt), (2) convenience (Ḥājiyyāt), and (3) refinements (Kamāliyyāt=Taḥsīniyyāt). In Islamic legal theory (Uṣūl al‐fiqh) the general aim of legislation is to realize values through protecting and guaranteeing their necessities (al-Ḍarūriyyāt) as well as stressing their importance (al‐ Ḥājiyyāt) and their refinements (taḥsīniyyāt).In the second part of this article we will draw attention to Islamic norms. Islam has paid great attention to norms that protect basic values. We cannot explain all the Islamic norms that relate to basic values, but we will classify them categorically. We will focus on four kinds of norms: 1) norms (rules) concerned with belief (I’tiqādiyyāt), 2) norms (rules) concerned with law (ʿAmaliyyāt); 3) general legal norms (Qawā‘id al‐ Kulliyya al‐Fiqhiyya); 4) norms (rules) concerned with ethics (Wijdāniyyāt = Aḵlāqiyyāt = Ādāb = social and moral norms).

RISHTAN SCHOOL OF CERAMICS

2019 ◽  
Vol 16 (2) ◽  
pp. 73-77
Author(s):  
Akmal Marozikov ◽  
Keyword(s):  
Central Asia ◽  
Building Materials ◽  
Works Of Art ◽  
The World ◽  
Ferghana Valley ◽  
History Of ◽  
Made In ◽  
National Style

Ceramics is an area that has a long history of making clay bowls, bowls, plates,pitchers, bowls, bowls, bowls, pots, pans, toys, building materials and much more.Pottery developed in Central Asia in the XII-XIII centuries. Rishtan school, one of the oldest cities in the Ferghana Valley, is one of the largest centers of glazed ceramics inCentral Asia. Rishtan ceramics and miniatures are widely recognized among the peoples of the world and are considered one of the oldest cities in the Ferghana Valley. The article discusses the popularity of Rishtan masters, their products made in the national style,and works of art unique to any region

Use of Phosphatidylcholine in the Treatment of Localized Fat Deposits. Results and expectations

2017 ◽  
Vol 68 (7) ◽  
pp. 1438-1441 ◽  
Author(s):  
Sorin Berbece ◽  
Dan Iliescu ◽  
Valeriu Ardeleanu ◽  
Alexandru Nicolau ◽  
Radu Cristian Jecan
Keyword(s):  
World Health Organisation ◽  
Normal Weight ◽  
World Health ◽  
Basic Substance ◽  
Physical Exercises ◽  
Fat Deposits ◽  
The World ◽  
The Common ◽  
Global Health Problem ◽  
Over Time

Obesity represents a global health problem. According to the latest studies released by the World Health Organisation (WHO), 1.7 billion currently in excess of normal weight individuals, of which approx. 75% are overweight (body mass index - BMI 25 to 30). The common form of excess adipose tissue manifestation in overweight individuals is localized fat deposits with high (abdominal) or low (buttocks and thighs) disposition. Although the overweight can be corrected relatively easy by changing behavioral habits or food, a constant physical exercises program or following a diet food are not accessible to all through the efforts of will, financial and time involved. Several methods have been studied and tested over time to eliminate more or less invasive fat deposits with varying efficacy and adverse effects. Chemical lipolysis using phosphatidylcholine as the basic substance was initially used in hypercholesterolemia and its complications and was rapidly adopted in mesotherapy techniques for the treatment of fat deposits. This study reveals the results obtained using Dermastabilon on a sample of 16 patients, the time allocated to treatment and discomfort being minimal, and rapid and notable results. There were no side effects.

The Staging of Large Wastewater Treatment Plants - A “Modular” Approach

1992 ◽  
Vol 25 (4-5) ◽  
pp. 67-73
Author(s):  
H. Fleckseder ◽  
L. Prendl ◽  
H. Meulenbroek
Keyword(s):  
Wastewater Treatment ◽  
Driving Force ◽  
Wastewater Treatment Plants ◽  
Aeration Tank ◽  
Modular Approach ◽  
Central European ◽  
Plant Hydraulics ◽  
The World ◽  
Whole Life Cycle ◽  
Over Time

The primary driving force for re-investments in wastewater treatment plants in Austria - and also other countries in Central Europe - is at present not an increase in load to treatment but a marked increase in effluent requirements to be fulfilled. (The re-investments necessary for sludge handling and treatment remain outside this paper.) Within a period of 20 years, the load specific requirements on aeration tank volume rose five- to tenfold, when Lv = 2.0 kg BOD5/(m3d) was the starting value, and roughly doubled for final clarifiers. In addition, the importance of the application and expansion of primary sedimentation decreased as well. This development over time in Central European countries as well as the need to utilize previous investments as long as possible - 35 to 60 years for civil works are common as periods of depreciation - indicate that investments in new plant at any location in the world have to consider the possible whole life cycle of a plant and that plant hydraulics becomes the “key hook” for expandability.

scholarly journals TIME THROUGH TIME: ITS EVOLUTION THROUGH WESTERN PHILOSOPHY IN SEVEN IDEAS

Think ◽  
2021 ◽  
Vol 20 (58) ◽  
pp. 23-38
Author(s):  
Emily Thomas
Keyword(s):  
Western Philosophy ◽  
The World ◽  
History Of ◽  
Over Time

ABSTRACTWhat is time? Just like everything else in the world, our understanding of time has changed continually over time. This article tracks this question through the history of Western philosophy and looks at major answers from the likes of Aristotle, Kant, and McTaggart.

scholarly journals Split-footed lacewings declined over time: indications from the morphological diversity of their antlion-like larvae

PalZ ◽  
2021 ◽  
Author(s):  
Gideon T. Haug ◽  
Carolin Haug ◽  
Serita van der Wal ◽  
Patrick Müller ◽  
Joachim T. Haug
Keyword(s):  
Morphological Diversity ◽  
Single Specimen ◽  
Burmese Amber ◽  
The Past ◽  
The World ◽  
Poor Group ◽  
Outline Analysis ◽  
Loss Of Diversity ◽  
Over Time ◽  
Antlion Larvae

AbstractNymphidae, the group of split-footed lacewings, is a rather species-poor group. Split-footed lacewings nowadays are restricted to Australasia, while fossil forms are also known from other areas of the world, indicating that the group was more species-rich and therefore likely diverse in the past. Split-footed lacewings have rather distinct larvae, roughly resembling antlion larvae, but differing from the latter especially with regard to the mandibles. Antlion larvae usually have three prominent teeth on each mandible, while at least extant larvae of split-footed lacewings only have a single prominent tooth per mandible. Fossils interpreted as larvae of split-footed lacewings are well known from amber from Myanmar (ca. 100 myr; Burmese amber) and by a single specimen from Baltic amber (about 40 myr). We here report additional fossil specimens from Myanmar amber, expanding the known record of fossil forms from six depicted specimens to 15. For the extant fauna, we could compile 25 larvae. We compare the diversity of shape of extant and fossil larvae through time using an outline analysis (based on elliptic Fourier transformation) of the head. The results of this analysis indicate that the morphological diversity, or disparity, of split-footed lacewing larvae was higher in the past than it is today. With this type of analysis, we can show a loss of diversity over time, without the necessity to identify the fossil larvae down to a narrow taxonomical range. A similar pattern has already been recognised in silky lacewings, Psychopsidae. This might indicate a general loss of diversity of lacewing larvae.

Takesi Sibata, Sociolinguistics in Japanese contexts. Ed. by Tetsuya Kunihiro, Fumio Inoue, & Daniel Long. Berlin: Mouton de Gruyter, 1999. Pp. xvi, 489. Hb DM 248.00.

2000 ◽  
Vol 29 (4) ◽  
pp. 602-606
Author(s):  
Sachiko Ide
Keyword(s):  
English Language ◽  
International Perspective ◽  
Western Tradition ◽  
The World ◽  
Academic Publications ◽  
Universal Applicability ◽  
Work Done ◽  
Over Time

The assumptions made by readers of Language in Society and other English-language academic publications, when they begin to read, are so widely shared that they are seldom reflected on or made explicit. These assumptions have to do with European traditions of scholarship; and over time, they have made their way around the world because of the unquestioned belief in their universal applicability. But other approaches do exist, although most are never featured in publications in Western languages. I commented on this situation long ago, but it persists to this day: “The work done by Japanese sociolinguists is virtually unknown to non-Japanese readers. The reason is probably that this work has developed independently of the Western disciplines. The fact that Japanese researchers have worked independently of the Western tradition has inevitably resulted in unique assumptions, orientations or approaches when viewed from an international perspective”.

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