scholarly journals Greenway House, Coral Gables, Florida

Author(s):  
Ana Alvarez ◽  
Frank Martinez

The Greenway House is a new residence located in the Garden City of Coral Gables, Florida, inspired by the early revival architecture of the City and traditional architecture. The residence is located in an in-fill site and designed to incorporate a specimen oak tree which is seen from the main house and the carriage house. Unlike typical houses in the neighborhood whose massing is parallel to the street with front and rear yards defined by property setbacks, the orientation of the Greenway main house and carriage house is perpendicular to the street. This orientation allows one to experience the garden, the courtyard with its pool, and the prominent oak tree as part of the architectural ensemble of subtropical components appropriate to the site’s geographic and urban setting. The Greenway House is specifically designed as requested by the clients to be at once traditional in terms of place-making, spatial sequences and the making of the rooms that are identifiable; while still considering contemporary, domestic living where spaces are visually connected and fairly open to the natural environment.

2009 ◽  
Vol 4 (1) ◽  
Author(s):  
Jonathan W. Loiacono ◽  
Chu-Fei H. Ho ◽  
Natalie V. Sierra ◽  
Domènec Jolis ◽  
Carolyn Chiu ◽  
...  

The City and County of San Francisco (“City”) embarked upon a 30-year master planning process in part prompted by public concerns related to the neighbourhood impacts of the Southeast Water Pollution Control Plant (SEP). The Sewer System Master Plan, as it is called, developed a long term Integrated Urban Watershed Management Plan for the City's treatment plants and collection system. This paper focuses on the planning framework and public input to the process, particularly as it relates to proposed changes to the SEP. The resulting improvements address issues of replacing aging infrastructure, eliminating odor emissions, and visually screening the treatment plants that are situated within an urban setting. The recommended project addresses the needed repair of the existing infrastructure; and proposes that the City move towards an integrated urban watershed approach, initially through localized rainwater harvesting and opportunistic water reclamation.


2021 ◽  
Vol 48 (3) ◽  
pp. 289-313
Author(s):  
Roman Bugaev ◽  
Mikhail Piskunov ◽  
Timofey Rakov

Abstract The founding of Akademgorodok near Novosibirsk in the late 1950s features prominently in the historiography of the Thaw and the general turn of Soviet science to the eastern parts of the country. This article puts this story into the context of the formation of modern “green” ideas in the late Soviet Union and reconsiders the relationship between humans and nature, along with the definition of nature itself. Akademgorodok produced a telling visual perspective: the architectural plan for the city dictated that its scientific, industrial, and living zones were drowned deep in the taiga. Architects named this type of urban planning “diffusive,” and memoirists described it as a “Forest City.” Using the term of Sheila Jasanoff, we designate this “Forest City” as a sociotechnical imaginary of Akademgorodok. Our aim is to study the historical roots of the “Forest City” and how it became a collective imaginary. How did it happen that in the 1950s and 1960s, when the “faces” of Soviet cities were defined by districts of standard panel houses, that a city was built near Novosibirsk in which so much attention was given to pre-human flora, fauna, and landscapes? What ideas and intellectual contexts composed the concept of Akademgorodok as a “Forest City”? Our answer possesses two dimensions. First, the rejection of the use of decorative elements in housing construction in the post-Stalin epoch stimulated architects to pay more attention to the greening of cities. They revived the concept of a “garden city” proposed by Ebenezer Howard on a new level. Second, the evolution of the ideas of Mikhail Lavrentyev, the founder of Akademgorodok, who upon arrival in Siberia applied the productivist program manifested in the slogan “Siberia is a treasure of resources,” but later changed his opinion to more “green” views under the influence of the so-called “Baikal Discussion.” The viewpoints of Lavrentyev influenced the design of this “center” of Siberian science, and then he formulated the idea of a “Forest City.” These contexts enable the utopian horizons and the search for models of a constructed future that were typical of the Thaw era to reflect upon the important challenges of the contemporary Anthropocene.


1996 ◽  
Vol 8 (1) ◽  
pp. 49-68
Author(s):  
Leonidas Donskis ◽  

Lewis Mumford's discursive map, uncovering the trajectories of modem consciousness and Western social philosophy, dates back to Ralph Waldo Emerson, Henry David Thoreau, and the great tradition of American Romanticism However, Mumford's discursive map of the idea of the city cannot be reduced to architecture and city planning alone. His world of ideas draws on such thinkers and concepts as Ebenezer Howard's Garden City, Benton MacKaye's Eutopian ideas, Patrick Geddes' regional planning, and Frank Lloyd Wright's organic architecture (Broadacre City), anticipated by Louis Henri Sullivan. Mumford's theoretical constructions also reflect the worldviews of Simmel, Tönnies, Spengler, and Toynbee, as well as other influential social theories of the last two centuries, Mumford was apparently the first among twentieth-century intellectuals to grasp that human creation, interaction, self-fulfillment, and the search for perfectibility all take place in the city.


2017 ◽  
Vol 25 (3) ◽  
pp. 411-424 ◽  
Author(s):  
Solange Muñoz

This article expands on current conceptualizations and applications of precarity by exploring the everyday socio-spatial complexities of migrant squatters living in informal hotels in the center of Buenos Aires, Argentina. Through ethnographic methods, this research investigates squatters’ practices of negotiating access to shared domestic spaces and resources, while experiencing long-term waiting for eviction from their home and potentially from the city center. Employing a cultural geographies approach, this work is concerned with understanding the ways in which precarity is routinely experienced in the micro-spaces of everyday life. Precarity is examined in its temporal and spatial manifestations, with particular emphasis on gendered experiences and home-making practices. Moving through daily spaces and routine situations, I document how precarity is embedded in the mundane tasks of the domestic, and as a result, unevenly impacts women whose traditional roles as mothers and caretakers mean that they are often at the fore of place-making practices and responsibilities.


2014 ◽  
Vol 651-653 ◽  
pp. 1236-1239
Author(s):  
Dong Chu

China has been westernized in the process of the urbanization. Because of the rapid removal and reconstruction, many strange buildings are being built and our cities are becoming the testing field, which bring a permanent scar for the context of the city. Western forms are introduced and buildings are copying blindly. The westernized Chinese landscape has no cultural foundation as it is in the west. Chinese Garden City is a kind of Chinese ecological concept expression. It is not an attempt to searching for a universal design mode or a superficial copy of nature. This is a profound consideration about the urbanization of China. It is not a reflection of the traditional style, but an inevitable result of the city development. The concept of the Chinese Garden City establishes a new humanistic platform conforming to the Chinese cultural context and promotes design to return to the roots of the national culture.


2011 ◽  
Vol 15 (3) ◽  
pp. 271-278 ◽  
Author(s):  
Graham Livesey

A significant development in urban history was the emergence of the Garden City movement at the end of the nineteenth century, inspired by the writings and actions of Ebenezer Howard. The movement would generate a broad range of urban typologies and various visionary models of the city during the twentieth century. The Garden City was a direct response to what were perceived to be the evils of large industrial cities and attempted to reunite country and town, particularly through the residential garden and the act of gardening. Using Gilles Deleuze and Félix Guattari's assemblage theory I examine gardens and gardening, and the agencies inherent to these. By evoking the early history of the first Garden City at Letchworth, we can ask what role can gardens and gardeners play in addressing contemporary urban issues? [1].


2018 ◽  
Vol 193 ◽  
pp. 04002
Author(s):  
Anh Viet Vu ◽  
Thi Ai Thuy Pham ◽  
Tu Pham

The pop-up architecture (or landscape architecture) becomes popular nowadays. Some highlights include annual architecture program such as the Serpentine Gallery Pavilion at Hyde Park, London; MPavilion in Melbourne; MoMA PS1 and Heart Sculpture in New York. Many of these pop-up architectural works have been designed by world renowned architects, such as Zaha Hadid, Rem Koolhaas, Hezorg and de Meuron, Jean Nouvel, Toyo Ito, SANAA, Shigeru Ban, BIG, etc. And many of these designs reflect innovative thinking that changes the professional world of architectural design. But above all, these pop-up architectures were created in responsive manner to the urban community and the community controversially has good response to this type of architecture. In the other words, pop-up architecture is the way the architects touch the heartbeat of the cities, make them livable for all. Ho Chi Minh City has its own types of pop-up landscape architecture, whereas this paper intends to explore in two case studies: Nguyen Hue Floral Boulevard and Nguyen Van Binh Book Street. Nguyen Hue Floral Street is celebrating now its twelfth birthday in the city. Nguyen Van Binh Book Street has just passed its first anniversary in 2017. Both cases live its own story behind the scene about how livable a city could be through place-making by architecture and landscape design. Throughout these cases, we would like to find out how this type of pop-up landscape architecture being realized and become popular in Ho Chi Minh City, and how it is devoted to a livable city for all.


Author(s):  
Luciana Monzillo de Oliveira ◽  
Maria Pronin ◽  
Denise Antonucci

A series of new districts appeared in São Paulo between 1915 and 1940, all inspired in the garden-city concept created by Ebenezer Howard. The City of São Paulo Improvements and Freehold Land Company Limited established some of them in the southwest sector of the city, near downtown: Jardim América (1915), Butantã (1921), Alto da Lapa (1921), Pacaembu (1925), and Alto de Pinheiros (1931). Other developers carried out land subdivisions inspired in the same garden-districts concepts, but in more distant areas. The following garden-districts were built in the southern area of the city: Chácara Flora (1928), Interlagos (1938), and Granja Julieta (1956). Unlike central garden-districts, the history of the outlying garden-districts was seldom or only partly studied. Given this scenario, this study aims to fill a historiographical gap on Interlagos garden-district, which was born as “Interlagos Satellite Spa Town”. Its form is such an important example of landscaping and cultural heritage that the district was listed as protected by the city heritage agency in Resolution nº 18, November 23, 2004, in view of the morphological and historical features of the original land subdivision. This study relies on an urban morphology cognitive study which, according to Rego and Meneguetti (2011), aims to expand the knowledge on the origins and explanations of that urban form. The study presents unpublished data on the district formation, taken mainly from a survey carried out in newspapers from the 1930s and 1940s.


2021 ◽  
Author(s):  
◽  
Alicia Lawrie

<p>Whangarei City has a dying Commercial Centre. This has resulted from population shifts that have occurred over time. Significant issues have driven movement of people toward much larger cities (seeking better economic, cultural and social outcomes) and more spacious urban fringes (seeking improved environmental outcomes). The Whangarei CBD incorporates both the dying Commercial Centre and a thriving Town Basin which is the centre for Arts and Recreation within the city. The two areas are a juxtaposition. The investigation reveals reasons why two such contrasting areas exist and defines a design solution that seeks to resolve this and leverages the success of the Town Basin to revive the Commercial Centre. The aim of this thesis is to investigate ways that architecture can be used to invigorate Whangarei’s dying Commercial Centre by creating a place of activity, engagement and informal learning and by re-establishing the important connection Whangarei has with its river as well as other positives within the city.   Thesis objectives:  • Identify the reasons for the decline of the Commercial Centre and the success of the Town Basin and how a connection can be established between the two.  • Establish a beating heart within the dying Commercial Centre and provide a life source in the form of people movement into the centre from all parts of the city.  • Provide dynamic spaces which encourage informal learning, social interaction, playfulness and creativity that will engage the people of Whangarei including youth and children.  • Use the natural environment as a means of engaging people of all ages by weaving together water, a restored ecology and architecture.</p>


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