THE FEATURES OF THE IDIOSTYLE OF ZULFIA

2021 ◽  
Vol 5 (2) ◽  
pp. 143-156
Author(s):  
Victoria Gudzina ◽  
Keyword(s):  
Literary Criticism ◽  
Research Methods ◽  
Research Methodology ◽  
Integrated Approach ◽  
Classical Literature ◽  
Urgent Task ◽  
Artistic Life ◽  
Inner World ◽  
The Individual ◽  
Individual Style

Introduction. This article examines the poetic heritage of the outstanding Uzbek poetess Zulfiya, who is the brightest figure in Uzbek poetry. The 30-90s of the XX century, when Zulfiya made her debut and became famous for her poems, was a time of intense search in the artistic life of Uzbekistan. Description of the specifics of the individual style of the Uzbek poetess of the XX century Zulfiya is an urgent task of modern literary criticism. It should also be recognized that Zulfiya's connections with the previous tradition are insufficiently studied in revealing the inner world of the lyric heroine. Research methods. The research methodology is based on an integrated approach that includes various methods: biographical, historical-literary, relative-comparative, structural-semantic. Results and discussions. In the works of the poetess, one can trace an appeal to classical literature.

Occasionalisms in the Correspondence of B. Pasternak and M. Tsvetaeva

2020 ◽  
Vol 81 (2) ◽  
pp. 76-82
Author(s):  
Yu. B. Martynenko
Keyword(s):  
Research Methods ◽  
Statistical Research ◽  
Boris Pasternak ◽  
Time Period ◽  
Marina Tsvetaeva ◽  
Private Correspondence ◽  
Symbolic Meanings ◽  
The Individual ◽  
Individual Style

The names of Boris Pasternak and Marina Tsvetaeva are connected not only by the time period and poetry writing but also by a long-term private correspondence. This article discusses occasionalisms found in the correspondence of B. Pasternak and M. Tsvetaeva as a means of forming the individual style of the poets. The comparative, descriptive and statistical research methods were used. The author draws attention to the fact that every new word created by the poets becomes a reflection of their world, serves accuracy and capacity of reasoning, as well as often carries dominant and symbolic meanings.

scholarly journals The evolution of conceptual sphere of Robert Bridges

Litera ◽  
2021 ◽  
pp. 63-74
Author(s):  
Oksana Dmitrievna Kolokol'nikova
Keyword(s):  
Research Methodology ◽  
English Poetry ◽  
Dynamic Parameters ◽  
Writing Style ◽  
The World ◽  
The Subject ◽  
The Individual ◽  
Individual Style

The analysis of the individual writing style is a dynamically developing direction of modern linguistics. An integral part of individual style is the metaphorical system of the author. Metaphors are one of the most accurate markers of individual style, since they give a perspective on personality and mental worldview of the writer. The study of metaphor allows describing the nature of the imagery world of the author or his conceptual sphere. The subject of this research the evolution of the conceptual sphere of Robert Bridges, a prominent representative of English poetry of the late XIX – early XX centuries. The goal consists in elucidation of peculiarities of the author's conceptual sphere. The research methodology leans on the method of studying metaphor developed by N. V. Pavlovich. The article explores the questions of individual writing style, placing emphasis on the dynamics of imagery system of R. Bridges. The scientific novelty consists in revealing the mental worldview in each period of the author’s work, outlining the author's conceptual sphere, and describing the nature of transformations in the author's imagery system throughout his literary path. The acquires results demonstrate the characteristics of conceptual sphere of the author's early and mature lyrics, as well as determine stable and dynamic parameters of his mental worldview. It is established that the structure of conceptual sphere seeks to preserve the fundamentals of the author's view of the world, as well embraces the changes taking place in the poet's worldview.

scholarly journals Evolution of Robert Bridges’ Style Through the Lens of Metaphor

2021 ◽  
pp. 65-75
Author(s):  
Oksana Kolokol’nikova ◽  
Keyword(s):  
Lyric Poetry ◽  
English Poet ◽  
Initial Stage ◽  
Statics And Dynamics ◽  
Stable Part ◽  
Inner World ◽  
Quantitative Changes ◽  
Developing Area ◽  
The Individual ◽  
Individual Style

The study of the author’s individual style is an intensively developing area of modern linguistics. Currently, the author’s individual style is considered as a system characterized by both statics and dynamics. Metaphors are some of the most reliable markers of individual style, since they give an idea of the writer’s personality and mental worldview. This article analyses the individual style in the lyric poetry of Robert Bridges, an outstanding English poet of the late 19th – early 20th centuries. The obtained results made it possible to establish that the stable part of Bridges’ individual style is a set of concepts forming his conceptual sphere as well as the central opposition of his oeuvre: the microcosm–macrocosm opposition. The varying characteristics of Bridges’ individual style are the ranks of concepts, changes in which are associated with a shift in the focus of the author’s attention and transformation in his worldview. The quantitative changes in Bridges’ later lyric poems compared to the early ones include a growing share of negatively coloured vocabulary and number of substantive metaphors, as well as an increasing variety of metaphorization of certain concepts. The main trends in Bridges’ individual style transformation are the tendency towards compensation, manifesting itself in various aspects of metaphorization, and the tendency towards simplification and concretization. The analysis of the evolution of Bridges’ metaphorical system showed that at the initial stage of his writing, he is equally interested in both the inner world of a person and the outside world, while in his later lyric poems Bridges focuses on the outside world, in particular, society.

THE ROLE OF IRONY IN UZBEK LITERATURE

2021 ◽  
Vol 5 (3) ◽  
pp. 50-59
Author(s):  
Ugiloy Mavlonova ◽  
Keyword(s):  
Literary Criticism ◽  
Research Methods ◽  
World Literature ◽  
Work Of Art ◽  
Scientific Investigations ◽  
Works Of Art ◽  
The World ◽  
The Individual

Introduction. In world literature, a number of scientific investigations are being conducted on the classification of irony, its artistic manifestations, parody, paradox, grotesque and image. The role of irony and image in the structure of the work of art in the world literary science, in which the coverage and identification of the individual skills of the writer remains one of the urgent tasks. In modern Uzbek literature, there is an approach based on various research methods of world literature in the analysis of works of art, the coverage of the poetic skills of the author. Research methods. At the same time, as poetry and prose of the 1970s and 1980s emerged from ideological stereotypes, literary criticism seemed to lag behind.

scholarly journals Determinology process in the literarycritical studies of Mykola Yevshan

2019 ◽  
pp. 318-335
Author(s):  
Nadiya Holubinka ◽  
Oksana Lytvyn
Keyword(s):  
Literary Criticism ◽  
Linguistic Development ◽  
Scientific Terminology ◽  
Dynamic Character ◽  
Scientific Terms ◽  
The Individual ◽  
High Degree ◽  
Individual Style

The individual style of Mykola Yevshan is characterized by the scale of artistic thinking, intellectualism, philosophical depth, a high degree of emotional-semantic capacity and dynamic character of imagery. This article aims to analyze how Mykola Yevshan conveyed his ideas through the means of language, specifically, a scientific terminology; to show (1) as a term, beyond its terminological field, it loses, in whole or in part, its features of definition; (2) as a term, it lost only the terminological field but retained its definition in the author’s text. Our study is relevant because the phenomenon of «determinization» has yet to be studied based on the works of literary criticism of MykolaYevshan. We employed the following interrelated methods: dynamic and descriptive in their varieties (linguistic observation, comparison, and generalization), typological and definitive. The findings of our research prove that Mykola Yevshan used the terms of different fields of knowledge. Articles in literary criticism create a terminological field for literary terms, and terms that have lost their terminological field, having retained their definition, have undergone functional determinization. Stylistically motivated is the combination of scientific terms with spoken vocabulary, which gives the context both negative and positive semantic connotations; the author’s text reflects the occurrence of terms in the composition of the tropes. The process of determination defines the constant linguistic development, the interpenetration of terminological and non-terminological vocabulary. Keywords: terminology, determinology, literary criticism, Mykola Yevshan.

scholarly journals Comparative model of the world in A. Surov’s idiostyle

2019 ◽  
Vol 12 (21) ◽  
pp. 174-181
Author(s):  
Anna Sadovaia ◽  
Keyword(s):  
Semantic Category ◽  
Semantic Structure ◽  
Verb Forms ◽  
The World ◽  
Comparative Constructions ◽  
Inner World ◽  
Comparative Model ◽  
The Individual ◽  
Individual Style ◽  
As If

The article deals with the comparative model of the world in A. Surov’s individual style, which demonstrates the dynamics of the author's thinking, his view of reality and his inner world. The poet’s typical comparative models have been revealed: with syntactic and morphological comparisons. The author’s typical syntactic indicators are conjunctions «kak» (as) and «slovno» (as if/as though); the morphological indicators are the comparative degree of adjectives and the instrumental (ablative) case. The semantic mechanisms of these units formation have been described. Constructions with the conjunction «kak» (as) contain comparisons of the relatively constant and non-constant qualities of adjectives in the full and short forms respectively, as well as of the actions, the completed and the incomplete processes, which are presented by the verb forms. Constructions with the conjunction «slovno» (as if/as though) demonstrate the comparison of real entities and processes with potentially real situations, reflecting the concept of the outside world, explaining the similarity that is perceived only by the author. Comparative units with the instrumental (ablative) case express comparisons and similarities in various actions. These two types of comparative constructions can also be repeated, stratified, and combined in one sentence in A. Surov's works. In constructions with an adjective in the comparative degree, the overall characteristic of the compared entities is irrelevant, since the comparison is made on the basis of focusing on the degree of the certain features manifestation. This is confirmed by the author's semantic explications. Components of all types of comparative constructions represent four donor and recipient conceptual spheres: «Man», «Abstraction», «Nature», and «Objects». The conceptual sphere «Man» has been proved to be the dominant recipient and donor conceptual sphere, which testifies A. Surov’s anthropocentric creativity. The conceptual sphere «Nature» is also widespread among the donor conceptual spheres. To sum up, comparativeness is a semantic category presenting the opposition of meanings which are expressed by linguistic means and perform a comparative function regardless of the environment. This category is widely represented in the semantic structure and figurative function of constructions within the poet’s works. The comparative model of the world is a reflection of A. Surov's individual style formation and ways of the individual author's worldview perception. The proposed research is prospective for understanding the semantic category of comparability and its explication as a comparative model of the world in a particular author’s individual style.

Metodologi Pengeluaran Fatwa di Jawatankuasa Fatwa Negeri Johor

2018 ◽  
Vol 13 (1) ◽  
pp. 70-88
Author(s):  
Mohd Faez Mohd Shah ◽  
Norhidayah Pauzi
Keyword(s):  
Literature Review ◽  
Research Methods ◽  
Research Methodology ◽  
Research Method ◽  
Islamic Law ◽  
Field Research ◽  
The State ◽  
Original Source ◽  
Interview Methods ◽  
The Right

In the discipline of Islamic law research, strong proofing and clear Istinbat method are key pillars in the construction of Islamic law based on the application of the science of usul al-fiqh and maqasid al-shari'ah. However, what happens at the state of Johor’s fatwa institution is the opposite. The fatwa research methods applied by the Fatwa Committee of Johor in resolving current fatwa issues is not based on the right and true discipline of Islamic law research. In fact, current inputs related to fatwa issues are not explicitly stated in the method of determining the law either in the form of reality or scientifically verified. Therefore, this paper will discuss the fatwa procedures undertaken by the Fatwa Committee of Johor based on the methods applied in resolving current issues. The research methodology adopted is library and interview methods. This study shows that fatwa management and production in the state of Johor is placed under the jurisdiction of the Mufti of Johor’s Department. The methods adopted by the Fatwa Committee of Johor covers two methods, namely: internal research methods including literature review through the application of original source and proofs based on syarak. Second: field research method that includes an external review or going to the location of study such as conducting observation, questionnaires and interviews including referrals to specialists of different fields. Maslahah and mafsdah consideration are also implemented by the Fatwa Committee in every fatwa decision based on the standard that meets the interests of maqasid al-shari'ah. Keywords: Metode, fatwa, istinbat, usul al-fiqh, maqasid al-shari’ah ABSTRAK Dalam disiplin penyelidikan hukum Islam, kekuatan pendalilan dan kaedah istinbat yang jelas merupakan tunggak utama dalam pembinaan hukum Islam berasaskan kepada aplikasi ilmu usul al-fiqh dan maqasid al-shari’ah. Namun begitu, apa yang berlaku di institusi fatwa negeri Johor adalah sebaliknya. Kaedah penyelidikan fatwa yang diaplikasi oleh Jawatankuasa Fatwa Negeri Johor dalam menyelesaikan isu fatwa semasa tidak berasaskan kepada disiplin penyelidikan hukum Islam yang tepat dan sebenar. Malahan input-input semasa yang berkaitan dengan isu fatwa juga tidak dinyatakan secara jelas dalam kaedah penentuan hukum sama ada dalam bentuk realiti yang berlaku atau pembuktian secara saintifik. Justeru, kertas kerja ini akan membincangkan prosedur fatwa Jawatankuasa Fatwa Negeri Johor berdasarkan metode-metode yang diaplikasi dalam menyelesaikan isu-isu yang bersifat semasa. Metodologi kajian yang digunakan dalam kajian ini adalah melalui metode perpustakaan dan metode lapangan. Hasil kajian menunjukkan bahawa pengurusan dan pengeluaran fatwa di negeri Johor hanya terletak di bawah bidang kuasa Jabatan Mufti Johor. Metode fatwa yang diamalkan oleh Jawatankuasa Fatwa Negeri Johor merangkumi dua metode iaitu pertama, kaedah penyelidikan dalaman yang merangkumi kajian kepustakaan menerusi pengaplikasian dari sumber asas dan dalil-dalil syarak. Kedua, kaedah penyelidikan lapangan yang meliputi kajian luaran atau turun ke lokasi kajian seperti observasi, soal selidik dan temubual dan rujukan kepada pakar dalam bidang yang berlainan. Pertimbangan maslahah dan mafsdah juga dimplementasikan oleh Jawatankuasa Fatwa dalam setiap keputusan fatwanya berasaskan standard yang menepati kepentingan maqasid al-shari’ah. Kata kunci: Metode, fatwa, istinbat, usul al-fiqh, maqasid al-shari’ah

Bacon's "Envy": An Evaluation of Punctuation

2018 ◽  
Keyword(s):  
Pivotal Role ◽  
Complex Sentence ◽  
The Individual ◽  
Individual Style

Punctuation plays a pivotal role in enhancing the comprehensibility of a text. It not only abolishes ambiguity from the text but also adorns the individual style of the author. This paper analyses Bacon’s essay “Envy” evaluating the aberrant use of punctuation to understand its impact on the holistic comprehension of the essay. Bacon has deviated in some punctuation marks in different situations. Most deviations occur in the use of the comma and the semicolon. The least deviations occur in the use of the period. Two explanations may be inferred from the analysis: First, what seems to be deviant in this regard was normal in his time; second, he deviates on purpose to make the long, complex sentence clear and easy for the reader.

Semantic and stylistic aspects of using geographical vocabulary in Emily Dickinson’s verse

2018 ◽  
pp. 95-99
Author(s):  
В. В. Колівошко ◽  
Keyword(s):  
Emily Dickinson ◽  
Unique Color ◽  
Research Questions ◽  
The Individual ◽  
Empirical Methodology ◽  
Qualitative Characteristics ◽  
Individual Style

This article reports a study according to the tenets of empirical methodology in addressing research questions. The project tests the principles of using geographical vocabulary in Emily Dickinson’s verse. It focuses on the study of stylistic and semantic aspects of the usage of geographical vocabulary. The results demonstrate the quantitative and qualitative characteristics of the usage of geographical vocabulary. Emily Dickinson’s poems are full of geographical names, which she uses with both positive and negative connotations. As we can see, the negative connotations prevail. The results point out how Emily Dickinson manipulates geographical names at all levels of the language. In addition, the findings indicate specific color gamma of Emily Dickinson’s poems. The use of colors is different for each geographical object; especially it applies to the names of countries, towns etc. Emily Dickinson associates every continent with its own unique color. These findings demonstrate the individual style of Emily Dickinson, which is distinctive among other poets.

Microbiological substantiation of application of phytopreparations in treatment of inflammatory periodontal diseases

2019 ◽  
Vol 24 (3) ◽  
pp. 196-202 ◽  
Author(s):  
S. A. Abdurakhmanova ◽  
G. S. Runova ◽  
M. S. Podporin ◽  
E. V. Tsareva ◽  
E. V. Ippolitov ◽  
...  
Keyword(s):  
Tooth Loss ◽  
Periodontal Diseases ◽  
Adult Population ◽  
Experimental Studies ◽  
Herbal Medicines ◽  
Growth Dynamics ◽  
Integrated Approach ◽  
Bacterial Populations ◽  
Streptococcus Constellatus ◽  
Urgent Task

Relevance: Inflammatory-destructive periodontal diseases are the most complicated and became the main cause of tooth loss in adult population. Herbal medicines have a variety of pharmacological properties, so the development and introduction of new forms for the treatment of inflammatory periodontal diseases is an urgent task today.Purpose – experimental evaluation of effectiveness of the use of herbal medicines “Tonzinal” and “CM-1” in relation to the priority periodontal pathogenes.Materials and methods: in experimental studies, the basis for the experiment was the system for the cultivation of microorganisms in real time – the Revers-Spinner RTS-1 bioreactor. With the priority strains of periodontitis pathogens, the study of the growth dynamics of the culture was carried out in several parallels.Results: herbal medicines “CM-1” and “Tonsinal” has a multilateral therapeutic effect, exerting a diverse influence on the key stages of development of such bacterial populations as Aggregatibacter actinomycetemcomitans, Streptococcus constellatus, Candida albicans.Conclusion: tan integrated approach in the treatment of patients with inflammatory periodontal diseases is promising and will contribute to a more prolonged remission and increase the effectiveness of treatment. 

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