From boomtown to bribesville: the images of the city, Milan, 1980–97

Urban History ◽  
1999 ◽  
Vol 26 (3) ◽  
pp. 393-412 ◽  
Author(s):  
John M. Foot

This article examines the changing images of the city of Milan over a period of two decades spanning the 1980s and 1990s. The article considers theoretical debates concerning city images. Milan is then analysed through the various spatial forms which encompass this modern city – political space, populated space, geographic space, urban space and economic space. The next section assesses the changing images of the city through shifting historical phases and crises. Finally the article draws together the fundamental economic and social changes which have marked the deindustrialization and reinvention of Milan.

2018 ◽  

This edited volume provides a multifaceted investigation of the dynamic interrelations between visual arts and urbanization in contemporary Mainland China with a focus on unseen representations and urban interventions brought about by the transformations of the urban space and the various problems associated with it. Through a wide range of illuminating case studies, the authors demonstrate how innovative artistic and creative practices initiated by various stakeholders not only raise critical awareness on socio-political issues of Chinese urbanization but also actively reshape the urban living spaces. The formation of new collaborations, agencies, aesthetics and cultural production sites facilitate diverse forms of cultural activism as they challenge the dominant ways of interpreting social changes and encourage civic participation in the production of alternative meanings in and of the city. Their significance lies in their potential to question current values and power structures as well as to foster new subjectivities for disparate individuals and social groups.


Author(s):  
Юрий Владимирович Преображенский

Рассмотрен вопрос о сущности социокультурного пространства и его пересечении с экономическим пространством города. Показано, что наиболее эффективная организация пространственного взаимодействия данных пространств во многом является географической задачей. Предлагается метод изучения социальных практик населения для локализации точек и линий взаимодействия социокультурной и экономической сфер. Рассмотрены практики, в ходе которых создаются социокультурные ценности, положительно влияющие на экономическое пространство города. Обсуждается проблема влияния пешеходных пространств (наиболее насыщенных практиками) на формирование имиджа города. The question of the essence of the socio-cultural space and its intersection with the economic space of the city is considered. It is shown that the most effective organization of the spatial interaction of these spaces is in many ways a geographic task. A method is proposed for studying the social practices of the population to localize points and lines of interaction between the socio-cultural and economic spheres. The practice is considered in the course of which socio-cultural values are created that have a positive effect on the economic space of the city. The problem of the influence of pedestrian spaces (the most saturated with practices) on the formation of the city's image is discussed.


2019 ◽  
pp. 70-72
Author(s):  
A. M. Tormakhova

The aim of the article is to highlight the specificity of visual transformations that occur in the modern urban space under the influence of the development of creative industries. The research methodology involves an interdisciplinary approach and engaging a range of cultural, sociological, and philosophical works. The works of modern foreign researchers Z.Bauman, Ch. Landry, D.Hezmondhalsh are attracted.The sphere of urban planning and the problem of creative industries are being studied. Thanks to creative industries is appears new jobs, the solution of social problems (especially in poor areas), as well as the transformation of urban space. The modern city is a reflection of the transformational processes taking place in the world. There is a change in the form of regulation of the city development policy, from the state to the municipal. There are conditions for activating creative industries that can be defined as an individual creative background, skill or talent that can create added value and jobs through the production and exploitation of intellectual property. The development of creative industries has economic feasibility, but this process is accompanied by a change in the image of the city. Urban space is the text of culture, which often combines non-interconnected components. The visual image of the modern city is repulsive and attractive, it is difficult to bring it to a single concept, but it continues to be the center of human life. Scientific novelty lies in the study of the relationship of the development of creative industries in the urban space and their impact on the visual image of the city. Practical significance is connected with the emphasis on the need to invent an individual development strategy for each city as a “creative city”, where the sphere of cultural production is leading. Promising is the direction of creative industries in a single direction and minimizing the factors influencing the negative perception of the vision of the city.


2010 ◽  
Vol 12 (1) ◽  
pp. 63 ◽  
Author(s):  
Márcio Rogério Silveira ◽  
Rodrigo Giraldi Cocco

Para a construção de uma nova abordagem acerca das interações espaciais, que supere a visão clássica a ela atribuída de simples deslocamento, é necessário relacionar a natureza transformadora e dialética das interações ao espaço geográfico. O contato entre elementos espaciais diferentes, combinados através do transporte, possibilita o surgimento de uma característica nova e superior às formações materiais que interagem, reforçando seu caráter dialético. No capitalismo, estas interações se dão segundo interesses hegemônicos de valorização, conformando desigualdades entre setores econômicos, ramos de atividades e espaços, distorcendo as próprias interações que os alimentam. No espaço da cidade, tais processos se chocam e se combinam, manifestando um conflito de frações de capital incumbidas de estruturar este espaço, valorizando-se retroativamente em alguns momentos e manifestando antagonismos em outros. A relação entre o transporte e a estrutura da cidade é bastante apropriada para dar conteúdo a estas discussões. Palavras-chave: interações espaciais; transporte público; valor-trabalho; estruturação da cidade. Abstract: For the building of a new approach about spatial interactions that overcomes the classical view of simple displacement, it is necessary to relate the transforming and dialectic nature of interactions to geographic space. The contact between different spatial elements through transportation allows the emergence of a new and superior feature of material conformations that reinforce the dialectical character. In capitalism, these interactions occur according to hegemonic interests of recovery, shaping inequalities between economic sectors, branches of activities, and spaces, that distort the interactions that promote them. In urban space, such processes collide and combine, showing a conflict fractions of capital responsible for structuring the space of the city. The relationship between transportation and the structure of the city is quite appropriate to give substance to these discussions. Keywords: spatial interactions; public transportation; labor value; city structure.


Author(s):  
Mikhno Nadiya

The main focus of this article is on defining the specific characteristics of public space organization in a modern Ukrainian city. The study identified the vector of change in the organization of public spaces in recent decades under the influence of changing socio-historical, ideological context and under the influence of globalization processes. It is determined that the main formats of using public spaces in the city today are pragmatic formats of use – the practice of commercialization of urban space, the practice of interaction with strangers, «domestication» of public space, «Europeanization» of public space, desacralization and marking of public space as safe and convenient.


Author(s):  
Andriy Bludov

The article examines the features of the perception of the urban environment as a specific phe- nomenon. The article considers the artistic works of a group of contemporary Ukrainian artists P. Makov, A. Sai, L. Dzhuraev, A. Priduvalov in the genre of urban landscape from the point of view of a conceptual approach, which allows us to understand the general direction of development of this type of genre. The works of contemporary Ukrainian artists reflect how a modern city creates an endless combination of connections between different aspects of life and the corresponding various forms and impressions. The article analyzes the works that the authors demonstrated as their reflections on changes in the urban environment in special creative projects. The urban environment causes a creative person to strive to convey his atmosphere, images, rhythms in his own language. For centuries, artists have depicted the urban space, but it was in the twentieth century that the transformation of the urban environment into an urban one contributed to the fact that the city became a source of special inspiration for subsequent times. The theme of urbanism is specific in the work of contemporary Ukrainian artists, where the very phenomenon of the city is the basis of creative inspiration. The aim of this work is to study the conceptual and programmatic works of contemporary Ukrainian artists to reveal the theme of urbanism in painting and the main trends in displaying the city as a concept in the work of artists.


Discourse ◽  
2020 ◽  
Vol 6 (1) ◽  
pp. 5-20
Author(s):  
O. V. Kireeva ◽  
M. N. Veselova

Introduction. The paper attempts to find answers to the questions: will it be possible to preserve historical-cultural “face” of the city, or it will disappear under the onslaught of the advanced achievements of civilization; is there an urban space to a reasonable person, who have reached great technological heights, or directed against him; what are the ontological foundations of the modern city? The relevance of the author's approach is the analysis of the “concept” of the city as urogenous spatio-temporal macro model, which not only develops under the influence of the inhabitants, but also determines their worldview and behavior.Methodology and sources. Methodological basis of the work is the cultural and philosophical analysis of the “concept“ of the modern city in the works of domestic and foreign sociologists, and ethologists, urboecology, philosophers, anthropologists, art historians (V. G. Il’in, R. Park, L. Worth, E. Gorokhovskaya, I. A. Litvinova, V. I. Mathis, G. Simmel, E. Fromm, E. T. Hall, M. I. year-old boy, James W., Jean-Paul Ferrier, Jean-Albert Guieysse, Thierry Rebour, H. W. Zorbaugh, etc.). Used demographic statistics allowing to understand the issues of depopulation, migration and multi-ethnicity of the townspeople.Results and discussion. In modern culture hypertrophied original function of the city as a source of protection and comfort, it is a shift towards maximum convenience and independence of individuals. In the result, the urban environment is made, adapting to the challenges put forward by society. Historically “face” of the city gets lost. This jeopardizes not only the rich cultural heritage of the cities, but also the authenticity of the existence of the person. The ontological basis of the modern “concept” of the city is defined by urban characteristics: multiculturalism, multi-ethnicity, presentationhost (the image of the city), the superficiality of contact, the spontaneity of development, the blurring of boundaries. They not only make up the text of modern urban culture, but also form a macro model of society.Thus, the result of the study is the conceptualization of the contradictions of the modern city that provides for a person as comfortable as possible in the consumer environment at the same time directed against him or her.Conclusion. It is concluded that in the current ecological, demographic and economic situation, the question of understanding the role of modern urban culture in the search for a dialogue between the technogenic and informational development of civilization with nature, the historical and cultural content of the city with its image, and mass consumption with an original manifestation is most acute. The authors believe that it depends only on the person whether the urban space will exist for or against him or her.


Author(s):  
Kirill A. Kozhanov ◽  

Excursion activities in large cities of Russia demonstrate the increasing popularity of city tours and are undergoing numerous transformations, expressed both in thematic diversity and in the change in the content of individual excursions. This has an impact not only on the perception of urban space by sightseers – citizens and visitors, but also on the socio-cultural processes of the city and society in a broader sense. The article presents the results of an empirical study (included observation) of the content specificity of a number of city excursions around St. Petersburg as a city with the most actively developing excursion sphere. The content is analyzed in terms of: route and display objects; narrative and communication of the guide with the audience; activity activity, reflecting the solution of communicative tasks; the competence of the guide. The observation results are correlated with the provisions of scientific and methodological literature (authors of the early Soviet period – I. M. Grevs, N. P. Antsiferov, B. E. Raikov, N. A. Geinick, the era of «developed socialism» – B. V. Emelyanova , modern researchers – O. N. Orlova, A. G. Smirnova, I. I. Lisaevich, G. A. Leskova, N. A. Dobrina) and are presented in the form of generalized characteristics of the transformation of excursion content based on the phenomenological characteristics of the typology and content of a modern city excursion.


2007 ◽  
Vol 22 (3) ◽  
pp. 619
Author(s):  
José Aurelio Granados Alcántar

En los últimos veinte años la ciudad de Pachuca ha sufrido grandes transformaciones en su territorio; el ritmo de crecimiento poblacional ha provocado que la ciudad se expanda físicamente como no lo había hecho en sus casi quinientos años de existencia. Una parte de este crecimiento poblacional se debe a los procesos inmigratorios que han ocurrido en los últimos años. Tomando en cuenta las tendencias y las experiencias de otras ciudades contiguas a la Zona Metropolitana de la Ciudad de México, pensamos que el actual flujo migratorio se consolidará e intensificará en los próximos años. De ahí que el objetivo del presente trabajo sea realizar un estudio sobre las corrientes migratorias en el espacio urbano de Pachuca, describiendo el perfil del migrante según los flujos establecidos. Nos interesa prever los cambios económicos y sociales en la ciudad, el desarrollo de su influencia regional y su nuevo papel en el sistema de ciudades y en la megalópolis de la Ciudad de México. AbstractOver the past twenty years, the city of Pachuca has undergone enormous transformations in its territory while the rate of population growth has meant that the city has expanded more than ever before in its nearly 500 years of existence. Part of this population growth is due to the migratory processes that have taken place in recent years. Given the trends and experiences of other cities adjacent to the Mexico City Metropolitan Zone, the authors believe that the current migratory flow will be consolidated and intensified over the next few years. The aim of this study is to therefore to undertake a study of migratory trends in the urban space of Pachuca, by describing migrants’ profiles according to the established flows. The authors are interested in predicting the economic and social changes in the city, the development of its regional influence and its new role in the system of cities and the Mexico City megalopolis.


2015 ◽  
Vol 34 (2) ◽  
pp. 29-34 ◽  
Author(s):  
Adam Nadolny

Abstract This article seeks to present how the manner of recording the spatial phenomena analysed by Henri Lefebvre in his numerous publications can serve as a basis for reflections on the suitability of his theories for the description of the creative class in a modern city. Because Lefebvre pursued a number of lines of thought in his philosophical ideas, we can state that there is a strong correlation between the city image he created and preferences of the creative class in a modern city. The article is also intended to make the reader realise that records of philosophical ideas can, in many instances, contribute to the improvement of the actual space in a city.


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