scholarly journals Traditional arts and crafts of the peoples of Chukotka and its traditions in the modern subculture

2021 ◽  
pp. 240-253
Author(s):  
Валерия Юрьевна Швец-Шуст
Keyword(s):  
Indigenous Population ◽  
Arts And Crafts ◽  
Cultural Traditions ◽  
Traditional Art ◽  
Mixed Marriages ◽  
Research Material ◽  
Applied Art ◽  
Local Residents ◽  
The Creation ◽  
Traditional Arts

В статье представлен обзор объектов декоративно-прикладного искусства коренного населения в Чукотском автономном округе. Материалом исследования послужили музейные коллекции Чаунского краеведческого музея, основу которых составляют предметы быта, этнографии и декоративно-прикладного искусства «оленных» (кочевых) и «сидячих» (оседлых) чукчей, эскимосов и других народов; а также архив Певекской школы искусств. Опираясь на опыт Чаунского краеведческого музея в области комплектования и экспонирования предметов декоративно-прикладного искусства, предлагается рассмотреть образцы традиционного чукотского искусства, а также его традиции в современной субкультуре. Под традиционным искусством понимается косторезное искусство народов Чукотки, а также вышивка из кожи и меха — такое разделение соответствует делению коренных жителей на кочевых и оседлых. Под современной субкультурой в данном случае понимается культура, созданная в многонациональном регионе в процессе ассимиляции местных жителей и так называемого «пришлого» населения — русских, украинцев и многих других. В результате происходили не только смешанные браки, но и взаимное обогащение культурных традиций — это ярко проявилось в проведении праздников, создании литературных произведений, а также в создании предметов декоративно-прикладного искусства. В собрании Чаунского краеведческого музея представлены подобные образцы декоративно-прикладного искусства как чукотских мастеров, так и мастеров других национальностей. The article presents an overview of objects of decorative and applied art of the indigenous population in the Chukotka. The research material was the museum collections of the Chaunsky Museum of Local Lore, which are based on household items, ethnography and decorative and applied art of the "reindeer" (nomadic) and "sedentary" Chukchi, Eskimos and other peoples; as well as the archive of the Pevek School of Arts. Based on the experience of the Chaunsky Museum of Local Lore in the field of acquiring and exhibiting objects of decorative and applied art, the author examines examples of traditional Chukchi art and its traditions in the modern subculture. Traditional art is understood as bone carving art of the peoples of Chukotka, as well as embroidery from leather and fur — this division corresponds to the division of indigenous people into nomadic and sedentary. In this case, the modern subculture is understood as a culture created in a multinational region in the process of assimilation of local residents and the so-called “newcomer” population — Russians, Ukrainians and many others. As a result, not only mixed marriages took place, but also the mutual enrichment of cultural traditions — this was clearly manifested in the celebration of holidays, the creation of literary works, as well as in the creation of objects of decorative and applied art. In the collection of the Chaunsky Museum of Local Lore, there are similar examples of decorative and applied art of both Chukchi masters and masters of other nationalities.

On History of Cultural Traditions Transformation

2016 ◽  
Vol 96 (1) ◽  
pp. 3-24
Author(s):  
Risalat U. Karimova
Keyword(s):  
Arts And Crafts ◽  
Cultural Traditions ◽  
Traditional Art ◽  
The Arts ◽  
Historical Factors ◽  
Political Events ◽  
History Of ◽  
The Russian Empire ◽  
Traditional Arts ◽  
Modern Artists

The article examines the development of traditional arts and crafts among Kazakhstan’s Uyghurs under the influence of various historical factors. The Uyghurs of Kazakhstan and other Central Asian countries comprise ethnographic group which developed over the last centuries separated from the main Uyghur population in Xinjiang, China, which resulted in emergence of their particular features. The article argues that the transformation of traditional arts and crafts among the Uyghurs of Kazakhstan occurred under the influence of political events, which changed dramatically the life of the entire population of the Russian Empire. With the establishment of Soviet power, the country’s rapid industrialization meant that products produced by individuals in workshops could not compete with less expensive and more practical products manufactures at factories and plants. Thus, blacksmiths, and artisanal producers of leather and cloth declined. Nevertheless, certain types of traditional art crafts (jewellery art, production of musical instruments, working out calabash) survived albeit on a limited scale due to the development of national idea, which requires symbols of ethnic culture. Modern artists exploit fantasy and go beyond traditional frames of ethnicity. The article argues that the arts and crafts of the Uyghurs received a new impetus in the Soviet era, despite the threat of a certain loss of ethnic peculiarities.

scholarly journals PRESERVASI VISUAL JARAN KEPANG TEMANGGUNG MELALUI FOTOGRAFI ESSAY

2019 ◽  
Vol 10 (1) ◽  
pp. 75
Author(s):  
Abdul Aziz ◽  
John Felix ◽  
Candy Reggi Sonia
Keyword(s):  
Visual Media ◽  
Visual Language ◽  
Roland Barthes ◽  
Research Model ◽  
Cultural Products ◽  
Traditional Art ◽  
Research Material ◽  
Traditional Arts ◽  
Visual Methodology ◽  
Semiotic Theory

<p><em>The Jaran Kepang Temanggung is a part of cultural products and was developed on the island of Java. The researcher seeks to raise the traditional art of Jaran Kepang Temanggung as research material presenting the topic of the problems related to the visual preservation of the Jaran Kepang Temanggung. It is an effort to preserve Jaran Kepang Temanggung's traditional arts through visual media, especially photography. The researcher will document the art through photographic means. The purpose of this study is how to make a photographic work as an effort to preserve Jaran Kepang's cultural art with journalistic documentation in the form of photographic essays. The research model used in this study is to use visual methodology, since the elements used in this study are visual photography. And it will be analyzed with the semiotic theory of Roland Barthes, where the power of photography is the power of the visual language that will speak. The results of this study are that photography is able to be a good means of documentation by presenting meaningful images.</em></p><p><em> </em></p><p><strong><em>Keywords: </em></strong><em>Preservation, jaran kepang, essay photography</em></p>

scholarly journals National-Regional Component in the Training of Artists of Decorative-Applied Art

2018 ◽  
Vol 7 (4.38) ◽  
pp. 519
Author(s):  
Maxim Vladimirovich Sokolov ◽  
Marina Stanislavovna Sokolova ◽  
Larisa Vladimirovna Shokorova
Keyword(s):  
Educational Process ◽  
Arts And Crafts ◽  
Special Role ◽  
Regional Culture ◽  
Self Awareness ◽  
Creative Development ◽  
Applied Art ◽  
Regional Component ◽  
Individual Self ◽  
Traditional Arts

The article considers the regionalization of education as an important condition for preservation and development of ethnocultural artistic traditions. Regional culture is understood to mean a world of material and spiritual elements that make up being of particular region inhabitants with their constituent parts such as history, religion, folklore, and traditional applied art. The authors emphasize special role of culture and art universities in the process of humanizing art education. The article draws attention to the problem of identity in the modern global world and the importance of introducing the values of the past through the knowledge of the region’s cultural heritage to the modern person. In this context, the authors emphasize the importance of traditional folk art as an area of self-determination and human identity.The article proposes a set of special tasks for inoculation of a regional component in the educational process. The main methodological task is the formation of national historical self-awareness, group and individual self-identification, patriotism through the acquisition of cultural samples by their mastering in the process of creative activity and the further development of traditional arts and crafts in the new conditions of cultural existence.The article concludes the renewal of the content of teaching arts and crafts on the basis of its enrichment by studying various national cultures taking into account regional peculiarities becomes the most important thing at the present stage. The training of future artists of decorative and applied art should be based on the principles of cultural appropriateness, historicism, creative development and socialization, which presuppose students’ development in the process of nonmaterial culture learning  

scholarly journals Kebijakan Pemerintah Papua dalam Pelestarian Tradisi Bakar Batu

2018 ◽  
Vol 3 (2) ◽  
pp. 209
Author(s):  
Herningsih Herningsih
Keyword(s):  
Cultural Identity ◽  
Natural Resources ◽  
Ethnic Group ◽  
Central Government ◽  
Cultural Traditions ◽  
Irian Jaya ◽  
Traditional Art ◽  
The Republic ◽  
The Government ◽  
Traditional Arts

Papua which is geographically located on the eastern tip of Indonesia is an area which has a wealth of not only very abundant natural resources but also cultural traditions diversity and traditional arts. Every ethnic group in the area that was formerly known as Irian Jaya has typical of each traditional art. In order to preserve other cultural and artistic traditions, according to Law Number 21 Year of 2001 concerning Special Autonomy for the Papua Province, the central government gives authority to the Government of Papua to regulate and preserve themselves within the NKRI (The Unitary State of the Republic of Indonesia) framework, including the authority to empower, conserve and develop traditional arts as the cultural identity of the Papuan people such as the tradition of stone burning carried out by the Komunitas Muslim di Bumi Cendrawasih (moslem community in Papua). This paper discusses the policy of the Government of Papua in preserving the stone burning tradition among muslims, traditional arts and the inhibiting and supporting factors in implementing the policy.

scholarly journals Modern forms of handicraftsmanship preservation and promotion (taking Kosiv Museum of Hutsul Folk Art and Life as an example)

2019 ◽  
Vol 2 (50) ◽  
pp. 64-69
Author(s):  
Halyna Melnychuk
Keyword(s):  
Digital Media ◽  
Folk Art ◽  
Educational Institutions ◽  
Arts And Crafts ◽  
Interactive Games ◽  
Cultural Legacy ◽  
Applied Art ◽  
Museum Staff ◽  
Traditional Arts ◽  
Spiritual Legacy

The author of the article expounds modalities of Kosiv Museum of Hutsul Folk Art and Life activities, cultural and educational, in particular. It is found out that the regional museum centres carry out an important mission to collect, house and learn about the handmade artefacts. The factual material is analysed, which indicates that the museum is highly ranked in terms of preservation of the traditional arts and crafts of Hutsul region. The museum staff has developed a certain concept, the goal of which is to coordinate activities of both the artists and educational institutions, in order to popularize the historical and cultural legacy of Hutsul region. The museum staff is the initiator and co-organizer of various exhibitions, fairs, master classes and displays of folk arts and crafts.  Young people are involved in practical classes on traditional crafts during art events with folk artisans and interactive games. Interactive digital media, tours, lectures, theatre performances, folklore and musical performances are used in the museum expositions to achieve the educational goal. Displays of works by folk and amateur masters, artists of professional decorative and applied art are at the forefront of the museum activities. The main place, among various events, is occupied by exhibitions dedicated to the disappearing Hutsul traditions, clothing, in particular. The innovative elements, which are manifested in the support of the contemporary art and implementation of the original art projects, have become traditional. The museum holds unique exhibitions, in which all exhibits are accessible to people with severe visual impairments. The material analysed proves that the museum activities are an important part of the life of Hutsul region in the field of culture and art. The museum vernissages help increase the cultural level of the audience and their approximation for understanding of how important it is to preserve the material and spiritual legacy of Ukrainian people. Keywords. Kosiv Museum of Hutsul Folk Art and Life, arts and crafts, artisans, artists, preservation, popularization, handicraftsmanship, exhibitions, material and spiritual legacy.

scholarly journals The Art Creation in the Traditional Art Area

Panggung ◽  
2017 ◽  
Vol 27 (3) ◽  
Author(s):  
Esthi Nimita ◽  
Mustika Yundari
Keyword(s):  
Modern Art ◽  
Modern World ◽  
Work Of Art ◽  
Process Flow ◽  
Creation Process ◽  
Traditional Art ◽  
The Creation ◽  
The Difference ◽  
Traditional Arts

ABSTRACTThis article discusses the concept of creating a work of art within a traditional framework. Therefore we need to understand how a work of art was created in the context of tradition, and the difference with the creation of art in the modern world. This article also a discourse on what is actually called a traditional art, and the distiction between traditional art and modern art. In this case, the example is a tradisional dance of Java. The choice is in the hand of the artist, or an art connoisseur nevertheless, through a deeper understanding of the traditional arts and how it was created, so a person may have perspective about life, and the conjunction with God.Keywords:Art, Traditional Art, Modern Art, Creation Process, Flow, TaksuABSTRAKArtikel ini membahas konsep penciptaan suatu karya seni, dalam lingkup seni tradisional. Persoalan yang diangkat mengenai perlunya kita memahami bagaimana sebuah karya seni itu diciptakan dalam konteks tradisi, dan apa bedanya dengan penciptaan karya seni pada konteks modern, dengan pembahasan apa itu seni tradisional dan apa itu seni modern.Dalam hal ini, kebetulan yang dicontohkan adalah seni tari tari tradisi Jawa. Pilihan memang ada ditangan seniman atau penikmat seni,namun dengan memahami secara lebihdalam apa itu seni tradisional dan bagaimana karya seni tradisional itu diciptakan, maka seseorang dapat memiliki perspektif yang lebih baik mengenai hidup, kehidupan, dan hubungannya dengan Sang Pencipta.Kata Kunci:Seni, Seni Tradisional, Seni Modern, Proses Penciptaan, Flow, Taksu. 

scholarly journals Saung Angklung Udjo: Wisata dan Pelestarian Budaya

2019 ◽  
Vol 9 (2) ◽  
pp. 35-43
Author(s):  
Santi Susanti ◽  
Dian Wardiana Sjuchro
Keyword(s):  
Performing Arts ◽  
Traditional Culture ◽  
Traditional Music ◽  
Cultural Tourism ◽  
Cultural Preservation ◽  
Tourism Destination ◽  
Cultural Traditions ◽  
Traditional Art ◽  
World Community ◽  
Traditional Arts

Introducing traditional art to millennials is not easy, because it requires innovation and the ability to adapt to current conditions. Saung Angklung Udjo (SAU) has succeeded in breaking the boundary through performing arts that are held in Saung as well as in several events at home and abroad. This paper aims to describe the struggle of Udjo Ngalagena to make traditional music known and sought after by the world community and how Saung Angklung can become a cultural tourism destination that has a role in preserving traditional culture. Using the qualitative-fenomenology method, data were obtained through interviews, observations and documents and literature related to Saung Angklung Udjo. Based on data processing results, as a tourist location, SAU has become a cultural tourism destination that introduces the cultural of Sundanese people in the form of art, especially angklung, through performances by children and teenagers accompanied by angklung music. There are also bamboo craft workshops and the Bamboo Crafts Center Shop which provides bamboo handicraft merchandise that visitors can buy. As a cultural preservation area, SAU performs regularly and pass down cultural traditions to children by educating them Sundanese art and angklung traditions for free. The children will perform in the show, given honorariums until given tuition assistance. Saung Angklung was established as Udjo's effort to unite the love of children, traditional arts, flora and fauna, nature, and environment into harmony, which is comfortable to see, hear and feel

scholarly journals Peningkatan Apresiasi Seni Dan Budaya Masyarakat Dalam Upaya Mewujudkan Desa Mergowati Sebagai Desa Wisata

Abdi Seni ◽  
2020 ◽  
Vol 10 (1) ◽  
pp. 34-46
Author(s):  
Soemaryatmi Soemaryatmi
Keyword(s):  
Social Life ◽  
Tourism Industry ◽  
Economic Activities ◽  
Cultural Traditions ◽  
Creative Dance ◽  
Traditional Art ◽  
The Arts ◽  
The People ◽  
Arts And Culture ◽  
Traditional Arts

AbstrakPeningkatan Apresiasi Seni Dan Budaya Masyarakat  Dalam Upaya Mewujudkan Desa Mergowati  Sebagai Desa Wisata, merupakan kegiatan dalam rangka meningkatkan kesadaran masyarakat Desa Mergowati terhadap potensi seni budaya yang dimiliki untuk dijadikan industri wisata. Mergowati adalah wilayah pedesaan yang memiliki lingkungan alam yang sejuk asri, dan pemandangan yang indah serta kehidupan sosial  masyarakat yang ramah dan penuh kekeluargaan. Desa Mergowati memiliki sejarah yang menarik, didukung dengan situs-situs peninggalan Kerajaan Mataram dan memiliki seni budaya serta kerajinan tangan terbuat dari bambu. Metode apresiasi dengan pendekatan aplikatif dan dengan meminjam pemikiran Alfian tentang kreatif, digunakan untuk membahas bagaimana  meningkatkan apresiasi seni tradisional masyarakat Desa Mergowati, dan bagaimana meningkatkan kreativitas pengrajin  anyaman  bambu. PPM Tematik di Desa Mergowati kali ini difokuskan pada peningkatan apresiasi seni tradisioal,  workshop pemanfaatan bambu untuk cinderamata, dan mengapresiasi tradisi budaya (Grebeg Gunung Boto). Hasil kegiatan dapat disampaikan sebagai berikut, (1) Pelatihan seni tradisional Tari Kuda Lumping, Tari Kreasi Baru: Tari Rigen, Tari Kupu-Kupu, Tari Merak, Tembang Mocopat, Tembang Dolanan. (2) Workshop pemanfaatan bambu: Lampu Hias, Pot Gerabah Hias, Gantungan Kunci. Diharapkan muncul kegiatan yang bernuansa ekonomi kreatif.Keywords. Apresiasi,  Seni, Mergowati, Wisata. AbstractIncreasing the Appreciation of Arts and Culture in the Community Efforts to Realize Mergowati  as a Tourism Village, is an activity in order to increase the awareness of the Mergowati people  to the potential of the arts and culture they have to make into the tourism industry. Mergowati is a rural area which has a cool natural environment, beautiful scenery and social life that is friendly and full of family. Mergowati village has an interesting history, supported by sites of the kingdom of Mataram and has cultural and handicraft made from bamboo. The appreciation method, with an applicative approach and by borrowing Alfian’s thoughts about creative, is used to discuss how to increase the appreciation  of  traditional  art  from  the  people  of  Mergowati  Village,  and  how  to  increase  the creativity of woven bamboo craftsmen. Thematic PPM in Mergowati Village this time is focused on increasing  appreciation  of  traditional  art,  workshops  on  the  use  of  bamboo  for  souvenirs,  and appreciating cultural traditions (Grebeg Gunung Boto). The results of the activities can be delivered as  follows,  (1)  Traditional  arts  training  on  Kuda  Lumping  Dance,  New Creative  Dance:  Rigen Dance, Kupu Kupu Dance, Merak Dance, Mocopat Song, Dolanan Song. (2) Workshop on the use of bamboo: Decorative lamps, decorative pottery pots, key chains. It is hoped that creative economic activities will emerge.Keywords: Appreciation, Art, Mergowati, Tourism  

CULTURAL APPROACHES TO THE ANALYSIS OF WORKS OF DECORATIVE AND APPLIED ART

2021 ◽  
Vol 5 (2) ◽  
pp. 9-15
Author(s):  
N.M. Leshchinskaia ◽  
Keyword(s):  
Arts And Crafts ◽  
World Science ◽  
Applied Art ◽  
Dialectical Relationship ◽  
The Creation

The article examines the cultural approaches to the study of arts and crafts that exist in world science. Based on the analysis of foreign studies, it was revealed that it is especially promising and relevant to study the possibilities of selling works of decorative and applied art as a commodity. This approach reveals the problem of transforming works of decorative and applied art into souvenir products. In this case, the question of the dialectical relationship between form and content, between the preservation of traditions and the use of new opportunities in the creation of works of decorative and applied art, becomes important.

The Role of Evaluative Tools in the Creation of the Memorial Media Portrait of Jacques Chirac (1932—2019)

2020 ◽  
pp. 97-110
Author(s):  
E. N. Mikhailova ◽  
V. A. Telegina
Keyword(s):  
Print Media ◽  
Political Elite ◽  
Systematic Analysis ◽  
Research Material ◽  
Political Orientations ◽  
Different Types ◽  
The Media ◽  
The Creation ◽  
Entire Text

The article is devoted to the study of evaluative tools used in modern French media in order to form the media image of a representative of the political elite. The techniques used in the creation of a memorial media portrait of Jacques Chirac (1932—2019), President of France from 1995 to 2007 are considered. The research material was the most prestigious French print media of various political orientations, published in late September — early October 2019 in connection with the death of the ex-President of the French Republic. The relevance of the research topic is dictated by the close attention of modern linguistics to axiological phenomena, differently presented in different types of discursive practices. The novelty of the study is due to the appeal to the analysis of the complex of evaluation tools used in the French print media when characterizing the former leader of the state during the nation’s farewell period. The estimated potential of the title of the article and its influence on the formation of the estimated vector of the entire text of the publication are shown. A systematic analysis of the assessment expression means, reflected in the memorial media portrait of the politician, is given. The factors that influenced the peculiarities of their use in this type of media portrait are revealed.

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