scholarly journals STRATEGI PENYELAMATAN ARSIP STATIS PANDEMI COVID-19 SEBAGAI MEMORI KOLEKTIF BANGSA OLEH LEMBAGA KEARSIPAN

2020 ◽  
Vol 15 (1) ◽  
pp. 1-24
Author(s):  
Azmi Azmi
Keyword(s):  
Collective Memory ◽  
Political Organizations ◽  
State Institutions ◽  
Continuous Innovation ◽  
Sources Of Knowledge ◽  
Cultural Life ◽  
Archival Institution ◽  
Strategic Acquisition ◽  
The Right ◽  
Audio Video

The phenomenon of political, social, economic, and cultural life in Indonesia in the figth against the pandemic COVID-19 leaves historical records in various forms and media (paper, maps, pictures, infographics, photos, audio, video, and digital) called COVID-19 pandemic archives. The COVID-19 pandemic archives is crucial for historical evidence, sources of knowledge, continuous innovation, and material for national liability for the life of society, nation and state. The archival institution as a static archival management institution in Indonesia as mandated Law of Number of 43 of 2009 on Archival has the responsibility of saving the COVID-19 pandemic archives produced by state institutions, regional governments, companies, political organizations, social organizations, and individuals as nation's collective memory. The study of saving the COVID-19 pandemic archives aims to examine the problem of the right strategy for archival institutions in saving the COVID-19 pandemic archives as the nation's collective memory. The analysis result showed that the strategy of saving the COVID-19 pandemic archives as a collective memory was carried out through policy making, applying strategic acquisition methods and documentation strategies, optimizing resources, and increasing COVID-19 pandemic archives access.

CONTEXTUALIZING PALIMPSEST OF COLLECTIVE MEMORY IN AN URBAN HERITAGE SITE: Case Study of Chahar Bagh, Shiraz - Iran

2015 ◽  
Vol 9 (1) ◽  
pp. 218 ◽  
Author(s):  
Leila Mahmoudi Farahani ◽  
Marzieh Setayesh ◽  
Leila Shokrollahi
Keyword(s):  
Collective Memory ◽  
Active Part ◽  
Collective Memories ◽  
Cultural Life ◽  
Urban Heritage ◽  
Heritage Site ◽  
Historical Sites ◽  
A Site ◽  
Historical Centre

A landscape or site, which has been inhabited for long, consists of layers of history. This history is sometimes reserved in forms of small physical remnants, monuments, memorials, names or collective memories of destruction and reconstruction. In this sense, a site/landscape can be presumed as what Derrida refers to as a “palimpsest”. A palimpsest whose character is identified in a duality between the existing layers of meaning accumulated through time, and the act of erasing them to make room for the new to appear. In this study, the spatial collective memory of the Chahar Bagh site which is located in the historical centre of Shiraz will be investigated as a contextualized palimpsest, with various projects adjacent one another; each conceptualized and constructed within various historical settings; while the site as a heritage is still an active part of the city’s cultural life. Through analysing the different layers of meaning corresponding to these adjacent projects, a number of principals for reading the complexities of similar historical sites can be driven.

Art, Idleness and Food: The Ethics of War Communism and the Origins of Production Art, 1918–1919

2019 ◽  
Vol 29 (1) ◽  
pp. 273-287
Keyword(s):  
Theory And Practice ◽  
State Institutions ◽  
Early Production ◽  
Policy Measures ◽  
Soviet Ideology ◽  
The Right ◽  
The Impact ◽  
The City ◽  
Further Development ◽  
Theory Of Production

The article examines the impact of the discourses concerning idleness and food on the formation of “production art” in the socio-political context of revolutionary Petrograd. The author argues that the development of the theory and practice of this early productionism was closely related to the larger political, social and ideological processes in the city. The Futurists, who were in the epicenter of Petrograd politics during the Civil War (1918–1921), were well acquainted with both of the discourses mentioned, and they contrasted the idleness of the old art with the dedicated labor of the “artist-proletarians” whom they valued as highly as people in the “traditional” working professions. And the search for the “right to exist” became the most important goal in a starving city dominated by the ideology of radical communism. The author departs from the prevailing approach in the literature, which links the artistic thought of the Futurists to Soviet ideology in its abstract, generalized form, and instead elucidates ideological influences in order to consider the early production texts in their immediate social and political contexts. The article shows that the basic concepts of production art (“artist-proletarian,” “creative labor,” etc.) were part of the mainstream trends in the politics of “red Petrograd.” The Futurists borrowed the popular notion of the “commune” for the title of their main newspaper but also worked with the Committees of the Rural Poor and with the state institutions for procurement and distribution. They took an active part in the Fine Art Department of Narkompros (People’s Commissariat of Education). The theory of production art was created under these conditions. The individualistic protest and “aesthetic terror” of pre-revolutionary Futurism had to be reconsidered, and new state policy measures were based on them. The harsh socio-economic context of war communism prompted artists to rethink their own role in the “impending commune.” Further development of these ideas led to the Constructivist movement and strongly influenced the extremely diverse trends within the “left art” of the 1920s.

Pengembangan Potensi Ekowisata Suku Sambori Bima Nusa Tenggara Barat Indonesia

2021 ◽  
Vol 7 (1) ◽  
Author(s):  
Zulharman Zulharman ◽  
Mochamad Noeryoko ◽  
Ibnu Khaldun
Keyword(s):  
Medicinal Plants ◽  
Data Collection ◽  
Natural Resources ◽  
Land Management ◽  
Research Method ◽  
Economic Conditions ◽  
Tourist Attraction ◽  
Cultural Life ◽  
Future Strategy ◽  
The Right

The objectives of this study were: a. Identifythe potential for ecotourism based on family medicinal plants (toga) that can be developed in Sambori Tribe b. Identify the right strategy for developingecotourism based on family medicinal plants (toga) in Sambori Tribe based on community and stakeholder perceptions. Research Methods:The research method used descriptive methods with survey and observation techniques. Data collection used purposive sampling, the data consisted of aspects of tourism products and markets, economic and business benefits from ecotourism activities and the socio-economic conditions of the community. Product aspects include the main potential of flora, namely toga plants, fauna, natural attractions and landscapes, amenities, accessibility and the socio-cultural life of the community. The market aspect consists of potential tourists in Sambori Tribe. Key informants (Stakeholders). In this study, thestrategy is not only subjective to the researcher, the researcher also involves the opinions of related experts to become respondents. Results and Discussion:  The results of the research that Sambori Tribe had a variety of toga plants with  the potential as a tourist attraction.Sambori Tribe has a diversity of flora and fauna potentials as well as a very suitable landscape potential as a tourist attraction. Conclusion: Sambor Tribe has the potential of flora and faund and the landscape.  The future strategy for developing ecotourism of Toga in Sambori Tribe includes optimizing the potential of toga plants in terms of cultivation, land management and processing potential of toga plants, developing high potential of biological natural resources, both flora and fauna, and natural panoramas

scholarly journals MEMÓRIA, HISTÓRIA E RELAÇÕES DE PODER * MEMORY, HISTORY AND POWER RELATIONS

2015 ◽  
Vol 4 (3) ◽  
pp. 327
Author(s):  
Sonale Diane Pastro de Oliveira ◽  
Maria Gabriela Silva Martins da Cunha Marinho
Keyword(s):  
Human Rights ◽  
Collective Memory ◽  
Transitional Justice ◽  
Power Relations ◽  
Historical Record ◽  
Military Regime ◽  
American System ◽  
The Right ◽  
The Military ◽  
Change Memory

<p><strong>Resumo:</strong> Superado o regime militar, o Brasil tornou-se signatário de acordos internacionais de defesa e promoção dos direitos humanos. Apesar disso, até recentemente, o país negligenciou princípios e fundamentos da justiça de transição previstos pelo Sistema Interamericano de Direitos Humanos, entre eles, o direito à verdade, fato que o coloca à margem daquele Sistema. O artigo pontua aspectos políticos da transição-redemocratização política que podem explicar o adiamento da instalação da Comissão Nacional da Verdade no país, criada somente em 2011, e acentua também o caráter contraditório do processo. Especificamente, a análise assinala o fato de que ao transitar da memória para a história, como pretensamente fazem as comissões da verdade, os indivíduos que se aventuram no registro histórico estarão manejando e interferindo na memória coletiva, na percepção e na identidade da qual fazem parte, o que transforma memória em poder.   <br /><strong></strong></p><p><strong>Palavras-chaves:</strong> Comissão da Verdade; Memória; Relações de Poder; Direitos Humanos; Democracia.  </p><p><strong>Abstract:</strong> Overcoming the military regime, Brazil has become signatory of the international defense agreements and promotion of human rights. Yet, until recently, the country has neglected to foundations of transitional justice provided for the Inter-American System of Human Rights, between them, the right of truth, fact that stands aside that system. The article points out political aspects of transitional policy re-democratization which may explain the setting up progress of the National Truth Committee in the country, created only in 2011, and also emphasizes the contradictory procedure. Specifically, the analysis indicates the fact that going through memory to history, the way supposedly the Truth Committees do, the individuals who venture into a historical record will be managing and interfering in the collective memory, perception and identity from which they take part and change memory into power.  <br /><strong></strong></p><p><strong>Keywords:</strong> The Truth Committee, Memory and Power Relations, Human Rights, Democracy.<strong> </strong></p>

scholarly journals Return of Corruption Assets toward Criminal Actions of Office Abuse

2021 ◽  
Vol 4 (2) ◽  
pp. 2114-2120
Author(s):  
Rahmayanti Rahmayanti
Keyword(s):  
Political Development ◽  
Secondary Data ◽  
Social Institutions ◽  
Public Official ◽  
State Institutions ◽  
Data Source ◽  
The Government ◽  
Important Position ◽  
The Stability ◽  
The Right

Corruption is a serious problem because it can endanger the stability and security of society, destroy democratic values and morality, and endanger economic, socio-political development, and create massive poverty so that it needs attention from the government and society and social institutions. The purpose of this study is to determine and analyze the sanctions arrangements for corruption in the abuse of office and the return of assets resulting from corruption against criminal acts of abuse of office based on Law Number 31 of 1999 in conjunction with Law Number 20 of 2001 concerning Corruption Eradication. The research that was conducted was juridical normative, the data source used to support this research was secondary data sources. The return of assets from corruption has occupied an important position in eradicating corruption. a criminal act of corruption is an act directly related to the authority (bevoegheid), the right to rule or act as the power of a public official to comply with the rule of law in the scope of carrying out public obligations. The return of assets is based on the principles of social justice which gives the ability, duty and responsibility to state institutions and legal institutions to provide protection and opportunities for individuals in society to achieve prosperity, so that this is in line with the objectives of the State as specified in UUD 1945. 

scholarly journals Youth in the margin in Morocco: a qualitative approach to the perception of subjectivity and agency politics

2021 ◽  
Vol 119 ◽  
pp. 01007
Author(s):  
Ilham Sadoqi
Keyword(s):  
Social Action ◽  
Population Based ◽  
Social Actors ◽  
State Institutions ◽  
Cultural Life ◽  
The Social ◽  
Youth Agency ◽  
And Gender ◽  
The Relationship ◽  
Third Moment

This paper seeks to investigate the potentials of youth agency in the margin of society and understand the prospects for social action or “Hirak” as an ongoing sweeping protest wave of a marginalized population. Based on a national qualitative study about youth and marginality in Morocco, this paper will focus on three moments. First, it will examine youth perception, their representation of their subjectivities, and how the realities and experiences of exclusion and “Hogra” manifested in inequalities, injustice, and systematic violence have shaped their beliefs and desire to act. The second moment brings to the fore their apprehension of the hegemonic powers of state institutions and social actors to determine their motivations and initiatives to articulate their actions locally and nationally under conditions of domination. The third moment will shed light on the dynamics of youth agency and the nature of their actions, be it individual or collective, subjective or rational. Similarly, it will also consider the structural limitations impinging on the social, political, cultural life, and gender relations. This paper examines the relationship between youth agency in the margin and the emergence of a new quest for social action “Hirak” in different regions of Morocco and how this might pave the way towards renegotiating the existing social contract between society and state.

14. Cultural rights

2017 ◽  
Author(s):  
Julie Ringelheim
Keyword(s):  
Human Rights ◽  
Scientific Progress ◽  
International Human Rights Law ◽  
Human Rights Law ◽  
International Human Rights ◽  
Cultural Rights ◽  
Cultural Life ◽  
Material Interests ◽  
International Human ◽  
The Right

This chapter examines the sources of cultural rights in international human rights law, describes their evolution, and highlights the major debates regarding their interpretation. Specifically, it discusses the content and meaning of the right to take part in cultural life, the right to enjoy the benefits of scientific progress and its applications, and the rights of authors and inventors to the protection of their moral and material interests.

The “Right to Take Part in Cultural Life” Under Article 15 of the ICESCR

1998 ◽  
Vol 47 (4) ◽  
pp. 904-923 ◽  
Author(s):  
Roger O'Keefe
Keyword(s):  
Cultural Life ◽  
The Right

The fans' representatives also had some thoughts on the televising of games and pay-per-view television. They proclaimed “the right of fans to watch football matches on television without having to pay extra, since they take place in public arenas which have been paid for by the citizens”.1

The Hegemonic Bourguibist Discourse on Modernity in Post-revolutionary Tunisia

2016 ◽  
Vol 8 (2-3) ◽  
pp. 179-200 ◽  
Author(s):  
Mathilde Zederman
Keyword(s):  
Collective Memory ◽  
National Level ◽  
Specific Reference ◽  
Political Movements ◽  
Discursive Strategies ◽  
The Social ◽  
Social Scene ◽  
Independence Era ◽  
The Right ◽  
Shed Light

This article examines the continued resonance of Bourguibist discourses on modernity within Tunisia, how his political legacy continues to serve as a point of reference for diverse political movements, and therefore seeks to question how this conceptualization of modernity remains hegemonic. I posit that the national narrative of “modernity” conveyed by Bourguiba in the post-independence era should be understood as an arena of struggle over power and identity, and accordingly that both serve to shed light on how collective memory is mobilized as a political idiom to legitimise certain ideological agendas and views on what is deemed the “right” Tunisian national identity. With specific reference to Ennahda and Nidaa Tounes, I argue that understanding the prevailing political and social scene of post-revolutionary Tunisia necessitates examination of the social construction of Bourguiba, how he has come to be “mythologised” in order to generate support at a national level, and more importantly how this functions within broader discursive strategies towards power. In seeking to move beyond the current binarism that situates Islamists and so-called “secularists” (supposedly heirs of Bourguibism) in opposition, this study seeks to demonstrate the commonalities within their respective appropriations of the Bourguibist legacy in the post-revolutionary context, and thereby to elucidate how his normative heritage serves as a touchstone for seemingly contradictory ideological currents.

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