Chapter 4 looks at works of expanded cinema that emphasize what could be called a “sculptural” property—the physicality and tactility of a moving image medium (e.g. film, projectors, screens). These works isolate one material element of the film medium, such as the filmstrip, screen, or projector, removing it from its place in a system of machines and displaying it as an object in its own right. In doing so, such works break apart the unified machine of the cinematic apparatus, pulling the objects that constitute that apparatus out of the obscurity and endowing them with aesthetic qualities. In normal cinematic exhibition, these objects disappear, replaced by the ephemeral experience of watching the illusory images of light and shadow that they invisibly produce. Object-based works of expanded cinema reverse this process, returning the sense of mass, weight, and gravity to the materials of the medium, thereby forcing a new consideration of the possibilities film offers for direct, sensuous physical experiences. Such expanded cinema works include direct displays of filmstrips (e.g. woven forms made from celluloid), projectors, and other physical materials, objects, and technologies.