scholarly journals جماليات المكان في رواية "ذاكرة الجسد" لأحلام مستغانمي: دراسة تحليلية / Aesthetics of place in the novel of Ahlam Mosteghanemi: An analytical study

1970 ◽  
Vol 7 (1) ◽  
Author(s):  
فرزانة حاجي قاسمي ◽  
أحمدرضا صاعدي
Keyword(s):  
Analytical Method ◽  
Analytical Study ◽  
Human Life ◽  
Literary Text ◽  
Large Element ◽  
The Novel ◽  
Poetic Language ◽  
Great Ability ◽  
The Aesthetic ◽  
Narrative Framework

ملخّص البحث:مصطلح جماليات المكان، يدرس كيفية علاقة عنصر المكان الروائي بالشخصية عاطفيا؛ لأنّ المكان في النصالروائي والأدبي ليس حيزا جغرافيا فحسب؛ بل هو عنصر فاعلي ذو حظ كبير في الحياة البشرية، وله قدرة كبيرةعلى جعل الشخص متأثرا فيه أكثر فأكثر. إن دراسة مثل هذه الأمور خلال الإطار السردي تكشف عنحقيقة النص وما يتركه من الآثار في القارئ. لهذا، استندت هذه الدراسة إلى المنهج الوصفي والتحليلي، وتناولتالدراسة جماليات المكان في رواية "ذاكرة الجسد" التي تظهر في سلوك البطل ومعاملاته مع الآخرين، واللغةالشعرية التي وظفتها الروائية تعبيرا عن الوطن. ومن أهم النتائج التي توصلت إليها الدراسه هذه: نجد الشخصياتالروائية ذات مستويين؛ خارجي يراه الآخرون وداخلي ممثل في أفكاره وشعوره، وأنّ الذي يبرز جمالية المكانالروائي وشعريته في رواية "ذاكرة الجسد" هو إعطاء المكان صفات الأنثوية وصفات الحسية باستخدام الصناعاتالبديعية كالتشبيهات والاستعارات، وأنّ نظام الأمكنة السردي عند أحلام مستغانمي يتحول إلى أداة لغوية للتعبيرعن سياسة الجزائر وتاريخها وثقافتها وحضارتها حتى تبقى أيامها الماضية حية للأجيال القادمة وما فيها منالشهداء الذين انصرفوا عن حياتهم لكي لا يموت وطنهم.الكلمات المفتاحية: أحلام مستغانمي ذاكرة الجسد جماليات المكان - - الإطار المكاني شعرية المكان. - -Abstract: The term aesthetics of the place, taught how to place element novelist relationship emotionally personality as that in place novelist and literary text not only geographically space; it is the workers of a large element of luck in human life and has a great ability to make a person more and more influenced by him.ٌThe study of such things through the narrative framework reveal the truth about the text's and don'ts of effects in the reader.ٌFor this, the article is based on descriptive analytical method, to take place in the aesthetics of the novel "ٌٌ Zakira Aljassad "ٌٌ that appear in the behavior of the hero and his dealings with others, and poetic language that was used by the novelist an expression of the nation.ٌAmong the most important results that the article concluded that the language employed in this novel, play a prominent role in a statement the concept of "aesthetic place" more than anything else.Keywords: Ahlam Mosteghanemi - Zakira Aljassad - The aesthetic placeٌ- The frame of place -The Poetics of Space.Abstrak:Istilah estetka tempat mengkaji hubungan emosi di antara watak dan tempat kewujudannya. Sesuatu tempat dalam sesebuah novel bukanlah hanya satu entiti geografi tetapi satu unsur penting yang boleh mempengaruhi kehidupan manusia yang dapat membuatkannya menjdi lebih emosi. Kajian unsur-unsur sebegini dalam kerangka naratif akan menyerlahkan beberapa fakta berkenaan teks tersebut dan pengaruhnya terhadap para pembaca. Untuk tujuan ini, artikel ini dibuat berdasarkan metod deskriptif dan analisa dengan memberikan tumpuan kepada nilai estetika tempat dalam novel ‘zakira al-jasad’ yang ditampilkan dalam watak protagonis dan iteraksi beliau dengan yang lain dan juga bahasa puitis yang digunakan oleh penulis novel sebagai satu ungkapan tentang kecintaan kepada tanah air. Antara kesimpulan kajian ialah: watak novel tersebut merangkumi dua lapisan: luaran yang dilihat dan dalaman yang meyembunyikan pemikiran dan perasaannya. Nilai estetika tempat terlihat melalui pemberian watak keperempuanan dan perinciannya melalui ungkapan kiasan dan perlambangan. Keteraturan tempat dalam novel tersebut ditransformasikan melalui ungkapan bahasa untuk menyatakan aspek-aspek politik, sejarah dan bahasa Negara Algeria untuk diabadikan buat generasi yang akan datang.Katakunci: Ahlam Mosteghanemi- Zakira al-Jasad- estetika tempat- Rangka tempat- Peotri Pedang.

scholarly journals The Logical Basis of a Literary Text, or What Does Porfiry Petrovich Hide in F. M. Dostoevsky’s “Crime and Punishment”?

2020 ◽  
Vol 27 (1) ◽  
pp. 239-259
Author(s):  
Valentina E. Vetlovskaya
Keyword(s):  
Literary Text ◽  
Crime Fiction ◽  
The Novel ◽  
Crime And Punishment ◽  
Logical Basis ◽  
The Aesthetic ◽  
The Individual

<p>The article explores the role of logical connections in an epic text. It is these connections, according to the author of the article, that connect the individual components of the narrative (motifs, complexes of motifs) and make up in the reader&rsquo;s perception for the missing elements. The reticence and failures to mention, common in fiction, appear in the narrative for various reasons. Sometimes due to the aesthetic principles of the writer who prefers ambiguity to a completed statement depriving readers of the opportunity to finish thinking over a vague idea. And sometimes, due to the author&rsquo;s conviction that there is no need to explain the idea implied by what has been earlier said. But it also happens that the omissions in the narrative are engendered by the requirements for the presentation of a chosen topic, for example in crime fiction. But these reasons may go together as it occurs in Crime and Punishment. These ideas are illustrated by the analysis of one of the themes of the novel Crime and Punishment.</p>

STRATEGIES FOR INTERPRETING I.A. BUNIN’S SHORT STORY “THE RAVEN” IN THE CONTEXT OF INTEGRAL ANALYSIS

2021 ◽  
pp. 106-111
Author(s):  
Н.Г. Сичинава
Keyword(s):  
Short Story ◽  
Literary Text ◽  
Literary Analysis ◽  
Psychological State ◽  
The Novel ◽  
Hidden Information ◽  
Inner World ◽  
Artistic Images ◽  
Foreign Speakers ◽  
The Aesthetic

Статья посвящена рассмотрению проблемы формирования основ филологического анализа и интерпретации художественного текста на материале новеллы И.А. Бунина «Ворон». Автор обосновывает необходимость интеграции лингвистического, лингвострановедческого и литературоведческого анализа для обеспечения максимально полного восприятия художественного дискурса инофонами. Зависимость понимания художественного текста и получаемого при его чтении эстетического эффекта от глубины восприятия словесно-художественных образов автор продемонстрирует на материале новеллы И.А. Бунина «Ворон». Средствами создания образов в рассказе являются символика имени; прямая или косвенная характеристики; портрет героя; действия и поступки героя; образы-детали; описание психологического состояния героя; изображение внутреннего мира героя через воспоминания; речь. Как показал анализ, в тексте бунинского рассказа значительный лексический пласт образуется за счет прецедентных феноменов. Процесс их декодирования можно рассматривать как важное средство экспликации текстовой информации. Прежде всего, в исследовательский объектив попадают прецедентные имена. Именно через них можно установить ассоциативные связи с теми понятиями-образами, которые были характерны для российского общества описываемой эпохи или русского лингвокультурного сообщества в целом. В раскрытии образов важную роль играют имплицирующие детали, актуализация которых в ряде случаев происходит через комментарии, заранее подготовленные преподавателем. Особый интерес вызывает проблема смыслового восприятия и понимания имени героини новеллы. Декодирование символики имени героини происходит на основе прецедентных текстов. Данная стратегия формирует у студентов способность узнавать, понимать и адекватно интерпретировать смысл художественного теста с интертекстуальными включениями. Кодирование культурной информации, которая впоследствии должна быть разгадана читателем, имеет место при введении в контекст новеллы определенных лексических единиц. Ключевые слова: художественный текст, интерпретация, прецедентный феномен, образ, язык, И.А. Бунин. The article is devoted to the problem of forming the foundations of philological analysis and interpretation of a fiction text based on the material of I. A. Bunin's short story “The Raven”. The author justifies the need to integrate linguistic, linguistic-cultural and literary analysis in order to ensure the fullest possible perception of fiction discourse by foreign speakers. The author demonstrates the dependence of the understanding of a literary text and the aesthetic effect obtained when reading it on the depth of perception of verbal and artistic images based on the material of I. A. Bunin's Novella "the Raven". The means of creating images in the story are: symbolism of the name; direct or indirect characteristics; portrait of the hero; actions and actions of the hero; images-details; description of the psychological state of the hero; image of the inner world of the hero through memories; speech. Explication of the information contained in the text can proceed along the path of decoding precedent phenomena. When using a precedent name, the author appeals to certain concepts-images that were well known to him and his contemporaries, but do not mean anything to the modern reader. Thus, decoding hidden information requires knowledge accumulated in a given linguistic and cultural community or by humanity as a whole. Implying details play an important role in the disclosure of images, which in some cases are updated through comments prepared in advance by the teacher. Of particular interest is the problem of semantic perception and understanding of the name of the heroine of the novel, which contains references to precedent texts. Decoding the symbolism of the heroine's name gives students the ability to recognize, understand and adequately interpret the meaning of an artistic test with intertextual inclusions. The encoding of cultural information, which must later be unraveled by the reader, takes place when certain lexical units are introduced into the context of the novel.

SPECIAL LANGUAGE MEANS IN BY JAMES JOYCE

2021 ◽  
pp. 42-54
Author(s):  
С.Н. Степура
Keyword(s):  
James Joyce ◽  
Distinctive Feature ◽  
Expressive Language ◽  
Literary Text ◽  
The Novel ◽  
Stream Of Consciousness ◽  
Norm Violation ◽  
The Aesthetic ◽  
Linguistic Means ◽  
Special Language

Постановка задачи. В статье рассматриваются средства выразительности в романе Дж. Джойса «Улисс», в тексте которого присутствуют практически все возможные стилистические приемы и фигуры речи. Базируясь на семантической двуплановости как отличительном признаке большинства образных средств, автор пытается проследить механизмы формирования языкового инструментария, характерного для модернистского произведения. Производится попытка понять, как происходит процесс порождения знаков в «Улиссе» и как их интерпретировать. Для этого особое внимание уделяется группе слов с большим семиотическим потенциалом. Результаты. Установлены некоторые языковые средства выразительности, характерные для романа «Улисс». Их отличительной особенностью является авторская индивидуальность, усиленная специфичностью романа «потока сознания», когда потенциал языка используется по-новому. Выводы. Образные средства способны придавать фигуральность любому художественному тексту. Однако создание модернистского романа «Улисс» потребовало от Джойса особых усилий в формировании языковых средств. Характерный признак данного произведения, поток сознания, спровоцировал использование лингвистического резерва несколько иным способом - бесконечными парадоксами, запутанными символами и ассоциациями. Нередко последнее связано с изменением семиозиса. Так, специфические средства создания образности в «Улиссе», заключающиеся в гротескности и эксцентричности, основываются на нарушении нормы языка, что приводит к многократному усилению эстетико-художественного эффекта в романе. Statement of the problem. The article examines the means of expression in J. Joyce's novel Ulysses , which contains virtually all possible stylistic devices: phonological, morphological, grammatical, syntactic and lexical. Based on the semantic duality as a distinctive feature of the majority of figurative means, the author tries to trace the mechanisms of the linguistic tools formation that could be characteristic of a modernist work. An attempt is made to understand how the process of generating signs in Ulysses takes place and thus how it can be interpreted. For this, special attention is paid to a group of words with great semiotic potential. Results. Some linguistic means of expressiveness characteristic of the novel Ulysses have been identified. Their main feature is the author's individuality reinforced by the specificity of the "stream of consciousness" novel, when the potential of the language is used in a new way. Conclusion. Different stylistic devices and expressive language means are able to make an impression and add figurativeness to any literary text. However, the creation of the modernist novel Ulysses required special efforts from Joyce in the formation of linguistic means. A distinctive feature of this work, the stream of consciousness, provoked the use of the linguistic potential in a slightly different way creating endless paradoxes, confusing symbols and associations. Often the latter is associated with the change in semiosis generation. Thus, the specific means of creating imagery in Ulysses lead to the language norm violation. In its turn, the grotesque and eccentricity bring multiple increase in the aesthetic and artistic effect in the novel.

PSYCHOLOGICAL KNOWLEDGE AS A CODING FACTOR OF A LITERARY TEXT

2021 ◽  
pp. 78-89
Author(s):  
N.L. Potanina ◽  
◽  
B.I. Tenyushev ◽  
Keyword(s):  
Scientific Knowledge ◽  
Essential Element ◽  
Literary Text ◽  
Modern World ◽  
The Novel ◽  
Topical Problem ◽  
American Writer ◽  
The Aesthetic ◽  
Psychological Knowledge

The article deals with such topical problem as the transfer of scientific knowledge to the aesthetic sphere. The novelty and relevance of the article is due to the fact that it contains a poetic analysis of the novel “Flowers for Algernon” by a modern American writer D. Keyes in the perspective of the cording factor as a principle for organizing an artistic text. The authors turn to the timely task of researching D. Keyes’s work with a view to the broader understanding some sing and semiosis problems of non-classical literary text. As a result of the meticulous analysis, the authors show a new poetic significance of the writer’s cognitive interpreting modern reality which became an essential element of organizing the text of the novel “Flowers for Algernon”. The principles of incorporating psychological knowledge into the construal of text meaning were determined. The accumulated evidence allow to justify the inclusion of the novel in the general art process of developing adequate poetic tools aimed at reflecting the changed ideas about the modern world.

scholarly journals Metafictional poetics of Victor Pelevin’s novel “iPhuck 10”

2019 ◽  
Keyword(s):  
Human Life ◽  
The Other ◽  
Dual Function ◽  
The Novel ◽  
Art Objects ◽  
The Subject ◽  
Self Transcendence ◽  
The Aesthetic ◽  
Existential Anthropology ◽  
Event Dynamics

The article analyzes the ways of artistic realization of the aesthetic-reflective metafictional complex in Victor Pelevin’s novel “iPhuck 10”. The metanarrative structure of the novel is traced, which is built with the use of a special type of narrator - a literary simulator, which at the same time is the sum of all the cultural forms of writing, a kind of archive thesaurus, on the other hand undermines the basis of its own narrative by exposing the empty nature and the existential problematic nature of the narrative. Metatextual issues are updated at the level of the deictic structures of the language-speech that are basic for aesthetic communication. A further subject of study is the method of isomorphic conjugation of plot-motive event dynamics with semantics of a series of ecstatically described and interpreted art objects of various medial-semiotic nature. Thanks to the dual function of the diegetic narrator as the subject of the story and its object, the equivalence effect of different metalanguages and discourses is simultaneously created within the framework of the basic conceptual metaphors and symbolic constructions of the novel. Thanks to this, we can talk about both metanarrativeness and the metafiction of the poetics of the novel. Metafictional reflection productively correlates with author's anthropological concepts. In particular, the plot of the creator-impostor combines the through Pelevinian motive of suffering and pain as the fundamental characteristics of human life with pain as an inalienable quality and source of creativity. A software algorithm is grown as a conscious person to create works of art, and its creators reinforce sorrow, anxiety, and the experience of the meaninglessness of existence so that creativity is genuine. Man is experienced by the temptation of demiurgy, by meeting with the Other, by the demand for personal self-transcendence. Thus, the author succeeds in isomorphically combining metafictional poetics and existential anthropology of the novel.

scholarly journals A representação da representação: lirismo e ironia romântica em Vícios e virtudes, de Helder Macedo

2014 ◽  
Vol 19 (1) ◽  
pp. 5
Author(s):  
Camila Da Silva Alavarce Campos
Keyword(s):  
Creative Process ◽  
Literary Work ◽  
Literary Text ◽  
The Novel ◽  
The Real ◽  
Romantic Irony ◽  
Artistic Representation ◽  
Fictitious Character ◽  
Literary Writing ◽  
The Aesthetic

<p><strong>Resumo</strong>: O texto refere-se a um estudo dos processos de construção do romance Vícios e virtudes, de Helder Macedo, objetivando a retomada e a discussão do conceito de ironia romântica. Essa ironia, em especial, desmistifica os jogos da representação artística clássica, que entende o texto literário como imitação do real. Ao contrário disso, favorece a expressão do fazer literário com todas as suas limitações, elaborações e reelaborações de linguagem, legitimando o caráter de arte, de natureza fictícia e, pois, de exercício de experimentação presentes na literatura. O escritor Helder Macedo parece propor, no referido romance, uma reflexão acerca do processo criativo – reflexão que se ocupará fundamentalmente da construção da obra literária, compreendida enquanto criação permanente. Acreditamos que a ironia romântica potencializa essa reflexão, na medida em que desvela o fazer literário como encenação, como fingimento. Pensando na estrutura paradoxal da ironia, acreditamos que ela acaba por dizer sempre mais do que fica expresso e, nesse sentido, aproxima-se da literatura de um modo geral, mas, sobretudo, do estilo lírico. O elemento lúdico parece caracterizá-los, na medida em que ambos – a ironia romântica e o lírico – partem de uma espécie de jogo que contraria o pragmatismo da linguagem convencional. Para Antonino Pagliaro, “A ironia participa ao mesmo tempo do caráter agonístico do enigma e do jogo poético.” O romance Vícios e virtudes, do escritor português Helder Macedo, cria um espaço importante para o estudo das questões colocadas, já que expressa um projeto literário no qual se exibe uma intensa valorização do estético, do ficcional e do poético.</p> <p><strong>Palavras-chave</strong>: Ficção; ironia romântica; lirismo; representação.</p> <p><strong> </strong></p> <p><strong>Abstract</strong>: This study approaches the processes of construction of the novel Vices and virtues by Helder Macedo, aiming to discussthe concept of romantic irony. This irony, in particular, demystifies the games of classic artistic representation, which considers the literary text as an imitation of the real. In contrast, it favors the expression of literary writing with all its limitations, elaborations, and reworking of language, legitimizing the art and fictitious character and, therefore, of experimentation in literature. In the novel writer Helder Macedo seems to propose a reflection on the creative process that essentially works on the construction of the literary work, which is understood as a permanent creation. We believe that romantic irony enhances this reflection as it reveals the literary writing as staging and pretense. Thinking about the paradoxical structure of irony, we believe it always ends up saying more than what is expressed, thus, it approaches the literature in general, but especially the lyrical style. The playfulness seems to characterize them once both – the romantic irony and the lyrical aspect – run by a kind of game that contradicts the pragmatism of conventional language. To Antonino Pagliaro, “Irony is simultaneously involved in the agonistic character of the puzzle and in the poetic game”. The novel Vices and virtues by the Portuguese writer Helder Macedo, creates an important space for the study of the issues raised, once it expresses a literature project in which there is intense appreciation of the aesthetic, the fictional and the poetic characters.</p> <p><strong>Keywords</strong>: Fiction; romantic irony; lyricism; representation.</p>

scholarly journals VARIABLY-INTERPRETIVE POTENTIAL OF THE LITERARY TEXT AND ITS REALIZATION IN THE TRANSALTION (BASED ON CHUCK PALAHNIUK'S NOVEL "FIGHT CLUB")

2021 ◽  
pp. 60-69
Author(s):  
Anna Zadorozhna ◽  
Vasyl Bialyk
Keyword(s):  
Comparative Analysis ◽  
Human Life ◽  
Literary Text ◽  
General Knowledge ◽  
The Novel ◽  
Translation Strategies ◽  
Chuck Palahniuk ◽  
Fight Club ◽  
The Subject ◽  
Individual Style

The article examines the variability of translation of the text of fiction as performed by different translators. The purpose of the work is to study and identify the diversity of the translation strategies and features of their application in the translation of a literary text. The method of comparative analysis proved to be effective in the scientific investigation. The subject of the research is a literary text, its original and translation. The postulates of translation theorists on linguistic variability and multiplicity of translations have been outlined. The subjective-objective activity of the translator as a mediator in bilingual communication was highlighted. The peculiarities of Chuck Palahniuk's writing style have been determined and the preservation of the author's individual style in Ukrainian translations has been analyzed. A comparative analysis of fragments of the translation of the literary text made by Ukrainian translators has been carried out. It was discovered that in the process of translation the translator relies not only on his knowledge of the languages, but also on the general knowledge of other areas of human life. It has been established that the perception and understanding of the text by the recipients depends on how the translator interprets the text of the original and how adequately s/he conveys its context and whether s/he is able to preserve the author's style. The study was based on the novel "Fight Club" by the contemporary American writer Chuck Palahniuk and its translations into Ukrainian by Illia Strongovskyi and Oleh Lesko. It has been proved that translations made into the same language by different translators can differ significantly from each other.

scholarly journals ثنائيات الخطاب في كتاب بَادر ة العَصْر وفائد ة المِصْر ) للجزَّار السَّر قسْطي(: دراسة وصفية تحليلية / Two dimensional aspects of Discourse in Badirat-ul-AssrwaFai’dat-ul-Missr of AlJazzar el-Sarqusti: Descriptive and Analytical Study

1970 ◽  
Vol 7 (1) ◽  
Author(s):  
نزار شكور شاكر
Keyword(s):  
Analytical Method ◽  
Analytical Study ◽  
Literary Text ◽  
Fifth Century ◽  
Two Dimensional ◽  
Critical Reading ◽  
Linguistic Feature ◽  
Stylistic Feature ◽  
The Invisible

ملخص البحث:يهدف البحث إلى قراءة التجربة الأدبية في كتاب )بادرة العَصر وفائدة الِمصر( للجزّار السرقسطي، على أساس مبدأالثنائيات، وما يمكن أن يدلّنا عليه هذا العنصر الاجرائي المهم في كينونة النص الفني، ولذلك ارتأنيا أن تقسّم الثنائياتالمرصودة بهذا الصدد في ضوء المضمون الوارد في الكتاب على محورين اثنين: أساسي وتكميلي، تتم المعالجات المطلوبة فيها بعدالاستناد إلى منهجين: وصفي وتحليلي يقودان في الخاتمة إلى بيان أن المزية الكامنة في التجربة الأدبية جاءت في إطار احتضانهالظاهرة لغوية أسلوبية أفرزت مدلولات أحاطت بفضاء التلقي ال رحب، بعد أن كانت التعددية فيه ملمحاً دالاً على سِ ة -التوظيف التي أُريد لها أن تنهض بهذا الشكل الأدبي في القرن الخامس الهجري في بلاد الأندلس. من نتائج الدراسة الثنائياتفي سياق الخطاب الأدبي في الكتاب القديم المدروس ظاهرة لغوية كانت أسلوبية مشتركة مدّ ت على الأغلب جسور –التواصل بين النصِّ ، والمتلقي على مستويات؛ مما يعني من وجهة نظر الباحث أن الظاهرة في جوهرها تعاملت من جانب معالمتلقي الحاضر المع ين لغرض إبلاغه الرسالة في حينه، والغائب بوصفه المتذ وِق المتجدّد.الكلمات المفتاحية : الأدب الثنائيات التّوافق الأسلوب المتلقي. - - - -Abstract:The present study aims at a critical reading of the literary aspects of Badirat-ul-AssrwaFai’dat-ul-Missr by Al- Jazzar el-Sarqusti from the perspective of two dimensional aspects of discourse and what this literary constructive element can reveal about the aesthetical aspects of the literary text. Hence, the researcher divided the two dimensional aspects into two parts in light of the content within the framework of descriptive-analytical method. This method leads in the end to show that the trait inherent in the literary aspect has come as a linguistic in character: stylistic feature that invoked meanings in the  extensive space of experience of the reader as a receiver, a popular feature of literature in the works of fifth century Andalus. In conclusion, the two dimensional aspect of discourse meaning was a linguistic feature that present the stylistic aspect as a bridge of communication between the text and receiver on various levels. This indeed supported the argument of the writer that this aspect did effectively interact between the presence of the text on one hand and the invisible receiver who discern it as an aesthetic input.Key words: literature – duals –antithesis – style – receiver.Abstrak:Kajigan ini bertujuan untuk membaca secara kritikal aspek kesusasteraan buku bertajuk “Badiratul Assarwa Faidatul Misr”, karangan al-Jazzar el-Sarqusti dari perspektif dualisme aspek wacana dan bagaimanakah unsur konstruktif kesusasteraan ini dapat menyerlahkan tentang aspek estetika teks tersebut. Penulis membahagikan aspek dualisme wacana ini kepada dua bahagian berdasarkan kepada kendungan buku tersebut mengikut metod deskriptif analitikal. Pendekatan ini pada akhirnya menunjukkan yang ciri yang terkandung dalam aspek kesusasteraan tersebut adalah berasal daripada ciri bahasa: stail penulisan yang mencetuskan makna dalam ruang pengalaman pembaca sebagai penerima mesej- ini merupakan satu ciri popular penulisan di abad ke lima Hijrah Andalus. Kesimpulannya, aspek dualisme makna wacana adalah satu ciri bahasa yang menggunakan aspek stail sebagai perantara hubungan di antara teks dan penerima yang berada pada tahap yang pelbagai. Ini tentunya menyokong cadangan penulis yang aspek ini boleh berinteraksi secara berkesan di antara teks yang tampak dan penerima yang ghaib yang bakal menerimanya sebagai satu input estetika.Katakunci: Sastera – dualisme – antithesis – stail – penerima.

scholarly journals THE EMINENCE OF POETIC ARABIC LANGUAGE: LAMIYYAT AL ARAB OF ASH-SHANFARA EXAMPLE (1)

2020 ◽  
Vol 2 (1) ◽  
pp. 8-19
Author(s):  
YAHYA SALEH HASAN DAHAMI
Keyword(s):  
Analytical Method ◽  
Arabic Language ◽  
Poetic Language ◽  
Critical Approach ◽  
Depth Analysis ◽  
The Aesthetic ◽  
Shed Light

The significance of the Arabic language holds back from its being one of the most explicit languages in its brilliance and its repeated ability to adapt to countless other sciences and knowledge. The Arabic language has reached creativity and originality in different fields of literature in which the greatest is poetry. The paper aims at scrutinizing the figurative, rhetorical and aesthetic images in Lamiyyat Al Arab by Ash-Shanfara in which it follows the deductive, inductive critical approach focusing analytically on the first ten verses of the poem. Applying the historical-analytical method, the study attempts to reveal in the in-depth analysis of the aesthetic qualities and poetic issues as well as the figurative images in the poem. It commences with an introduction on Arabia and Poetic Language then moves to shed light on the protagonist-poet Ash-Shanfara as a great Arabic poet to be concluded with analysis and comments on the poem Lamiyyat Al-Arab trying to find out the original Arab values, morals, ethics, and tenets in the pre-Islam era it contains.

Analytical Study of Violence Theme in Victoria Schwab’s This Savage Song

2019 ◽  
Keyword(s):  
Analytical Study ◽  
Research Paper ◽  
The Novel ◽  
Vicious Cycle ◽  
Aggressive Approach ◽  
Research Article ◽  
The People ◽  
The Social ◽  
Different Dimensions ◽  
The Right

This research article focuses on the theme of violence and its representation by the characters of the novel “This Savage Song” by Victoria Schwab. How violence is transmitted through genes to next generations and to what extent socio- psycho factors are involved in it, has also been discussed. Similarly, in what manner violent events and deeds by the parents affect the psychology of children and how it inculcates aggressive behaviour in their minds has been studied. What role is played by the parents in grooming the personality of children and ultimately their decisions to choose the right or wrong way has been argued. In the light of the theory of Judith Harris, this research paper highlights all the phenomena involved: How the social hierarchy controls the behaviour. In addition, the aggressive approach of the people in their lives has been analyzed in the light of the study of second theorist Thomas W Blume. As the novel is a unique representation of supernatural characters, the monsters, which are the products of some cruel deeds, this research paper brings out different dimensions of human sufferings with respect to these supernatural beings. Moreover, the researcher also discusses that, in what manner the curse of violence creates an inevitable vicious cycle of cruel monsters that makes the life of the characters turbulent and miserable.

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