scholarly journals THE PRECERAMIC AND EARLY CERAMIC PERIODS IN BELIZE AND THE CENTRAL MAYA LOWLANDS

2021 ◽  
Vol 32 (3) ◽  
pp. 416-438 ◽  
Author(s):  
W. James Stemp ◽  
Jaime J. Awe ◽  
Joyce Marcus ◽  
Christophe Helmke ◽  
Lauren A. Sullivan
Keyword(s):  
Material Culture ◽  
Special Section ◽  
Critical Periods ◽  
Maya Lowlands ◽  
Economic Complexity ◽  
First Peoples ◽  
Early Ceramic ◽  
History Of ◽  
A Current ◽  
Culture And Language

AbstractThis introduction to the Special Section provides a summary of our current understanding of the first humans and the first Maya in these regions and presents seven articles that examine these critical periods from varied, intersecting perspectives. The Introduction begins with a brief history of early preceramic research (primarily in northern Belize) and provides a current chronology for the Paleoindian, Archaic, and Early Preclassic periods. The Paleoindian and Archaic (ca. 11,500–900 b.c.) periods are discussed in terms of the origins of the first peoples in these regions, lithic technology, subsistence, and early ritual. Next, a summary of archaeological evidence for the transition to the first villages (ca. 1200–800 b.c.) is provided, with examinations of a horticultural lifestyle, the earliest ceramics, increased socio-economic complexity, new ideology and ritual practices, and developing social inequality. Proto-Mayan and Mayan languages—their dating, origin, and early lexicon—are discussed in relation to the first Maya. Material culture and language are explored with regard to conceptions of Maya culture.

scholarly journals BJHS special section: book history and the sciences Introduction

2000 ◽  
Vol 33 (2) ◽  
pp. 155-158 ◽  
Author(s):  
JONATHAN R. TOPHAM
Keyword(s):  
Material Culture ◽  
Social History ◽  
History Of Science ◽  
Book History ◽  
Special Section ◽  
Social Actors ◽  
History Of ◽  
Innovative Work ◽  
Culture Of Science ◽  
History Of Books

The expanding interest in book history over recent years has heralded the coming together of an interdisciplinary research community drawing scholars from a variety of literary, historical and cultural studies. Moreover, with a growing body of literature, the field is becoming increasingly visible on a wider scale, not least through the existence of the Society for the History of Authorship, Readership and Publishing (SHARP), with its newly founded journal Book History. Within the history of science, however, there remains not a little scepticism concerning the practical value of such an approach. It is often dismissed as an intellectual fad or as an enterprise which is illuminating but ultimately peripheral, rather than being valued as an approach which can offer major new insights within the field. This is no doubt in part because much of the most innovative work in history of science over recent years has been carried out by historians anxious to get away from an earlier overemphasis on printed sources. Eager to correct a profoundly unsocial history of ideas, usually rooted in texts, historians have looked increasingly to both the practices and the material culture of science. In such a context, a renewed focus on the history of books sometimes seems like a retrograde step, especially given the common misidentification of ‘books’ with ‘texts’. On the contrary, however, it is just such a twin emphasis on practices and material culture which also characterizes the new book history. Indeed, to the question ‘what is book history for?’ we might answer that its object is to reintroduce social actors, engaged in a variety of practices with respect to material objects, into a history in which books have too often been understood merely as disembodied texts, the meaning of which is defined by singular, uniquely creative authors, and is transparent to readers.

scholarly journals SUBJECTS OF HOUSEHOLD AND PERSONAL ITEMSAS A SOURCE FOR STUDYING THE URBAN EVERYDAY LIFE OF THE LATE IMPERIAL ERA

2021 ◽  
Vol 3 (3) ◽  
pp. 108-117
Author(s):  
O.N. Yakhno ◽  
Keyword(s):  
Material Culture ◽  
Everyday Life ◽  
Value Orientations ◽  
Communication Styles ◽  
Russian History ◽  
Critical Periods ◽  
Late Imperial ◽  
The People ◽  
History Of ◽  
Almost All

The author discusses the need to expand the source base for studying the history of everyday life. It is noted that a solid pool of historiographic works has already been accumulated in this area of research. Recent publications focusing on the reconstruction of everyday life in national capitals and provincial centers contain extensive generalizations and conclusions. At the same time, almost all studies are based on various legal acts, current records, statistical materials, publications in periodicals of a relevant period, and written sources of private origin. Subjects of material culture, the "world of things" that surrounds people in their everyday life, receive much less attention as a potential source of research. The article demonstrates in what way the analysis of numerous household items, various accessories for hobbies and pastime, as well as personal care items, may contribute to a better understanding of both the material side of everyday life and the diversity of individual and group preferences, behavioral and communication styles, and value orientations of the people. The author draws a conclusion that this approach is particularly important for studying the changes in everyday life observed in critical periods in the Russian history characteristic of the early 20th century.

Hitting two birds with one stone: An afterword on archeology and the history of science

2017 ◽  
Vol 55 (3) ◽  
pp. 383-391
Author(s):  
Mirjam Brusius
Keyword(s):  
Biological Sciences ◽  
Twentieth Century ◽  
Material Culture ◽  
History Of Science ◽  
Special Section ◽  
Social Contexts ◽  
Modern World ◽  
Human Variation ◽  
Institutional Infrastructure ◽  
History Of

This afterword comments on the articles gathered together in this special section of History of Science (“Disassembling Archaeology, Reassembling the Modern World”). Criticizing the consistent lack of institutional infrastructure for histories of archaeology in the history of science, the piece argues that scholars should recognize the commonality of archaeology’s practices with those of the nineteenth and twentieth century field sciences that have received more historical attention. The piece also suggests avenues to help take this approach further, such as combining expertise from historians of the biological sciences and of antiquarianism and archaeology to look at the history of the understanding of human variation and race. Finally, the afterword suggests that scholars should reconsider the idea of archaeology’s reliance on institutionalised practices, thinking about the use and re-use of material culture in more diverse and pragmatic social contexts.

The Oxford Handbook of the Phoenician and Punic Mediterranean

2019 ◽  
Keyword(s):  
North America ◽  
Material Culture ◽  
North Africa ◽  
Cultural Identities ◽  
Regional Studies ◽  
Wide Range ◽  
Mediterranean World ◽  
History Of ◽  
The Mediterranean ◽  
A Current

The Phoenicians created the Mediterranean world as we know it-yet they remain a shadowy and poorly understood group. The academic study of the Phoenicians has come to an important crossroads; the field has grown in sheer content, sophistication of analysis, and diversity of interpretation, and we now need a current overview of where the study of these ancient seafarers and craftsman stands and where it is going. Moreover, the field of Phoenician studies is particularly fragmented and scattered. While there is growing interest in all things Phoenician and Punic, the latest advances are mostly published in specialized journals and conference volumes in a plethora of languages. This Handbook is the first of its type to appear in over two decades, and the first ever to appear in English. The chapters (organized in four parts) are written by a wide range of prominent and promising scholars from across Europe, North America, Australia, and the Mediterranean world, who offer readers summary studies and new perspectives on key historical moments (such as the history of Carthage), areas of culture (organized around language, religion, and material culture), regional studies and areas of contact (spanning from the Levant and the Aegean to Iberia and North Africa), and the reception of the Phoenicians as an idea, entangled with the formation of other cultural identities, both ancient and modern.

Post-Soviet economy development: From the past to the future

2017 ◽  
pp. 5-21 ◽  
Author(s):  
E. Yasin
Keyword(s):  
Present Situation ◽  
Soviet Economy ◽  
Market Reforms ◽  
Democratic Development ◽  
The Past ◽  
Current Period ◽  
The Future ◽  
History Of ◽  
Working Out ◽  
A Current

The article is devoted to major events in the history of the post-Soviet economy, their influence on forming and development of modern Russia. The author considers stages of restructuring, market reforms, transformational crisis, and recovery growth (1999-2011), as well as a current period which started in2011 and is experiencing serious problems. The present situation is analyzed, four possible scenarios are put forward for Russia: “inertia”, “mobilization”, “decisive leap”, “gradual democratic development”. More than 30 experts were questioned in the process of working out the scenarios.

Introduction

2017 ◽  
Author(s):  
Tom Hamilton
Keyword(s):  
Sixteenth Century ◽  
Material Culture ◽  
Early Modern ◽  
Everyday Life ◽  
Civil Wars ◽  
Modern History ◽  
Early Modern History ◽  
History Of Collecting ◽  
History Of ◽  
Late Renaissance

This chapter explores the material culture of everyday life in late-Renaissance Paris by setting L’Estoile’s diaries and after-death inventory against a sample of the inventories of thirty-nine of his colleagues. L’Estoile and his family lived embedded in the society of royal office-holders and negotiated their place in its hierarchy with mixed success. His home was cramped and his wardrobe rather shabby. The paintings he displayed in the reception rooms reveal his iconoclastic attitude to the visual, contrasting with the overwhelming number of Catholic devotional pictures displayed by his colleagues. Yet the collection he stored in his study and cabinet made him stand out in his milieu as a distinguished curieux. It deserves a place in the early modern history of collecting, as his example reveals that the civil wars might be a stimulus as much as a disruption to collecting in sixteenth-century France.

Introduction

2018 ◽  
Author(s):  
Elena Lombardi
Keyword(s):  
Material Culture ◽  
The State ◽  
Women Readers ◽  
History Of Reading ◽  
Documentary Evidence ◽  
Cultural Events ◽  
Visual Models ◽  
Woman Reader ◽  
History Of ◽  
Female Literacy

This chapter explores a more concrete and historicized figure of the woman reader. It explores the forces that make her appear and disappear, and surveys the state of knowledge on medieval female literacy, and the documentary evidence on women readers. It investigates typically female modes of reading (such as the educational, the devotional, and the courtly) and the visual models that were available to vernacular authors to forge their imagined textual interlocutor. It shows how the protagonist of this book is the product of two cultural events within the history of reading and the material culture of the book: the raise of literacy among the laity and women in the years under consideration, and a changed scenario insofar as theories and practices of reading are concerned.

Imagining the Woman Reader in the Age of Dante

2018 ◽  
Author(s):  
Elena Lombardi
Keyword(s):  
Material Culture ◽  
Mother Tongue ◽  
The Other ◽  
Women Readers ◽  
Literary Authority ◽  
Woman Reader ◽  
History Of ◽  
Female Literacy ◽  
Female Audience ◽  
Shed Light

The literature of the Italian Due- and Trecento frequently calls into play the figure of a woman reader. From Guittone d’Arezzo’s piercing critic, the ‘villainous woman’, to the mysterious Lady who bids Guido Cavalcanti to write his grand philosophical song, to Dante’s female co-editors in the Vita Nova and his great characters of female readers, such as Francesca and Beatrice in the Comedy, all the way to Boccaccio’s overtly female audience, this particular sort of interlocutor appears to be central to the construct of textuality and the construction of literary authority in these times. The aim of this book is to shed light on this figure by contextualizing her within the history of female literacy, the material culture of the book, and the ways in which writers and poets of earlier traditions (in particular Occitan and French) imagined her. Its argument is that these figures of women readers are not mere veneers between a male author and a ‘real’ male readership, but that, although fictional, they bring several advantages to their vernacular authors, such as orality, the mother tongue, the recollection of the delights of early education, literality, freedom in interpretation, absence of teleology, the beauties of ornamentation and amplification, a reduced preoccupation with the fixity of the text, the pleasure of making mistakes, dialogue with the other, the extension of desire, original simplicity, and new and more flexible forms of authority.

scholarly journals Architectural ruins: geoculture of the anatomy of buildings as illustrated by Casa Ippolito, Malta

2021 ◽  
Vol 9 (1) ◽  
Author(s):  
Lino Bianco
Keyword(s):  
Material Culture ◽  
Building Materials ◽  
Raw Materials ◽  
Primary Source ◽  
Secondary Sources ◽  
Non Invasive ◽  
History Of ◽  
Aerial Vehicle ◽  
Materials Used ◽  
Building Physics

AbstractRuins are a statement on the building materials used and the construction method employed. Casa Ippolito, now in ruins, is typical of 17th-century Maltese aristocratic country residences. It represents an illustration of secondary or anthropogenic geodiversity. This paper scrutinises these ruins as a primary source in reconstructing the building’s architecture. The methodology involved on-site geographical surveying, including visual inspection and non-invasive tests, a geological survey of the local lithostratigraphy, and examination of notarial deeds and secondary sources to support findings about the building’s history as read from its ruins. An unmanned aerial vehicle was used to digitally record the parlous state of the architectural structure and karsten tubes were used to quantify the surface porosity of the limestone. The results are expressed from four perspectives. The anatomy of Casa Ippolito, as revealed in its ruins, provides a cross-section of its building history and shows two distinct phases in its construction. The tissue of Casa Ippolito—the building elements and materials—speaks of the knowledge of raw materials and their properties among the builders who worked on both phases. The architectural history of Casa Ippolito reveals how it supported its inhabitants’ wellbeing in terms of shelter, water and food. Finally, the ruins in their present state bring to the fore the site’s potential for cultural tourism. This case study aims to show that such ruins are not just geocultural remains of historical built fabric. They are open wounds in the built structure; they underpin the anatomy of the building and support insights into its former dynamics. Ruins offer an essay in material culture and building physics. Architectural ruins of masonry structures are anthropogenic discourse rendered in stone which facilitate not only the reconstruction of spaces but also places for human users; they are a statement on the wellbeing of humanity throughout history.

The Opera and the Omnibus: Material Culture, Urbanism and Boieldieu's La dame blanche

2020 ◽  
Vol 32 (1) ◽  
pp. 90-114
Author(s):  
Nicole Vilkner
Keyword(s):  
Material Culture ◽  
Business Model ◽  
Public Transportation ◽  
Reception History ◽  
Transportation Systems ◽  
Mass Transportation ◽  
Musical Work ◽  
The World ◽  
History Of

AbstractIn the summer of 1828, the Entreprise générale des Dames Blanches launched a fleet of white omnibuses onto the streets of Paris. These public transportation vehicles were named and fashioned after Boieldieu's opéra comique La dame blanche (1825): their rear doors were decorated with scenes of Scotland, their flanks painted with gesturing opera characters, and their mechanical horns trumpeted fanfares through the streets. The omnibuses offered one of the first mass transportation systems in the world and were an innovation that transformed urban circulation. During their thirty years of circulation, the omnibuses also had a profound effect on the reception history of Boieldieu's opera. When the omnibuses improved the quality of working- and middle-class life, bourgeois Parisians applauded the vehicles’ egalitarian business model, and Boieldieu's opera became unexpectedly entwined in the populist rhetoric surrounding the omnibus. Viewing opera through the lens of the Dames Blanches, Parisians conflated the sounds of opera and street, as demonstrated by Charles Valentin Alkan's piano piece Les omnibus, Op. 2 (1829), which combines operatic idioms and horn calls. Through these examples and others, this study examines the complex ways that material culture affects the dissemination and reception of a musical work.

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