A Male-Centric Modification of History; Efunsetan Aniwura Revisited

2004 ◽  
Vol 31 ◽  
pp. 303-318 ◽  
Author(s):  
Foluke Ogunleye
Keyword(s):  
Mother Tongue ◽  
Class Struggle ◽  
Original Form ◽  
Ordinary People ◽  
Historical Drama ◽  
The Past ◽  
Audience Adaptation ◽  
History Play ◽  
Yoruba Language

Historical drama can be described as a form of drama which purports to reflect or represent historical proceedings. Since time immemorial writers have combined fiction and history in creative works. Lawrence Langner has ascribed the popularity of historical drama to the desire of the theatergoer to spend an evening in the company of kings, queens, and other historical personages; the opportunity to become familiar with far greater events than those which take place in the lives of ordinary people; and that historical plays recreate great deeds done by great personages in the past. Historical facts are then creatively adapted and made available in play form to the audience. Adaptation has been defined as “the rewriting of a work from its original form to fit it for another medium … The term implies an attempt to retain the characters, actions, and as much as possible of the language and tone of the original…” The history play is also defined as “any drama whose time setting is in some period earlier than that in which it was written. We can also go further to describe the history play as one “that reconstructs a personage, a series of events, a movement, or the spirit of a past age and pays the debt of serious scholarship to the facts of the age being recreated.Judging from the foregoing, Akinwunmi Isola's play, Efunsetan Aniwura falls into the category of historical drama, treating as it does the story of the eponymous heroine who was the second Iyalode (queen of women) of Ibadan and who died on 30 June 1874. Prominent themes in Yoruba historical plays include war, conflict, and class struggle. Olu Obafemi has declared that the dramatization of the history, myth, and legends of the Yoruba community forms the bulk of the themes of Yoruba drama. These factors are vividly portrayed in Akinwunmi Isola's plays. Akinwunmi Isola is one of the most prolific playwrights who use their mother tongue to write plays in Nigeria. He is a Professor of Yoruba language and he uses the Yoruba language in writing his plays despite the fact that he is proficient in English and French languages.

Playing the Past: Approaches to English Historical Drama, 1385–1600. By Benjamin Griffin. Woodbridge, Suffolk: D. S. Brewer, 2001; pp. xiii + 193. $70 cloth.

2004 ◽  
Vol 45 (2) ◽  
pp. 307-309
Author(s):  
Paulette Marty
Keyword(s):  
Early Modern ◽  
Early Modern England ◽  
History Plays ◽  
Historical Drama ◽  
The Past ◽  
Dramatic Structure ◽  
Political Implications ◽  
History Of ◽  
The Subject ◽  
History Play

Benjamin Griffin takes an innovative approach to studying the history-play genre in early modern England. Rather than comparing history plays to their chronicle sources or interrogating their political implications, Griffin studies their relationships with other early modern English dramas, contextualizing them for “those who wish . . . to understand the history play by way of the history of plays” (xiii). He seeks to identify the genre's distinct characteristics by selecting a relatively broad spectrum of plays and examining their dramatic structure, their historical content, and their audiences' relationship to the subject matter.

Salvaging the Mother Tongue in Exile

2017 ◽  
Vol 14 (2-3) ◽  
pp. 187-204
Author(s):  
Tomás Espino Barrera
Keyword(s):  
Native Speakers ◽  
Mother Tongue ◽  
First Language ◽  
Language Attrition ◽  
The Past ◽  
Progressive Loss ◽  
First Language Attrition ◽  
Lost In Translation ◽  
Deliberate Effort ◽  
Deep Sense

The dramatic increase in the number of exiles and refugees in the past 100 years has generated a substantial amount of literature written in a second language as well as a heightened sensibility towards the progressive loss of fluency in the mother tongue. Confronted by what modern linguistics has termed ‘first-language attrition’, the writings of numerous exilic translingual authors exhibit a deep sense of trauma which is often expressed through metaphors of illness and death. At the same time, most of these writers make a deliberate effort to preserve what is left from the mother tongue by attempting to increase their exposure to poems, dictionaries or native speakers of the ‘dying’ language. The present paper examines a range of attitudes towards translingualism and first language attrition through the testimonies of several exilic authors and thinkers from different countries (Vladimir Nabokov's Speak, Memory, Hannah Arendt's interviews, Jorge Semprún's Quel beau dimanche! and Autobiografía de Federico Sánchez, and Eva Hoffman's Lost in Translation, among others). Special attention will be paid to the historical frameworks that encourage most of their salvaging operations by infusing the mother tongue with categories of affect and kinship.

Claiming History in Religious Conflicts

2021 ◽  
Keyword(s):  
Peace Building ◽  
Religious Truth ◽  
The Past ◽  
Historical Reasoning ◽  
Religious Conflicts ◽  
History Play

In what way did or does the past lend credence to religion and how did or does the formation of and departure from tradition affect claims to religious truth? How does historical reasoning contribute towards the unravelling of religious conflicts and what role does history play in concrete peace building processes? The contributions to this volume tackle these questions. Collectively, they take a decidedly multidisciplinary and diachronic perspective, throwing light upon an important subject with significant contemporary reverberations.

John Hinshaw, Steel and Steelworkers: Race and Class Struggle in Twentieth-Century Pittsburgh. Albany: State University of New York Press, 2002. 320 pp. $75.50 cloth; $25.95 paper

2004 ◽  
Vol 65 ◽  
pp. 227-229
Author(s):  
Ruth Needleman
Keyword(s):  
New York ◽  
Twentieth Century ◽  
Significant Contribution ◽  
Class Struggle ◽  
Historical Research ◽  
State University ◽  
Race And Class ◽  
The Past ◽  
Steel Mills ◽  
Growing Body

Richly descriptive and well documented, Steel and Steelworkers: Race and Class Struggle in Twentieth-Century Pittsburgh by John Hinshaw makes a significant contribution to the growing body of historical research on steel unionism in the twentieth century. Over the past few years, a number of new studies have broadened our understanding of unionization and work practices in the nation's steel mills, by examining in greater detail the patterns of organization in specific mills and mill towns.

scholarly journals MODAL AWAL MENGEMBANGKAN WISATA DESA: PENGETAHUAN KESEJARAHAN, PERSEPSI, DAN PARTISIPASI MASYARAKAT PADA SITUS PETILASAN GADJAH MADA DI DESA LAMBANG KUNING

2020 ◽  
Vol 4 (1) ◽  
pp. 165
Author(s):  
Samidi M Baskoro ◽  
Sarkawi B Husain ◽  
Ikhsan Rosyid Mujahidul Anwari
Keyword(s):  
Collective Memory ◽  
Public Spaces ◽  
Ordinary People ◽  
Heritage Sites ◽  
The Past ◽  
Historical Objects ◽  
Historical Heritage ◽  
Historical Sites ◽  
Economic Motives ◽  
Depth Interviews

The past is present today through cultural heritage (historical heritage sites), but some ordinary people do not know the importance of the value of these objects, as evidenced by the trade in fragments of artifacts. This action is driven by economic motives and has no knowledge of historical objects. The main problem is how to build knowledge and awareness of historical heritage objects? The answer to this problem can be the elements used as initial capital to develop village tourism. The main value of the development of village tourism is the creation of public spaces where people can relax and gather at leisure. The development of village tourism should not be driven by economic motives that are often echoed by various parties. The methods used to elaborate are observation, in-depth interviews to find collective memory, and counseling or workshops. The findings obtained from observations, interviews, and literature studies are the use of historical sites as a destination for village tourism must be supported by the prerequisites for development, namely the knowledge of local communities on the site will foster awareness of historical heritage, uniformity of perception about the function of the site not for religious purposes, and participation community in site preservation.abstrakMasa lalu adalah masa kini yang hadir melalui warisan budaya (situs peninggalan sejarah), tetapi sebagian masyarakat awam tidak mengetahui pentingnya nilai benda-benda ini, terbukti dari adanya perdagangan serpihan artefak. Tindakan ini didorong oleh motif ekonomi dan tidak memiliki pengetahuan pada benda-benda sejarah. Pokok permasalahan adalah bagaimana upaya membangun pengetahuan dan kesadaran pada benda-benda peninggalan sejarah? Jawaban persoalan ini dapat menjadi unsur-unsur yang digunakan sebagai modal awal mengembangkan wisata desa. Nilai pokok pengembangan wisata desa adalah penciptaan ruang publik tempat bersantai dan berkumpul bagi anggota masyarakat setempat pada waktu senggang. Pengembangan wisata desa tidak harus didorong oleh motif ekonomi yang seringkali digaungkan oleh berbagai pihak. Metode yang digunakan untuk menguraikan adalah observasi, wawancara mendalam untuk menemukan memori kolektif, dan penyuluhan atau workshop. Temuan yang diperoleh dari observasi, wawancara, dan studi literatur adalah pemanfaatan situs sejarah sebagai destiasi wisata desa harus didukung oleh prasyarat pengembangan, yakni pengetahuan masyarakat lokal pada situs akan menumbuhkan kesadaran pada peninggalan sejarah, penyeragaman persepsi mengenai fungsi situs bukan untuk kepentingan religi, dan partisipasi masyarakat dalam pelestarian situs.

scholarly journals SCIENTISTS OF YEKATERINBURG AS ACTORS PROMOTING THE MOVEMENT FOR THE PRESERVATION OF THE INDUSTRIAL HERITAGE

2021 ◽  
Vol 3 (1) ◽  
pp. 118-124
Author(s):  
E.V. Zaitseva ◽  
◽  
E.A. Azorkin ◽  
A.N. Alekseychik ◽  
◽  
...  
Keyword(s):  
Scientific Community ◽  
International Committee ◽  
Industrial Society ◽  
Ordinary People ◽  
The Urals ◽  
Industrial Heritage ◽  
Historical Significance ◽  
The Past ◽  
Industrial Regions

Yet several decades ago the term “industrial heritage” was unknown not only to ordinary people, but also to many scientists. However, the transition from an industrial society to a postindustrial one arouses interest in the objects of the former industrial territories. Over the past twenty years, a number of interesting theoretical and applied studies of the industrial heritage of old industrial regions have been formed. These studies raise the problems of the industrial heritage of Russia and its regions, reveal the potential of territories of cultural and historical significance, describe infrastructural complexes and industrial objects of the past. The article describes the role of scholars from one of the main industrial regions of Russia, the Urals, in the popularization of the industrial heritage through theoretical and empirical research. Primary attention is paid to the analysis of the main directions of this activity, presented in publications by various representatives of the scientific community, which form the scientific and cultural background of the topic of preserving the industrial heritage of Russia. There is a large scientific community in Yekaterinburg, represented by many scholars, including Professor V.V. Zapariy, national representative of Russia in TICCIH (the International Committee for the Conservation of the Industrial Heritage), writing on this topic, which is relevant for the industrial region.

scholarly journals Perfectly Boring? The Public Afterlife of Private Films

2021 ◽  
Author(s):  
◽  
Rosina Hickman
Keyword(s):  
Original Form ◽  
Online Video ◽  
The Public ◽  
Video Sharing ◽  
The Past ◽  
Home Movies ◽  
Widespread Belief ◽  
Image Archives ◽  
The Impact ◽  
Exhibition Strategies

<p>Home movies are now viewed in a variety of public contexts, a shift that entails a loss of their original meanings. In order to consider the impact of exhibiting these private documents, this thesis analyses the use of home movies within recycled footage productions, archival curation and online video-sharing. Investigating a variety of formal and informal screening contexts through close readings and archival research, it asks: what meanings do home movies acquire in new contexts? How might the reuse of home movies affect our understandings of their production and the past they portray? Does a perception that home movies could appear boring influence how they are framed or altered for public audiences?  Due to their form and content, home movies may seem ill-suited to public exhibition. Popular discourses about home movies during their heyday of production reveal a widespread belief that they were boring (for outsiders) to watch. While recent literature has assessed home movies more favourably, it has tended to overlook their potential to bore viewers who have no personal relationship to them. Drawing upon theories of boredom, this study argues meaningfulness is the principal factor determining whether a viewer finds a particular film interesting or boring. In their original form, home movies may appear relatively meaningless and therefore boring to public audiences. Recycled footage films re-edit images, however, to create engaging viewing experiences through narrative and affect. While more experimental productions frequently question the evidential value of home movie images, television documentaries tend to encourage audiences to perceive footage as authentic or nostalgic. Narrative and affect also feature in the exhibition strategies of moving image archives. Curated public programmes provide informative and enjoyable viewing for general audiences, but almost inevitably promote certain understandings of the past by offering specific interpretations of selected films. Moreover, the affective appeal of home movie images may outweigh other forms of meaning for viewers, particularly in community or participatory screening contexts. Online video-sharing platforms such as YouTube, which are curated by algorithms rather than human expertise, feature numerous home movies without any kind of framing or description. While this might seem profoundly boring, viewer comments suggest meaninglessness can foster imaginative and empathetic responses to home movies, often expressed as nostalgic longing. This propensity of home movie footage within different screening contexts to encourage nostalgic sentiments, or a belief that life was better in the past, has implications for collective memory and understandings of history. Moreover, the ability of at least some viewers to enjoy home movies in relatively contextless spaces suggests that in certain instances qualities associated with boredom may not be a significant impediment to meaningful experience after all.</p>

The work of the Discovery Committee

1950 ◽  
Vol 202 (1068) ◽  
pp. 1-16 ◽  
Keyword(s):  
Southern Ocean ◽  
Deep Water ◽  
Deep Sea ◽  
Original Form ◽  
The Past ◽  
Scientific Staff ◽  
Form Part ◽  
Whaling Industry ◽  
Major Industry ◽  
Colonial Office

The geographical field in which most of the Discovery Committee’s work has been carried out during the past 25 years is the Southern Ocean. This zone of continuous deep water, very rich in marine fife, supports one major industry—the whaling industry—but is otherwise little developed as yet, and seldom visited. It is not easy to find a short descriptive label for the work itself, but nearly all of it comes under the headings of deep-sea oceanography, whales and whaling, or Antarctic geography, and much of it is concerned with the interrelations of these subjects. Since the beginning in 1924 the Discovery Committee has worked under the Colonial Office, but in 1949 the Committee’s functions, together with the scientific staff, the ships, and other assets, were taken over by the Admiralty, and now form part of the new National Institute of Oceanography. The Discovery Committee, in its original form, has been dissolved, but it is encouraging to know that the continuation of its work is assured.

scholarly journals Towards effective advertising regulation: A comparison of UK, Australian and South African schemes

2002 ◽  
Vol 33 (4) ◽  
pp. 1-12 ◽  
Author(s):  
D. Harker ◽  
S. Cassim
Keyword(s):  
South African ◽  
Self Regulation ◽  
Original Form ◽  
Advantages And Disadvantages ◽  
The Past ◽  
Advertising Regulation ◽  
Fundamental Process ◽  
Regulatory Approach ◽  
The Uk ◽  
Made In

The regulation of advertising is a controversial and difficult process, and many schemes around the world opt for a self-regulatory approach to curb unacceptable advertising. However, when schemes are established or reformulated, most countries learn from other, more established, regimes. Whilst Australia and South Africa commenced the advertising self-regulation (ASR) process at similar times and based their systems on the UK model, two attempts have been made in Australia over the past three decades to produce more acceptable ads, whilst South Africa’s system has endured in its original form. This paper reviews the ASR systems in these three countries, using a macro framework for analysis which contextualises advertising in society. The systems have the fundamental process of handling complaints about advertising in common, however there are advantages and disadvantages of each and these are discussed with a view to providing some guidance for Australia’s fledgling, reformulated, system. Important insights for the development of regulation of advertising are presented.

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