Indigenous Novels in Canada

2018 ◽  
Author(s):  
Tara Hyland-Russell
Keyword(s):  
Coming Of Age ◽  
Institutional Racism ◽  
Indigenous Literature ◽  
Poetic Tradition ◽  
Performance Traditions ◽  
Growing Body ◽  
Key Features ◽  
Power Of Story ◽  
And Performance ◽  
Place And Identity

Canadian Indigenous novels emerged as a specific genre within the last thirty years, rooted in a deep, thousands-year-old ‘performance art and poetic tradition’ of oratory, oral story, poetry, and drama. In addition to these oral and performance traditions are the ‘unique and varying methods of written communication’ that flourished long before contact with Europeans. The chapter considers Canadian novels by Indigenous writers. It shows that Indigenous fiction is deeply intertwined with history, politics, and a belief in the power of story to name, resist, and heal; that novel-length Aboriginal fiction in Canada built on a growing body of other forms of Indigenous literature; and that many Indigenous novels foreground their relationship with place and identity as key features of the resistance against systemic and institutional racism. It also examines coming-of-age novels of the 1980s and 1990s that are grounded in realism.

scholarly journals Recent Advances in Conventional Methods and Electrochemical Aptasensors for Mycotoxin Detection

Foods ◽  
2021 ◽  
Vol 10 (7) ◽  
pp. 1437
Author(s):  
Jing Yi Ong ◽  
Andrew Pike ◽  
Ling Ling Tan
Keyword(s):  
Quantitative Analysis ◽  
Animal Feed ◽  
Cost Effective ◽  
Preventive Action ◽  
High Affinity ◽  
Recent Advances ◽  
Recognition Elements ◽  
Key Features ◽  
Pre Treatment ◽  
And Performance

The presence of mycotoxins in foodstuffs and feedstuffs is a serious concern for human health. The detection of mycotoxins is therefore necessary as a preventive action to avoid the harmful contamination of foodstuffs and animal feed. In comparison with the considerable expense of treating contaminated foodstuffs, early detection is a cost-effective way to ensure food safety. The high affinity of bio-recognition molecules to mycotoxins has led to the development of affinity columns for sample pre-treatment and the development of biosensors for the quantitative analysis of mycotoxins. Aptamers are a very attractive class of biological receptors that are currently in great demand for the development of new biosensors. In this review, the improvement in the materials and methodology, and the working principles and performance of both conventional and recently developed methods are discussed. The key features and applications of the fundamental recognition elements, such as antibodies and aptamers are addressed. Recent advances in aptasensors that are based on different electrochemical (EC) transducers are reviewed in detail, especially from the perspective of the diagnostic mechanism; in addition, a brief introduction of some commercially available mycotoxin detection kits is provided.

DIY Urbanism and the Lens of the Commons: Observations from Spain

2019 ◽  
Vol 18 (1) ◽  
pp. 257-279 ◽  
Author(s):  
Louis Volont
Keyword(s):  
Primary Source ◽  
Urban Spaces ◽  
Growing Body ◽  
The Commons ◽  
Key Features

A growing body of literature has been explicitly concerned with a range of microspatial practices that are currently reshaping urban spaces under the valuable denominator of “DIY urbanism.” However, there is still much work to be done if we are to take into consideration DIY urbanism's primary source and output: the commons. As such, Spanish DIY collectives have taken an explicit interest in building and reclaiming the urban commonwealth through participatory DIY interventionism. Therefore, this article assesses Spanish DIY urbanism through the lens of the commons and asks how the vocabulary of the latter might help us to further understand the DIY practice. In so doing, DIY urbanism will be put forward as “a field of possibilities” through three key features that inform commons theorizing: threshold spatiality, value, and legitimacy.

Pilgrimage, Print, and Performance

2021 ◽  
Vol 51 (1) ◽  
pp. 79-104
Author(s):  
Matthew Coneys
Keyword(s):  
Public Performance ◽  
Late Medieval ◽  
Performance Traditions ◽  
And Performance ◽  
Verse Form

This article discusses three poems written in the early 1490s by the Florentine Giuliano Dati (1445–1524), a penitentiary priest at the Archbasilica of St. John Lateran in Rome: the Stazione e indulgenze di Roma (1492–93), Tractato di Santo Ioanni Laterano (1492–94), and Aedificatio Romae (1494). Composed in the popular cantare verse form, which was strongly associated with public performance, these works are an unusual example of printed guides to Rome aimed specifically at an Italian audience. Situating Dati’s cantari within the broader culture of the Roman pilgrimage, the article assesses their relationship with established textual and performance traditions and considers the pastoral motivation behind their production. In doing so, it advocates for closer attention to the permeability between ephemeral print and performance in late medieval pilgrimage and devotional culture.

Empirical Study of the Implementation of Certain Budgeting Concepts in Manufacturing Companies in Serbia

2021 ◽  
Vol 59 (1) ◽  
pp. 61-76
Author(s):  
Marija Nikodijević ◽  
Blagoje Novićević ◽  
Milovan Rogan
Keyword(s):  
Empirical Study ◽  
Manufacturing Industry ◽  
Management Approach ◽  
Manufacturing Companies ◽  
Global Trends ◽  
Current State ◽  
Tradable Goods ◽  
Key Features ◽  
And Performance ◽  
Macroeconomic Environment

Abstract The basic indicators of manufacturing industry’s level of development are still at an unenviable level, although it provides the majority of tradable goods of Serbian economy and has the most significant share in gross domestic product. This state of the manufacturing industry in Serbia is the result of an unstable macroeconomic environment and institutional insecurity, as well as an inadequate management approach in companies of this sector. Taking into account the situation, there is an obvious need to change management approach in these companies, which includes improving their budgeting processes and systems. Budgeting, as a management instrument, has become important in companies in Serbia only in the last decades, that is, after the change of the economic system. The results of the conducted empirical study, aiming to perceive the current state and relevant management attitudes regarding the implementation of certain budgeting concepts in manufacturing companies in Serbia, are presented in this paper. The study aims to determine the current presence of certain budgeting concepts, as well as which concepts the management of the sample companies intends to implement in the future, since it considers them an appropriate and a good solution for its company, taking into account the specifics of its environment and business. The presented results will show whether manufacturing companies in Serbia follow global trends in budgeting practices that relate to the implementation of modern budgeting concepts with flexibility, customer focus and performance based as their key features.

Context Matters

2020 ◽  
pp. 233-263
Author(s):  
Jeanette N. Cleveland
Keyword(s):  
Performance Management ◽  
Performance Appraisal ◽  
Applied Psychology ◽  
Situation Assessment ◽  
Cultural Economic ◽  
Research And Practice ◽  
Situational Strength ◽  
Key Features ◽  
And Performance ◽  
The Way

Contexts shape the way the performance appraisal (PA) and performance management (PM) systems are designed and utilized. Yet, the analysis of situations, especially more macro-context, including cultural, economic, and political/legal values, is one of the most underresearched areas in applied psychology despite the fact that context is likely to be critical to understanding the success and the failures associated with individual and team PM in organizations. To date, most research on situations has focused on proximal factors that impinge directly on raters’ and ratees’ motivation and goals, with less attention given to variations in macro and meso context across and within organizations, nations, and cultures. In the present chapter, the current research linking context with PA and PM is reviewed. Drawing from both situational strength and institutional theories, the mechanisms (e.g., norms and constraints) by which situations can shape the design and process of PA/PM within and across organizations are discussed. The chapter concludes by translating key features from the context and situation assessment literature into action that can be taken by industrial and organizational psychologists to help improve PA/PM research and practice in organizations.

Don Asher’s Fictional-Real Jazz World

2020 ◽  
pp. 122-148
Author(s):  
Reva Marin
Keyword(s):  
African American ◽  
New England ◽  
San Francisco ◽  
Short Story ◽  
American Music ◽  
African American Music ◽  
Performance Traditions ◽  
The Rich ◽  
And Performance ◽  
Story Writer

This chapter examines the life and writings of Don Asher, who studied with pianist Jaki Byard before embarking on a career as a New England society band and honkytonk pianist and later as a nightclub pianist in San Francisco, including a long stint at the famed hungry i. Asher was also a novelist, short-story writer, essayist, and collaborator, and analysis of selected works of his fiction and nonfiction uncovers his enduring and sometimes transgressive fascination with African American music and culture. While Asher’s work appears to illustrate “the problem with white hipness” (Ingrid Monson) or “love and theft” (Eric Lott), his ethnic satire was aimed not only at African Americans but also at other groups—Italians, Irish, Jews—as well as at himself and his fictional counterparts. This chapter considers the rich stew of literary and performance traditions in which Asher found models for his satirical, comedic impulses.

Developmental Testing of a Heat Recovery Module for Industrial Cogeneration

1988 ◽  
Author(s):  
Kenneth O. Smith
Keyword(s):  
Control System ◽  
System Design ◽  
Heat Recovery ◽  
Fully Integrated ◽  
Boiler Operation ◽  
Incoloy 800 ◽  
Key Features ◽  
And Performance ◽  
Industrial Gas Turbine ◽  
System Operating

The initial developmental testing of a Heat Recovery Module (HRM) for cogeneration applications is described. The HRM is a prepackaged, pretested, skid-mounted system sized for the 500 to 1000 kW class of industrial gas turbine. Key features of the module include: • a highly compact, once-through boiler fabricated using finned Incoloy 800 tubing • a gas-fired supplementary burner capable of 1256 K (1800°F) refiring for greater system operating flexibility • a “spill-over” mode of boiler operation that allows feedwater softening rather than deionization • a fully integrated microprocessor-based control system System design and performance data are presented.

Taking an Evidence-Based Approach to Evidence-Based Policing Research

2020 ◽  
Author(s):  
Laura Boulton ◽  
Rebecca Phythian ◽  
Stuart Kirby ◽  
Ian Dawson
Keyword(s):  
Mixed Method ◽  
Practical Implementation ◽  
Evidence Based ◽  
Research Projects ◽  
International Evidence ◽  
Growing Body ◽  
Key Features ◽  
Evidence Based Policing ◽  
The Impact ◽  
Method Approach

Abstract A growing body of international evidence reflects the increasing recognition of evidence-based policing (EBP) and the co-production of research, yet the extent of which such research is being implemented remains unclear. This study seeks to explore the efficacy of EBP in relation to practical implementation issues and assess the impact research is having on practice, both within and external to a specific Constabulary. Twenty-nine research studies, conducted in association with the Constabulary, were examined using a mixed-method approach. Of the total projects, 52% of projects were found to have generated a change to practice or policy. The key features of research that were associated with impact included: (i) mixed-method data collection, (ii) transferability, and (iii) increased dissemination that engaged practitioner and academic audiences. Practically, these findings suggest that EBP research projects can be designed and disseminated in a way that increases the likelihood of implementing the findings to change practice.

Baroque Relations

2017 ◽  
Author(s):  
VK Preston
Keyword(s):  
Seventeenth Century ◽  
Precious Metals ◽  
Visual Effects ◽  
Performance Practices ◽  
Spanish Colonial ◽  
French Academy ◽  
Founding Member ◽  
Dance Theater ◽  
Performance Traditions ◽  
And Performance

This chapter approaches dance archives and reenactment through analyses of the use of precious metals in drawings of dancers by the seventeenth-century French artist Daniel Rabel. Examining the artist’s album at the Louvre, Preston studies the visual effects of images and materials, testifying to French reimaginings of Indigenous performance practices in early seventeenth-century ballets in Paris. Turning to verse and livrets by René Bordier and Claude de l’Estoile, a founding member of the French Academy, she relates Rabel’s drawings to Andean dance, theater, and performance traditions in Cuzco, Peru. The Ballet de la Douairière de Billebahaut (1626) stages the Inca emperor Atahualpa (“Atabalipa”) as an effigy, satirizing Spanish colonial ambitions. Her approach situates global and trans-Atlantic circulations of performance in major works in the early archives of theatrical ballet in France, addressing reenactment through the work of spectatorship and its ties to archives of conquest.

scholarly journals The specificity of the interpretation of Rodelinda’s pa rt from G. Handel’s opera “Rodelinda”: interpretological approa

2021 ◽  
Vol 24 (24) ◽  
pp. 90-110
Author(s):  
Xin Yuan
Keyword(s):  
Vocal Music ◽  
Point Of View ◽  
Vocal Performance ◽  
Scientific Publications ◽  
Metropolitan Opera ◽  
Performance Traditions ◽  
Baroque Era ◽  
And Performance ◽  
The One ◽  
Interpretative Approach

Statement of the problem. Among the questions that arise, let us single out those that will form the basis of the proposed article devoted to women’s parts in the opera “Rodelinda”: HIP traditions and staging strategies; vocal roles and their possible modifications / transformations under the conditions of specific directing and performing solutions. Analysis of recent scientific publications shows that ‘Handeliana’ is currently very voluminous. Thus, the works of W. Dean (1969), J. Knapp (2009) and C. Hogwood (2007), which have been republished several times, are considered thoroughly; L. Silke (2014) summarized the experience of predecessors and presented new dimensions of scientific understanding of Handel’s legacy. Fundamental are the studies by L. Kirillina (2019). The problem of performing vocal music of the Baroque era has been actively discussed in the works of I. Fedoseev (1996), N. Harnoncourt (2002), G. Kaganov (2013), M. Burden (2009), A. Jones (2006), О. Kruglova (2007), G. Konson & I. Konson (2020). The purpose of the article is to single out the main parameters of the baroque performance of women’s parts in G.F. Handel’s opera “Rodelinda” taking into account the performing traditions and modern trends. The research methodology is focused on the concept of “authentic performing strategy” (Yu. Nikolaievska, 2020), positions of comparative interpretology (Ch. Zhiwei, 2012) and interpretative approach, aimed at studying the specifics of the performance versions. The scientific novelty of the article lies in the application of an interpretive approach to the study of G. F. Handel’s operas. Results. In the 1938 recording (conducted by G. Leonhard), Rodelinda was performed by the famous Cecile Reich, in 1959, 1973 – by Joan Sutherland (in London and Netherlands productions). Closer to the authentic versions is the one performed by Sophie Danneman (1996); there is also a famous recording of 2005 with Rene Fleming (Metropolitan Opera), who was brilliant as an actress (which is required by the plot), but she admired and “played” her voice a little, which does not quite correspond to the principles of authenticity. One of the stars of the Glyndebourne Festival (1998) was the performer of Rodelinda’s part – Anna Caterina Antonacci, who performed her part with the necessary psychological and vocal accents, but, perhaps, somewhat dry and removed, which is why the listener is also removed from the heroine’s tragedy. In 2011 N. Harnoncourt recorded “Rodelinda” (in the title role – Danielle de Niese, who owns the entire arsenal of means inherent in baroque performance). Lauren Woods (recording of the 2016) is one of the most famous performers of the baroque repertoire. Critics have noted her perfect articulation, acting ability and “impressive vocals”. Simone Kermes, who critics call “the mad queen of the Baroque”, is distinguished by bright and temperamental performance, especially incomparable in the interpretation of baroque operas. Conclusions. From the interpretive point of view, mastering the expressive system of Baroque vocal performance traditions, in particular the art of vocal improvisation and ornamentation, consistent with the artistic context and directorial decision, can broadcast for the modern listener the affects and meanings of Handel’s music. The established features of baroque style are marked (affect, which is usually concentrated in such positions as tempo-rhythm, tonality, text, syntax of the melody) and performance (timbre, dynamics, intonation of the melodic line, ornamentation). Rodelinda’s part has been shown to require the ability to switch from one affect to another fairly quickly. In the analyzed interpretations, modern singers (D. de Nies, J. Sutherland, S. Kermez, L. Woods, A. K. Antonacci) practically do not allow themselves to be free, but seek to follow the principles of authentic performance, which is manifested in dynamic, agogic elements, various timbre colors arias (aria of revenge, duet-consent, aria of lamento), the ability to improvise.

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