scholarly journals The Marginalization of Women in Pramoedya Ananta Toer's Novel: A Qualitative Descriptive Study of Sara Mills' Critical Discourse Analysis in Midah the Sweet Tooth of the Gold Novel, Larasati and the Beach Girl

Author(s):  
Lenni Ashari ◽  
Azis Azis ◽  
Muhammad Saleh

This research is motivated by the many cases of marginalization found in women's themed novels written by one of the maestro of Indonesian literature, Pramoedya Ananta Toer. The novels written by Pramoedya Ananta Toer are known to often raise social problems that occurred at that time, including cases of marginalization of women. Midah Si Manis Bergigi Emas, Larasti and Gadis Pantai are several novels by Pramoedya Ananta Toer which tell the life journey of women as the main characters. The many forms of marginalization of rights experienced by women in these novels become something interesting for researchers. The purpose of this research is to uncover the representation of women's marginalization that occurs in the novels by Pramoedya Ananta Toer. The research method used is Sara Mills' critical discourse analysis which has been developed by Eryanto. Sara Mills' Critical Discourse Analysis emphasizes her study on the positioning of actors in the text or what is generally known as the subject-object position and the writer-reader position, however, the focus of this research is the subject-object position. The data collection technique used is literature study and documentation. The results of this study indicate that in the novel Midah Si Manis Bergigi Emas, Larasati, Gadis Pantai written by Pramoedya Ananta Toer, there are several forms of marginalization experienced by female characters in the novel. In addition to getting marginal treatment, the female character in the novel is also positioned as an object in the storytelling.

2019 ◽  
Vol 5 (15) ◽  
pp. 1275-1279
Author(s):  
Kawa Sherwani ◽  
Saman Dizayi

This paper investigates the resistance of immigrants to cultural dominance of London society in The Lonely Londoners, a postcolonial novel by Sam Selvon. The Lonely Londoners (1956) depicts the miserable life of Caribbean people who migrated in hope to find better condition of living than their countries. The paper furnishes a theoretic ground for analyzing the discourse of the novel which presents the subject of resisting dominant culture throughout events and language used by the novelist. The paradigm of immigrants, their trauma and shock have always been the spot line of discussion after WWII. Through the colonial history there was a dominant discourse of Western cultural superiority imposed on colonized, with the postcolonial era a different discourse emerged through intellectual presentations such as Fanon, Said, Bhabha ideas and others who enlightened literary theory and criticism and theorized resistance and cultural identity. Thus, this paper will critically analyze the discourse of resistance of Postcolonial people in exile to ascertain their existence and identity. Keywords: Post colonialism, Discourse analysis, Resistance, Identity


2020 ◽  
Vol 5 (1) ◽  
pp. 27
Author(s):  
Monika Sri Yuliarti

Election selfie has been a quite phenomenon since the 2014 election in Indonesia. In the last election, 2019, there was a famous actor, Nicholas Saputra, who posted his inked finger selfie in his Instagram account as one of his campaign efforts for the youth to be involved in the election, and surprisingly, it became a bombshell in the online world. This study examined the representation of masculinity in the online new relates to the election selfie by Nicholas Saputra. This research involved five (5) online news articles from a reputable online news portal in Indonesia using a critical discourse analysis perspective that was adopted from the Sara Mills model. It was found that traditional masculinity was represented in research objects, which were the strengths and the practical way of life. Moreover, it was also found that in terms of subject-object position, there was no balance in the opportunity to speak between the subject and object. Finally, as to the writer-reader position, the writer also held a more significant privilege to decide the position of the reader.


2018 ◽  
Vol 14 (2) ◽  
pp. 186-198
Author(s):  
Ayu Monita Eka Shinta

This thesis entitled Feminism Reality as Expressed by Sumarni in theYears of the Voiceless Novel by Okky Madasari: A Critical Discourse Analysis isconducted to convey position and feminism reality of woman as reflected bySumarni in this novel. The subject of this study is the main character namelySumarni regarded as a voiced civilian woman. The reason for choosing this novel isbecause of inequality power relation issues, especially woman. Women areconsidered as weak. Here, Sumarni appears as a main character who wants tospeak up rather than to be voiceless. This study is intended to give a model in howwoman can show her power through her utterances since woman wants to be equalin society. There were several steps in doing this study which have been done.Under the qualitative research, the data collection started from reading the noveland then selecting utterances. While the method of data analysis was done bygrouping Sumarni’s utterances, after that the utterances were analyzed byconsidering feminist stylistic elements at the level of sentence by using transitivitychoices and Wodak’s triangulatory approach. The result of this study reveals thatthe use of relational process is higher than material process intention andsupervention, and mental process internalized and externalized. From the findingabove, it can be seen that Sumarni appears as a not common woman since she canbe a sugarcane field owner and moneylender in the end of the novel. In addition,there is a feminism reality as realized by Sumarni that a woman must beindependent and be responsible both in society and family. Keywords: CDA, feminist stylistics, feminism, The Years of the Voiceless,utterancesWomen


2021 ◽  
Vol 11 (2) ◽  
pp. 135-157
Author(s):  
Anne Golden ◽  
Toril Opsahl ◽  
Ingebjørg Tonne

In this article, we analyze the use of the term ‘morsmål’ (‘mother tongue’) in official Norwegian documents and in media texts to identify if and how its conceptualization has changed in the era of increasing globalization. Our point of view is explorative. When examining our data, we highlight the importance of reflecting openly about the instability of powerful concepts. We highlight two partly conflicting conceptualizations that we name the ‘traditional use’ and the ‘novel use’, respectively. Building on critical discourse analysis and conceptual metaphor theory we explore how the conceptualizations reveal certain aspects of ideologies and the potential management of multilingualism in society. A broader understanding of how conceptualizations of mother tongue(s) are played out in the Norwegian context may contribute to the dialogue about multilingualism as it is understood and recognized across diverse contexts.


Author(s):  
Muhammad Sibtain Chohan ◽  
Muhammad Nadeem Anwar

The aim of the study is to analyze Zulfiqar Ali Bhutto’s speech at United Nations’ Security Council on September 22, 1965. The study attempts to uncover the meanings of the words employed to show the core tension of 1965 war between Pakistan and India. There have been different models of CDA presented by scholars like Fairclough, Wodak and Van Dijk, but the most suitable CDA framework for this study case is of Van Dijk. His (1997) framework for critical discourse analysis provides the clear picture of the ideologies expressed in various kinds of structures. Qualitative methodology has been employed for this study and the content of the speech was analyzed qualitatively. The findings of the study elaborate that Bhutto was determined to have a permanent peace in the region. It can also be observed that he was quite confident in buying peace for Pakistani and the neighboring countries. He reinforced the subject matter with multiple instances of the countries that faced the same war-like circumstances and rose again with new zeal and zest. The study has its theoretical as well as practical scope.


2020 ◽  
Vol 9 (2) ◽  
pp. 101-126
Author(s):  
Stephen Turton

Abstract This paper furthers the goal of “queering lexicography” (Nossem 2018) by proposing a theoretical approach to analysing dictionary definitions that replaces the traditional descriptive/prescriptive binary with a model of normativity influenced by performativity theory. This is demonstrated by a critical discourse analysis of how entries for lesbian, gay, and homosexual in four contemporary English dictionaries tacitly position homosexual as a neutral term against which lesbian and gay are sociolinguistically marked. The paper also stresses the need for researchers not only to analyse how normativity is embedded in dictionaries, but to recognize the extent to which lay dictionary-users are already aware of the normative potential of lexicography, whether they embrace it or condemn it. This is explored through an incident in which Merriam-Webster’s addition of the word genderqueer to its online dictionary in 2016 became the subject of public scrutiny and contestation on social media.


2019 ◽  
Vol 38 (2) ◽  
pp. 104-118
Author(s):  
Katie Baker Jones

Discursive practices employed by American Vogue to recontextualize sustainable fashion between 1990 and 2015 were explored through the lens of a discourse-historical approach and multimodal critical discourse analysis. References to sustainably minded values and actions were found throughout the 26 years studied with notable peaks and valleys in coverage that, at times, contradicted changing social interest in the subject. Over time, Vogue recontextualized sustainable fashion discourses and encouraged a passive revolution by moving from a contentious positioning of either/or sustainable fashion to one that embraced a both/and positionality by narrowing focus to lifestyle and product features. Additionally, Vogue celebrated social actors engaged in sustainable behaviors though these were increasingly positioned as lifestyle choices rather than revolutionary collective action. Vogue continuously recontextualized the sustainable fashion discourse as “new” and desirable while neutralizing most negative considerations of fashion consumption through a variety of articulations and by drawing on well-established semiotic resources.


2020 ◽  
Vol 2 (3) ◽  
pp. 121
Author(s):  
Prayudha Prayudha ◽  
Ma’ruf Fawwaz

This paper analyzes the textual aspects in Critical Discourse Analysis (CDA) Norman Fairclough model of CNN news discourse about Uyghur issue. When this research is conducted, there are only at least five articles specifically discussing Uyghur issue that are 29th December 2011, 29th February 2012, 29th February 2012, 30th October 2013, and 5th September 2014 publications. The research focuses on analyzing the text representation and the relation between participants in the discourse. Objectives of the paper are: 1) to analyze the text representation of news in the news channel of CNN related to the Uyghur case, and 2) to analyze the relation between participants in the news channel of CNN related to the Uyghur case. The subject of this paper is Uyghur issue as reflected in the news articles of CNN International. The paper applies qualitative descriptive method. As a consequence: CNN often put formality features and a vague vocabulary to block and obscure the negative value from the readers to China. The relation here is presented by CNN to China rather than CNN to Uyghur. It is reflected by the power of the status of China.


2020 ◽  
Vol 8 (1) ◽  
pp. 51
Author(s):  
Titin Purwaningtyas

The textbook plays an essential role for students in the teaching and learning process. Imagery, combined with texts in the textbook, makes subjects easy to understand. Images are generally used to convey things we can't tell in the text. Visual images help students make sense of output and input around them. This study investigates the representation of the visual image in the EFL textbook proposed by using a multimodal discourse analysis method. The researcher used the framework from Kress van Leeuwen. Information from all visual images consist of 158 images in the Indonesian EFL textbook is collected as the data in this study. The results showed that females (70%) portions were more commonly portrayed than males ( 30%). In terms of social roles, females have the same proportion of occupations as males. In terms of image appearance, the foreign and Indonesian cultures portrayed to show the tolerance culture. This study aims to explore the meaning of the integrated use of semiotic resources, such as visual image representation in the textbook. The researcher expected students and teachers as textbook users could increase their understanding with the subject of teaching and learning by interpreting the visual images effectively. This study recommends to the textbook user that visual images appearances can strengthen the text or written material in the textbook. Also, it suggests textbook publishers be more concerned and synchronize between the written content and the visual representation portrayed not to occur misinterpretation among the textbook users.


Author(s):  
Mahvish Nisar ◽  
Samia Nisar

This research paper aims to explore the cultural, political, and social realities of Pakistan in Uzma Aslam Khan’s novel Trespassing. The ethnic conflicts which engulfed Karachi in the 1990s in the aftermath of the Afghan War and Gulf War are also depicted. Mixed approach has been used as a tool in order to highlight different aspects of real life presented in the novel. These approaches are critical discourse analysis, punctuation as prosody of language, code mixing, and color semiotics. Code mixing in the novel gives a glaring picture of Pakistani culture and traditional values at the major level by the use of Urduised words. The application of critical discourse analysis in Trespassing reveals the political unrest, corruption, fantasy for America, individualism and ethnic conflicts which swamped the whole country. The prosody of punctuation illustrates the hidden meanings of the sentences more explicit thus making the societal issues more protuberant. The prosody is concerned with the semantic meaning rather than rhetorical meaning. Color semiotics of both eastern and western culture also objectified and presented a more comprehensive vision of the culture, ideas, and feelings in the novel. Trespassing is a book which is realistic and in all sense an essence of Pakistan and its people.


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