scholarly journals From Idea to Realisation: The architecture of Jovan Stefanovsk

Arta ◽  
2021 ◽  
Vol 30 (1) ◽  
pp. 87-97
Author(s):  
Lino Bianco
Keyword(s):  
Architectural Design ◽  
Traditional Architecture ◽  
The Unconscious ◽  
Form And Function ◽  
National Theatre ◽  
Conscious Decision ◽  
Design Idea ◽  
The Republic ◽  
And Function ◽  
Design Style

Although not widely acknowledged, the Republic of North Macedonia boasts a number of prolific architects who were often engaged in architectural education. Jovan Stefanovski, the author of the Millennium Cross and the National Theatre, both in the capital Skopje, is one such personality. Similar to former generations of architects, his design style conceptually recalls the traditional architecture of his homeland. Researching the Jovan Stefanovski Archive, a number of projects were identified – a sample from the case-studies covered in his doctorate thesis – and discussed with respect to the themes of ‘idea’ and ‘realisation’ in architecture. His notion of the former is akin to ‘concept’ as used in architectural design. While an idea is an expression of the unconscious, realisation is the conscious decision to execute the design idea. Stefanovski was a prolific architect and educator. His interest in traditional architecture was in line with the trends which developed in the late 1960s and early 1970s. Furthermore, in line with the architectural approaches being developed by Stefanovski’s teachers, the regionalist idiom which emerged in Macedonia, is contemporaneously evident in his work both in form and function.

scholarly journals Ontological modelling of form and function for architectural design

2012 ◽  
Vol 7 (3) ◽  
pp. 233-267 ◽  
Author(s):  
Mehul Bhatt ◽  
Joana Hois ◽  
Oliver Kutz
Keyword(s):  
Architectural Design ◽  
Form And Function ◽  
And Function

scholarly journals Relationship Between Function-Form in The Expression of Architectural Creation

2019 ◽  
Author(s):  
Rudy Trisno ◽  
Fermanto Lianto
Keyword(s):  
Architectural Design ◽  
Function Form ◽  
Material Technology ◽  
Architectural Form ◽  
Important Thing ◽  
Form And Function ◽  
Concept Of Function ◽  
Single Method ◽  
And Function ◽  
The Relationship

<div>In the Postmodern era there are diverse forms of architecture, which is also related to. structural and material technology that is developing so rapidly. The method used is the analysis of architectural theories to find the relationship between Function‐Form, whether: </div><div>1) The concept of Form follows Function; </div><div>2) The concept of Function follows Form; </div><div>3) The concept of Form and Function runs together. </div><div><br></div><div>The relation between the concept of Function and Form will result in the meaning of the architectural work itself. The conclusion is: in architectural design there is no exact rule whether the Function must follow the Form, or Form must follow the Function, or Function and Form run side by side, but the relationships between Function and Form merge into a single method towards the expression of architectural Form, so that this Function‐Form relationship will be interpreted by the observer towards the expression of the architectural creation itself. The findings in this study are to give architectural designers freedom regarding the relationship between Function‐Form. However, the most important thing from this relationship is that the meaning must be reflected in the expression of the form that corresponds to the relationship to be achieved. The benefit of this research is that architectural students can know more deeply the relationship between the Function‐Form that will be used in the design, and also for architect practitioners in designing the building.</div>

scholarly journals The meaning of the relationship between bale nyungcung roof and inner room in architectural design of Mosques at Sunda Tatar

2021 ◽  
Vol 6 (1) ◽  
pp. 25-34
Author(s):  
Roza Rahmadjasa Mintaredja ◽  
Purnama Salura ◽  
Bachtiar Fauzy
Keyword(s):  
Case Studies ◽  
Architectural Design ◽  
Vernacular Architecture ◽  
The West ◽  
West Java ◽  
Form And Function ◽  
Basic Reference ◽  
And Function ◽  
The Relationship

There has been a decline in the form and function of Sundanese vernacular architecture for large buildings due to the absence of artifacts in village houses. The data on palace or keraton and terraced roofs are only found in lontar and from outside observers in the XVI century. Meanwhile, the phenomenon of the bale nyungcung roof emerged on the mosque in the XVI-XIX centuries at West Java after disappearing for more or less two centuries. The reappearance makes it interesting to study this concept, especially with the focus on its relationship with the inner room of the mosque. This research was conducted on the Great Mosque spread in Sunda Tatar such as the West Java and Banten Provinces with buildings of Majalaya, Manonjaya, and Banten used as case studies. It was conducted qualitatively and interpretatively using the building anatomical theory to analyze the scope of shape and the Bale Nyungcung roof. The results showed the relationship between the roof and the inner space is a reflection of the adjustment in the mosque's basic reference with the Bale Nyungcung roof used as one of the Sundanese local building features.

scholarly journals Changes of Form of Malay Traditional Houses in Medan and Surroundings

2020 ◽  
Vol 2 (2) ◽  
pp. 495-502
Author(s):  
Imam Faisal Pane ◽  
Hilma Tamiami Fachrudin
Keyword(s):  
Qualitative Methods ◽  
Traditional Architecture ◽  
Form And Function ◽  
The Times ◽  
Surrounding Areas ◽  
And Function ◽  
Building Owner

Malay Architecture is one of the architectures that developed in Medan City and its surroundings. Malay ethnicity has existed and developed in this area marked by the presence of the Deli Malay Sultanate whose Kingdom capital is in Medan. With the existence of this Sultanate, the existence of Malay architecture is getting stronger and influencing the community, especially for the Malay community. This article aims to look at the development of Malay architecture nowadays with various influences that come from everywhere. This influence is certainly related to the form of this building which changes follow the times. Observation locations are in Medan and its surrounding areas, namely Langkat and Serdang Bedagai. Qualitative methods are used to see physical facts in the field which are corroborated by the questionnaire as a form of respondents’ expressions. The results obtained are some changes to the building caused by the variety of activities owned by residents of the house so that it requires space that affect the changes in the form and function of the building. Overall, the building owner still maintains the characteristics of Malay traditional architecture, especially the use of ornaments or decoration on the building.

scholarly journals Boat Representation in Nusantara Architecture

2019 ◽  
Vol 3 (1) ◽  
pp. 81-94
Author(s):  
Vini Asfarilla
Keyword(s):  
Traditional Architecture ◽  
Cultural Expression ◽  
Form And Function ◽  
The Arts ◽  
The People ◽  
Form Representation ◽  
Boat Form ◽  
And Function ◽  
Direct Reflection ◽  
Construction System

Architecture is one of the arts of cultural product, archipelago culture rooted in traditional culture, vice versa. Traditional architecture is very diverse in Indonesia, along with the diversity of its ethnic. Traditional architecture is building with form and function which has its own characteristic, inherited from generation to generation that can be used to hold activity by the people around it. Therefore, traditional architecture is the cultural expression and direct reflection in presenting something by its people. Some Nusantara Architectures adopt boat as the representation for building’s form. Therefore, the author is interested to prove the correlation of boat as representation in some archipelago architectures. This research uses data search method through literature studies by collecting data on some researched archipelago architecture buildings' form and construction system. From these data, a correlation between boat form representation and construction system used in boats and buildings can be concluded. Keyword: Nusantara Architecture, Form of Architecture,  Boat Construction, Boat Representation.

Reading Lessons in Seeing

2017 ◽  
Author(s):  
Michael A. Chaney
Keyword(s):  
Media Studies ◽  
Art History ◽  
American Culture ◽  
Film Studies ◽  
Graphic Novels ◽  
The Unconscious ◽  
Form And Function ◽  
And Function

This book examines graphic novels to illustrate that in form and function they inform readers on how they ought to be read. The book's arguments result in an innovative analysis of the various knowledges that comics produce and the methods artists and writers employ to convey them. Theoretically eclectic, this study attends to the lessons taught by both the form and content of today's most celebrated graphic novels. The book analyzes the embedded lessons in comics and graphic novels through the form's central tropes: the iconic child storyteller and the inherent childishness of comics in American culture; the use of mirrors and masks as ciphers of the unconscious; embedded puzzles and games in otherwise story-driven comic narratives; and the form's self-reflexive propensity for showing its work. Comics reveal the labor that goes into producing them, embedding lessons on how to read the “work” as a whole. Throughout, the book draws from a range of theoretical insights from psychoanalysis and semiotics to theories of reception and production from film studies, art history, and media studies. Some of the major texts examined include Marjane Satrapi's Persepolis; Chris Ware's Jimmy Corrigan: The Smartest Kid on Earth; Joe Sacco's Palestine; David B.'s Epileptic; and Kyle Baker's Nat Turner. As the examples show, graphic novels teach us even as they create meaning in their infinite relay between words and pictures.

scholarly journals Function first or form first—a comparison of two design methods for undergraduate basic course

2020 ◽  
Vol 189 ◽  
pp. 03038
Author(s):  
Xie Guanyi ◽  
Duan Huifang
Keyword(s):  
Interior Design ◽  
Architectural Design ◽  
Course Design ◽  
Design Method ◽  
Design Methods ◽  
Formal Logic ◽  
Form And Function ◽  
Functional Logic ◽  
High Level ◽  
And Function

Talking about form and function in the architecture, two major traditions in design are always inevitable. They are two methods of architectural design: the first one is used by Beaux-Art system which takes form and order as the core; the second one is of Bauhuas system which focuses on function. Architecture is closely related to the interior, so are there also two design methods in the field of interior design? Through analysis of interior design textbooks in different academies, it was found that most existing design methods are based on function. Function-based design methods have a series of operable standard methods for function, but also have the problem of high level of functional logic and low level of formal logic. Does interior design also have a design approach starting from form and order and unifying function logic and formal logic? By transplanting the “kit-of-parts approach” in architectural design into interior design, applying the two design methods in undergraduate course of environmental design and comparing the two course design results, it was verified in this paper which design method is easier to balance form and function in basic design course.

scholarly journals MENEROPONG ISTANA TUA (DALAM LOKA) WARISAN ARSITEKTUR TRADISIONAL SUMBAWA (Inheritance on Traditional Architecture of Sumbawa )

Vitruvian ◽  
2018 ◽  
Vol 8 (1) ◽  
pp. 1
Author(s):  
Henny Gambiro ◽  
Ahmad Yamin
Keyword(s):  
Space Form ◽  
Human Life ◽  
Qualitative Approach ◽  
Land Area ◽  
Traditional Architecture ◽  
Cultural Form ◽  
Form And Function ◽  
The Past ◽  
Space Function ◽  
And Function

To look through traditional architecture inheritance of old traditional house Sumbawa palace (Dalam Loka), the former palace of the king of Sumbawa empire. The traditional house is located in Sumbawa City, wester southeast Sumbawa Regency. The architectural shape of old palace as a house on stilts reflects a cultural form in the past. The objective of this paper is to reveal space form, space function, structure and the elements of the house, decoration, and the old palace architecture cosmology. Research method used is descriptive with qualitative approach. Data collection techniques are in the forms of observation, interview, and literature studies. The result shows that the form and function of the old palace building consist of three parts, namely the top, the middle and the bottom. The architecture of that old palace has a philosophy namely Salimpat which describes that all human life aspects would be perfect only if in the form of rectangular.  That rectangular philosophy is reflected in the form of  land area, the columns, the windows and the room space Warisan arsitektur tradisional Sumbawa rumah adat Istana Tua (Dalam Loka), yang dahulu digunakan sebagai istana Raja Kesultanan Sumbawa. Rumah adat itu berlokasi di Kota Sumbawa, Kabupaten Sumbawa, Nusa Tenggara Barat. Arsitektur rumah adat Istana Tua (Dalam Loka) yang berupa rumah panggung, mencerminkan bentuk kebudayaan masa lampau. Tujuan penulisan ini adalah, mengungkapkan bentuk dan fungsi ruang, struktur dan elemen bangunan, ragam hias, serta kosmologi dalam arsitektur Istana Tua (Dalam Loka). Metode penelitian yang digunakan bersifat deskriptif dengan pendekatan kualitatif. Teknik pengumpulan data berupa wawancara, pengamatan, dan studi pustaka. Hasil penelitian menunjukkan bahwa bentuk dan fungsi bangunan Istana Tua (Dalam Loka), terdiri dari tiga bagian, yaitu bagian atas disebut loteng atau Alang, bagian tengah merupakan badan rumah disebut ruang Dalam Loka (Istana Tua), dan bagian bawah atau kolong yang disebut Tabongan. Arsitektur Dalam Loka  menganut falsafah Salimpat yang menggambarkan bahwa segala aspek kehidupan manusia barulah sempurna jika berbentuk segi empat. Falsafah tersebut direfleksikan pada bentuk areal tanah, tiang rumah, jendela dan ruangan.

scholarly journals BALLA LOMPOA DI GOWA (Kajian Arsitektur Tradisional Makassar)

2012 ◽  
Vol 4 (3) ◽  
pp. 378
Author(s):  
Raodah Raodah
Keyword(s):  
Middle Part ◽  
The Body ◽  
Traditional Architecture ◽  
Form And Function ◽  
Descriptive Research ◽  
The Past ◽  
South Sulawesi ◽  
And Function ◽  
The City ◽  
Bibliographic Study

AbstrakPenelitian mengkaji arsitektur tradisional Makassar rumah adat Balla Lompoa, bekas istana Raja Gowa. Rumah adat itu berlokasi di Kota Sungguminasa, Kabupaten Gowa, Sulawesi Selatan. Arsitektur rumah adat Balla Lompoa berbentuk rumah pang-gung, mencerminkan bentuk kebudayaan masa lampau. Tujuan penelitian, mengung-kapkan bentuk dan fungsi ruang, struktur bangunan, ragam hias, kosmologi dalam arsitektur Balla Lompoa. Metode penelitian yang digunakan bersifat deskriptif dengan pendekatan kualitatif. Teknik pengumpulan data berupa wawancara, pengamatan, dan studi pustaka. Hasil penelitian menunjukkan bentuk dan fungsi bangunan  Balla Lompoa  terdiri dari tiga bagian, yaitu bagian atas disebut loteng atau pammakang, bagian tengah merupakan badan rumah disebut kale balla, dan bagian bawah atau kolong yang disebut passiringan. Arsitekturnya menganut falsafah sulapa appa yang menggambarkan segala aspek kehidupan manusia barulah sempurna jika berbentuk segi empat. Falsafah tersebut direfleksikan pada areal tanah, tiang rumah, jendela dan ruangan.  AbstractThis paper is a result of my research on traditional architecture of adat house Balla Lompoa, former palace of the King of Gowa. It is located in the city of Sungguminasa, Residence of Gowa, South Sulawesi. Balla Lompoa is a rumah panggung (house on stilts) that reflects cultural forms of the past. The aim of the study is to reveal form and function of the rooms, building structure, ornaments, and cosmology in the architecture. This is a descriptive research with qualitative approach. Data was compiled through observation, interviews, and bibliographic study. The result finds that the form and function of Balla Lampoa consist of three parts: upper part is called loteng or pammakang, middle part, which is the body of the house, called kale balla; and the lower part called passiringan. The house conveys philosophical value called sulappa appa, describing that perfect life of a human being is in the form of square. It is applied to the land are, house posts, windows, and rooms.

scholarly journals EUPHEMISMS IN 2019 PRESIDENTIAL ELECTION DEBATES

2020 ◽  
Vol 5 (2) ◽  
pp. 123-134
Author(s):  
Hendri Pitrio Putra ◽  
Pratomo Widodo
Keyword(s):  
Content Analysis ◽  
Presidential Election ◽  
Qualitative Method ◽  
Data Sources ◽  
Analysis Approach ◽  
Form And Function ◽  
The Republic ◽  
And Function ◽  
Presidential Debate ◽  
Descriptive Qualitative

This research aimed at describing the forms and functions of euphemism in the Presidential and Vice-Presidential Debate of the Republic of Indonesia in 2019. This research also explained the form and function of euphemism that was most dominantlyused and whose speech containing most elements of euphemism. The method used in the research was descriptive qualitative method and content analysis approach. The data sources in this research were videos and transcripts of the Presidential and Vice-Presidential Debate in the first and fifth rounds in 2019. The results of this study revealednine forms of euphemism, namely figurative expression, metaphor, flippancy, circumlocutions, clipping, acronym, abbreviation, one for one substitution, borrowing, and hyperbole. The most dominant euphemism form used was one for One Substitution with the total of 164 or 61.4%. Furthermore, the speech that had the most euphemism was Joko Widodo with the total of 113 euphemisms or 42.3%. Finally, this research also showedfour functions of euphemismas a form of positive imaging, criticizing or insinuating opponents, refining speech, and as a tool for diplomacy.

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