scholarly journals THE EMINENCE OF POETIC ARABIC LANGUAGE: LAMIYYAT AL ARAB OF ASH-SHANFARA EXAMPLE (1)

2020 ◽  
Vol 2 (1) ◽  
pp. 8-19
Author(s):  
YAHYA SALEH HASAN DAHAMI
Keyword(s):  
Analytical Method ◽  
Arabic Language ◽  
Poetic Language ◽  
Critical Approach ◽  
Depth Analysis ◽  
The Aesthetic ◽  
Shed Light

The significance of the Arabic language holds back from its being one of the most explicit languages in its brilliance and its repeated ability to adapt to countless other sciences and knowledge. The Arabic language has reached creativity and originality in different fields of literature in which the greatest is poetry. The paper aims at scrutinizing the figurative, rhetorical and aesthetic images in Lamiyyat Al Arab by Ash-Shanfara in which it follows the deductive, inductive critical approach focusing analytically on the first ten verses of the poem. Applying the historical-analytical method, the study attempts to reveal in the in-depth analysis of the aesthetic qualities and poetic issues as well as the figurative images in the poem. It commences with an introduction on Arabia and Poetic Language then moves to shed light on the protagonist-poet Ash-Shanfara as a great Arabic poet to be concluded with analysis and comments on the poem Lamiyyat Al-Arab trying to find out the original Arab values, morals, ethics, and tenets in the pre-Islam era it contains.

scholarly journals The Poetic of Colors in Qassim Haddad’s Texts (Oh Coal, My Master: Van Gogh’s Notes): شعريّة اللون في نص قاسم حدّاد (أيّها الفحم يا سيدي: دفاتر فنسنت فان غوخ)

2020 ◽  
Vol 4 (5) ◽  
Author(s):  
Amirah Ali Abdullah Al-Zahrani
Keyword(s):  
Analytical Approach ◽  
Literary Texts ◽  
Poetic Language ◽  
Critical Approach ◽  
Artistic Style ◽  
The Aesthetic ◽  
Figurative Expressions ◽  
Poetic Style

This study presents a critical approach to the poetic aspects of Qassim Haddad’s texts (Oh coal, my master) in his rewritings of Van Gogh's life. The importance of the study lies in the new experience of the text as Qassim has provided a distinguished artistic style where he presented the biography of the Dutch artist based on the heterobiography logic. He explored the artist’s paintings which reflected his attitudes towards life and art and invested in the content of his massages. The attractiveness of this topic is the reason for conducting the study as the poet Qassim Hadadd was able to explore deeply Van Gogh's ideas and consequently presented to us a biography of an exceedingly beautiful poetic style that presented his reading of the paintings and messages. Furthermore, texts are written in an elegant poetic language and are rich in color interpretations. The study adopts the Artistic Analytical approach that analyzed the figurative expressions of colors that have poetic connotations different from their denotative meanings which led to appreciate the aesthetic aspects of such literary texts.

scholarly journals ArabicYahya Saleh Hasan Dahami*

2019 ◽  
Vol 10 (1) ◽  
pp. 77
Author(s):  
Yahya Saleh Hasan
Keyword(s):  
Cultural Heritage ◽  
Analytical Approach ◽  
Arabic Language ◽  
Literary Analysis ◽  
Poetic Language ◽  
Islamic Period ◽  
Standard Arabic ◽  
Classical Language ◽  
Classical Arabic ◽  
Shed Light

The impetus for studying this topic is self-obligation to reveal the Arabic language and Arab cultural heritage as well as the old sense of worth. A’mru ibn Kolthoum is one of the greatest poets who expounded graceful portraits of gifted Arabs in the pre-Islamic period by intellectuality of using the classical language. The researcher in this article undertakes to probe the depth of the poetry of A’mru ibn Kolthoum as an illustration of the immensity of the Arabic language as well as being a symbol of pride. A’mru ibn Kolthoum deserves literary analysis, paying attention mainly to his Mua’llagah as an inheritance of the standard Arabic language. The poetry of A’mru ibn Kolthoum, as one of the Mua’llaqat inventor, has been barely studied. His poetry of superiority is paid less investigation. This study aims to shed light on the way A’mru ibn Kolthoum thrived in writing an impressive piece of poetry called Al-Mua’llagah. The study is an attempt to reveal, to what extent; ibn Kolthoum has done to contribute to the enrichment of classical Arabic language via his Mua’llagah. The study, using the critical-analytical approach, opens with an introduction on Arabic as a medium poetic language, making clear the significance and prominence of the Arabic language and its influence and contribution to the heritage of Arabs. Then the paper moves to sort out the creator of this literary piece under-study, focusing on the personality of the poet-knight A’mru ibn Kolthoum, his poetry, and his tribe. Thenceforth, the researcher shifts to the central part which is an analytical examination of his Mua’llagah revolving about pride and dignity and tyranny. The paper concludes with an afterword viewing the findings and recommendations if any.

scholarly journals جماليات المكان في رواية "ذاكرة الجسد" لأحلام مستغانمي: دراسة تحليلية / Aesthetics of place in the novel of Ahlam Mosteghanemi: An analytical study

1970 ◽  
Vol 7 (1) ◽  
Author(s):  
فرزانة حاجي قاسمي ◽  
أحمدرضا صاعدي
Keyword(s):  
Analytical Method ◽  
Analytical Study ◽  
Human Life ◽  
Literary Text ◽  
Large Element ◽  
The Novel ◽  
Poetic Language ◽  
Great Ability ◽  
The Aesthetic ◽  
Narrative Framework

ملخّص البحث:مصطلح جماليات المكان، يدرس كيفية علاقة عنصر المكان الروائي بالشخصية عاطفيا؛ لأنّ المكان في النصالروائي والأدبي ليس حيزا جغرافيا فحسب؛ بل هو عنصر فاعلي ذو حظ كبير في الحياة البشرية، وله قدرة كبيرةعلى جعل الشخص متأثرا فيه أكثر فأكثر. إن دراسة مثل هذه الأمور خلال الإطار السردي تكشف عنحقيقة النص وما يتركه من الآثار في القارئ. لهذا، استندت هذه الدراسة إلى المنهج الوصفي والتحليلي، وتناولتالدراسة جماليات المكان في رواية "ذاكرة الجسد" التي تظهر في سلوك البطل ومعاملاته مع الآخرين، واللغةالشعرية التي وظفتها الروائية تعبيرا عن الوطن. ومن أهم النتائج التي توصلت إليها الدراسه هذه: نجد الشخصياتالروائية ذات مستويين؛ خارجي يراه الآخرون وداخلي ممثل في أفكاره وشعوره، وأنّ الذي يبرز جمالية المكانالروائي وشعريته في رواية "ذاكرة الجسد" هو إعطاء المكان صفات الأنثوية وصفات الحسية باستخدام الصناعاتالبديعية كالتشبيهات والاستعارات، وأنّ نظام الأمكنة السردي عند أحلام مستغانمي يتحول إلى أداة لغوية للتعبيرعن سياسة الجزائر وتاريخها وثقافتها وحضارتها حتى تبقى أيامها الماضية حية للأجيال القادمة وما فيها منالشهداء الذين انصرفوا عن حياتهم لكي لا يموت وطنهم.الكلمات المفتاحية: أحلام مستغانمي ذاكرة الجسد جماليات المكان - - الإطار المكاني شعرية المكان. - -Abstract: The term aesthetics of the place, taught how to place element novelist relationship emotionally personality as that in place novelist and literary text not only geographically space; it is the workers of a large element of luck in human life and has a great ability to make a person more and more influenced by him.ٌThe study of such things through the narrative framework reveal the truth about the text's and don'ts of effects in the reader.ٌFor this, the article is based on descriptive analytical method, to take place in the aesthetics of the novel "ٌٌ Zakira Aljassad "ٌٌ that appear in the behavior of the hero and his dealings with others, and poetic language that was used by the novelist an expression of the nation.ٌAmong the most important results that the article concluded that the language employed in this novel, play a prominent role in a statement the concept of "aesthetic place" more than anything else.Keywords: Ahlam Mosteghanemi - Zakira Aljassad - The aesthetic placeٌ- The frame of place -The Poetics of Space.Abstrak:Istilah estetka tempat mengkaji hubungan emosi di antara watak dan tempat kewujudannya. Sesuatu tempat dalam sesebuah novel bukanlah hanya satu entiti geografi tetapi satu unsur penting yang boleh mempengaruhi kehidupan manusia yang dapat membuatkannya menjdi lebih emosi. Kajian unsur-unsur sebegini dalam kerangka naratif akan menyerlahkan beberapa fakta berkenaan teks tersebut dan pengaruhnya terhadap para pembaca. Untuk tujuan ini, artikel ini dibuat berdasarkan metod deskriptif dan analisa dengan memberikan tumpuan kepada nilai estetika tempat dalam novel ‘zakira al-jasad’ yang ditampilkan dalam watak protagonis dan iteraksi beliau dengan yang lain dan juga bahasa puitis yang digunakan oleh penulis novel sebagai satu ungkapan tentang kecintaan kepada tanah air. Antara kesimpulan kajian ialah: watak novel tersebut merangkumi dua lapisan: luaran yang dilihat dan dalaman yang meyembunyikan pemikiran dan perasaannya. Nilai estetika tempat terlihat melalui pemberian watak keperempuanan dan perinciannya melalui ungkapan kiasan dan perlambangan. Keteraturan tempat dalam novel tersebut ditransformasikan melalui ungkapan bahasa untuk menyatakan aspek-aspek politik, sejarah dan bahasa Negara Algeria untuk diabadikan buat generasi yang akan datang.Katakunci: Ahlam Mosteghanemi- Zakira al-Jasad- estetika tempat- Rangka tempat- Peotri Pedang.

The Philological Endeavours of the Early Arabic Linguists: Theological Implications of the tawqīf-iṡṫilāh Antithesis and the majāz Controversy (Part II)

2000 ◽  
Vol 2 (1) ◽  
pp. 43-66 ◽  
Author(s):  
Mustafa Shah
Keyword(s):  
Figurative Language ◽  
Arabic Language ◽  
Metaphorical Language ◽  
Islamic Tradition ◽  
Religious Significance ◽  
Origin Of Language ◽  
Ibn Taymiyya ◽  
The Aesthetic

The concluding part of the article pursues the theoretical arguments which relate to the tawqīf-işṭilāḥ debate on the origin of language and the intricate link with the concept of majāz. The article attempts to show how the question of the origin of language was imported into the controversy relating to the resort to metaphor and figurative language in the exegesis of the Qur'an and Prophetic dicta. Moreover, there was concern in some quarters that religious doctrines were being articulated through a veneer of metaphorical language. Some theologians had, in presenting a hypothesis for the existence of tropical expressions in the idiom of Arabic, referred to the concept of işṭilāḥ to justify their arguments, whilst tawqīf al-lugha was adduced to counter such reasoning. The religious significance of the issue is highlighted by Ibn Taymiyya who advances the thesis that the evolved concept of majāz was expressly formulated at a posterior juncture in the development of the Islamic tradition. He vociferously argues that a developed concept of majāz was insidiously exploited by those with preconceived theological motives. The article shows why Ibn Taymiyya had to discard the perceived sacrosanct doctrine of tawqīfal-lugha in order to refute theoretically the concept of majāz. This also meant that for scholars of the same view as Ibn Taymiyya, the aesthetic features associated with the device of majāz were summarily disregarded. Nevertheless, a concept of majāz was explicitly endorsed as an indisputable feature of the Arabic language by a majority of scholars.

基层档案揭示的农业合化作运动：以江苏省宝应县为例 1953–1957

Rural China ◽  
2016 ◽  
Vol 13 (2) ◽  
pp. 288-305
Keyword(s):  
Rural China ◽  
Jiangsu Province ◽  
Archival Data ◽  
Ordinary Sense ◽  
Government Officials ◽  
Traditional Methods ◽  
Depth Analysis ◽  
Political Struggles ◽  
Resistance Forces ◽  
Shed Light

Agricultural collectivization was a movement in the early 1950s that profoundly changed the traditional methods of production and lifestyle in rural China. Drawing on original archives from Baoying county of Jiangsu province, this article delves into the actual implementation of, and resistance by different stratum of the peasantry to, this movement. The wealth of archival data and details included in this study shed light on the multifaceted realities of the movement that have been obscured in past studies, in particular, the complexity of the mentality of the peasants and their various forms of resistance, as well as the efforts by government officials to divide and put down the resistance forces and carry out the state’s policies. These data further enable an in-depth analysis of the basic issues about agricultural collectivization. It is shown that this movement was more than a transformation of economic institutions in the ordinary sense; it involved intense political struggles. 上世纪五十年代初开始的农业合作化运动深深改变了中国农民传统的生产生活方式。本文以江苏省宝应县的原始档案为依据，试图从底层的角度探究这一运动的具体实施过程，以及各阶层农民对这一运动的真实反应。本文以大量数据和细节揭示了农业合作化运动的多重面相，特别是以往研究中被忽视的部分，如农民对这一运动的复杂心态和种种抗争，以及当政者如何分化瓦解各种反对力量、步步推进其政策的过程。基于这些事实，本文就农业合作化运动中存在的基本问题进行了讨论，并提出这场运动已经超越了一般经济制度的改革，其实质是一场严峻的政治斗争。 (This article is in Chinese.)

scholarly journals Counselling Muslim Selves on Islamic Websites: Walking a Tightrope Between Secular and Religious Counselling Ideals?

2015 ◽  
Vol 4 (1) ◽  
pp. 1-38 ◽  
Author(s):  
Mona Abdel-Fadil
Keyword(s):  
Mixed Methods ◽  
Meaning Making ◽  
Arabic Language ◽  
Counselling Service ◽  
Online Data ◽  
Mixed Methods Approach ◽  
Ethnographic Fieldwork ◽  
Online Counselling ◽  
Shed Light ◽  
Counselling Psychology

This article focuses on the interactive counselling service Problems and Answers (PS), an Arabic language and Islamic online counselling service, which draws on global therapeutic counselling trends. For over a decade, PS was run and hosted by www.IslamOnline.net (IOL). Based on ethnographic fieldwork, this article aims to provide a layered, contextualized understanding of online Islamic counselling, through addressing the ‘invisible’, ‘behind the screens’ aspects of PS counselling and the meaning making activities that inform the online output. In particular, I examine: 1. The multiple ways in which ‘religion’ shapes the PS counsellors' counselling output, and 2. The extent to which secular and religious counselling ideals clash, in PS counselling. Drawing on a mixed methods approach, I demonstrate instances in which offline data nuance and generate new understandings of online data. The findings demonstrate the multivocality and variations in the PS counsellors' perspectives on both religion and counselling psychology, and shed light on possible tensions between professed ideals and actual online practices.

scholarly journals Representation of immigrants in New Zealand print media: A critical discourse analysis

2021 ◽  
Author(s):  
◽  
Neda Salahshour
Keyword(s):  
Discourse Analysis ◽  
New Zealand ◽  
Critical Discourse Analysis ◽  
Print Media ◽  
Global Financial Crisis ◽  
Critical Discourse ◽  
Critical Approach ◽  
Economic Resource ◽  
Depth Analysis ◽  
Entry Points

<p>Representation of Immigrants in New Zealand Print Media: A Critical Discourse Analysis  New Zealand is often perceived as one of the most diverse countries in terms of its population, with “more ethnicities in New Zealand than there are countries in the world” (Statistics New Zealand, 2013). According to the 2013 census, 39% of people who live in Auckland, New Zealand’s most immigrant-populated city, were born overseas. In such a setting, the issue of social harmony becomes important. Media institutions hold power and therefore their representations play a significant role in how immigrants are perceived and whether they are embraced and welcomed or resisted. It is for this reason that media discourse deserves attention.  Research in this area in the context of New Zealand has been limited and furthermore has leaned towards content analysis or a purely qualitative analysis of a specific diaspora. Addressing these issues, my research aims to gain a better understanding of how immigrants are discursively constructed in the New Zealand Herald newspaper during the years 2007 and 2008. Given that the Global Financial Crisis began to make its presence felt in 2008, this study also sought to investigate expected discrepancies in the representation of immigrants during economically challenging times.  Grounded within a critical approach, this study adopts methodic triangulation; that is, the data is analysed using two complementary analytical frameworks, namely that of corpus-assisted discourse analysis (Baker, KhosraviNik, Krzyzanowski, McEnery, & Wodak, 2008) and the Discourse-Historical Approach (Reisigl & Wodak, 2009). Using these two frameworks, I use statistical information as entry points into the data and explore significant collocations which contribute to the construction of dominant representations. This analysis is followed by an in-depth analysis of systematically sampled news articles with the aim of identifying the ii various discursive and argumentation strategies commonly employed in print media.  The findings from both analyses point to a rather ambivalent representation of immigrants. On the one hand, immigrants are constructed as being qualified and playing an important role in filling skill shortages in New Zealand. This positive construction depicts immigrants as an economic resource which ought to be capitalized. In addition, liquid metaphors, previously argued to dehumanize immigrants and construct them as uncontrollable (KhosraviNik, 2009) are surprisingly used in my data to construct the immigration of large numbers of immigrants to New Zealand as essential. On the other hand, immigrants are also constructed as threateningly Other or passive victims. Therefore, immigrants are not only constructed as beneficial to New Zealand society but are also represented as being problematic.  This study identifies a unique representation of immigrants in the New Zealand Herald which could perhaps be explained by the unique socio-political and geographical context of the country. The triangulation and methodic rigour of this study also ensure that the findings are generalizable to the whole dataset and contribute to current understandings of immigrant representation and approaches to the study of discourse and representation.</p>

scholarly journals PARANOID, MOI? – ERASING DAVID

2010 ◽  
Vol 38 (110) ◽  
pp. 75-91
Author(s):  
Peter Ole Pedersen ◽  
Jan Løhmann Stephensen
Keyword(s):  
Theoretical Perspective ◽  
Surveillance Culture ◽  
Critical Approach ◽  
Cultural Intervention ◽  
Big Brother ◽  
German Art ◽  
Tech Nologies ◽  
Surveillance Society ◽  
The Aesthetic ◽  
Analytical Approaches

PARANOID, MOI? – ERASING DAVIDThe article discusses the relationship between the subject of surveillance and documentary film. As its main example, it uses David Bond’s Erasing David from 2009, which thematically revolves this particular topic, the British surveillance society (Big Brother Britain). The genre-specific and film historic aspects of this documentary are analysed and in a further perspective serve as the point of departure for a more general theoretical discussion of surveillance.Through the treatment of its content and the conceptual framework, Bond’s film places itself within what could appropriately be termed the “popular cultural documentary”. What characterises this part of the genre is a critical approach bordering on activism. This is sought, combined with the ability to entertain the audience, through elements of fiction and comic relief while attempting an analysis of a current and often controversial subject. Michael Moore’s productions are the most successful examples of this filmmaking strategy, and two film analytical approaches based on Moore’s 1989 debut Roger & Me are used to evaluate the aesthetic and conceptual coherence in Bond’s work.Following this, a three-part taxonomy for the analytical and normative understanding of the surveillance phenomenon and its socio-cultural and political implications is established. These are termed: The critical-subversive, the para-cultural and the affirmative mode of understanding. The critical-subversive mode is comparable to the expository documentary form. A strategy that, regardless of it is being articulated academically or aesthetically, aims at the disclosure of hidden societal mechanisms by way of facts. In a theoretical perspective, this is discussed in relation to Foucault’s idea of the ‘panopticon’ and more recently Bruno Latour’s corrective counter-concept ‘oligopticon’. The para-cultural intervention is akin to Michel de Certeau’s understanding of ‘creative re-appropriation’ and ‘making do’. This tactic, like the previous one, is generally speaking sceptical of a surveillance society and its implications, though it establishes a different, temporary form of critical stanza.The last mode of portraying and analyzing surveillance is termed affirmative. This is directly connected to the popular cultural representation of surveillance tech nologies. According to the German art historian O.K. Werkmeister, these tech nologies are here ascribed an almost omnipresent and omniscient potential. Regardles of the fact that these images of surveillance tech nologies and their capabilities often seem rather counterfactual, they nonetheless participate in creating an internalisation of the surveillance culture, one which is paradoxically endorsed by both its supporters and critics, among these David Bond.Both the theoretical perspective and the film analytical approach to Bond’s film discuss problematic weaknesses in his project. Bond tends to invest more in cracking the ‘formula’ for a successful presentation of his material, than discovering new formalistic or analytical territory in the filmic exposure of current surveillance culture.

scholarly journals (Language Modernity and modern in the reflections of the wings of silence of the poet (Hamid Abdul Samad al-Basri: اللغة حداثتها وحديثها في تأملات أجنحة الصمت للشاعر (حامد عبد الصمد البصري)

2017 ◽  
Vol 1 (1) ◽  
Author(s):  
Worod Hamed Abdul Samad
Keyword(s):  
Poetic Language ◽  
The Past ◽  
Fantasy World ◽  
Spontaneous Behavior ◽  
The Aesthetic ◽  
Selection Of

There is no doubt that his words industry and distinctiveness in the selection of meanings for the formulation of meaning may have contributed to the elaboration of poetic language ideas through text vocabulary, and to allocate the aesthetic with its own standards led to perceptions of a more profound, and more comprehensive eloquence .This is exemplified by the reflections of Hamid Al- Basrawi between Single divulge, and other harbor and everything in between lies your taste, as it formed the language of the manifestations of memory, qualifying on the past and charged the reality that clinch meaning through those narrow lanes, barbed, the continuity of a sense of the past is only a translation of the poet's life conscious of reality through them, because the reality is often a deadlock to focus upon hassles and continuous effort, the escape to a fantasy world and the anniversary is a movement and vitality that will restore the poet and the receiver to a hidden phenomenon worlds, between the points (ego), (they are) and (we), artistic the vision specifically lies in the spontaneous behavior that brought him poet and vocabulary that guided the meaning of the privacy of its model and method put forward and how awareness of the breakdown of titles ranging from the first poem in the book until the conclusion as such an integrated living units in the context of essentially poetic duplicates the former by later.

scholarly journals SEMANTIC ASPECT OF ARABIC MORPHOLOGY: IDEAS AND THEORIES/ وقفات دلالية في الصرف العربي أفكار و رؤى

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Abdulwahab Ajao Salaudeen
Keyword(s):  
Analytical Method ◽  
General View ◽  
Arabic Morphology ◽  
Semantic Element ◽  
Semantic Aspect ◽  
Shed Light

<p>This research aims to shed light on a semantic aspect of Arabic morphology; the study shows that Arabic morphologists emphasized formative aspect more than the grammatical element which made Arabic morphology difficult to comprehend, it has gone to the level of generalizing some rules without giving semantic element adequate attention. There is no doubt on the fact that the formative element of Arabic morphology has to go side by side with semantic aspect to simplify and clarify its study. However, this research points out the advantages of applying the theory of Semantic /Analytical Field for identifying the characteristics of each morphological forms. The researcher applies the descriptive and analytical method to give a general view of this morpho- semantic study.</p><p><strong></strong><strong>Keywords</strong>: Semantic; Arabic Morphology; Ideas; Visions</p>

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