scholarly journals WAR POETICS IN TS - ZH. ZHIMBIEV'S NOVEL "THE YEAR OF THE FIERY SNAKE"

2022 ◽  
pp. 51-54
Author(s):  
Э. С. Доржиева
Keyword(s):  
Twentieth Century ◽  
National Character ◽  
Daily Routine ◽  
The Novel ◽  
Compositional Structure ◽  
Artistic Experience ◽  
The People ◽  
Great Patriotic War ◽  
Moral Qualities ◽  
Plot Structure

В статье рассматриваются этнопоэтические истоки сюжетостроения в прозе Бурятии 2 - й половины 20 века. В основу обзора положен анализ романа «Год огненной змеи» Ц. - Ж. Жимбиева. Выявляются особенности использования символов и понятий этнопоэтики в названии произведения, сюжетной структуре романа и художественный опыт самого писателя в осмыслении начала Великой Отечественной войны, совпавшей по восточному календарю - литэ с годом огненной змеи. Автором статьи смысловое наполнение образа змеи, в мифологии монголоязычных народов выступающей символом врага, опасности, рассматривается в связи и противопоставлении с понятиями «война» как пожирающий огонь (пожар) и «враг» как змея, от которого страдает «народ». На основе анализа сюжетно - композиционной структуры романа доказывается, что чередованием глав «День» и «Ночь» Ц. - Ж. Жимбиев актуализирует смысловую логику понятия «война» как противоестественное состояние жизни, когда всё меняется местами: день становится мрачным и беспросветным проявлением темного, а ночь позволяет уйти от дневного мрака будней в сказочно - загадочное со звездами и небом. Обоснован вывод о том, что соединение реального и мифологического придает сюжету романа особую художественную полноту и национальный колорит, способствует усилению трагического смысла событий года «змеи», раскрывает характеры, моральные качества литературных героев. The article deals with the ethnopoetic origins of plot - building in prose of Buryatia of the second half of the twentieth century. The review is based on the analysis of Ts-Zh. Zhimbiev's novel "The Year of the Fiery Snake". It identifies the features of the use of symbols and concepts of ethnopoetics in the title, the plot structure of the novel and artistic experience of the writer in understanding the beginning of the Great Patriotic war, which, according to the Chinese calendar, coincided with the year of the fiery snake. The meaning of the snake's image, which in the mythology of Mongolian - speaking peoples serving as a symbol of an enemy, danger, is considered by the author of the article in connection and opposition with concepts "war" like a consuming flame (fire) and "enemy" like a snake that oppresses "the people" Based on the analysis of the plot - compositional structure of the novel, it is proved that alternating chapters "Day" and "Night" Ts-Zh. Zhimbiev actualizes the semantic logic of the concept "war" as an unnatural state of life, when everything swaps over: the day becomes a dark and gloomy expression of darkness, and the night allows you to escape from dark daily routine into a fabulous mystery with the stars in the sky. The conclusion is proved that the conjunction of real and mythological essence gives the plot of the novel special artistic completeness and national character, enhances sense of tragic events of the year of the "snake', and reveals literary heroes' tempers and moral qualities.

scholarly journals WAR POETICS IN TS - ZH. ZHIMBIEV'S NOVEL "THE YEAR OF THE FIERY SNAKE"

2022 ◽  
pp. 51-54
Author(s):  
Э. С. Доржиева
Keyword(s):  
Twentieth Century ◽  
National Character ◽  
Daily Routine ◽  
The Novel ◽  
Compositional Structure ◽  
Artistic Experience ◽  
The People ◽  
Great Patriotic War ◽  
Moral Qualities ◽  
Plot Structure

В статье рассматриваются этнопоэтические истоки сюжетостроения в прозе Бурятии 2 - й половины 20 века. В основу обзора положен анализ романа «Год огненной змеи» Ц. - Ж. Жимбиева. Выявляются особенности использования символов и понятий этнопоэтики в названии произведения, сюжетной структуре романа и художественный опыт самого писателя в осмыслении начала Великой Отечественной войны, совпавшей по восточному календарю - литэ с годом огненной змеи. Автором статьи смысловое наполнение образа змеи, в мифологии монголоязычных народов выступающей символом врага, опасности, рассматривается в связи и противопоставлении с понятиями «война» как пожирающий огонь (пожар) и «враг» как змея, от которого страдает «народ». На основе анализа сюжетно - композиционной структуры романа доказывается, что чередованием глав «День» и «Ночь» Ц. - Ж. Жимбиев актуализирует смысловую логику понятия «война» как противоестественное состояние жизни, когда всё меняется местами: день становится мрачным и беспросветным проявлением темного, а ночь позволяет уйти от дневного мрака будней в сказочно - загадочное со звездами и небом. Обоснован вывод о том, что соединение реального и мифологического придает сюжету романа особую художественную полноту и национальный колорит, способствует усилению трагического смысла событий года «змеи», раскрывает характеры, моральные качества литературных героев. The article deals with the ethnopoetic origins of plot - building in prose of Buryatia of the second half of the twentieth century. The review is based on the analysis of Ts-Zh. Zhimbiev's novel "The Year of the Fiery Snake". It identifies the features of the use of symbols and concepts of ethnopoetics in the title, the plot structure of the novel and artistic experience of the writer in understanding the beginning of the Great Patriotic war, which, according to the Chinese calendar, coincided with the year of the fiery snake. The meaning of the snake's image, which in the mythology of Mongolian - speaking peoples serving as a symbol of an enemy, danger, is considered by the author of the article in connection and opposition with concepts "war" like a consuming flame (fire) and "enemy" like a snake that oppresses "the people" Based on the analysis of the plot - compositional structure of the novel, it is proved that alternating chapters "Day" and "Night" Ts-Zh. Zhimbiev actualizes the semantic logic of the concept "war" as an unnatural state of life, when everything swaps over: the day becomes a dark and gloomy expression of darkness, and the night allows you to escape from dark daily routine into a fabulous mystery with the stars in the sky. The conclusion is proved that the conjunction of real and mythological essence gives the plot of the novel special artistic completeness and national character, enhances sense of tragic events of the year of the "snake', and reveals literary heroes' tempers and moral qualities.

scholarly journals “Decipher its noises for us”: Understanding Sycorax’s Island in Marina Warner’s Indigo

2012 ◽  
pp. 269
Author(s):  
Erin M. Presley
Keyword(s):  
Twentieth Century ◽  
Seventeenth Century ◽  
Sense Of Place ◽  
Gloria Naylor ◽  
The Novel ◽  
Know How ◽  
The Tempest ◽  
The People ◽  
Personal Histories ◽  
The Caribbean

The Marina Warner’s novel Indigo, or Mapping the Waters (1992) explores the effects of colonialism on the islanders of Liamuiga and the Everard family through a complex retelling of Shakespeare’s The Tempest that spans over three hundred years. Much like the appropriative novels of Gloria Naylor, in which past and present blend and meld, Indigo also suggests that time is not linear in its development. The subtitle, or Mapping the Waters, positions a sense of place at the crux of Warner’s novel. Moving back and forth between the twentieth century and the dawn of the seventeenth century, the novel also shifts between London and the Caribbean, suggesting the global import of Shakespeare’s late romance. The scene, in the Burkean sense, influences the actions of the characters as they struggle to be heard in their respective settings. Language also affects the ways in which these characters come to terms with their personal histories. Ultimately, the novel seeks to displace the hopelessness of Caliban’s decree in The Tempest —“You taught me language, and my profit on’t / Is I know how to curse” (1.2.364-65)— by giving a voice to the people silenced by colonialism.

scholarly journals Extracurricular Study of Teacher Image in the Novel ‘Clear Sky’ by Zhunai Mavlyanov

2020 ◽  
Vol 6 (2) ◽  
pp. 302-309
Author(s):  
M. Muzulmanov ◽  
A. Mamatova ◽  
Z. Raimberdieva
Keyword(s):  
Learning Technologies ◽  
Human Society ◽  
The Novel ◽  
School Life ◽  
Clear Sky ◽  
Compositional Structure ◽  
The People ◽  
New Learning ◽  
Rural Teacher ◽  
11Th Grade

In the literature of the postwar years, Zh. Mavlyanov became a writer who turned to the image of a teacher. Studying the image of a teacher from all sides, he managed to describe his many-sided activity, his place in human society, his struggle, victories and defeats. Themes of war and education make up the plot-compositional structure of the novel and describe the events developed around these themes. In the novel ‘Clear Sky’ skillfully and specifically revealed the image of a simple rural teacher Sapar, who, despite the hard life during the war, worked for the prosperity of the life of the people, fought for a happy future, worked with a clear conscience. Sapar was distinguished by diligence, simplicity, kindness, he worked with all his heart to contribute to education. The article analyzes the image of the teacher, problems of upbringing and school life, offers methodological recommendations for the extracurricular study of the novel ‘Clear Sky’ by Zh. Mavlyanov in 11th grade using new learning technologies.

Dostoevskii, Fëdor Mikhailovich (1821–81)

2018 ◽  
Author(s):  
Gary Saul Morson
Keyword(s):  
Twentieth Century ◽  
Mikhail Bakhtin ◽  
Major Influence ◽  
Russian Philosophy ◽  
Philosophical Significance ◽  
The People ◽  
Theory Of Crime ◽  
Lev Shestov ◽  
Brothers Karamazov ◽  
Plot Structure

Dostoevskii, regarded as one of the world’s greatest novelists, is especially well known for his mastery of philosophical or ideological fiction. In his works, characters espouse intriguing ideas about theology, morality and psychology. Plots are shaped by conflicts of ideas and by the interaction of theories with the psychology of the people who espouse them. Indeed, Dostoevskii is usually considered one of the greatest psychologists in the history of Western thought, not only because of the accounts of the mind his characters and narrators elucidate in detail, but also because of the peculiar behaviour betraying the depths of their souls. Dostoevskii is particularly well known for his description of the irrational in its many modes. Deeply engaged with the political and social problems of his day, Dostoevskii brought his understanding of individual and social psychology to bear on contemporary issues and gave them a lasting relevance. His predictions about the likely consequences of influential ideas, such as communism and the social theory of crime, have proven astonishingly accurate; he has often been regarded as something of a prophet of the twentieth century. His reputation rests primarily on four long philosophical novels – Prestuplenie i nakazanie (Crime and Punishment) (1866), Idiot (The Idiot) (1868–9), Besy (The Possessed, also known as The Devils) (1871–2) and Brat’ia Karamazovy (The Brothers Karamazov) (1879–80) – and on one novella, Zapiski iz podpol’ia (Notes From Underground) (1864). In his day, Dostoevskii was as famous for his journalistic writing as for his fiction, and a few of his articles have remained classics, including ‘Mr. D–bov and the Question of Art’ (1861) – a critique of utilitarian aesthetics – and ‘Environment’ (1873). Dostoevskii’s works have had major influence on Western and Russian philosophy. In Russia, his novels inspired numerous religious thinkers, including Sergei Bulgakov and Nikolai Berdiaev; existentialists, such as Lev Shestov; and literary and ethical theorists, most notably Mikhail Bakhtin. In the West, his influence has also been great. Here, too, his writings are repeatedly cited (along with Kierkegaard’s) as founding works of existentialism. Perhaps because of a misreading, they influenced Freud and Freudianism. Directly and through the medium of Bakhtin, his ideas have played a role in the rethinking of mind and language. And his rejection of utopianism and socialism has been repeatedly cited in twentieth-century political debates and theories. Dostoevskii’s influence has been diverse and at times contradictory, in part because of the different genres in which his ideas are expressed. Not only the overall meanings of his novels but also the views of his characters, including those he meant to refute, have been attributed to him. Moreover, his essays sometimes express ideas at variance with his novels. Most recently, philosophical significance has been discovered not only in the content but also in the very form of his novels. Their odd plot structure has been shown to have implications for an understanding of authorship, responsibility and time.

scholarly journals NATIONAL CHARACTER IN THE MODERN KAZAKH NOVEL ( based on the novel trilogy by S. Elubai “Lonely Yurt ”)

2020 ◽  
Vol 74 (4) ◽  
pp. 200-204
Author(s):  
М. Aitimov ◽  
◽  
G. Karimova ◽  
Keyword(s):  
Human Life ◽  
National Character ◽  
The Novel ◽  
Historical Reality ◽  
Reality Show ◽  
The People ◽  
Documentary Fiction

The article examines how modern Kazakh novels in the framework of historical reality show the traditions and customs of our people, formed over the centuries, it is considered how the authors find an artistic solution to depict the customs and customs of the people. The national character is conveyed through the content and form of the epic. The article notes that the experience of our ancestors, which has developed over thousands of years, should be continued in the future.The image of the national character is particularly evident in modern Kazakh novels, created in the last quarter of the XX century and at the beginning of the XXI century. The author of the article considers the features of the aesthetics of the artistic solution in S. Elubay's novel “Ak Boz Uy” (Lonely Yurt): from the documentary fiction is born, against the background of nature the realities of human life are revealed, national and ethnographic traditions are shown in comparison with the reality of time, etc.

Analytical Study of Violence Theme in Victoria Schwab’s This Savage Song

2019 ◽  
Keyword(s):  
Analytical Study ◽  
Research Paper ◽  
The Novel ◽  
Vicious Cycle ◽  
Aggressive Approach ◽  
Research Article ◽  
The People ◽  
The Social ◽  
Different Dimensions ◽  
The Right

This research article focuses on the theme of violence and its representation by the characters of the novel “This Savage Song” by Victoria Schwab. How violence is transmitted through genes to next generations and to what extent socio- psycho factors are involved in it, has also been discussed. Similarly, in what manner violent events and deeds by the parents affect the psychology of children and how it inculcates aggressive behaviour in their minds has been studied. What role is played by the parents in grooming the personality of children and ultimately their decisions to choose the right or wrong way has been argued. In the light of the theory of Judith Harris, this research paper highlights all the phenomena involved: How the social hierarchy controls the behaviour. In addition, the aggressive approach of the people in their lives has been analyzed in the light of the study of second theorist Thomas W Blume. As the novel is a unique representation of supernatural characters, the monsters, which are the products of some cruel deeds, this research paper brings out different dimensions of human sufferings with respect to these supernatural beings. Moreover, the researcher also discusses that, in what manner the curse of violence creates an inevitable vicious cycle of cruel monsters that makes the life of the characters turbulent and miserable.

Coda: The Rosetta Stone

2018 ◽  
Author(s):  
Jesse Schotter
Keyword(s):  
Twentieth Century ◽  
New Media ◽  
Digital Media ◽  
The Novel ◽  
Digital Code ◽  
Media Technologies ◽  
Rosetta Stone ◽  
The World ◽  
Western Imagination ◽  
Origin Point

Hieroglyphs have persisted for so long in the Western imagination because of the malleability of their metaphorical meanings. Emblems of readability and unreadability, universality and difference, writing and film, writing and digital media, hieroglyphs serve to encompass many of the central tensions in understandings of race, nation, language and media in the twentieth century. For Pound and Lindsay, they served as inspirations for a more direct and universal form of writing; for Woolf, as a way of treating the new medium of film and our perceptions of the world as a kind of language. For Conrad and Welles, they embodied the hybridity of writing or the images of film; for al-Hakim and Mahfouz, the persistence of links between ancient Pharaonic civilisation and a newly independent Egypt. For Joyce, hieroglyphs symbolised the origin point for the world’s cultures and nations; for Pynchon, the connection between digital code and the novel. In their modernist interpretations and applications, hieroglyphs bring together writing and new media technologies, language and the material world, and all the nations and languages of the globe....

CULTURE OF THE RUSSIAN WORLD - A SPIRITUAL SLOGAN FACTOR OF VICTORY IN THE GREAT PATRIOTIC WAR

2020 ◽  
Vol 10 (2) ◽  
pp. 169-173
Author(s):  
VLADIMIR KSENOFONTOV ◽  
Keyword(s):  
Emotional Expression ◽  
Front Line ◽  
Soviet People ◽  
The People ◽  
Great Patriotic War ◽  
Red Army ◽  
Art Activities ◽  
Artistic Images ◽  
Great Victory

The article reveals the essence and specificity of culture as an important component of the spiritual factor of victory. Special attention is paid to the characteristics of fiction. The article substantiates the moral and aesthetic impact on the consciousness of defenders of the Motherland, such works of art as“They fought for the Motherland”,“Leningrad poem”,“Russian character”,“Invasion”, etc. The article describes the significant role of theatrical art, which reveals the moral values of the people and Soviet soldiers. This is reflected in such plays as: “the Front”; “the Guy from our city”; “Once upon a time”, etc. The article substantiates the important role of the spiritual influence of cinema on Soviet people. This influence was realized through artistic images of selfless service to the Motherland, loyalty to military duty. Among these films: “Two fighters”, “Wait for me”, “Front-line friends”. During the war, as the article emphasizes, an important component of the spiritual factor of victory was the musical art. Activities in this area of culture famous musicians:B. Astafiev, S. Prokofiev, D. Shostakovich, A. Alexandrov, V. Soloviev-Sedoy, and others, was implemented in operas, symphonies, cantatas and songs, which by their nature emotional expression differed Patriotic and epic strength. The purpose of the research : to reveal the axiological components, culture of the Russian world, as important components, spiritual factor during the great Patriotic war. Conclusions : the culture of the Russian world at various stages of the great Patriotic War, through a variety of means and forms, actively mobilized all Soviet people to defend the Motherland and defeat Nazi Germany. The spiritual culture of our country and its types, in the course of functioning, during the war, clearly and expressively revealed the idea of patriotism, courage, bravery and heroism, and encouraged the Soviet people, the soldiers of the red Army, to achieve a great Victory.

Hubungan Intertekstual Novel Candra Kirana dan “Tjerita Panji Angreni”: Perspektif Riffaterre

ATAVISME ◽  
2020 ◽  
Vol 23 (1) ◽  
pp. 104-116
Author(s):  
Muhammad Rosyid H.W.
Keyword(s):  
Content Analysis ◽  
Gender Equality ◽  
The Novel ◽  
Main Character ◽  
The People

Penelitian ini bertujuan membahas hubungan intertekstual novel Candra Kirana karya Ajip Rosidi dengan "Tjerita Panji Angreni". Unsur apa saja dan bagaimana novel Candra Kirana memiliki hubungan intertekstual dengan "Tjerita Panji Angreni' sebagai teks hipogramnya adalah pertanyaan penelitian ini. Dalam menelaah hubungan intertekstual ini, penulis menggunakan teori intertekstual Michael Riffaterre yang menitikberatkan pada analisis isi dengan metode pembacaan heuristik dan hermeneutik. Temuan penelitian ini adalah bahwa novel Candra Kirana menunjukkan hubungan intertekstual dengan Tjerita Panji Angreni melalui unsur tema, citra tokoh, dan alur cerita. Meskipun demikian, novel Candra Kirana juga mentransformasikan makna-makna progresif yang berbeda dengan "Tjerita Panji Angreni", seperti makna nasionalisme yang berupa cinta akan kerajaan, makna kesetaraan gender yang berupa kesetiaan laki-laki, keberanian, kekuatan, perjuangan dan ketidakpasrahan perempuan, makna kerakyatan dengan pelibatan tokoh utama dari kalangan rakyat dan makna religiusitas yang berbentuk dasar niat Panji dalam mencari pasangan hidup.[Intertextuality on Novel Candra Kirana and "Tjerita Panji Angreni": Riffaterres Perspective] This research aims to discuss the intertextuality of Candra Kirana novel by Ajip Rosidi with "Tjerita Panji Angreni". What elements and to what extend Candra Kirana novel has an intertextual relationship with Tjerita Panji Angreni as the hipogram text were the questions of this research. In examining this intertextual relationship, the writer used Michael Riffaterre's intertextual theory which focused on content analysis with heuristic and hermeneutic readings. The findings of this study were that the novel Candra Kirana showed intertextuality with the "Tjerita Panji Angreni" through elements of themes, character images, and story lines. Even so, Candra Kirana's novel also transformed progressive meanings that differ from the Tjerita Panji Angreni such as the meaning of nationalism in the form of love for the kingdom, the meaning of gender equality in the form of male loyalty, courage, strength, struggle and women's insecurity, the meaning of populist with engagement the main character of the people and the meaning of religiosity in the form of Panji's intention in finding a life partner.Keywords: intertextuality; novel; "Tjerita Panji Angreni"

Life Lessons of the Pandemic ”Covid - 19”

2020 ◽  
Vol 11 (SPL1) ◽  
pp. 469-471 ◽  
Author(s):  
Bhagyashri Vijay Chaudhari ◽  
Priya P. Chawle
Keyword(s):  
Public Health ◽  
Review Article ◽  
Public Health Emergency ◽  
The Novel ◽  
Global Public Health ◽  
Strange Situation ◽  
Republic Of China ◽  
Lifetime History ◽  
The People ◽  
Life Lessons

“A lesson learned the hard way is a lesson learned for a lifetime.” Every bad situation hurts; however, it sure does teach us something a lesson. In the same manner of a new lesson for Human lifetime, history is observing 'The Novel COVID-19 ’, a very horrible and strange situation created due to fighting with a microscopic enemy. WHO on 11 February 2020 has announced a name for new disease as - 19 and has declared as a global public health emergency and subsequently as pandemic because of its widespread. This began as an outbreak in December 2019, with its in Wuhan, the People Republic of China has emerged as a public health emergency of international concern. is the group of a virus with non-segmented, single-stranded and positive RNA genome. This bad situation of pandemic creates new scenes in the life of people in a different manner, which will be going to be life lessons for them. Such lessons should be kept in mind for the safety of living beings and many more things. In this narrative review article, reference was taken from a different article published in various databases which include the view of different authors and writers on the "Lessons to be from Corona".

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