scholarly journals The role of folklore within the worldview and creative individuality of the Crimean Tatar children's writers

2021 ◽  
pp. 35-47
Author(s):  
Fera Seferova
Keyword(s):  
Literary Studies ◽  
The Novel ◽  
Creative Activity ◽  
Creative Idea ◽  
Russian Literary ◽  
The Subject ◽  
Crimean Tatar ◽  
Modern Perspective

The study of interrelation between folklore and literature is one of the most relevant trends in literary studies. Folk poetic symbols as the genetic memory of the nation infiltrate consciousness not only as artistic material, but also as a emotions that awaken the writer’s imagination, giving rise to various associations. The subject of this research is the creative activity of folklore is in the works of the Crimean Tatar children's writers. Examination of the folklore-mythological context, determination of the peculiarities of transformation of folklore motifs in a literary reveals the creative laboratory, allowing determining the specificities of personal reflection of the writer, as well as tracing the psychological patterns of the creative process, and the evolution of artistic thinking overall. The scientific novelty is defined by the absence within Russian literary studies of monographic and significant critical works on determination of the folklore-mythological context, transformation, functionality, and interpretation of folklore elements in works of the writers. The conclusion is made that folklore as part of the culture of a particular nation, is an organic element of the artistic world of the Crimean Tatar writers, such as E. Amit and T. Khalilov. The novel by E. Amit presents the new comprehension of myths, paroemias, and legends. An example of interaction of the mythological views and modern perspective in the novel “Last Chance” is the folk legend on the “happy and unhappy stars”. It also encompasses such ancient forms of folklore as cursing and benevolence, as well as the elements that take roots in the ancient taboos, the period of totemism. In the psychological prose by T. Khalilov, an important role is played by the symbolism of birds and plants. The ancient legend of the winged horse Duldul organically intertwines with the author's creative idea without losing its specificity.

scholarly journals The role of title and epigraph in the essay “The Vision of Mirza” by Joseph Addison

2021 ◽  
pp. 37-45
Author(s):  
Iurievna Makarova Liudmila
Keyword(s):  
New Testament ◽  
Literary Studies ◽  
Joseph Addison ◽  
Greco Roman ◽  
Epic Poem ◽  
Comprehensive Examination ◽  
The New Testament ◽  
Russian Literary ◽  
The Subject

The object of this research is the essay “The Vision of Mirza” by Joseph Addison. The relevance of studying J. Addison's essay is substantiated by undue attention to his works in the Russian literary studies, as well as the need for tracing the dynamics in the genre of vision in the Age of Enlightenment. The subject of this research is the title and epigraph as parts of the work that determine its structure and artistic distinctness. Analysis is conducted on the images of the viewer, visionary hero, and his guide, chronotope of the essay and allusive links. The essay is based on the combination of systemic-structural, comparative-historical, and hermeneutic methods. The novelty consists in the fact that the comprehensive examination of the role of the title ensemble within the structure of the essay allows reconstructing the link of the essay with the traditions of the medieval genre of vision manifested in the traditional topic and consistent motifs, imagery system, space and time arrangement, and dialogical structure of the text. The author provides interpretation to the allusive links between J. Addison's essay and Greco-Roman mythology, epic poem “The Aeneid” by Virgil, and psalms from the New Testament, and “The Voyage of St. Brendan”. It is established that the dialogue set by the epigraph passes through the entire plotline of the essay and reveal the characters of its participants. The extensively presented Christian theme alongside the images from ancient mythology and Virgil’s texts are essential for the author to express the enlightening program.

scholarly journals The uniqueness of theatrical memoiristics of T. L. Shchepkina-Kupernik

2021 ◽  
pp. 106-115
Author(s):  
Irina Liubivaia
Keyword(s):  
Literary Studies ◽  
Foreign Culture ◽  
Depth Analysis ◽  
Theater Studies ◽  
Russian Literary ◽  
History Of ◽  
The Subject ◽  
Theatrical Culture ◽  
Russian Theater

The subject of this research is the memoir heritage of Tatiana Lvovna Shchepkina-Kupernik. The novelty is defined by the absence of works dedicated specifically to the theatrical memoirs of Tatiana Lvovna Shchepkina-Kupernik. This article examines her memoiristics as part of the history of Russian theater, which allows the researchers to determine the author's contribution to the Russian theater studies. The goal of this consists in drawing attention of the audience and researchers to the memoiristics of Tatiana Lvovna Shchepkina-Kupernik, as well as in describing the role of her theatrical memoirs within the Russian literary studies and the history of Russian theater. Analysis is conducted on the key peculiarities of the memoir heritage of T. L. Shchepkina-Kupernik: stylistic uniqueness, attention to details of the theatrical culture, mastery of sculptural portraits. The author also reveals fascinating rare facts about the prominent figures of art and theatrical events of the late XIX – early XX centuries. The conclusion is made that the memoirs of T. L. Shchepkina-Kupernik represent a rich source on the history of Russian theatre. The details of theatrical culture, in-depth analysis of acting, portraits of the outstanding figures of Russian and foreign culture – all these facts makes her memoir heritage an invaluable material that contributes to the study of the Russian theatrical art.

scholarly journals The role of interlinear in literary translation: syntactic aspect (on the example of the novel by E. P. Neimokhov)

Litera ◽  
2020 ◽  
pp. 192-202
Author(s):  
Anna-Saidyyna Vasil'evna Varlamova
Keyword(s):  
Russian Translation ◽  
Primary Source ◽  
Russian Language ◽  
Literary Translation ◽  
The Novel ◽  
Complex Sentences ◽  
The Subject ◽  
The Russian Language

The language of fiction literature, language of the classics of national literature, prominent prose writers is the primary source for studying literary language. This article examines the role of interlinear in literary translation and the translation equivalents of complex sentences in the Yakut and Russian languages on the example of the novel “Alampa” by Egor Petrovich Neimokhov in two volumes. The subject of this research is complex sentences in the Yakut and Russian languages. Special attention is given to finding equivalents in translation of complex sentences in the Yakut and Russian languages on  the syntactic level language, as well as to determination of the role of interlinear in fiction literature. Yakut linguistics has started to study the stylistics of Yakut language, while the lexical, morphological, and syntactic stylistics is in its inception stage. The works of researchers dedicated to the syntax of Yakut language cover the questions of syntactic transformations using the example of attributive constructions (Vasilieva, 2002) and syntactic transformations of one-member sentences (Atakova, 2007). There are no special works dedicated to the analysis of complex sentences in fiction texts in the Yakut-Russian translation. This raises the need for studying the equivalents of complex sentences in interlinear translation, and its role in literary translation. The following conclusions were made: 1) the content of complex sentences in the Russian language usually correspond to the such in the Yakut language, although they differ significantly in structure; 2) in both languages, the semantic meanings of complex sentences are expressed through various means that reflect the peculiarities of non-cognate languages, however, separate equivalents are determined among such constructions; 3) in interlinear and literary translation, complex sentences of the Yakut text are preserved in the Russian language for the most part. Thus, interlinear translation plays the role of intermediary translation and directly affects the translation result.

scholarly journals Language means of representation of the chronotope of Chaos in a series of novels “The Chronicles of Amber” by Roger Zelazny

Litera ◽  
2020 ◽  
pp. 1-11
Author(s):  
Alla Yur'evna Beletskaya ◽  
Sergei Vladimirovich Mangushev
Keyword(s):  
English Language ◽  
Negative Attitude ◽  
The Novel ◽  
Leading Role ◽  
Universal Principles ◽  
The Subject ◽  
Realistic Perception ◽  
Characteristic Features

This article examines the problem of representation of chronotope using language means. The object of this research is a series of novels “The Chronicles of Amber” by Roger Zelazny in English language. The subject of this research is the lexical units and stylistic techniques used by R. Zelazny for visualization of representation of the chronotope of Chaos. The article substantiates attribution of this series of novels to postmodernist based on the analysis of characteristic features of the text and realization of the ideological concept. The goal of study lies determination of the universal principles of representation of spatial-temporal continuum of the Chaos, as well as establishment of dependence of the choice evaluative connotation of language means on personality of the narrator. The work is conducted at the intersection of linguistics and literary studies. The novelty consists in recognition of the leading role of chronotopic subject in determining tonality of representation of the chronotope. The main conclusion is defined by the fact that the key principle of representation of spatial and temporal components of the chronotope of Chaos in R. Zelazny’s series of novels is the destruction of realistic perception of space and time. It was also established that change of voice of the narrator leads to the shift of evaluative paradigm. An extremely negative attitude of the first narrator to the Courts of Chaos as a representative of the chronotope of Chaos, expressed through the negatively connoted epithets, is justified by its affiliation to Amber as a representative of the Order. Dual position of the second narrator leads to the change in tonality of description of physical personification of the chronotope of Chaos. Counterbalance of negatively and positively connoted lexical units creates the effect of objectivity, essential for realization of ideological content of the novel.

The problem of woman’s emansipation in the feuilleton “Amazonia: a very inept story” by Mykola Chirsky

2020 ◽  
pp. 71-76
Author(s):  
Iryna Rusnak
Keyword(s):  
Scientific Understanding ◽  
The Other ◽  
Literary Studies ◽  
Ethical Guidelines ◽  
Compositional Structure ◽  
Urgent Task ◽  
The Subject ◽  
The One ◽  
Artistic Heritage

The author of the article analyses the problem of the female emancipation in the little-known feuilleton “Amazonia: A Very Inept Story” (1924) by Mykola Chirsky. The author determines the genre affiliation of the work and examines its compositional structure. Three parts are distinguished in the architectonics of associative feuilleton: associative conception; deployment of a “small” topic; conclusion. The author of the article clarifies the role of intertextual elements and the method of constantly switching the tone from serious to comic to reveal the thematic direction of the work. Mykola Chirsky’s interest in the problem of female emancipation is corresponded to the general mood of the era. The subject of ridicule in provocative feuilleton is the woman’s radical metamorphoses, since repulsive manifestations of emancipation becomes commonplace. At the same time, the writer shows respect for the woman, appreciates her femininity, internal and external beauty, personality. He associates the positive in women with the functions of a faithful wife, a caring mother, and a skilled housewife. In feuilleton, the writer does not bypass the problem of the modern man role in a family, but analyses the value and moral and ethical guidelines of his character. The husband’s bad habits receive a caricatured interpretation in the strange behaviour of relatives. On the one hand, the writer does not perceive the extremes brought by female emancipation, and on the other, he mercilessly criticises the male “virtues” of contemporaries far from the standard. The artistic heritage of Mykola Chirsky remains little studied. The urgent task of modern literary studies is the introduction of Mykola Chirsky’s unknown works into the scientific circulation and their thorough scientific understanding.

Communication in social networks of St. Petersburg as a means of adaptation of ethnocultural communities

Litera ◽  
2021 ◽  
pp. 38-55
Author(s):  
Rivaa Mukhammad Salem Alsalibi
Keyword(s):  
Social Networks ◽  
Social Media ◽  
Ethnic Communities ◽  
Sense Of Security ◽  
The Social ◽  
The Subject ◽  
Development Prospects

The subject of this research is the specifics, forms and functions of interaction in social media groups between the representatives of ethnic communities. The goal consists in determination of the role of social networks in adaptation of ethnocultural communities of St. Petersburg. The research is based on the polling technique for acquisition of information on the cognitive, emotional, and behavioral state of a person. The survey was conducted via distribution of questionnaires among the representatives of ethnic groups. The article also employs the method of systematic scientific observation over the social media groups, topic raised therein, as well as reading and analysis of the comments. The scientific novelty of this work consists in outlining of the nature, trends and development prospects of cross-cultural communications as the channel for ethnocultural interaction.  The main conclusions, which touch upon users from various ethnic communities who do not have enough experience in organization of activity of social media groups, demonstrate that it causes the loss of the sense of security, accumulation of prejudices and escalation of interethnic conflicts, as well as preference of the with restricted access, which contributes to lock down of the group and impedes adaptation in the accepting society. Stabilization of situation can be achieved by improvement of the quality of content posted in the social media, as well as level of their administration.

scholarly journals Raja yoga within the system of religious-ethical philosophy Of M. V. Lodyzhensky

2020 ◽  
pp. 64-90
Author(s):  
Oleg Viktorovich Solopov
Keyword(s):  
Critical Review ◽  
Scientific Literature ◽  
Critical Assessment ◽  
Special Role ◽  
The Novel ◽  
Ethical Philosophy ◽  
Knowledge Ontology ◽  
Comprehensive Study

This article is dedicated to examination of the characteristics of the doctrine of Raja yoga in interpretation Of M. V. Lodyzhensky. The goal consists in the analysis and reconstruction of the system of Raja yoga within the religious-ethical philosophy of the thinker. In the course of this research, the author resolves a number of problems: examines the system of primary elements of religious-ethical philosophy of M. V. Lodyzhensky; analyzes the sources that affected the formation of views of the philosopher upon Raja yoga; reveals main characteristics of the system of Raja yoga within Lodyzhensky’s philosophy; determines the peculiarities of religious-mystical practice of Raja yoga in the philosophy of M. V. Lodyzhensky; defines the role of Raja-yoga within the system of religious-ethical philosophy of the thinker. The novelty lies in determination of the novel in comparison to the existing in scientific literature categories of M. V. Lodyzhensky’s philosophy and their analysis in the context of system of fundamental sections of philosophical knowledge (ontology, theology, anthropology, epistemology, axiology, ethics); as well as in comprehensive study of the system of Raja yoga in interpretation Of M. V. Lodyzhensky and determination of its role within the structure of his philosophy. It is established that the “core” of the system of religious-ethical philosophy of M. V. Lodyzhensky is the ethics develop ethics and axiology of Hesychasm developed by him. It is proven that the system of metaphysical categories and ideas of the thinker is of synthetic nature and leans on various cultural trends and traditions. The article demonstrates that special role within the system of Lodyzhensky’s philosophy is played by the apologetics of Hesychasm that implies critical review of the non-Christian mystical practices, among which is the examination of Raja yoga. The author underlines the uniqueness of interpretation of Raja yoga in the philosophy M. V. Lodyzhensky, as well as provides critical assessment to his interpretation of the system of Raja yoga.

A Primer on the Federal Budget Process

MRS Bulletin ◽  
1990 ◽  
Vol 15 (11) ◽  
pp. 35-35
Author(s):  
Robert L. Post
Keyword(s):  
Federal Budget ◽  
Fiscal Year ◽  
Budget Process ◽  
White House ◽  
Select Group ◽  
The Subject ◽  
Federal Budget Process ◽  
The Hill

The federal budget process is often regarded as an arcane affair, the province of a select group of Washington insiders. This includes the mysteries behind the determination of budgets for R&D on materials. The purpose of this discussion is to demysrify the subject a little. It will focus largely on the role of Congress.A common misconception is that the White House sets the budget for the federal government. What the White House does do is send detailed recommendations to Congress each year in January on what it believes the budget should be. This covers spending, tax policy, and economie predictions (the latter reflected in the anticipated tax revenues). In January 1990, for example, the administration submitted budget recommendations for fiscal year 1991, which began on October 1 and runs until September 30, 1991. These recommendations (with subsequent negociations with the Hill) can be quite influential, but serve primarily as a point of reference, which Congress can gladly accept, or completely ignore, as circumstances and preferences dictate.

The Role of Fundamental Knowledge in Solving Problems of the Subject Area “Technology”(From the Point of View of the Project of the Concept of Teaching)

2018 ◽  
Vol 6 (3) ◽  
pp. 9-15
Author(s):  
С. Кутепов ◽  
S. Kutepov
Keyword(s):  
Subject Area ◽  
Economic Education ◽  
Point Of View ◽  
Technological Education ◽  
Hand Tools ◽  
Professional Self ◽  
The Subject ◽  
And Behavior

long-awaited Concept of teaching the subject area “Technology”, the project of which is analyzed in the article,defi nes the problems facing the teacher. The author illustrates these problems and the characterized directions of teaching the subject area “Technology” with the possible fragments of the content of technological education. The author shows which information should be used at the stage of the development of schoolchildren’s basic application skills of the main types of hand tools (electrical including) as a resource for solving technological problems which are the priority results of the mastering the subject area “Technology”. The article suggests the knowledge necessary for ecological education of schoolchildren, formation of their world outlook, provided that the interdisciplinary relations are established. The problems of the environmentally friendly production organically associated with the problems of modern economy allow us to solve the problem of economic education. The article proves that the subject of “Technology” is supposed to create certain patterns of thinking and behavior of schoolchildren, introduce them into the world of professions, and ensure professional self-determination of schoolchildren.

LA RELATION CHEZ AVICENNE

2006 ◽  
Vol 16 (2) ◽  
pp. 237-286 ◽  
Author(s):  
HATEM ZGHAL
Keyword(s):  
The Other ◽  
The Subject ◽  
To Receive ◽  
Determining Factor

This study consists in a commentary on some passages from Avicenna, which deal with the category of the relative. The commentary points out the promotion of the relative to the role of an exclusive determining factor. An attempt is made here to show how Avicenna tries to detach the relative accident from its subject, in order to transform it into the exclusive determining factor of a pure thingness. The relative determination of this thingness must be able to receive specifications, which may extend as far as the infimae species. These specifications are obtained by the consideration of the other attributes of the subject of the relative attribution, which are henceforth no more than the “modes of advent” of the relation.

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