THE PHENOMENA OF CULTURAL MEMORY AND TIME IN THE COMPOSITION "UNDER THE FIR TREE: REFLECTIONS IN THE BOSOM OF DESERTED NATURE" BY GHEVOND ALISHAN

2021 ◽  
pp. 165-179
Author(s):  
Naira Hambardzumyan
Keyword(s):  
Cultural Memory ◽  
Cosmic Time ◽  
Space Time ◽  
The Past ◽  
Text Memory

In the context of cultural memory and its transfer, the essay of Ghevond Alishan "Under the fir tree. Reflections in the bosom of a deserted nature" can be interpreted on the basis of considering the text as a cultural memory extended in time. In the space o time, Alishan creates his vision (image) of memory. Alishan connects cultural memory with the present, which is an endless cosmic time. Meantime, he notes the ontological precondition of memory, since it is its carrier. In that present, the time, which encompasses and accumulates the space-time dimensions of the past and future, is revealed. In this particular essay (of Ghevond Alishan), memory as a phenomenon is also considered in the context of intertextual and post-structuralism theories. Such interpenetration of memory plays a very constructive role in terms of further research on the time-text-memory triad. Therefore, the proposition that cultural memory is a non-passive creative reserve turns the information obtained from this into a "working" material for the modern researchers.

Re-centering the Cinema Experience in a Multi-Platform, Digital Age

2015 ◽  
Vol 8 (5) ◽  
Author(s):  
E. W. Nikdel
Keyword(s):  
Physical Environment ◽  
Cultural Memory ◽  
Emotional Response ◽  
Physical Space ◽  
Film History ◽  
Cultural Activity ◽  
Film Culture ◽  
The Past ◽  
Imminent Death ◽  
Multiple Media

With the advent of online distribution and the rise of multiple media devices, claims of the cinema’s imminent death have surfaced with greater intensity than ever before. Of course, with an ever-widening array of platforms these accounts have placed a newfound emphasis on the cinema as a distinctive physical space, one that plays host to a very particular and much cherished cultural activity. This article considers the substance of these claims by tracing a very particular historical route. Firstly, be revisiting Baudry’s notion of the dispositif, this article detects the importance of the physical environment in the process of film consumption. Secondly, I relate this emphasis on the physical to the traditional notion of the cinephile, a practice that ritualises the cinema experience. Many accounts across the spectrum of film history will attest to the profound ways in which the physical experience of the cinema summons a rich emotional response. Lastly, I consider how the cinema and the collective nature of film consumption provides an authentic trace to the past and a very certain time and place in history. In turn, despite competition from cheaper and more convenient platforms, this article will endeavour to show how the cinema retains its place at the centre of contemporary film culture. KEYWORDS Cinema, dispositif, cinephilia, cultural memory.

The Kalam Cosmological Argument

2018 ◽  
Author(s):  
William Lane Craig
Keyword(s):  
Space Time ◽  
Cosmological Argument ◽  
Philosophical Literature ◽  
The Past ◽  
Classical Space ◽  
Kalam Cosmological Argument ◽  
Kalām Cosmological Argument ◽  
The Universe

A survey of recent philosophical literature on the kalam cosmological argument reveals that arguments for the finitude of the past and, hence, the beginning of the universe remain robust. Plantinga’s brief criticisms of Kant’s argument in his First Antinomy concerning time are shown not to be problematic for the kalam argument. This chapter addresses, one by one, the two premises of the kalam, focusing on their philosophical aspects. The notion of infinity, both actual and potential, is discussed in relation to the coming into being of the universe. In addition, the scientific aspects of the two premises are also, briefly, addressed. Among these are the Borde-Guth-Vilenkin theorem, which proves that classical space-time cannot be extended to past infinity but must reach a boundary at some time in the finite past. This, among other factors, lends credence to the kalam argument’s second premise.

Nowcasting with Data Assimilation: A Case of Global Satellite Mapping of Precipitation

2016 ◽  
Vol 31 (5) ◽  
pp. 1409-1416 ◽  
Author(s):  
Shigenori Otsuka ◽  
Shunji Kotsuki ◽  
Takemasa Miyoshi
Keyword(s):  
Data Assimilation ◽  
Space Time ◽  
Motion Vectors ◽  
The Past ◽  
Variational Techniques ◽  
Alternative Approach ◽  
Ensemble Transform Kalman Filter ◽  
Global Precipitation ◽  
Time Extrapolation ◽  
Satellite Mapping

Abstract Space–time extrapolation is a key technique in precipitation nowcasting. Motions of patterns are estimated using two or more consecutive images, and the patterns are extrapolated in space and time to obtain their future patterns. Applying space–time extrapolation to satellite-based global precipitation data will provide valuable information for regions where ground-based precipitation nowcasts are not available. However, this technique is sensitive to the accuracy of the motion vectors, and over the past few decades, previous studies have investigated methods for obtaining reliable motion vectors such as variational techniques. In this paper, an alternative approach applying data assimilation to precipitation nowcasting is proposed. A prototype extrapolation system is implemented with the local ensemble transform Kalman filter and is tested with the Japan Aerospace Exploration Agency’s Global Satellite Mapping of Precipitation (GSMaP) product. Data assimilation successfully improved the global precipitation nowcasting with the real-case GSMaP data.

City’s Cultural Memory: Modern Practices of Symbolizing the Past

2021 ◽  
Vol 18 (4) ◽  
pp. 352-364
Author(s):  
Natalia G. Fedotova
Keyword(s):  
Cultural Memory ◽  
Point Of View ◽  
Fundamental Aspect ◽  
Modern World ◽  
Cultural Meanings ◽  
Urban Identity ◽  
Symbolic Forms ◽  
The Past ◽  
Symbolic Resource ◽  
The City

The article is devoted to the discourse of the city’s cultural memory. The relevance of studying this topic is determined not only by the fundamental aspect associated with the episodicity of existing studies of this phenomenon. From an applied point of view, the city’s cultural memory is a symbolic resource that can be used to create an appealing image, form a sustainable urban identity, and strengthen the citizen’s sense of belonging to the city. The accumulation and objectification of cultural memory take place in symbolic forms, which makes it important to study the practices of symbolizing the urban past, the essence of which is to generate the significance of the relevant or latent layers of cultural memory for the citizens.The article presents the results of the final stage of research related to the study of the process of constructing the cultural memory of the city. The purpose of the article is to analyze modern practices of symbolizing fragments of the urban past, which mean their significance for contemporaries. Basing on the culturological cross-section of the issue, the author integrates different research contexts. The methodological basis of the article is the communicative approach that focuses on the processes of meaning formation, and the constructivist method that considers memory as a multi-layered and dynamic construct. Analyzing the practices of symbolizing the urban past by the example of Russian cities, the author of the article demonstrates how the episodes of the city’s memory are updated in the modern world, how cultural meanings become memorable for citizens. The author uses the results of previous studies and identifies the following elements of the symbolization of the urban past: a) ways of encoding fragments of the past; b) communicative trajectories of memory symbolization; c) factors of producing meanings about the collective past of the city. The obtained results open up new frontiers in understanding the processes of formation of the collective ideas about the city, and prospects for empirical research, forecasting and constructing the cultural memory of Russian cities, giving them the opportunity to change their present and future.

Spatiotemporal pattern mining of drought in the last 40 years in China based on the SPEI index and space-time cube

2021 ◽  
Author(s):  
Dehe Xu ◽  
Qi Zhang ◽  
Yan Ding ◽  
De Zhang
Keyword(s):  
North China ◽  
Pattern Mining ◽  
Space Time ◽  
Central China ◽  
Spatiotemporal Pattern ◽  
Severe Drought ◽  
Monthly Precipitation ◽  
Hotspot Analysis ◽  
The Past ◽  
Significant Difference

AbstractDrought is a common natural disaster that greatly affects the crop yield and water supply in China. However, the spatiotemporal characteristics of drought in China are not well understood. This paper explores the spatial and temporal distributions of droughts in China over the past 40 years using multiscale standardized precipitation evapotranspiration index (SPEI) values calculated by monthly precipitation and temperature data from 612 meteorological stations in China from 1980 to 2019 and combines the space-time cube (STC), Mann-Kendall (M-K) test, emerging spatiotemporal hotspot analysis, spatiotemporal clustering and local outliers for the analysis. The results were as follows: 1) the drought frequency and STC show that there is a significant difference in the spatiotemporal distribution of drought in China, with the most severe drought in Northwest China, followed by the western part of Southwest China and the northern part of North China. 2) The emerging spatiotemporal hotspot analysis of SPEI6 over the past 40 years reveals two cold spots in subregion 4, indicating that future droughts in the region will be more severe. 3) A local outlier analysis of the multiscale SPEI yields a low-low outlier in western North China, indicating relatively more severe year-round drought in this area than in other areas. The low-high outlier in central China indicates that this region was not dry in the past and that drought will become more severe in this region in the future.

scholarly journals Television as a Hybrid Repertoire of Memory

2013 ◽  
Vol 2 (3) ◽  
pp. 52 ◽  
Author(s):  
Berber Hagedoorn
Keyword(s):  
Cultural Memory ◽  
New Model ◽  
The Past ◽  
Media Platform ◽  
The Media ◽  
Dynamic Production

In this article, television is reconsidered as a hybrid ‘repertoire’ ofmemory. It is demonstrated how new dynamic production and scheduling practicesin connection with highly accessible and participatory forms of user engagementoffer opportunities for television users to engage with the past, and how suchpractices affect television as a practice of memory. The media platform HollandDoc is discussed as a principal casestudy. By adopting and expanding Aleida Assmann’s model of the dynamics ofcultural memory between remembering and forgetting, a new model to studytelevision as cultural memory is proposed which represents the medium’shybridity in the multi-platform era.

scholarly journals Reception of Natalie's Ramonda, Armistice Day Symbol in Serbia

2020 ◽  
Vol 14 (4) ◽  
Author(s):  
Senka Kovač
Keyword(s):  
Cultural Memory ◽  
Representative Sample ◽  
Public Discourse ◽  
First Year ◽  
World War ◽  
World War One ◽  
First Year Students ◽  
The Public ◽  
Ongoing Process ◽  
The Past

Nataliе’s Ramonda, a symbol of Armistice Day – November 11 in Serbia, is a new memorial symbol constructed and promoted by politicians in 2012. The Armistice Day was celebrated then as a national holiday in Serbia. The reception of this symbol has been explored over a five-year period, both in a public discourse and on a representative sample of first year students at the Faculty of Philosophy in Belgrade. In public discourse, as well as among students of the Faculty of Philosophy, Natalie’s Ramonda is perceived as an emblem, a badge, and most often as a symbol. It was seen as an emblem on the lapel of public and media figures, inaccessible to broad commercial promotion and sales. In public discourse and among students at the Faculty of Philosophy, Natalie’s Ramonda was perceived in several answers as a medal, and is also recognized as a flower that symbolizes the suffering of the Serbian people in World War One; symbol of the nation’s rebirth – the flower phoenix, as a mark of peace and freedom. As a newly constructed symbol of the Armistice Day in Serbia, for the past seven years, Natalie’s Ramonda has been a mediator in the public culture of remembrance and in the ongoing process, by becoming a part of cultural memory.

scholarly journals On Memory of Plates and Dishes

Fluminensia ◽  
2020 ◽  
Vol 32 (2) ◽  
pp. 117-136
Author(s):  
Krystyna Pieniążek-Marković
Keyword(s):  
Cultural Memory ◽  
Regional Identity ◽  
Literary Fiction ◽  
Western World ◽  
Individual Identity ◽  
The Past ◽  
Literary Sources ◽  
The Social ◽  
History Of ◽  
The Common

The aim of the article is to discuss how elements of food narratives meals and kitchen tools used for cooking are used in order to consolidate and shape the Croatian cultural memory, especially in the context of its Mediterranean heritage.For this reason, the texts by Veljko Barbieri, collected in the four volumes under the common and significant title Kuharski kanconijer. Gurmanska sjećanja Mediterana, are analysed. His circum-culinary narratives are a combination of encyclopaedic knowledge, references to historical and literary sources, personal memories and literary fiction. They can be easily inscribed in the Croatian (collective and individual) identity discourse since they are able to strengthen the collective (either national and supranational, or geo-regional) identity, and to construct the cultural memory. They also show Croatia's affiliation to the Western world along with its cultural-civilization rooting in antiquity, the Mediterranean region and Christianity, thus forming a part of the founding memory that develops a narrative about the very beginnings of Croatian presence on this land. The gastronomic narratives serve to create the cultural memory and this version of history which is to stabilize the social identity described by Pierre Nora and Andreas Huyssen. Through his stories, Barbieri shapes memory based on the representation of the past. In the analysed narratives, the memory carriers are dishes and plates which find reference to the oldest history of Croatia rendered by myths and other narratives. Associated with dishes, the pots enable the narrator to recall the past and the identity coded in individual dishes. They also participate in the processes of repeating, storage and remembering which generate a symbiotic relationship between man and thing. The memory carriers that is, food and plates depicted in Barbieri's culinary narratives do not convey their content in a neutral way, but construct their marked images.

scholarly journals Rola języka w uwalnianiu się z dziedzicznych traum

Politeja ◽  
2020 ◽  
Vol 17 (2(65)) ◽  
pp. 189-204
Author(s):  
Katarzyna Marcol
Keyword(s):  
Collective Memory ◽  
Cultural Memory ◽  
Social Position ◽  
Traumatic Experiences ◽  
The Past ◽  
The Social ◽  
The World ◽  
The 19Th Century ◽  
The Village

The Role of Language in Releasing from Inherited Traumas. Negotiations of the Social Position of the Silesian Minority in Serbian Banat The aim of the paper is to show the dependence between language, collective memory (also post-memory) and sense of identity. This issue is analysed using the example of an ethnic minority living in the village of Ostojićevo (Banat, Serbia) called ‘Toutowie.’ Their ancestors came in the 19th century from Wisła (Silesian Cieszyn, Poland); they left their homes because of great hunger and were looking for jobs in Banat. Narratives about the past contain traumatic experiences of the past generations transmitted in the Silesian dialect and constituting communicative memory. At the same time, a new Polish national identity is being constructed, supported by institutions and authorities; it carries a new image of the world and creates a new cultural memory. This new identity – shaped on the basis of national categories – leads to changes of its self-identification and gives the opportunity to raise its social position in the multi-ethnic Banat community.

scholarly journals The fiction of History: recalling the past and imagining the future with Caesar at Troy.

2010 ◽  
Vol 23 (1/2) ◽  
pp. 143-160
Author(s):  
Richard Alston
Keyword(s):  
Cultural Memory ◽  
Political Power ◽  
Human Mind ◽  
Historical Narrative ◽  
Cultural Trauma ◽  
Historical Account ◽  
Historical Discourse ◽  
The Past ◽  
The Future ◽  
A Site

This essay considers the nature of historical discourse through a consideration of the historical narrative of Lucan’s Pharsalia. The focus is on the manner in which Lucan depicts history as capable of being fictionalised, especially through the operation of political power. The discourses of history make a historical account, but those discourses are not, in Lucan's view, true, but are fictionalised. The key study comes from Caesar at Troy, when Lucan explores the idea of a site (and history) which cannot be understood, but which nevertheless can be employed in a representation of the past. yet, Lucan also alludes to a ‘true history’, which is unrepresentable in his account of Pharsalus, and beyond the scope of the human mind. Lucan’s true history can be read against Benjamin and Tacitus. Lucan offers a framework of history that has the potential to be post-Roman (in that it envisages a world in which there is no Rome), and one in which escapes the frames of cultural memory, both in its fictionalisation and in the dependence of Roman imperial memory on cultural trauma.

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