August 21, 1970A few sound[s] are embedded in the fog – a gull mewing, different far off fog
horns – like unset polished stones laid out in cotton wool.Tuesday, March 5, 1985At six AM the heavy gray burns a heavier blue. Rain, water drops clinging to the
balcony.There is an ethical consideration in James Schuyler's Diary. While we have
spent the last fifty years grappling with the aesthetic problems of how to
represent the unrepresentable, how to present the unpresentable, and how
to signify the significant, little time has been spent considering the status
of representations of the unremarkable. There is a whole history in
American poetry and literature of validating the everyday, making it
special, but Schuyler never really does that. Are things special just because
we say so, or rather because we note them down? Do we name things into
being, at least linguistic or literary being? The Diary asks these questions
and in doing so it broaches the kind of postmodern ethical questions that
one finds in the recent work of Lyotard, Derrida, and Nancy. These
questions are significant not in the normal sense of the reasons for such
interrogations or the answers expected, but rather because they represent
a desire on the part of Schuyler to ask after otherness, to try to elicit a
response from the other while respecting that such a response may not be
comprehensible even if it is forthcoming. I would like here to posit a
desire to ask after the other first before one asks after oneself, to enquire
without any hope of a satisfactory answer as such as the postmodern
ethical position, and to suggest that the autobiographical slant of
Schuyler's work is, paradoxically considering the nature of autobiography,
just such a positioning of his self in relation to the world.
Appropriation and Configuration
