scholarly journals Synchronous, Nonsynchronous and Negative Rotations: How Spin and Gravity Orchestrate Planetary Motions

2020 ◽  
Vol 12 (2) ◽  
pp. 1
Author(s):  
Puthalath Koroth Raghuprasad

This study identifies the unique features accompanying the phenomenon of synchronous rotation of the major (proximal) satellites of the gas giants and the earth’s moon, and the special features leading to the ‘negative’ rotation of Venus, Uranus and Pluto, as well as the most peripheral small satellites of the gas giants. Such features help us understand how these phenomena occur but also, by combining all of the observations help explain other (regular) planetary motions as well. In the synchronously rotating satellites, the salient features are the satellites’ low axial tilts and both the orbital speed and the axial rotation speed increasing with proximity to the mother body. In “negative” rotation, axial tilts are in excess of 120° and the axial rotation speeds are significantly delayed; this delay is most pronounced in Venus, which has an axial tilt of -174°. A scrutiny of the orbital parameters of all the satellites of the gas giants alone will yield sufficient data to propose a working hypothesis of how mutual gravitation, combined with spin (axial rotation and orbital motion), the distance from the mother, and centrifugal force can explain all motions. It confirms our belief that the process of planetary motions is a continuum from the synchronous, through degrees of non-synchronicity (or regular orbits), to the negative rotations, all depending on the degree of influence from mother bodies, as a product of distances from them. Thus, the nearest large satellites with the least axial tilts display synchronous rotation. Those satellites that are intermediate in distance from the mother show nonsynchronous axial rotation and correspondingly slower orbital speeds. The small peripheral satellites display axial tilts over 120 degrees and rotate negatively. In all these orbital motions, centrifugal force is the crucial restraining influence; lest, the orbiting bodies will tend to fall into the mother bodies. How all these pieces of the puzzle fit together in the orderly movements of bodies in the universe is the underlying theme of this article.

2020 ◽  
Vol 4 (3) ◽  
pp. p1
Author(s):  
Puthalath Koroth Raghuprasad

In a prior article we explained how axial spin of celestial bodies interact with mutual gravitation in the phenomenon of synchronous rotation of our moon and the major moons of the gas giants. We also showed how the same complementary interactions could explain both the nonsynchronous (regular orbits) and the negative rotations in Venus, Uranus and Pluto, as well as in the peripheral small satellites of the gas giants. This paper expands on that theme and identifies the various other areas in which these two fundamental and ubiquitous forces cooperate to bring about many other phenomena in the larger universe. Prominent among these phenomena is the role played by the mother bodies’ axial rotation in determining the direction of the orbital motion of their satellite bodies. The other effects include the appearance and maintenance of the spherical shape of large celestial bodies, generation of magnetism in planets, their respective roles in the formation of solar nebulae and proto-planetary disks, and the flattened profile of spiral and elliptical galaxies. Another important finding reported in this paper is the close relationship that exists between the size of planets, as well as the stars, with their axial rotation speeds. This increase of axial rotation speed of celestial bodies in direct proportion to the mass of those bodies, we believe serves to counteract the inward thrust of gravity, in exact proportions and thus help maintain the roughly spherical contour of those bodies. This finding even extends to spiral galaxies, where the axial rotation speed seems to be positively related to the size of the galaxy. This phenomenon and others suggest that spin is a fundamental and purposeful property of matter. Thus, in this paper we stress the important contributions made by the collaborative interactions between the ubiquitous gravity and spin in matter at the level of the fundamental particles, as well as in large celestial bodies, including the largest units in the universe, the galaxies.


2021 ◽  
Vol 6 (2) ◽  
Author(s):  
Prakash Pillai S ◽  

This paper intended to highlight the simple, quick and reliable method to detect impending earthquake�s location. Volcanic eruption precursors are originated only around the volcanos, like that the onshore earthquake precursors are originated only from earthquake epicenter zones. Epicenter zones are earthquake zones, a little variation of fault zone, it comprises movable tectonic plates. Due to the orbital motion of the earth, centrifugal force generated, this centrifugal force is the major driving force of tectonic plates. The position of the orbital motion of the earth generated seasonal variations/atmospheric weather anomalies as onshore earthquake precursors and earthquakes, year after year repeating at same places. The generation process of seasonal weather anomalies is the part of generation process of earthquakes at epicenter zones. Both seasonal weather anomalies and seismic anomalies are not continued all through the year at same places. When earth comes to particular position, tectonic plates of particular epicenter zones are set to more active and becomes unstable epicenter zones, causes identifiable, observable, recordable and testable onshore earthquake precursors 1-15 days prior to earthquakes occur.


2018 ◽  
Vol 8 (1) ◽  
pp. 49-66
Author(s):  
Monika Szuba

The essay discusses selected poems from Thomas Hardy's vast body of poetry, focusing on representations of the self and the world. Employing Maurice Merleau-Ponty's concepts such as the body-subject, wild being, flesh, and reversibility, the essay offers an analysis of Hardy's poems in the light of phenomenological philosophy. It argues that far from demonstrating ‘cosmic indifference’, Hardy's poetry offers a sympathetic vision of interrelations governing the universe. The attunement with voices of the Earth foregrounded in the poems enables the self's entanglement in the flesh of the world, a chiasmatic intertwining of beings inserted between the leaves of the world. The relation of the self with the world is established through the act of perception, mainly visual and aural, when the body becomes intertwined with the world, thus resulting in a powerful welding. Such moments of vision are brief and elusive, which enhances a sense of transitoriness, and, yet, they are also timeless as the self becomes immersed in the experience. As time is a recurrent theme in Hardy's poetry, this essay discusses it in the context of dwelling, the provisionality of which is demonstrated in the prevalent sense of temporality, marked by seasons and birdsong, which underline the rhythms of the world.


2020 ◽  
Vol 42 (3) ◽  
pp. 271-282
Author(s):  
OLEG IVANOV

The general characteristics of planetary systems are described. Well-known heat sources of evolution are considered. A new type of heat source, variations of kinematic parameters in a dynamical system, is proposed. The inconsistency of the perovskite-post-perovskite heat model is proved. Calculations of inertia moments relative to the D boundary on the Earth are given. The 9 times difference allows us to claim that the sliding of the upper layers at the Earth's rotation speed variations emit heat by viscous friction.This heat is the basis of mantle convection and lithospheric plate tectonics.


2019 ◽  
Author(s):  
Adib Rifqi Setiawan

Put simply, Lisa Randall’s job is to figure out how the universe works, and what it’s made of. Her contributions to theoretical particle physics include two models of space-time that bear her name. The first Randall–Sundrum model addressed a problem with the Standard Model of the universe, and the second concerned the possibility of a warped additional dimension of space. In this work, we caught up with Randall to talk about why she chose a career in physics, where she finds inspiration, and what advice she’d offer budding physicists. This article has been edited for clarity. My favourite quote in this interview is, “Figure out what you enjoy, what your talents are, and what you’re most curious to learn about.” If you insterest in her work, you can contact her on Twitter @lirarandall.


2019 ◽  
Author(s):  
Adib Rifqi Setiawan

Put simply, Lisa Randall’s job is to figure out how the universe works, and what it’s made of. Her contributions to theoretical particle physics include two models of space-time that bear her name. The first Randall–Sundrum model addressed a problem with the Standard Model of the universe, and the second concerned the possibility of a warped additional dimension of space. In this work, we caught up with Randall to talk about why she chose a career in physics, where she finds inspiration, and what advice she’d offer budding physicists. This article has been edited for clarity. My favourite quote in this interview is, “Figure out what you enjoy, what your talents are, and what you’re most curious to learn about.” If you insterest in her work, you can contact her on Twitter @lirarandall.


Author(s):  
David Fisher

There are eight columns in the Periodic Table. The eighth column is comprised of the rare gases, so-called because they are the rarest elements on earth. They are also called the inert or noble gases because, like nobility, they do no work. They are colorless, odorless, invisible gases which do not react with anything, and were thought to be unimportant until the early 1960s. Starting in that era, David Fisher has spent roughly fifty years doing research on these gases, publishing nearly a hundred papers in the scientific journals, applying them to problems in geophysics and cosmochemistry, and learning how other scientists have utilized them to change our ideas about the universe, the sun, and our own planet. Much Ado about (Practically) Nothing will cover this spectrum of ideas, interspersed with the author's own work which will serve to introduce each gas and the important work others have done with them. The rare gases have participated in a wide range of scientific advances-even revolutions-but no book has ever recorded the entire story. Fisher will range from the intricacies of the atomic nucleus and the tiniest of elementary particles, the neutrino, to the energy source of the stars; from the age of the earth to its future energies; from life on Mars to cancer here on earth. A whole panoply that has never before been told as an entity.


Among the celestial bodies the sun is certainly the first which should attract our notice. It is a fountain of light that illuminates the world! it is the cause of that heat which main­tains the productive power of nature, and makes the earth a fit habitation for man! it is the central body of the planetary system; and what renders a knowledge of its nature still more interesting to us is, that the numberless stars which compose the universe, appear, by the strictest analogy, to be similar bodies. Their innate light is so intense, that it reaches the eye of the observer from the remotest regions of space, and forcibly claims his notice. Now, if we are convinced that an inquiry into the nature and properties of the sun is highly worthy of our notice, we may also with great satisfaction reflect on the considerable progress that has already been made in our knowledge of this eminent body. It would require a long detail to enumerate all the various discoveries which have been made on this subject; I shall, therefore, content myself with giving only the most capital of them.


Author(s):  
Татьяна Юрьевна Сем

Статья посвящена мифологическому образу космического оленя в традиционной культуре тунгусо-маньчжуров. В работе рассматриваются материалы фольклора, шаманства, промысловых и календарных ритуалов, а также искусства. Впервые систематизированы материалы по всем тунгусо-маньчжурским народам. Образ космического оленя в фольклоре эвенов имеет наиболее близкие аналогии с амурскими народами, которые представляют его с рогами до небес. Он сохранился в сказочном фольклоре с мифологическими и эпическими элементами. В эвенском мифе образ оленя имеет космические масштабы: из тела его происходит земля и всё живущее на ней. У народов Амура образ оленя нашел отражение в космогенезе, отделении неба от земли. Своеобразие сюжета космической охоты характеризует общесибирскую мифологию, относящуюся к ранней истории. В ней наиболее ярко проявляется мотив смены старого и нового солнца, хода времени, смены времен года, календарь тунгусо-маньчжуров. В результате анализа автор пришел к выводу, что олень в тунгусо-маньчжурской традиции моделирует пространство и время Вселенной, характеризует образ солнца и хода времени. Космический олень является архетипичным символом культуры тунгусо-маньчжуров, сохранившим свое значение до настоящего времени в художественной культуре This article is devoted to the mythological image of cosmic deer in traditional Tungus-Manchu culture. It examines materials of folklore, shamanism, trade and calendar rituals as well as art and for the first time systematizes materials from all of the Tungus-Manchu peoples. The image of cosmic deer in the folklore of the Evens has its closest analogy in that of the Amur peoples, reflected in the image of a deer with horns reaching up to the sky. This image is preserved in fairytales with mythological and epic elements. In the Even myth, the image of a deer is on a cosmic scale, as the cosmos issues from its body. Among the Amur peoples, the image of a deer is also related to cosmogenesis, to the separation of the earth from the sky. The plot of a cosmic hunt is reflected in pan-Siberian mythology, dating back to the Bronze Age. It clearly illustrates the motif of the change of the old and new sun, the passage of time, the change of seasons, the Tungus-Manchu calendar. The author comes to the conclusion that deer in the Tungus-Manchu tradition, in depicting the image of the sun and the passage of time, model the space and time of the Universe. The cosmic deer is an archetypal symbol of Tungus-Manchu culture, which has retained its significance in artistic culture to the present day.


Numen ◽  
2001 ◽  
Vol 48 (4) ◽  
pp. 381-416 ◽  
Author(s):  
Nanno Marinatos

AbstractIn vain have scholars tried to produce a coherent geographical picture of Odysseus' travels. It is argued here that Odysseus makes a cosmic journey at the edges of the earth (perata ges), a phrase used in the text to describe several lands that the hero visits. The cosmic journey was a genre current in the East Mediterranean region in the Iron Age. It was modeled on the Egyptian the journey of the sun god who travels twelve hours in the darkness of the underworld and twelve hours in the sky. Evidence of similar concepts in the Near East is provided by a Babylonian circular map (now in the British Museum) as well as by Phoenician circular bowls. Gilgamesh seems to perform a cosmic journey. As well, Early Greek cosmology utilizes the concept of a circular cosmos. Odysseus' journey spans the two cosmic junctures of the universe: East, where Circe resides, and West, where Calypso lives. Another polar axis is the underworld and the island of the sun.


Sign in / Sign up

Export Citation Format

Share Document