scholarly journals RECRUIT SPATIAL SYMBOLS IN BRAND DESIGN

2021 ◽  
Vol 03 (04) ◽  
pp. 382-389
Author(s):  
Dina Mohammed INAD
Keyword(s):  
Active Role ◽  
Research Problem ◽  
Corporate Identity ◽  
Design Work ◽  
Structural Formation ◽  
The Third ◽  
The Subject ◽  
Descriptive Approach ◽  
Definition Of ◽  
Cement Factories

Brand plays a major role in the success of companies, the corporate identity has become firmly established in the business communication environment, and can play a major role in the success of the company. Spatial symbols do not take a mere narrative structural formation, because their presence is not a neutral, static presence, but rather plays an active role in brand design and even in determining its functional options. Accordingly, dealing with these symbols was of great importance, as they are one of the components of the semantic construction of the design work , It is one of the foundations that constitute the designer's vision towards achieving the desired goal of the design, In this context, the search for spatial symbols becomes justified, especially if the design is among the works that show the act of belonging to the place. the importance of the tagged study (the employment of spatial symbols in the design of brands) to clarify the subject through three chapters. The first chapter includes the research problem and the need for it Which is represented by the following question (What are spatial symbols and how are they employed in the brand)? The aim of the study was (to identify spatial symbols in brand design). It includes the importance of the research, the limits of the research, and the definition of terms. As for the second chapter, it included the theoretical framework consisting of four sections that included the first topic (the symbol and identity of the place) and the second topic (symbols in graphic design), while the third topic included (the brand design). The fourth topic included (research applications), as the researcher adopted the descriptive approach, the method of content analysis in analyzing research models. In the third chapter, the research reached the results and conclusions, including: 1-As a result, the spatial symbols in the brand achieve the depth of belonging and the cultural embodiment of the country to be employed in the brand. 2-The spatial symbols in the design of the brand have had a creative impact on the recipient, and it helps him identify the spatial references of the industrial establishment (cement factories).

Delving into Horror

2019 ◽  
Vol 29 (5) ◽  
pp. 135-150
Keyword(s):  
The Self ◽  
Time And Space ◽  
The Third ◽  
The World ◽  
The Subject ◽  
Perception Of Time ◽  
Definition Of

The springboard for this essay is the author’s encounter with the feeling of horror and her attempts to understand what place horror has in philosophy. The inquiry relies upon Leonid Lipavsky’s “Investigation of Horror” and on various textual plunges into the fanged and clawed (and possibly noumenal) abyss of Nick Land’s work. Various experiences of horror are examined in order to build something of a typology, while also distilling the elements characteristic of the experience of horror in general. The essay’s overall hypothesis is that horror arises from a disruption of the usual ways of determining the boundaries between external things and the self, and this leads to a distinction between three subtypes of horror. In the first subtype, horror begins with the indeterminacy at the boundaries of things, a confrontation with something that defeats attempts to define it and thereby calls into question the definition of the self. In the second subtype, horror springs from the inability to determine one’s own boundaries, a process opposed by the crushing determinacy of the world. In the third subtype, horror unfolds by means of a substitution of one determinacy by another which is unexpected and ungrounded. In all three subtypes of horror, the disturbance of determinacy deprives the subject, the thinking entity, of its customary foundation for thought, and even of an explanation of how that foundation was lost; at times this can lead to impairment of the perception of time and space. Understood this way, horror comes within a hair’s breadth of madness - and may well cross over into it.

scholarly journals God’s Love in the Teaching of Cardinal Stefan Wyszyński

2021 ◽  
Vol 14 (2) ◽  
pp. 29-47
Author(s):  
Sylwester Jaśkiewicz
Keyword(s):  
Holy Spirit ◽  
Inner Life ◽  
Son Of God ◽  
The Third ◽  
God's Love ◽  
Triune God ◽  
The Holy Spirit ◽  
The Subject ◽  
Definition Of ◽  
Theological Thought

The article presents the subject of God’s love in Cardinal Wyszyński’s teaching. Primate Wyszyński puts God’s love at the very center of his theological thought. The theme of God’s love is discussed in seven sections: the first of them refers to the most famous words of Saint John’s “Deus Caritas est” (1 Jn 4:8,16), which are a short and brief definition of God; the second section develops Cardinal Wyszyński’s statement that there was a “time” in which only Love existed; the third section concerns the impartation of God’s love; fourth section describes the love of the Father; fifth section speaks of the greatest Love, which is the Incarnate Son of God, Jesus Christ; section six focuses on the Holy Spirit, who is the Spirit of Love; the last section speaks of Mary, Mother of Beautiful Love. The whole ends with the summary. In his teachings on the love of God, Cardinal Wyszyński started with the inner life of the Triune God, with the Person of the Father, and then focuses on the salvific mission of the Son of God and the sanctifying action of the Holy Spirit. In this way, he appreciates both the category of God the Father and God as a Father full of love.

UPOREDNI PRIKAZ HRVATSKOG I SLOVENAČKOG PRAVA GRAĐENjA

Glasnik prava ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 35-51
Author(s):  
Edina Kočan
Keyword(s):  
Property Rights ◽  
Legal Systems ◽  
Legal Analysis ◽  
The Third ◽  
Conceptual Definition ◽  
The Subject ◽  
The Republic ◽  
Construction Law ◽  
Definition Of ◽  
The Right

The author presents a comparative legal analysis of the segments of construction law in Croatian and Slovenian law, with the aim of pointing out the differences that exist between them. Considering that this is a relatively new legal institute, which was somewhat earlier standardized in Slovenian law in relation to Croatian law, in the introductory exposition, a brief review was made of the occurrence of the construction law and the reasons for earlier non-regulation. The second part of the paper is dedicated to the stipulations of Act on ownership and Property Code of the Republic of Slovenia. This part refers to the conceptual definition of the construction law, in order to classify it in a certain broader unit, to which it belongs - genus proximum - searching for the closest relative, emphasizing the important characteristics that make it specific in relation to other property rights. In the third part of the paper, the author analyses the stipulations related to the subject of building rights, with reference to the dilemmas that exist in that sense, both in Croatian and Slovenian jurisprudence, as well as in the legal science of some other countries. The fourth part of the paper is dedicated to the stipulations that regulate the acquisition and duration of construction rights. Considering that derivative acquisition, among other things, characterizes the existence of bases and ways of acquisition, first possible bases of acquisition are presented, and then entry in appropriate public books as a way of acquiring this right and its duration. The concluding part of the paper summarizes the results of the analysis and evaluates the considered legal solutions, with the presentation of reasoned objections to the existing regulations, all with the aim of eventual amendment of the right to build in the legal systems in question.

‘TALKING POLITICS’: TYRANNY, PARLIAMENT, AND CHRISTOPHER BROOKE'S THE GHOST OF RICHARD THE THIRD (1614)

1998 ◽  
Vol 41 (1) ◽  
pp. 97-120 ◽  
Author(s):  
MICHELLE O'CALLAGHAN
Keyword(s):  
Political Culture ◽  
Print Culture ◽  
Parliamentary Debates ◽  
Political Discourses ◽  
The Third ◽  
Literary Forms ◽  
Inns Of Court ◽  
Literary Cultures ◽  
The Subject ◽  
Definition Of

The career of the MP and poet Christopher Brooke, in particular his The ghost of Richard the third (1614) and his activity in the 1614 ‘addled’ parliament, forms the basis of this study of Jacobean political culture. Brooke's career foregrounds the close interaction of political and literary cultures in the period; he was a leading member of the political circle, the ‘Sireniacs’, which had strong parliamentary ties, and was one of the Inns of Court-based ‘oppositional’ Spenserian poets. Together with his fellow ‘Sireniac’ MPs, Brooke vehemently opposed the definition of impositions as the domain of absolute rather than ordinary powers of the crown because of the threat this posed to the rights of parliament and the subject. The ghost of Richard the third provides an example of parliamentary debates entering a wider print culture, where impositions merged with broader civic issues. Political language in this period was not confined to the realms of high theory and Brooke's poem illustrates the complex mediation of political discourses through literary forms. A humanist discourse of tyranny provided Brooke with a coded language, enabling him to articulate his concern for the health of the commonwealth and to address areas of ideological conflict in early Stuart political culture.

scholarly journals The Czech Way of Addressing the Global Challenges Accompanied with Creative Industries

2020 ◽  
Vol 21 (2) ◽  
Author(s):  
Peter Milčák
Keyword(s):  
Statistical Data ◽  
Creative Industries ◽  
Relevant Research ◽  
Research Papers ◽  
The Third ◽  
The Subject ◽  
Definition Of ◽  
National Economies ◽  
Different Cultures

The article aims to provide a clear picture of the Czech Republic’s approach toward coping with the creative industries in the context of their numerous shortcomings and ambiguities. The theoretical framework of the article is divided into three primary parts, each dealing with a different set of problems. The first part deals with the problems arising from the scattered definition of the concept of creative industries along with potential linguistic problems arising from understanding the meaning of words creative industries in different cultures. The second part deals with the issue of the creation of various tools and methods for incorporating creative industries within national economies. The third part deals with the subject of creating public policies in the field of culture and the possible dilemmas associated with them. At the end of each section, space is dedicated to describing the Czech Republic’s approach concerning dealing with these problems. Methodologically the article is built upon the secondary research of relevant research papers written by academics researching the field of creative industries and on the analysis of the statistical data provided by the Czech Statistical Office. Findings resulting from the article points to the increased long-term efforts of state officials to establish the concept of creative industries fully

scholarly journals Milestones of Da’wa in the Stories of Prophets in the Light of the Holy Qur’an - The Story of the Prophets of Allah Adam and Noah, peace be upon them, (Analytical Study): معالم الدعوة في قصص الأنبياء في ضوء القرآن الكريم – قصة نبيي الله آدم ونوح عليهما السلام أنموذجاً - دراسة تحليلية

2020 ◽  
Vol 3 (4) ◽  
Author(s):  
Abdulrahman Qaid Abdulrahman Al- Faqih
Keyword(s):  
Analytical Study ◽  
The Third ◽  
Descriptive Approach ◽  
Definition Of

The study aimed to identify the features of the call in the stories of the prophets in the light of the Holy Qur’an i.e. the story of the Prophets of Allah, Adam and Noah, peace be upon them as a model. The descriptive approach was used. The study included three parts, the first part addressed the definition of the call linguistically and conventionally. The second part addressed the features of the call in the story of the Prophet of God, Adam, peace be upon him. The third part addressed the features of the call in the story of the Prophet of God, Noah, peace be upon him. This study concluded the flowing results (1) every messenger whose story was mentioned in the Holy Qur’an was characterized by the communication of the revelation of Allah, and the fact that no one was forced to enter into religion. Such important features are among the most important concepts of common teaching among all the prophets; (2) perseverance, patience and endurance in the path of call are vital in the success of the message of the prophets.

scholarly journals The Effect of Optical Formation on Highlighting the Features of Urban Identity

2021 ◽  
Vol 23 (2) ◽  
Author(s):  
Ahraou wafa ◽  
◽  
Abdallah FARHI ◽  
Hynda Boutabba ◽  
◽  
...  
Keyword(s):  
Research Problem ◽  
Fundamental Change ◽  
Urban Identity ◽  
The Third ◽  
Definition Of ◽  
Main Component ◽  
Selection Of

The study includes four chapters, the first is devoted to reviewing the research problem, its importance, objectives and limitations in addition to defining terms. The second chapter contains the theoretical introduction that includes a definition of optical art and its impact on highlighting features of urbanidentity. The third chapter examines several models in optical formation, where several architectural designs were discussed by its role in highlighting the features of urbanidentity. The fourth chapter includes the results and observations of the role of art and opticalformation in highlighting the urbanidentity. This is because it adds an aesthetic touch and an expression of various creative and unfamiliar ideas to the designer in a waythat occurs a fundamental change in the fixed rules of the viewer and his/her expectations for designs where the creative touch is in the overlay, communication, separation, penetration, segmentation of shapes and colors, and selection of materials needed to implement these designs have the biggest role in highlighting the features of urbanidentity. Where we found that the optical formation of its various types is the main component of architecture that it boasts of, and with what it contains creative ideas that express the reality of urbanidentity.

scholarly journals ОСНОВНІ ЧИННИКИ ФОРМУВАННЯ Й РОЗВИТКУ ДИЗАЙНУ МЕБЛІВ

2019 ◽  
pp. 117-128
Author(s):  
В. Ф. Стрілець
Keyword(s):  
Comparative Analysis ◽  
Experimental Design ◽  
Research Problem ◽  
Furniture Design ◽  
Field Surveys ◽  
Scientific Methods ◽  
Spatial Environment ◽  
General Scientific ◽  
The Subject ◽  
Definition Of

The purpose of this article is the definition of factors that influence the development of modern furniture design and trends in its development in the context of the formation of the subject-spatial environment. The methodology of this study is to apply general scientific methods of analysis, synthesis, comparative analysis, field surveys, experimental design, as well as study of cultural heritage for this research problem.

MENTAL CATHARSIS IN CHILD THEATER PERFORMANCES

2021 ◽  
Vol 03 (04) ◽  
pp. 22-33
Author(s):  
Iman Abdul Sattar Atallah AL-KUBAISI
Keyword(s):  
Research Problem ◽  
Theoretical Framework ◽  
Research Community ◽  
Major Task ◽  
Philosophical Foundations ◽  
The Third ◽  
Theatrical Performances ◽  
Descriptive Approach ◽  
Theater Performances ◽  
The Mind

In the twenties of the twentieth century there appeared a tendency declaring that art has a major task is to cleansing reality from everything that seems strange to it. But this proposition took another characteristic of the German director and writer (Berthold Brecht) after he initiated a revolution that declared its rejection of the previous concepts of theater and Aristotelian drama in the introduction of alienation in his theatrical doctrine, which was later called (dialectical theater), This is a shift towards another concept of purification that goes beyond the emotion towards addressing the mind and changing ideas, so Brecht has a different function to theater, which is to change and reject the miserable and revolutionary reality. In child theater performances, the research problem was formed in the following question: What are the representations of mental cleansing in child theater performances? As for the objectives of the research, it is represented by (revealing the concept of mental cleansing, and revealing representations of mental cleansing in child theater performances). The current research was determined by child theater performances in Iraq for the period from (2010-2020) that take mental cleansing as its goal. As for the second chapter, it focused on three axes. The first was philosophical mental cleansing, while the second axis was concerned with the philosophical foundations of the Barkhati approach, while the third axis focused From the theoretical framework on the Westernization of Berthold Brecht. As for the third chapter, it was clarified that the researcher adopted the descriptive approach (the method of content analysis) being more appropriate to the current study procedures, which dealt with the research community represented by the presentations that were made for the period between (2009-2018) in Baghdad, which reached (16) theatrical performances. After the sample was randomly selected by lot, it was (a little chalk circle) play. After analyzing the sample, the results of the research were extracted, which are responsible for answering the objectives of the research and the extent of their achievement. The first goal was achieved through what was reviewed in the theoretical framework and what was extracted from it. As for the second goal, which aims to reveal the representations of mental cleansing in theatrical performances directed at the child, it was achieved after analyzing the selected sample, and the results appeared as follows: 1. All child theater performances that follow the Brachitic approach aim at mental cleansing. 2. Mental cleansing occurs in child theater performances when the following methods are employed that keep the child mind attentive and critical, including: First / at the level of the text 1. Using the heritage and being inspired by it as a theatrical template for contemporary events through the style of history, and not committing to a Space-time through this history. 2. The necessity of the presence of the narrator who tries to break the hierarchy of events by narrating and commenting on some events, as well as employing songs and music that differ from the general atmosphere of the event. Second / at the level of the show 1. Using the scene through symbolic, not realistic, signs to keep the actor away from any reincarnation that casts its shadow on the audience through theatrical infection. 2. Not to adhere to the timing of lighting. 3. Using shadow imaginations or movies and pictures in conveying the event. 4. Westernization of performance by leaving space between the character and the actor

scholarly journals XX. A memoir on curves of the third order

1857 ◽  
Vol 147 ◽  
pp. 415-446 ◽  
Keyword(s):  
Class I ◽  
Geometrical Theory ◽  
Third Order ◽  
The Third ◽  
Cubic Curve ◽  
The Subject ◽  
Definition Of

A curve of the third order, or cubic curve, is the locus represented by an equation such as U=(*)( x , y , z ) 3 =0; and it appears by my “Third Memoir on Quantics,” that it is proper to consider, in connexion with the curve of the third order U = 0, and its Hessian HU=0 (which is also a curve of the third order), two curves of the third class, viz. the curves represented by the equations PU=0 and QU=0. These equations, I say, represent curves of the third class; in fact, PU and QU are contravariants of U, and therefore, when the variables x , y , z of U are considered as point coordinates, the variables ξ, η, ζ of PU and QU must be considered as line coordinates, and the curves will be curves of the third class. I propose (in analogy with the form of the word Hessian) to call the two curves in question the Pippian and Quippian respectively. A geometrical definition of the Pippian was readily found; the curve is in fact Steiner’s curve R 0 mentioned in the memoir “Allgemeine Eigenschaften der algebraischen Curven,” Crelle , t. xlvii. pp. 1-6, in the particular case of a basis-curve of the third order; and I also found that the Pippian might be considered as occurring implicitly in my “Mémoire sur les Courbes du Troisiéme Ordre,” Liouville , t. ix. p. 285, and “Nouvelles Remarques sur les Courbes du Troisiéme Ordre,” Liouville , t. x. p. 102. As regards the Quippian, I have not succeeded in obtaining a satisfactory geometrical definition; but the search after it led to a variety of theorems, relating chiefly to the first-mentioned curve, and the results of the investigation are contained in the present memoir. Some of these results are due to Mr. Salmon, with whom I was in correspondence on the subject. The character of the results makes it diflicult to develope them in a systematic order; hut the results are given in such connexion one with another as I have been able to present them in. Considering the object of the memoir to be the establishment of a distinct geometrical theory of the Pippian, the leading results will be found summed up in the nine different definitions or modes of generation of the Pippian, given in the concluding number. In the course of the memoir I give some further developments relating to the theory in the memoirs in Liouville above referred to, showing its relation to the Pippian, and the analogy with theorems of Hesse in relation to the Hessian. Article No. 1.— Definitions , &c . 1. It may be convenient to premise as follows:—Considering, in connexion with a curve of the third order or cubic, a point , we have— ( a ) The first or conic polar of the point. ( b ) The second or line polar of the point. The meaning of these terms is well known, and they require no explanation.

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